Cerca:peak time

Remix EP of Viken Arman's album "Alone Together" released last year. Featuring remixes from Acid Pauli, Session Victim and Mano Le Tough.

Session Victim brings their signature blend of groove and warmth to "You With Me." This remix transforms the track into a rhythmic journey, balancing soulful elements with crisp percussive textures, all while keeping the essence of Viken's original track. Acid Pauli combines You With Me and Lonely Raver with his characteristic trippy soundscapes and surreal layers. This rework takes listeners on a psychedelic patchwork of samples and modular rhythm, creating a very unique remix full of experimentation. Mano Le Tough crafts a reflective and emotive spin on "Vibrations." With lush synths and a steady groove, this remix captures an intimate dancefloor experience, blending Viken's analog sound with Mano’s penchant for stirring, dynamic builds. This club mix by Mano Le Tough ramps up the energy of "Vibrations" for peak-time dancefloor impact. Pulsating basslines, intricate drum work, and a driving momentum redefine the track, transforming it into an infectious anthem that demands movement.

Much More delivering six uncompromising cuts from some of the most forward-thinking names in the scene. This is techno in its purest, most powerful form — raw, hypnotic, and emotionally charged.

From peak-time energy to deep mental journeys, each track hits with purpose. No filler. No compromise. Just Techno at its best.

On this 4th release, on his own imprint, London based producer Dying in Beauty presents 4 techno weapons with an old school twist. The 4 peak time tracks showcase a sound reminiscent of early Gigolo, Muller and Missile releases from the late 90s and early 2000s, ranging from EBM infused sounds to groove techno that is hard, yet always playful. This is for the players.

Alexander Johansson & Mattias Fridell return for their third outing on James Ruskin's Blueprint Records to follow their "Geometriska Strukturer EP" in 2023 and "Marvatten EP" last year.

This Swedish duo have built an impressive reputation since their production debut in 2000 and have gone on to release music on labels including Audio Assault, Symbolism, Blueprint, H. Productions, ARMS, XXX Records, and their own Lømsk label which they launched in 2022.

Their new "Bentik Zone EP" features three peak-time assaults alongside a more experimental closing track, set for release on vinyl and digitally on 2nd May.

Tuskegee returns with serious intent and a fresh club weapon from a recognised statesman of house music, Junior Sanchez. Having written and collaborated with artists including Daft Punk, Armand Van Helden, Todd Terry, and Roger Sanchez, ‘Bitch U Could Neva’ pairs Sanchez with vocalist and songwriter Dave Giles II, riding high himself following link-ups with Honey Dijon, Mike Dunn, and a producer on Beyonce’s anthemic ‘Cozy’.

‘Bitch U Could Neva’ is a powerful, instantaneous trip back into the underground style and attitude shared between both artists, reflecting the vibe of Sanchez’s rise to success in the halcyon days of New York nineties clubbing, alongside Giles II’s own youth in the Chicago creative scene. Living up to the attitude of its title, ‘Bitch U Could Neva’ bumps with peak-time energy, jackhammer drums and chopped-up vocals never undermining its fundamental sensuality, an increasingly rare link between true, authentic dancefloors past and present.

The pair then look to London for a confident, stripped-back take from prestigious record collector and curator GIDEON. The founder of dance music institutions Adonis and Glastonbury’s infamous Block 9 goes deep to find the track’s potential as a minimal, vogue-adjacent house workout, scattered with telephone dial tones and an upfront disclosure; “Bitch, I’m serving.”

Back across the Atlantic, Physical Therapy and Michael Mangan team up under their Fatherhood project to give ‘Bitch U Could Neva’ a seriously bouncy redress, winding tight drums atop a rubbery bassline and paying their own Twilo and Tunnel-era tributes with cut-up vocals and an ecstatic onslaught of rave stabs.

Life In Patterns returns with Symmetry of Chaos, a six-track EP by SLV. This EP embodies the Paris based label's signature aesthetic-where dub-chord depth, organic textures, and high-impact rhythms converge into a hypnotic, immersive club experience.
SLV crafts a sonic narrative that balances atmospheric tension with raw, driving energy. Deep, resonant chords intertwine with pulsating low-end grooves, while intricate percussions and evolving textures create a sense of controlled chaos on the dancefloor. Designed for both peak-time intensity and deeper explorations, Symmetry of Chaos is a bold statement in contemporary techno.

STAMPO is back for its second release! This time producer on the rise Rupert Ellis serves you a platter of 4 Chunky Cuts with energetic arrangements for the peak hours of the night..

Hot Creations kicks off its 2021 release schedule next January with a stunning two tracker from Dateless. Titled Bee, the release marks the LA-based artists debut on the label, having previously released on offshoot imprint Hottrax.

The title track takes charge with punchy four-four drum patterns and an infectious lead synth. Driving kick-hat combos provide the overarching rhythm before groove-lead bell chimes come in and out, creating a peak-time dancefloor cut. Line In The Dirt takes things back to basics, blending stripped-back percussion with minimal-laced kicks and a powerful lyrical offering throughout.

Los Angeles’ Dateless is swiftly cementing his reputation as one of contemporary house music’s true heavy-hitters. Performances across major stages in the form of EDC Las Vegas, EDC Mexico as well as Claude von Stroke’s iconic Dirtybird Campouts have brought his unique sound to global audiences. Production-wise, his Cuando Mueves single recently amassed 1.6 million Spotify streams, whilst standout releases on Hottrax, Solid grooves and Viva Music have rightfully established his presence in the scene.

Scottish techno thunderbolt Mha Iri returns to Adam Beyer’s Drumcode with her explosive new futurist three tracker EP ‘Neon Storm’. A Drumcode veteran warrior, Mha Iri boasts standout bestselling tracks on DC’s debut Elevate compilation, A-Sides Vol. 12 (‘Bell’), her debut EP ‘The Unexpected’ and 2024’s ‘Bombay’ EP. A YOZE remix of ‘Bell’ also featured on Elevate Vol II.

Now ‘Neon Storm’ launches another rip-roaring year for the Edinburgh artist, following early 2025 shows at fabric and Gashouder for Awakenings New Year, and an incredible 2024: an Australian tour inc. Carl Cox’s Eat The Beat festival alongside Lilly Palmer and Chris Liebing; her EP debut for PIAS Électronique supported by Mixmag, Clash, DJ Mag, Jaguar/BBC Dance; plus releases on Filth on Acid and TRICK.

‘Neon Storm’: the title track juxtaposes rampaging techno beats of pure primitive power, with futurist dystopian elements – fuzzy hoover growls and stabs, doppler builds, and an unsettling robot girl’s vocal riffs. A mysterious operatic choir surprisingly dovetails with the resulting soundscape as the dark sounds become increasingly ominous.

‘Moving Machines’ keeps up the energy with galloping techno, metallic stabs and a chopped melody with a 90s vibe as a rising doppler siren you can feel in your teeth spans a gargantuan breakdown… another shot of dance dynamite.

‘No Return’: similarly powerful, its resistless onslaught of thudding beats, bass snarls and regiments of rattling hi-hats herald spacey FX and an alien-like melodic vocal, alongside a suitably almost-Scottish-influenced melody.

'Neon Storm' is an apt description to this colourful yet chaotic set of tracks that have been making serious impact in my sets across the last months of touring. I wanted to create an EP that represented my energy but drew from the best Drumcode groove style and I’ve been so happy to watch how they go down in Adam’s peak time sets too.’

Emily Jeanne presents quỳnh, her new label founded on psychedelic club music expressions. Call Of The Sea is the debut, 4 tracks unfurling experimental dancefloor movements of half step hypnosis and deep percussive explorations.

Loosely nicknamed “queen of the night” in Vietnamese, quỳnh thrives as a nocturnal flower. It serves as a light-hearted metaphor for Emily Jeanne and her authentic approach to late-night electronic music. Previous releases for PM+ explored devious peak time sounds, but her new label quỳnh launches with a fresh look. Its inaugural release Call Of The Sea showcases an adventurous new side to Emily, away from convention into something more ambitious and excitingly new.

Opener Wet Skin rumbles deep and quick with hypnotic fervour, plummeting kicks into its stark rotating abyss. Rolling taut, Count Me Out steps further with minimal guise as it moves sprightly on its reduced DnB dynamics. Đồ Sơn At Night unfurls differently, a change of pace where percussion and gurgling synths drift loosely down the track’s hallucinatory stream. Gone Water flexes stranger, its martillo polyrhythm transfixed heavily on the psychedelic chamber it inhabits. A fascinating first entry into the quỳnh canon from an artist in her finest form.

Collecting Orders For Repress

Debut EP on Grape City Records for French young wizard Alpine DJ, full-heart producer, profoundly musician, formerly known behind the decks for depicting his high intensity creativity through energetic DJ skills, or sharing machines with his companions of Hanna & Robbie, delivering entrancing and shamanic live acts.

Alpine DJ evolves in « Illusions » with playful synths, epic adventurous lines, shooting star lasers, penetrating colors and pearlescent layers, and delivers a glazed 4-track EP rooted in post disco heritage gloomily twisted with new-school trancy house oddities and futuristic techno driven bass lines. Propulsive gear for peak time and ascensions of euphoria, settled in dreamy and spacey energies, proving Alpine’s shrewdness in musical and production search exploration, a juvenile yet extra-sharp lucidity.

DJ Rocca and Chris Coco spent some time hanging out together by the pool at an intimate festival called La Casella in Umbria in the
late summer of 2019.
They spent a lot of time talking about Italo Disco, the Rimini / Riccione riviera in it’s heyday in the 90s and classic clubs from the early
days of the Italian scene.
By the end of that beautiful weekend they had decided to make some music together that would somehow capture and reflect their own
hazy memories of places they visited or played and nostalgic dreams of earlier scenes they were too young to participate in.
Over the ensuing months the idea developed into an imaginary retro-futuristic club called CocoRocca DiscoTeca, a fantasy version of
a past club that never existed and at the same time a future club that was really possible to create one day.
If there was such a club, what would the music sound like?
Surely, a fusion of various sounds of dub/house/disco that the pair of DJs had been collecting and playing out for years. So inspiration
lists were made and ,slowly, a soundtrack for a night at that imaginary club began to take shape, beginning slow and dreamy, for the
moment of arrival; lifting up to a peak; and finally drifting down to the final tune of the night.
The result goes something like this…

Spread across two discs for maximum fidelity, this is sound system music with grooves primed for mixing and dialed-to-a-Tee bass weight, but hovering above the grounded structures are fleeting rhythmic textures that veer things off into a world worth getting lost in. Throughout its 11 tracks, “Club Dream” plays out like a full mix, ebbing and flowing through a variety of energy levels and moods. Some of the range you’ll find here includes half-time dream-step, peak time pulses, and dubbed out mid-tempo tech, all done with a cohesive restraint and appreciation of atmosphere. The record imparts it’s own kind of dance floor dream logic onto the listener, inviting us to let go of making sense of things and trust in its fuzzy logic.

Art Of Tones returns to GAMM after the success of his '3 Woman EP' with the '3 Men EP', an record where the male vocals come into focus.

We're starting off with 'International Truth', a huge soulful and uplifting disco/soul jam with big vocals and a large dose of feel-good vibes...a proper peak-time tune!

The B-side offers a rework of a rare and much sought after afro-disco cut and an amazing rework of one of those Stevie Wonder under-the-radar tracks that most of us probably have overlooked.

Presenting the second vinyl release of Chez Doc, featuring Call Intro, Oter Order, Joshko and its owner Vikk. Black Shiokara refers to a traditional Japanese elaboration of the squid, which is presented only in his own black ink.

The record is designed not only for peak time moments, but it varies from House in its pure essence, to Breakbeat, to dreamy Deep-House and Rastafari Vocals. The EP embodies the spirit of unpolished, pure dance music, making it a must-have soundtrack for anyone seeking a record for different moments.

Probably the Three most dancefloor tracks from the forthcoming Bad Girlz album “Bad Girlz at Work”
I am Savage is a peak time floor filler with Nineties tech vibes with a vocal hook adapted from Breach the Peace. Little Miss information is an all smiles pumping electro hit and It’s a banger ? The clue is in the name … The vinyl sampler will be released on 13th March with the full album in Digital format to follow on the 19th.

Black Vinyl Repress

We have a proud introduced 4th vinyl-only release from our original series, featuring Romanian artists Funky Trip with two original cuts and Barac on remix duties. Titled “Alpha EP”, the record delivers a solid dose of inspiring minimal rhythms mastered by Mike Grinser at Manmade Mastering Berlin.


Funky Trip stands out from the Romanian new wave of electronic music producers, exploring an endless universe of distinct sounds and emotions reflected on his releases with Rawax, Nazca, Stamp Records, Artreform and others. On this EP, he invites acclaimed local artist Barac of Moment Records to join in and leave his fingerprint on the title track, laying out a soothing rhythm influenced by psychedelic elements.

Side A opens with the title track, “Alpha”, an immersive minimalistic composition powered by dreamy background atmospheres, swinging drumming patterns, a solid wobbling bassline and mysterious vocals that seamlessly intertwine with tension-building chords and breathing moments. Following, “Dreams” gets a bit more groovy, focusing on the percussion, the punching keyboard stabs and the phased effects that run throughout the track, all while having a subtle touch of melancholy radiating from the piano and complementary layers.

On the flipside, we find Barac‘s reinterpretation of A1 dropping a twisted progressive sound that constantly evolves as wave upon wave of spiralling synths and chugging drums mix in a massive dancefloor tool perfect for peak-time moments at any party.

Artwork by Jose Alvarez


Early support by Gescu, Sepp, Nu Zau, Mihai Pol, Sublee, Charlie, Lumieux, Tania Vulcano, Costin RP, Iuly.B, Crihan, Primãrie, Zenk and more..

After years of silence dedicated to side projects, DJENA makes a triumphant return with his solo EP, In Motion. A testament to his passion for eclecticism, this release seamlessly bridges house and breakbeat, enriched by a stunning remix from the legendary French producer DJ W!LD.

The journey begins with the title track, In Motion, a hypnotic breakbeat composition where deep pads intertwine with tribal vocal elements, evoking raw emotion and sonic depth. This track is designed to captivate both the ears and the heart. DJ W!LD then takes the reins, transforming In Motion into an irresistible dancefloor anthem. His remix injects a house-driven groove, elevating the track into an emotive yet club-ready masterpiece.

Flipping to the B-side, Thrust propels listeners into a deep tech-driven rhythm, gradually intensifying into a peak-time energy surge. Rounded arps, subtle vocal textures, and celestial pads craft an immersive, ethereal adventure—blurring the lines between introspection and movement.

Closing out the EP, Veer is a sublime after-hours gem. Its bouncy bassline and tech-house rhythm are complemented by atmospheric pads and haunting vocals, leading the listener into a space where both mind and soul find fulfillment

In Motion EP is a refined sonic exploration, balancing depth and energy in perfect harmony. DJENA’s return marks a powerful statement—one that will undoubtedly resonate on dancefloors and beyond.

Second radioactive blast of previously unreleased techno from the 90s and 2000s on the vinyl only label Kilotoni. Peak time acid techno with minimal funkiness on the flip side.

Every label’s first release sets a tone. With "Pegasi EP", Saraw establishes itself with a focus on sonic precision and ethereal atmospheres, exploring the intersection of house, techno, and minimalism. Founded by Root, the label debuts with Apolinic, a project that approaches these genres with a sharp, cinematic aesthetic. "Pegasi EP" emphasizes rhythm, space, and texture, with remixes by label owner Root and seasoned producer Tommy Vicari Jnr.

'Alt Nod De Cravata' (A1) builds around crisp percussion and evolving walls of sound, creating a subtle yet persistent momentum perfect for special peak-time moments. 'Root’s remix' (A2) deepens the original’s swing, heightening its hypnotic effect through morphing basslines, shuffling hi-hats, whispered vocal fragments, and emotive pads. 'Sense Of' (B1) plays like a sequel to A1, delving further into its subdued yet cinematic power, infused with oriental-tinged atmospheres. 'Tommy Vicari Jnr’s Remix' (B2) reshapes the original with a refined, pumping house structure, threading acidic undertones through the same atmospheric palette.

Saraw is centered on refined electronic music—focused, understated, and designed for both dancefloor action and deep listening, and "Pegasi EP" marks the beginning of a carefully curated catalog.