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Repress!

"Il corpo" is the last one of Luigi Scattini's trilogy, which started with "La ragazza dalla pelle di luna" (1972) and then continued with "La ragazza fuoristrada" (1973). Umiliani's music privileges jazz and funky moods, dominated by the Hammond organ and wah wah, alternated with languid and almost "sleazy" instrumental ballads. This soundtrack finds its strength in melancholy, but also in drama and tension.

One year has passed since the last release in this series and, as always, the Tramp Records crew have been working hard during the last 12 months to come up with an equally fine selection of tunes for this brand new volume. Our aim is to keep up with the quality of each release, a task which certainly does not get any easier as we step forward into the twenty first century.

There is no need to praise this selection of tracks. It is larger-than-life. And those who do not recognize the distinctiveness of it should better seek medical advice. The most astounding fact is certainly that 99% of the record buying public have never heard any of these tunes, most likely not even the artists. And we are not talking of people who solely listen to mainstream music. No. Even music lovers who believe that they have a good portion of knowledge when it comes to jazz and soul music will be left speechless.

You can skip to any song on this album and you won't be disappointed. The only premise is that you are a fan of raw, earthy soul and jazz music. If this is the case then you can't go wrong. Rene Bailey, Matilda Haywood, Lee Mitchell, Nu Art Quartet, to name a few. It is high time to introduce all these names to a broad audience and to prevent that they vanish into thin air. The Movements series was coined to introduce music lovers to so far unheard musical treasures. Tunes which only hardcore record collectors have had the privilege to enjoy it...until now.

Emerging NYC label Lost Soul Enterprises present Hidden City, their third 12' release and first single-artist EP.

These four tracks by Brooklyn native J Slusher, made in collaboration with his fellow artists in the borough's thriving experimental techno scene, are dark, menacing excursions into after hours territory. His previous work as a noise artist under various monikers (Opponents, Privilege, Unstable Systems) informs a uniquely uncompromising take on club music.

Slusher takes a stripped-down, industrial approach to percussion and populates it with otherworldly vocal snippets and growling synths. The result is hypnotic, evoking the severe moods and disused spaces so vital to the secret nightlife of the city.