Cerca:peak time

WOLF PACK” is Livigesh's fifth album and his first album to be pressed onto vinyl. From the 2 years of making “WOLF PACK” Livigesh feels he grew as an electronic music producer and performer. To Livigesh, “WOLF PACK” seems like his first album. His drum programming has evolved into something more complex, and his use of musical elements have started to become more diverse and creative. These developments made “WOLF PACK” something that sounds familiar and alien at the same time.

ACID KLAUS, the new collaborative solo project from songwriter-producer and Northern England cult leg-end, Adrian Flanagan (The Moonlandingz, International Teachers of Pop, Eccentronic Research Council & lots more) announces his debut concept album co-produced with his music partner in the ERC, Dean Honer titled Step On My Travelator: The Imagined Career Trajectory of Superstar DJ & Dance-Pop Producer, Melvin Harris which will be released on Yard Act"s ZEN F.C. label. The album features contributions from Adrian"s long-time collaborators and friends including actress, Maxine Peake, US musician and video director, Charlotte Kemp Muhl (Ghost of a Sabertooth Tiger), Maria Uzor from Sink Ya Teeth and the Bradford-born pop-noir singer (currently singing in The Specials), Hannah Hu who is joined on lap steel guitar on a track by Richard Hawley. The album is completed by a whole host of fresh and exciting artists (as well as the aforementioned Lieselot Elzinga) - there"s the enigmatic Queen Bee of the Calder Valley, solo artist, Bianca Eddleston who goes under the name Soft Focus and finally from South Wales (and the current talk of the South London scene), the incredible welsh language singer-songwriter, Cat Rin.

(feat Demarkus Lewis/Come Correct mixes)

Although he's been releasing music since the tail end of the noughties, it's a while since vinyl lovers got the chance to hear fresh material from Trevor Vichas. This surprise 12" for the fast-rising Purveyor Underground Ltd label is therefore a welcome surprise. On title track 'Miss Nice' Vichas wraps jazzy guitar, keys and vocal samples around a chunky, loopy, filter-sporting deep house groove. Demarkus Lewis successfully takes the track up a notch or two on his accompanying remix, before Vichas doffs a cap to the jazz-fired Chicago boompty sounds of Greens Keepers and Mike Dixon on 'Monday Jazz'. The Come Connect mix of that track, which rounds off the EP, is a pleasingly bumpy, bass-heavy and energetic revision that's crying out for peak-time plays.

Rhythm Nation is back on vinyl, with a master of the deeper side of UK house and Detroit-inflected techno, Jayson Wynters.

Following up his 'Exit Wound' digital-only release of last year, which also featured remixes from Phantasy Sound's James Welsh, Jayson drops two brand new tracks as well as a physical pressing of those two originals from the previous release.

'War Heads' is a true late-night wormhole of a track, embarking on a journey of percussion and atmosphere, leading inexorably to the emergence of the warmest pads and the deepest bass.

'Bandwidth' flips the switch to a fresh take on classic electro, maintaining the signature Hayson Wynters sound of drum machines and classic synths that seem to hit just slightly left of where the listener expects.

Orginally released digitally in 2022, 'Exit Wound' and 'Lost City' offer a similar contrast - the former is a bassline-driven peak-time stomper, while the latter takes things deep into real electro with an infectious groove and evergreen textures.

Rhythm Nation is part of the Hotflush Recordings label group, curated by Paul Rose aka Scuba, celebrating 20 years in 2023.

Sparkle Blue vinyl (limited to 200 copies)
VNR label boss Chippie coming with this double A sided release. Ocean love has been shaking dance floors all across the world with its combination of dirty Reece Bass and a serious amen workout, catchy gospel like vocal making this an upto date sound from the high times of when atmospheric drum and bass was peaking in the scene.
This flip is staying on the same vibes but infused with a reggae themed vibe.
Records Available

We are proud to finally present you the first release of our label. Starting with a powerful vinyl by Dutch newcomer Y-NØT.

The melodic, more modern A-side is a mix of classic synthlines and modern drums, while the B-side consists of two pure, timeless peaktime tools. The EP already gained early support by DJs like Amelie Lens, SHDW & Obscure Shape, Klangkuenstler and many more.

Remixes by: Cynthia Spiering, Jayat & Lamin

It is of course impossible, but we will risk it anyway, because this "Live In Paris" delivers her at her peak: eight tracks recorded at the Olympia between October 1956 and June 1957, and four others at Bobino, in March 61. The singer, who had just begun a film career (which she had not yet anticipated would be highly ephemeral), was at the height of her career. The time of the lean cows and the Taboo is over.

Now firmly established in the forefront of the great performers of French Song, we find her here singing Desnos, Queneau and Mac Orlan, alongside Brel, Trénet, Ferré and Brassens. And it's almost as if we were there: starting with a rare duet with Eddie Constantine, she is accompanied throughout by the quartet led by the piano of the faithful Henri Patterson, and the accordion of

Freddy Balta. In addition to Ferré's famous "Jolie Môme", she delivers here her famous version of Queneau and Cosma's "Si Tu T'Imagines", as well as Brel's "On N'Oublie Rien", and notoriously, Brassens' "Chanson Pour l'Auvergnat".

We're thrilled to welcome Jabes for his debut on Timedance, following up on releases for Klunk and collaborations with Happa.

The London-based producer delivers a couple of tried and tested peak time mind-benders. Both tracks are designed to encapsulate the feeling that the entire room is about to take off, speakers, dancers and yourself included.

Super charged with bass weight, this pair of tunes carries irresistible propulsive powers fueled with scintillating hi-teq sonics and sleak percussion work, providing the prescription to help dancefloors ascend into pure madness.

Tyranny and Mutation is the second studio album by American hard rock band Blue Öyster Cult, released on February 11, 1973, by Columbia Records. The album was recorded at the Columbia Studios in New York City during the year before and was produced by Murray Krugman and Sandy Pearlman. On May 12, 1973, the album peaked at #122 on the Billboard 200.

The song “Baby Ice Dog” features lyrics by singer/poet Patti Smith (who was keyboardist Allen Lanier’s girlfriend at the time), who would make several lyrical contributions to the band’s repertoire during its career. The song “The Red & The Black”, with lyrics referencing the Royal Canadian Mounted Police, is a renamed, re-recorded version of “I’m on the Lamb But I Ain’t No Sheep” from the same-titled debut album. The song was later covered by the Minutemen and Band of Susans.

Celebrating its 50th anniversary, Tyranny and Mutation is available as a limited edition of 2000 individually numbered copies on translucent blue coloured vinyl.

One of DEEWEE’s newest family members, 25-year-old Belgian musician and producer, Mozes Mosuse aka Movulango shares news of his debut EP “Mirror In Man” - out 18th November.

“We’ve always called him the psychedelic romantic of the studio,” say David & Stephen Dewaele, founders of DEEWEE / Soulwax.

“Mirror in Man” is proof that you shouldn’t put a time limit on creativity. An utterly forward-thinking five-track musical adventure taking in psychedelic folk jams, woozy electronica and looped-up beats, it is the culmination of a five-year process for Movulango. A journey that has seen Mozes transform from dancefloor-slaying producer (his previous credits include being one-half of Ego Troopers and Future Sound of Antwerp) to a kind of West Coast pop art Balearic troubadour.

ONE SIDED BLACK VINYL.
First ever release of the scariest, most inappropriate and possibly most influential kids TV music of ALL TIME.
'A first-ever release to the series' alarmingly experimental soundtrack'
SHINDIG! Five Page Feature.

There is only 17 minutes of music throughout the series, so we have fitted it all onto a one sided LP. Artwork is by Julian House – legendary hauntologist (Belbury Poly etc) and the man behind some of the greatest spooky band artwork of all time- Stereolab, Broadcast, Primal Scream etc etc.
Sleevenotes by Stewart Lee and inner sleeve notes by Alan Gubby of Buried Treasure Records.
It all looks and sounds superb. Of course it does because it’s a Trunk Records release. AND REMEMBER THIS IS NOT A REISSUE!!! SO DON’T SAY IT IS WHEN YOU TRY AND SELL IT.
anyone who watched was scared shitless. The 7 part drama centred around disturbing happenings in a strange pagan village of very weird and unusually happy people, all set in the midst of the stone circle at Avebury – known as Milbury for the show.
The series shown across British TV (and USA TV in 1980) would scar, disturb and influence an entire generation. Without COTS it’s unlikely we’d have hauntology, spooky folk stuff, stone circle clubs, weird walks and a hunger for such pagan oddities everywhere. And COTS really is the key TV series in many of these modern movements, way before The Wicker Man. Even though The Wicker Man was released in 1973 it was an adult film only released to a few cinemas.
Very few people saw it and its influence really started in the late 1990s with the first release of the music. Whereas COTS on the other hand was shown at 5pm, on schooldays, to a whole nation of impressionable kids, who had never seen or heard anything quite like it. The power of COTS runs deep. So much so Stewart Lee made a whole documentary about it. The release of this long-awaited album will be a “Happy Day” for many.
THE MUSIC:
According to rumour the director of the show was listening to Penderecki as he first approached Avebury to scope out locations. Sidney Sager and The Ambrosian Singers produced an avant-garde and often quite oddly terrifying sequence of vocal drones and dramatic peaks based on ancient Icelandic singular word “Hadave”. And yes, it’s still scary.

Red Vinyl
On his 2000 debut, Da Abtomatic Meisterzinger Mambo Chic , Megira channels the optimism of post-war America, narcoleptic surf, and the Twin Peaks soundtrack into a lo- fi lo-rider masterpiece all his own. Sung in both Hebrew and English, Mambo Chic moves at a deliberate pace, unconcerned by the traffic of the modern world and wrapped in a blanket of Tascam 4-track hiss. On "Tomorrow's Gone" Megira achieves the feat of being so far back in time that he's somehow living in the future and waiting for the rest of us to arrive. Hear our 2 favorite cuts in back- saving, crate-flavoring 7" format ripe and ready the dive bar soundsystem hosting your favorite BYOV night.

After previous releases with Chicago heavyweights like Rahaan and Darryn Jones, Dublin based disco messers Fatty Fatty return to Chi-Town once again.

This time they have Sadar Bahar on board, who expertly applies the scalpel to two heavyweight tracks along with Marc Davis.
The A-side is a thumping slice of mid 70's Philly gospel disco, with the famous Baker/Harris/Young rhythm section present and very correct. Splicing sections of the album cut and the 45 to create a driving extended mix for the floor, this is one for the peak-time dancers.

On the flip is a wild barrio jam for the more adventurous DJ, hitting hard with Latino rhythms and a mesmeric piano line that builds and builds in the background before taking over completely towards the end and knocking you for six. It's been getting rapturous receptions from Sadar's dancers during his summertime festival sets, and no doubt it'll still be doing the do all the way through the 2023 season..

First Episode’ is the ultimate work of duo Re-Arbeiten, Ziv Matushka and Natalie Bar. Previously displaying their vast array of complexities, this one facades a more introvert and delicate peak into their glitchy IDM-infused language. As often is the case with Matushka’s productions, they manage to speak the most lyrical poetry using the harshest most elaborate grammar, and vice versa at times, a skill that’s reserved only to the true greats.
This is the duo’s first album, and is one of three which will be released in the coming years. Ziv and Natalie sadly passed away in 2020 and this release is very much in their dear memory.

Semi Delicious is wrapping up the 2022 with a set of collaborative remixes of bossman Demi Riquísimo’s personal SD stash.

Following on from 2019’s ‘Reconfigured’, 'Reconfigured 2’ see’s Manami, Gallegos, Gina Breeze & Asa Tate put their own imitable stamps on the back catalog of label head’s own Semi Delicious back catalog.

First up with have Japan born, Peckham based Manami’s interpretation of ‘Mirage Over’. Originally released on SEMID008, Manami’s fingerprints are all over this revised iteration. High energy, twisted prog with balearic touches make for a considered & unique reimagining. Fresh from tearing apart Panorama Bar, Gallegos puts his spin on disco tinged roller ‘Point One’. Vintage percussion characterise a remix that wouldn’t sound of out of place in the bag of Larry Levan or Ron Hardy. The b-side kicks off with HomoBloc & Warehouse Project resident Gina Breeze beefing up the low end and levels of psychedelia on ’Sanitise’ making for some serious peak time gear. To wrap up the package we have Asa Tate’s revision of ‘Anxious Elephants’. Breezy piano and panpipes contrast the records chugging low end and acid inflections creating a truly versatile track suitable for shifting the mood up or down in a given context.

(Incl. Ida Engberg Remix)

Mysterious duo Manqo return to Damian Lazarus' imprint with Always Something. Following their first release on the label in 2021, called Breaking Hearts, their latest two-track EP displays the pair's penchant for compelling house music, produced with a tribal twist. Swedish star Ida Engberg adds her own flavour to the release with a progressive-tinged remix.

The title track opens with a chugging kickdrum and shaker-like percussion, as soft lyrics simmer between a melancholic, piano-led melody. It's moving but still appropriate for an intimate dancefloor. Ida Engberg delivers a progressive take with her remix. She mutates the stems of Always Something by adding dramatic touches to the synthline and stretching out the breakdown to create a tense atmosphere that explodes into a peak-time production. A perfect prog-house meets melodic techno remix.

LOCUS unveil the second instalment in their VA series ‘LOCUS Trax’ with fresh material from Mathijs Smit, LaRosa, BODJ, and Nolga.

Continuing to quickly grow as one of the most-loved emerging labels in the game, LOCUS looks set to go from strength-to-strength throughout the remainder of 2022 as the FUSE family builds yet another label offering quality and consistent material from across the house sphere. Having launched their new various artist series LOCUS Trax earlier this year, TBC welcomes the arrival of the sophomore offering with four fresh productions as Groningen’s Mathijs Smit, Brooklyn’s LaRosa, Athens’ BODJ and Manchester’s Nolga all make label debuts.

Mathijs Smit’s ‘Green Hill’ is a slinking cut guided primed for peak time fun as slinking acid tinged low-ends meet playful samples and sweeping pads, while ‘Amelia’s Groove’ sees LaRosa work shuffling drums amongst warped vocals and rich melodies. Next, BODJ veers towards spacey sythns and colourful electronic motifs across ‘Back To Party City’, before Nolga lays down woozy chords on top of a no-nonsense bassline to close the show.

Strut present a new repress of the influential first volume of 'Disco Not Disco' compiled by Joey Negro and Sean P as part of the label's 20th Anniversary.

'Disco Not Disco' was a perfectly timed compilation back in 2000. Released when interest in the myths, history and playlists of original New York clubs like Paradise Garage and The Loft was at its peak, the album drew on the outer limits of leftfield disco championed by Levan and Mancuso, bringing together unlikely dancefloor anthems by rock acts like Yoko Ono and Ian Dury, obscurities from cottage labels like BC and Splash and selected oddities from the unique mind of avant-garde hero, Arthur Russell.

It was essentially a celebration of the sonic melting pot in New York during the early '80s, an era when punk had burnt itself out and disco had become commercial and saccharine; in its place, the post-punk movement threw up brilliant oddities which tore up the accepted rulebook.

The album features full original artwork and Kris Needs' sleeve notes and is remastered and cut by The Carvery.

RC02 is the much awaited vinyl release of the tracks from the second fundraver by Rhythm Research. Showcasing four tracks that offer dark and textured moments courtesy of label artists Surt, Reticent and head honcho Ritual Cycles.

Side A sees the much awaited track "Ten" by Surt on wax featuring his signature cinematic immersive sound. "AT" by Reticent is an imposing sound design journey centered around a spooky pad brought forward by his trademark bass configuration.

The B side is the Ritual Cycles side with "Collapsing Singularity" - a blueprint of a peak time time warping composition. Finally live duo InsideOut close the EP with their spin on "Hot Coal Dance" .

All proceeds go to Lilipad e.V.
Lilipad e.V. is a Berlin based non-profit initiative that aims to facilitate access
to education to underprivileged children. We provide little libraries.