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Die Serie der Depeche Mode 12"-Vinyl-Singles als Sammleredition wird mit der Veröffentlichung von "Delta Machine - The 12" Singles" am 6. Oktober 2023 fortgesetzt. Das Deluxe Boxset "Delta Machine - The 12" Singles", enthält sechs 12"-Vinylscheiben, mit den Single-Auskopplungen von "Delta Machine", dem 13. Studioalbum von Depeche Mode (und dem ersten für Columbia Records). Ursprünglich im März 2013 auf Mute/Columbia veröffentlicht, präsentierte "Delta Machine" den Fans "Heaven" (als Leadsingle im Januar 2013 veröffentnlicht), "Soothe My Soul" (im Mai 2013 veröffentlicht) und "Should Be Higher" (im Oktober 2013 veröffentlicht). Das "Delta Machine - The 12" Singles" Box-Set enthält Repliken der originalen 12"-Single-Veröffentlichungen plus drei neu zusammengestellte Discs mit Remixen, Dub-Mixen, Instrumentalversionen, Live-Sessions und Radio-Mixen der Singles sowie den Bonustrack "Goodbye (Gesaffelstein Remix)".

Remastered Re-Release des 1980er Albums des belgischen Synth-Pop-Trios, inkl. des Songs 'Euro-Vision', mit dem Telex Belgien beim Eurovision Song Contest repräsentiert haben.

Erste Vinylreissue eines Harold Budd-Klassikers, der ursprünglich 1988 erschien. 'The White Arcades' wurde teilweise im Studio der Cocteau Twins aufgenommen und mit Hilfe von Robin Guthrie und Brian Eno produziert. Die ungezwungene Mischung aus glitzernden Synthesizern, klaren Klaviertönen, nebligen Texturen und Raum ergibt ein wunderschönes, kontemplatives Ganzes.

'Obwohl ihre Aura ätherisch und weltfremd ist, ist Buddhas Musik tatsächlich eine beispielhafte Form von menschlich nützlicher Musik. Wenn die alltäglichen Dringlichkeiten des Lebens oder der Unsinn unserer politischen Kultur einen aus der Fassung bringen, was heutzutage so gut wie jeden Tag der Fall ist, kann man diese Musik auflegen und ihre Stille und Anmut in sich aufnehmen. Seine Platten sind genau die Art von Musik, die man bei einem Trauerfall spielen würde, um Ruhe und Trost zu finden - oder bei einer Trauerfeier, bei der jemand zur letzten Ruhe gebettet wird. Harold Budd klingt wie der Himmel auf Erden.' - Simon Reynolds

Ltd. Auflage auf transparentem Vinyl im Gatefold mit Archivmaterial - Harold Budd im Interview mit Carl Stone - plus Download-Code.

From small beginnings in 1974 as a local cinema and university event, Film Fest Gent has grown yearly in stature and is now recognised as one of the major destinations for the film industry. A vital component is the celebration of film music in the shape of the World Soundtrack Awards which honours the very best composers at work in the world of cinema. In 2016 the award went to one of the most brilliant composers of his generation, Ryuichi Sakamoto. This is the first overview of his remarkable catalogue of film scores, fully approved by the composer and performed by the masterful Brussels Philharmonic under the baton of Dirk Brossé. Sakamoto was already a celebrated pioneer in electronic music and composer/pianist/singer in Japan when director Nagisa Oshima asked him to write the score for Merry Christmas Mr. Lawrence in 1983 and also to star alongside David Bowie. In a 30 year plus career since then he has worked with the cream of film directors including Bernardo Bertolucci (The Last Emperor), Brian De Palma (Snake Eyes), Pedro Almodovar (High Heels) and most recently Alejandro Gonzalez Inarritu (The Revenant). This compilation is a fitting tribute to his status as one of the greatest living musicians and film composers.

Zwei Millionen Umsatz mit einer einfachen Idee – das war der Plan beim Debüt der Kölner Rockband The Screenshots. Die Bilanz Chartplatz 45, Pandemie und Plus-Minus-Null. Zeit für ein neues Kapitel, das sich nicht mit Umsätzen, sondern dem Menschen beschäftigt. Mit viel Spielfreude, Leichtigkeit und einer neuen Direktheit: Herzlich willkommen im Wunderwerk Mensch!

Und so macht die latente Dauerironie der ersten Jahre Platz für eine andere Form von Wahrhaftigkeit. Von reinen Akustiksongs wie dem Opener “Wunderwerk Mensch” oder dem Closer “Großeltern” über Pop-Nummern im engeren Sinne, von “Wie es vorher war” bis zum licht- und chorusdurchfluteten “Die Sonne scheint”. Der energetische Screenshots-Sound, der mit der ersten EP “Ein starkes Team” etabliert wurde, wird in “DIN A8” wieder aufgegriffen; ein Song, in dem mehr oder weniger alles aufgezählt wird, worauf es im Leben ankommt.

Ennio morricone's 1975 soundtrack for french film "peur sur la ville," reissued for the first time on double vinyl including a 2nd lp worth of bonuses. Approved by ennio morricone and remastered from the original tapes with liner notes by fellow musicians am and jb dunckel (air). Gatefold sleeve designed by eric adrian lee..

Wewantsounds is delighted to announce the very special reissue of one of ennio morricone's most striking soundtracks composed for henri verneuils' 1975 film peur sur la ville (fear over the city). This special edition includes the original score released in 1975 plus a second vinyl worth of bonuses which have never been out on vinyl. These includes two tracks making their official debut after 45 years.

For this album Ghetto Kumbé has enlisted an all-star roster of artists from four different continents, they’ve put together a fresh version of their debut album that’s been specifically geared to the world’s diverse slate of dancefloors, whether at home or in the club, this double 12” 45 RPM is the perfect format to experience this music. There's no denying the power of the drum. It's primal, it cuts across borders and most importantly, it makes you want to move. Ghetto Kumbé don't just understand that they celebrate it, and it's why the tambor was at the heart of the Bogotá-based trio's 2020 self-titled debut album. Rooted in mysticism and the Afro-Caribbean rhythms they'd grown up with all their lives, the critically acclaimed LP thrillingly updated the traditional Latin template, folding in elements of modern hip-hop, house and bass music while also delivering a transportive Afro-futurist vision. On Clubbing Remixes, that vision has been further amplified, as Ghetto Kumbé who were already one of Colombia's most prominent alternative acts have now gone fully global; enlisting an all-star roster of artists from four different continents, they've put together a fresh version of their debut album that's been specifically geared to the world's diverse slate of dancefloors. As the title implies, the new LP is meant for the club, which is why Ghetto Kumbé have turned to Latin music heavyweights like Trooka a multiple Grammy winner whose resume includes work with Lin-Manuel Miranda and Residente and Monte (a.k.a. Bomba Estéreo founder Simón Mejía), along with top-shelf DJs like Nickodemus and Uproot Andy, two NYC artists who've spent decades championing Afro-Latin rhythms. True to the LP's global spirit, the record also includes reworks from batida maestro DJ Firmeza, fellow Afro-Portuguese outfit Studio Bros and Parisian house groovers Les Enfants Sauvages, plus genre-blurring remixes from sonically adventurous Colombians Montoya (himself another ZZK artist) and Cero39. Even the artwork on Clubbing Remixes is a remix, as Ghetto Kumbé have tapped Uganda's Denzel Muhumuza to transform the cover of their debut album into a new, explicitly Afro-futuristic illustration. Depicting a strong Black face and glowing neon fauna beneath a sparkling moonlit sky, the fantastical image speaks to both the ritual magic and Afro-indebted heritage of Ghetto Kumbé's music, and thanks to Clubbing Remixes, the group's passionate, drum-fueled sounds will soon be blasting out of soundsystems around the globe.a

Heavenly Recordings release the next two volumes in their series of remixed classics and unreleased versions. ‘Heavenly Remixes 7 & 8’ sees the label going back into the archive, as well as picking off some more recent remixes, and both albums primarily feature either previously unreleased versions or re-workings available for the first time on vinyl and CD.

Heavenly have always seen immense value in the remix, a value way beyond what it might bring commercially. Since their first release in 1990 (where Andrew Weatherall overhauled a one-off single by club kids Sly and Lovechild) Heavenly remixes have been carefully curated and treated as a key part of the A&R process. It’s an opportunity to view an artist through a different prism, to play out a musical ‘what if’ scenario. It’s the kind of exploration that’s happened consistently through the thirty plus years the label has released music.

The ‘Heavenly remixes’ series continues to showcase the very best remixes, versions, meditations, re-rubs and dubs from all around the world of artists right across the roster of the country’s most exciting record label. In most cases, the albums offer the first physical release for a remix, elevating them from streaming playlists to their rightful, spiritual home on super heavy vinyl (or shiny, super-packed compact disc).

Heavenly remixes 7’ heads to Belfast, where David Holmes - a producer who first appeared on Heavenly in 1994 amping up the acid on Saint Etienne’s ‘Like A Motorway’ - appears as solo artist and as one third of Unloved, who get a lift right to the heart of a Vauxhall sweatbox by Horse Meat Disco. It draws a line between Amsterdam and Frankfurt as Ludwig A.F. amps up the electronics on Pip Blom’s ‘Keep It Together’. It stops off in a south London studio where super producer Dan Carey plays the desk with Toy, then relocates LA psych rock band Fever The Ghost to an Ibizan shoreline as the sun sets on the horizon. It cements Sheffield’s reputation as the home of modern British techno with the return of true originators Forgemasters. And it pitches up in front of a renegade soundsystem late night at Glastonbury as Erol Alkan’s mighty rework of Con Man gets its third rewind of the night.



‘Heavenly remixes 8’ opens with Space Afrika’s lush, ambient reimagining of the Orielles’ ‘BEAM/S’ before Justin Robertson stretches Amber Arcades’ ‘Turning Light’ into eight minutes of electronic dub. Elsewhere, Baxter Dury’s peerless ‘Miami’ becomes a string-laden electro skank in the hands of French producer Pilooski; Edinburgh’s bedroom techno genius Eyes of Others’ ‘Safehouse’ turns into an East End bathhouse courtesy of disco deviants Decius; Ashley Beedle’s Black Science Orchestra turns Unloved’s heartworn torch song into seven minutes of glimmering dreamlike percussive house and Katy J. Pearson’s freak flag is flown high thanks to The Umlauts’ throbbing filtered electro mix. It ends similarly to how it began as TONE takes

Fran Lobo’s ‘All I Want’ on a gorgeous slow motion spacewalk.

Celebrating his 70th year in show business, Pat Boone, legendary singer, actor, songwriter, and author is reconnecting with his Nashville roots with a milestone country music project, Country Jubilee

Included in the 25 tracks are 5 Pat Boone Top 100 Country recordings, Boone's recordings of classic hits by Country legends, plus a new recording of the classic duet and Billboard #1 'You and I' (with featured guest artist Crystal Gayle), and Pat's new song, 'Grits' (with featured guest artists Ray Stevens, The Gatlin Brothers, Lorrie Morgan, Deborah Allen and Dean Miller), tailor-made for the line dancing crowd.

The Commemorative Edition 2CD format includes a 56- page booklet with 'The Story Behind the Song' (compiled by hit Country songwriter Frank Myers), 'I Remember Red' (influence of father-in-law and Country music pioneer and Grand Ole Opry co- founder Red Foley), lyrics, and archival and behind- the- scenes photographs.

'Released via Sony CMG - 'Scouting for Girls' unforgettable pop anthems such as 'She's So Lovely', 'This Ain't a Love Song' and 'Heartbeat' set them on a path to phenomenal success which included four Top 10 singles, four Top 10 albums, 2 million sales and more than a billion streams - plus four BRIT Awards and an Ivor Novello. After so many highlights, the trio questioned where to go next as they planned their seventh studio album. The solution? To return to their roots back when they were three unknown musicians in Ruislip, West London and reconnect with the reasons that they started a band in the first place. As a result, Scouting for Girls are back to their best with their new album 'The Place We Used to Meet'. A x12 trk album, available on standard Black LP Vinyl, retail exclusive Orange LP Vinyl, standard CD & Deluxe CD formats. Extensive promo & marketing activity across all media outlets, including mainstream TV, radio, press & online.

'Released via Sony CMG - 'Scouting for Girls' unforgettable pop anthems such as 'She's So Lovely', 'This Ain't a Love Song' and 'Heartbeat' set them on a path to phenomenal success which included four Top 10 singles, four Top 10 albums, 2 million sales and more than a billion streams - plus four BRIT Awards and an Ivor Novello. After so many highlights, the trio questioned where to go next as they planned their seventh studio album. The solution? To return to their roots back when they were three unknown musicians in Ruislip, West London and reconnect with the reasons that they started a band in the first place. As a result, Scouting for Girls are back to their best with their new album 'The Place We Used to Meet'. A x12 trk album, available on standard Black LP Vinyl, retail exclusive Orange LP Vinyl, standard CD & Deluxe CD formats. Extensive promo & marketing activity across all media outlets, including mainstream TV, radio, press & online.

Wewantsounds is delighted to announce the release of Ryuichi Sakamoto's classic LP "Ongaku Zukan", originally issued in Japan on his own School label in 1984.

The reissue will replicate the original Japanese release which offered two versions: a normal edition featuring the LP with a bonus 2-track 7" EP (WWSLP71), and a limited edition which includes a 3-track 12" EP in place of the 7" (WWSLP72)

Remastered by Saidera Mastering in Tokyo the reissue boasts the original gatefold artwork plus an extra 2-page insert with new liner notes by Andy Beta



The early '80s were a turning point for Japanese musician Ryuichi Sakamoto. As a solo artist, the smash hit soundtrack he had composed for 1983's "Merry Christmas Mr. Lawrence" (a film in which he had also acted), had put him on the verge of becoming a global superstar. Meanwhile he had called a halt to his work with Yellow Magic Orchestra; the influential, globally successful pop trio calling it quits after the release of their 1983 album "Naughty Boys".

Against this backdrop, Sakamoto descended on Tokyo's Onkyo Haus Studio to record his fourth solo album, "Ongaku Zukan" ("Musical Encyclopedia") accompanied by a handful of musicians including his ex-YMO partners Haruomi Hosono and Yukihiro Takahashi, and the prolifically talented Yasuaki Shimizu, Tatsuro Yamashita and Toshinori Kondo. Sakamoto began with no particular plan in mind, recording 30 basic tracks over the best part of 1983. It was on his return to the studio the following year that the album truly began to take shape. Accompanied by a newly acquired Fairlight CMI sampler, the musician made extensive use of the revolutionary equipment to create a wide palette of sound textures which he added to the tracks, a creatively fertile process that was captured on film for the French documentary "Tokyo Melody, A Film about Ryuichi Sakamoto".)

Released in August 1984 the album "Ongaku Zukan" proved a huge success, providing Sakamoto with his first top 5 hit in Japan. Filled with inspired melodies that showcase his unique gift as a composer, it offers up a fascinating mix of styles. Asiatic electro pop nuggets ("Tibetan Dance") share space with futuristic ambient pieces ("Hane no Hayashi de"), and brilliantly creative fusions of jazz, funk, techno and reggae ("Etude" and "Tabi no Kyokuhoki.")

Two simultaneous editions of the album were released in Japan: the regular one featuring a bonus 7" EP with two extra tracks: "Replica" and "Ma Mère l'Oye" while a limited edition added a 12" EP (in lieu of the 7") which included a third track, "Tibetan Dance (Version)." An international version was released two years later in 1986 by 10 Records/Virgin under the title "Illustrated Musical Encyclopedia," but with a very different track list. Five tracks from "Ongaku Zukan" were dropped, namely "Self Portrait," "Tabi no kyokuhoku," "Mori no Hito," "A Tribute to N.J.P" and "Tibetan Dance (Version)", to be replaced by two non-album singles from 1985, "Stepping Into Asia" and "Field Work."

This is the very first time that the two 1984 Japanese editions of Ryuichi Sakamoto's classic album have been released internationally in collaboration with the artist's management and Midi Inc., with remastered audio and the original artwork faithfully reproduced, paying tribute to one of contemporary music's undisputed geniuses.

Wewantsounds is delighted to announce the release of Ryuichi Sakamoto's classic LP "Ongaku Zukan", originally issued in Japan on his own School label in 1984.

The reissue will replicate the original Japanese release which offered two versions: a normal edition featuring the LP with a bonus 2-track 7" EP (WWSLP71), and a limited edition which includes a 3-track 12" EP in place of the 7" (WWSLP72)

Remastered by Saidera Mastering in Tokyo the reissue boasts the original gatefold artwork plus an extra 2-page insert with new liner notes by Andy Beta



The early '80s were a turning point for Japanese musician Ryuichi Sakamoto. As a solo artist, the smash hit soundtrack he had composed for 1983's "Merry Christmas Mr. Lawrence" (a film in which he had also acted), had put him on the verge of becoming a global superstar. Meanwhile he had called a halt to his work with Yellow Magic Orchestra; the influential, globally successful pop trio calling it quits after the release of their 1983 album "Naughty Boys".

Against this backdrop, Sakamoto descended on Tokyo's Onkyo Haus Studio to record his fourth solo album, "Ongaku Zukan" ("Musical Encyclopedia") accompanied by a handful of musicians including his ex-YMO partners Haruomi Hosono and Yukihiro Takahashi, and the prolifically talented Yasuaki Shimizu, Tatsuro Yamashita and Toshinori Kondo. Sakamoto began with no particular plan in mind, recording 30 basic tracks over the best part of 1983. It was on his return to the studio the following year that the album truly began to take shape. Accompanied by a newly acquired Fairlight CMI sampler, the musician made extensive use of the revolutionary equipment to create a wide palette of sound textures which he added to the tracks, a creatively fertile process that was captured on film for the French documentary "Tokyo Melody, A Film about Ryuichi Sakamoto".)

Released in August 1984 the album "Ongaku Zukan" proved a huge success, providing Sakamoto with his first top 5 hit in Japan. Filled with inspired melodies that showcase his unique gift as a composer, it offers up a fascinating mix of styles. Asiatic electro pop nuggets ("Tibetan Dance") share space with futuristic ambient pieces ("Hane no Hayashi de"), and brilliantly creative fusions of jazz, funk, techno and reggae ("Etude" and "Tabi no Kyokuhoki.")

Two simultaneous editions of the album were released in Japan: the regular one featuring a bonus 7" EP with two extra tracks: "Replica" and "Ma Mère l'Oye" while a limited edition added a 12" EP (in lieu of the 7") which included a third track, "Tibetan Dance (Version)." An international version was released two years later in 1986 by 10 Records/Virgin under the title "Illustrated Musical Encyclopedia," but with a very different track list. Five tracks from "Ongaku Zukan" were dropped, namely "Self Portrait," "Tabi no kyokuhoku," "Mori no Hito," "A Tribute to N.J.P" and "Tibetan Dance (Version)", to be replaced by two non-album singles from 1985, "Stepping Into Asia" and "Field Work."

This is the very first time that the two 1984 Japanese editions of Ryuichi Sakamoto's classic album have been released internationally in collaboration with the artist's management and Midi Inc., with remastered audio and the original artwork faithfully reproduced, paying tribute to one of contemporary music's undisputed geniuses.

Ultramagnetic Mc's is composed of TR 'Funky' Luv, Dj Moe Luv on the one and two's, Kool Keith, producer Ced Gee and occasionally Tim Dog. Their second studio album Funk your Head Up was released in 1992, representing the foundation of Hip-Hop. Culled of the album are singles "Poppa Large" and "Make It Happen" plus tracks by Kool Keith's "Pluckin' Cards", "Dolly And The Rat Trap”, the diss track "You Ain't Real" about rapper Freddie Fox, skits, mad beats, and outlandish lyricism.

Funk Your Head Up was originally only available as a 1LP but is now available as a 2LP-set for the first time.

In February 1942, having fled persecution but lost all hope in the world,
the Jewish Austrian writer Stefan Zweig and his second wife Lotte took
their own lives in the Brazilian city Petropolis
There is a photo of both of them in bed, dead but still holding hands, that has
haunted Robert Rotifer for a long time.
This is Robert Rotifer's 11th record and his first new music since 2019. Having
since worked with Helen McCookerybook, Louis Philippe & The Night Mail, Andre
Heller, Fay Hallam, Swansea Sound and more alongside his day job as a journalist
and broadcaster, in the summer of 2022 Rotifer set to work on this new set of
songs, calling on friends and collaborators to contribute. Guests include,Ian
Button on drums, Fay Hallam on keys, Helen McCookerybook and Kenji Kitahama
on added backing vocals, plus contributions from Amelia Fletcher, and Austrian
musicians Ernst Molden and Paul Pfleger, uniting the two separate musical
worlds Rotifer has been moving in since leaving Vienna for the UK some 26 years
ago.

Limited Edition 12" of the classic balearic disco burner : Turn Me Loose originally produced in 1983 by Peter Micioni (Traks, Mike Francis, Amii Stewart). Containing here the full extended version of 14 minutes on the side A plus the SIRS CUT on the flip side !
Being one of the main players of the german dance scene Daniel Klein became the 1st German Resident DJ in Ibiza at the famous Space Club, and supported by DJ Harvey who named SIRS as one of the most promising Producers, and so he is featuring mostly all releases from SIRS since the very beginning.

Repress!

1981 SYNTH CLASSIC BY JAPANESE KEYBOARD WIZARD AND YMO PROGRAMMER HIDEKI MATSUTAKE REISSUED OUTSIDE OF JAPAN FOR THE FIRST TIME IN 40 YEARS. REMASTERED FROM THE ORIGINAL TAPES WITH STRIKING ORIGINAL ARTWORK BY LEGENDARY ILLUSTRATOR PATER SATO INCLUDING ITS STUNNING FULLY ILLUSTRATED
8-PAGE BOOKLET

His name may not be instantly familiar, but Hideki Matsutake has had a huge influence over Electronic music. Starting his career as the assistant of Japanese Electronic Music master Isao Tomita in the early 70s, he went on to work with Ryuichi Sakamoto and then Yellow Magic Orchestra as their keyboard programmer and unofficial fourth member. In 1981 he started his own Logic System project recording "Venus" that year in Los Angeles with Don Grusin, Nathan East and Michael Boddicker, brilliantly mixing Synth Funk, Ambient and Boogie with a touch of Fusion Jazz predating Vaporwave by a mere 30 years. Wewantsounds is delighted to reissue this visionary album, which
comes remastered from the original tapes and features Pater Sato stunning artwork including the rare beautiful 8-page insert with an exclusive interview of Hideki Matsutake by Hashim Kotaro Bharoocha.
The early 80s were prolific for Hideki Matsutake. As the go-to keyboard programmer for the tokyo music scene, he worked on Akiko Yano's "Gohan Ga Dekitayo", YMO's "BGM", Ryuichi Sakamoto's "B-2 Unit", Mkwaju Ensemble's "Mkwaju" and found time to record two Logic System albums in 1981. While the first album, "Logic" had a harder techno feel, the second one "Venus" was different affair. Recorded in Los Angeles at the new state of the art Yamaha Studio, it was loosely themed on the Greek goddess Venus and had a funkier more organic sound. For the album Matsutake had asked a handful of American musicians to provide songs he would then add his synth magic touch to. Michael Boddicker, Don Grusin, Nathan East and Roger Powell duly complied and also played on the album.

The updated sound was achieved by switching from the Moog III to the E-mu modular System (which Matsutake brought over to LA) and other synths like the Prophet 5, the Roland MC-8 and TR 808 and the Yamaha GS-1, a forerunner of the DX7.

The result is an amazing futuristic mix of electronic music and early 80s funk, announcing many genres to come, from techno and house to French electro and Vaporwave. From the breezy ambient synth of "I Love You" to the city pop edge of "Be Yourself" (originally written by Nathan East for Debra Laws) and the vocoder-led Daft Punk-ish "Take A Chance", Venus is a fascinating album that both pushes the boundaries of electronic music and is yet strangely accessible and beautiful.

The other key elements of Venus is the artwork designed by Japanese legendary illustrator Pater Sato. Sato had started in Japan in the early 70s doing many album covers for Japanese artists including Tatsuro Yamashita's cult Spacy LP before moving to New York in 1979 to pursue a career in fashion and advertising. His airbrush style became hugely influential over the years and in 2018, Stella McCartney dedicated a whole Men’s collection based on his Venus. Star make up artist Pat McGrath also regularly posts his artwork to her 3 million fans on her instagram.

The original album came with a beautiful 8-panel insert illustrated by Sato which Wewantsounds has reproduced on this deluxe reissue also featuring remastered sound, OBI strip and a second insert featuring credits and line up plus liner notes by Hashim Bharoocha. The notes will feature an exclusive interview with Hideki Matsutake reminiscing about the making of this visionary album which Wewantsounds is delighted to reissue.

Scream ist eine der erfolgreichsten Filmfranchises der letzten Jahre. Concord präsentiert im Mai 2022 eine Doppelveröffentlichung des Soundtracks zum neuesten Teil der Serie: Scream V, sowie eine 4-LP-Box mit den Soundtracks der ersten vier Filme in einer speziellen Sammleredition - plus bisher unveröffentlichte Tracks.

Scream ist eine der größten Horror-Franchises aller Zeiten und hat das Genre vor 25 Jahren neu belebt. Die Veröffentlichung eines brandneuen Scream-Films bietet die Gelegenheit, passend zu einem neuen Kapitel auf die Originalfilme und die Musik zurückzublicken. Der neue Soundtrack und das 4-LP-Boxset werden gleichzeitig angekündigt, wobei digitale und CD-Formate sofort in Verbindung mit LP-Vorbestellungen erhältlich sind.

Die Scream (2022)-Veröffentlichung ist eine Einzel-LP auf einer Spiegelkartonhülle, die ein reflektierendes Messer von Ghostface und eine bedruckte Innenhülle mit Fotos der Darsteller enthält.

XO SKELETON ist das zweite Album von La Force aka Ariel Engle, Sängerin von Broken Social Scene, und Nachfolger ihres selbstbetitelten Solodebüts 2018 auf Arts & Crafts. Die außergewöhnlichen neuen Songs sind eine Mischung aus eindringlichem Pop und heißblütigem R&B, geschmeidig-unheimlicher Pop-Noir, der an der Schnittstelle zwischen Leben, Tod und Liebe glitzert. Co-produziert von Warren Spicer (Plants And Animals), ist XO SKELETON durchgehend elektrisierend und lebendig. die Stimme von La Force atemberaubend und weise, ihre Sichtweise stabil, einfühlsam und physisch. Schwarzes Vinyl mit 12x24inch Einleger samt Credits & Lyrics plus DL-Code.