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Marcelus - Regeneration

Marcelus

Regeneration

12inchOUT029
OUT-ER
06.03.2020

"Regeneration" is the new EP by Marcelus, back on the Out-Er label with a 4 track EP consisting of loopy, hypnotic but driven techno. As you progress through the record you experience the different sides to Marcelus' current sound, from tribal focused and stripped back dance music to complex beat patterns, deep psychedelic grooves and IDM style computer noises. The EP is a true testament to the style that Marcelus has cultivated up until now, and fits neatly alongside Out-Er's back catalogue.

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Last In: 6 years ago
8,36 €
Marc Ash - Mirror Glaze Lavish

Marc Ash

Mirror Glaze Lavish

12inchF//017
FLEISCH
06.03.2020

Mirror Glaze Lavish” is Marc’s latest effort in trying to depict his cynical and disillusioned view of the present-day music scene, seen through a sonic magnifier that emphasizes its greatest controversies, by juxtaposing different electronic languages as a challenge to the current levelling artistic trends. The artist personality is nullified, standardized to a state of placid non-critical thinking. Everyday’s emptiness emerges as the structure of reality and only the cracks in it still lead to life. “Great souls suffer in silence”, once said Friedrich Schiller, but what if silence becomes an audible, danceable image? As if all these electro cuts, differently permeated with a balanced mix of playful darkness, were populated by eerie animals that cannot find peace with their habitat and keep dancing relentlessly until the very end of their miserable existence. Seen in this context, each of Marc’s tracks must be interpreted as an irreverent and poignant act of self-assertion vis-à-vis his contemporaries. Morah’s reinterpretation of “Celexxa” adds value to the original track, taking us for a dirty ride on a psycho-electro-charged rollercoaster.

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Last In: 6 years ago
10,88 €
Ess O Ess / Saulrichards - Totem (Swamp/Hardway Brothers/Otologic mix)

After a false start or two, Ess O Ess have finally joined the Kinfolk stable with a thunderous release featuring Laura Lee of Khruangbin fame.

Totem is the name and four versions is the game.

Starting off, the original mix is a wailing guitar-heavy psyche rock out that sees Laura Lee's vocals carrying it across a peyote-filled landscape.

Saul's Swamp Crawl version sees the slow 'n' heavy rock elements kept in the mix but with added electronic flourishes. Head nodding is an optional extra.

The Hardway Brothers decided to tune in with the spirit of Johnny Jenkins and haul it through New Orleans via a pit stop at John Carpenter's desert holiday home.

Otologic bring up the rear with an altogether different take by donning their finest digi dub garb and take it as far away as they can from it's psyche out beginnings

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Last In: 5 years ago
9,20 €
404 - S/T

404

S/T

12inchCRWDSPCR018
Crowdspacer
04.03.2020

404 is a young collective based in Paris of 4 very different guys making music together. Last year they released a debut mini LP on Dusseldorf label Candomble and started performing live at Concrete and other prominent venues. This is their second release ever. Dark, improvised, smokey, claustrophobic techno of the highest psychedelic grade, bringing together elements of the « slow techno » sound, industrial textures and dub.

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Last In: 6 years ago
7,94 €
Victor Cavini - Japan

Victor Cavini

Japan

12inchBEWITH076LP
Be With Records
02.03.2020

The first Be With foray into the archives of revered German library institution Selected Sound is one of our favourites on the label - the super in-demand Japan from Victor Cavini, originally released in 1983.

Rare and sought-after for many years now, this is one of those cult library LPs that never turn up. With Daibutsu the giant Buddha of Kamakura’s presence gracing the hefty front cover, this is a record bursting with dope samples for adventurous producers: it’s koto-funk madness!

Victor Cavini was the library music pseudonym of prolific German composer and musician Gerhard Trede. He was known for exploring instruments and styles from around the world (he played over 50 different instruments himself) and Japan is
his collection of 14 musical sketches painted with traditional Japanese wind and string instruments. These are the sounds of traditional Japanese folk music re-interpreted through Western ears, with the occassional contemporary twist. Contemporary for 1983, of course.

These “Pictures of Japan” are hypnotic, sometimes frantic, but always beautiful. The first twelve tracks offer airy explorations of koto and flute, with other strings and percussion being added and then given their own space. Indeed “Pictures of Japan XII” is just drums.

And then “Pictures of Japan XIII” seems to come out of nowhere. But the subtle sleaze of its full band sound still doesn’t quite prepare you for the towering climax of “Pictures of Japan XIV”.

This is Japan’s undoubted standout piece, completely and wonderfully at odds with the rest of the album. It’s the reason this has become such a must-have record. It keeps the traditional Japanese instruments but combines them with shuffling funk breaks, electric bass high in the mix and a Godzilla-sized psychedelic fuzz guitar sound that might actually be a traditional reed flute pushed to its limits. Whatever it is, it sounds awesome.

Recalling both Rino de Filippi’s Oriente Oggi and Giancarlo Barigozzi’s Oriente, the track’s a real head-nod groove for b-boys and b-girls alike that sounds straight out of a late 70s Yakuza film. Indeed, if you were told The RZA or Onra had cooked this up in the lab this century, you’d be convinced. It’s crazy that this dates from 1983.

The audio for Japan has been sensitively remastered for vinyl by Be With regular Simon Francis to keep all the character of the original recordings. Richard Robinson has handled the careful restoration of the original Selected Sound sleeve. Essential.

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Last In: 6 years ago
20,63 €
Iñigo Vontier - El Hijo Del Maiz (Remixes)

From the moment of its release, Iñigo Vontier’s El Hijo del Maiz has become one of the most gripping albums of the moment. With South American and Middle Eastern sounds and his conception of music as ritual, the Mexican DJ keeps electronica in check as a valid mix of influences. The EP El Hijo Del Maiz (Remixes) marks the end of an episode which started, in good company, last autumn on the Lumière Noire label. The second track of his album, Bo Ni Ke, is distinguished by its original - almost implausible - universe, with a Japanese-inflected vocal filter and oriental flutes taking the beats into a crazy trance. Leaning on the 4/4 rhythm, Simple Symmetry’s remix of the track is also very playful (Iñigo Vontier recently remixed Nar for Simple Symmetry). The Moscow duo, noted in particular for the brilliant EP Plane Goes East released on Disco Halal (the Moscoman label which makes the link between east and west), pulls the track over to another - less terrestrial more psychedelic - universe, in their well identified ethno-underground style.

The remix of Bo Ni Ke by Nicola Cruz, French-born Ecuadorian producer, enlivens the track by playing on the sounds of voices and South American percussion. Also present in his fascinating album Siku released a year ago on the ZZK Records label, they overlap with the demonological whims of Iñigo Vontier but also those of Nicolas Jaar, who was revealed to him as he was starting out.

The inaugural track of the album Xu Xu (subject of the previous EP, only released as a digital version) has been remixed by Roman Flügel, allowing a vinyl release of this incredible track. You could pick out the science of this headliner in a million. Flügel has been on the electronic scene since the early days, learning the ropes under the aegis of prestigious labels Playhouse, Dial and Klang.
He has recently enhanced some emblematic tracks signed Daniel Avery, Koze, Âme, Radio Slave and C.A.R. and here once again the pioneer of techno is working miracles to create a more cerebral version of this track.

Concluding the EP with Thomass Jackson, his co-founder of the label Calypso Records, who we will soon be able to find on the compilation / family portrait of the label Lumière Noire From Above Vol. 2, Iñigo Vontier offers up a genre-busting version of the title Marijuana, like an ataxic play time, deliberately smoky for an explicitly licentious title.

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Last In: 5 years ago
8,70 €
Anton Klint - Gitts EP

Anton Klint

Gitts EP

12inchINT040
Internasjonal
02.03.2020

Anton Klint has been on our radar for a good 10 years now with killer releases as Tiedye on Italians Do It Better, and under his own name on Public Possession, 2MR and Hivern Discs just to mention a few.
Since 2016 he's also been running the label Tryck & Ton together with his old Tiedye sparring partner Edvin Edvinsson.
We're psyched to have him onboard and we hope you are to!

Prins Thomas, January 2020

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Last In: 6 years ago
8,03 €
Ruutu Poiss - Pull / Push
 
2

Ruutu Poiss returns to International Major Label with two evolutionary,
spacetime bending dance floor hitters.
The Estonian sound artist revisits the psychedelic approach used for his first 7" release on the label (Halli / Uttu, 2016), expanding his refined palette with the use of modular synthesizers.

Pull / Push holds extraterrestrial, contemporary techno music. Off-kilter, but very effective.
These two powerful gems could easily be described as 'heavy' or 'weighty', but that seems very unfitting here. Where Pull immediately entraps us in a soaring vortex, Push takes a long intro
to launch us hard into a compelling stratosphere.

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Last In: 6 years ago
7,52 €
CEM YILDIZ - KÜN LP

Cem Yildiz

KÜN LP

12inchCAZLP003
Caz Plak Istanbul
28.02.2020

Istanbul based global record company Caz Plak proudly presents “KÜN”, the first solo album of Cem Yıldız, one of the preminent faces of the electronic-traditional hybrid music in Turkey.

Cem Yıldız known as one of the important musicians of past years
and has an impressive career; from his education in Istanbul Technical University Conservatory to the Orient Expressions band; from Montreux Jazz Festival to one of the world’s most esteemed music festival Sonar Barcelona, “İnsanlar” the band that he founded with Barış K, soundtracks of various TV shows and movies; the smash hit song called “STIL” which he composed and read on the Musique de France album of Acid Arab and made a tremendous impression all over the world.

Kün album, in this respect, is the first solo album of Cem Yıldız and represents a new phase of hybrid music retaining his signature sound, blending traditional, electronic, psychedelic music and Anatolian philosophy.

“Kün” has recorded in Istanbul, mastered in Los Angeles and produced by Caz Plak in 12’’ LP format in limited numbers.

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Last In: 6 years ago
20,13 €
Various - Corpora Part II

Various

Corpora Part II

12inchSUBT202
Sublunar
27.02.2020

Sublunar Records, the label run by Sciahri and Dagdrom, start 2020 with the second chapter of the trilogy “Corpora”.

Part II involves Svreca, founder of the legendary label Semantica with ìPaganismî. A precisely contoured aural architecture that leads in a psychedelic feeling where all sense of space and time are lost.

Rhyws, known as one-half of the duo Cassegrain and recently releasing two stunning EPs on Avian under his own name, debuts on Sublunar with ìPasajulî. Sculpting highly textured sounds where percussions have the perfect amount of rough and smooth.

The EP is closed by Pris, an artist who has made a career from this style of techno hypnosis across records that represent the very best of modern deep techno. His track ìRustî is a psychedelic odyssey where a melody works its way into the background, but never quite reaches the surface completely.

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Last In: 3 years ago
9,03 €
Mario Molino - Ash/Gli Angeli del 2000

One of the Italian soul-mod tracks that every DJ has always dreamed of having on 7-inch! Taken from GLI ANGELI DEL 2000 OST by Mario Molino, ASH is an ace uptempo dancefloor burner, provided by a great brass section, and sung by the fabulous Edda Dell'Orso.

On the flip-side is GLI ANGELI DEL 2000 - a lysergic Italian version of Pierre Henry's retro-futuristic "Psyché Rock" anthem, featuring bells, fat bass lines, wah wah guitar, and electronic effects. Limited Edition 300 of copies. Don't sleep!

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Last In: 6 years ago
15,92 €
The Hanging Stars - A New Kind Of Sky

London-based folk-psych-country band The Hanging Stars return with their eclectic third studio album, A New Kind Of Sky, due out on 21 February 2019. Carrying on their exploration of transatlantic psychedelic folk and cosmic country, the new album blends twelve-string, harmony-laden lullabies with soft rock anthems to create a guilded box of bucolic folk-rock. As well as the band’s signature wistful pastoral escapism, there are lyrical concerns about the recent past; the systematic division of people, values, facts and humanity in The West in general - and the UK in particular. The band weave the same thread they have always woven but this time with a more unified vision, creating a kaleidoscopic poncho for these times.

The Hanging Stars comprise songwriter, singer and guitarist Richard Olson, Sam Ferman on bass, Paulie Cobra on drums, Patrick Ralla on guitars, keys and vocals, and renowned pedal steel player Joe Harvey-Whyte. Returning guest Collin Hegna from Brian Jonestown Massacre plays an instrument called a Marxophone on “Choir of Criers”. They also welcome Sean Read of The Rockingbirds and Dexy's Midnight Runners, who adds horns to “Three Rolling Hills” and “I Was A Stone”.

The main bulk of the recording for the new album was done live in the studio at Echozoo in Eastbourne with Dave Lynch. For the first time, the band decided to dive straight in to the recording studio following their German tour in 2018. Having lived in each other’s pockets and playing their new songs every night, the band were as tight and primed as they could possibly be. There ensued a few, very long, days of recording, capturing the essence of the band in their element.

The songwriting process was even more collaborative for this album, with the usual co-writes between Richard Olson, Sam Ferman and Patrick Ralla enhanced by Joe Harvey-White’s arrangements and Paulie Cobra’s harmonies. The biggest difference is that Sam Ferman sings lead on the first single “‘(I’ve Seen) The Summer in Her Eyes”, a song about lost love and self doubt channeled through two and a half minutes of garage pastoralism.

The album’s title track “A New Kind of Sky” tells a story from the point of view of somebody who idealises a past that never existed. The band go glam-rock on the stand-out track “I Will Please You”, a tale of a cult leader/world leader and his irresistible (for some) charm from the point-of-view of his most recent victim and “Heavy Blue” is a country music tale of drunken debauchery seen through the eyes of an inexperienced young man. The triumphant trumpet-driven song “These Rolling Hills” is a minor-key tale of a journey into the hills of Marin County, California undertaken by Paulie and Richard to visit friends Asteroid No. 4, with a most interesting outcome.

The Hanging Stars released their debut album Over the Silvery Lake in 2016, which received plaudits from broadsheets such as The Times, who described it as; "An album with enough of a hazy, sun-dappled charm to make the capital's dreariest weather bearable”, as well as The Guardian, who said; “Mersey-laced harmonies and just a whiff of the Gun Club.” They picked up a good amount of support at 6 Music and “The House on the Hill” scored a much-coveted 10/10 by John Robb on Steve Lamacq’s Roundtable.

Their second album Songs For Somewhere Else in 2017 received critical acclaim from the likes of Uncut (Revelations article), Shindig (several features and 4* review) as well as The Quietus and The Line Of Best Fit, plus radio support from Gideon Coe and Bob Harris (they performed an Under the Apple Tree Session for Bob Harris in January 2019).

Whilst playing their own successful sold-out headline dates, the band were invited to share the stage with Teenage Fanclub, The Clientele, Wolf People, The Long Ryders and GospelbeacH, as well as playing festivals such as Liverpool’s International Festival of Psychedelia, Red Rooster, Ramblin' Roots, UK Americana Festival and The Long Road.

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Last In: 6 years ago
13,92 €
NIKANOR - BAJO EL SOL

Nikanor

BAJO EL SOL

12inchRUP014
REBEL UP RECORDS
19.02.2020

(LP gatefold deluxe + DL) Brussels based Peruvian band Nikanor deliver their debut album 'Bajo El Sol' on Rebel Up Records. A sunny mix of psychedelic 'chicha' cumbia, cumbia amazonica, rock and andean folk with songs about injustice, fatherhood, natural power, mythical legends and solidarity.

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Last In: 6 years ago
21,22 €
Mount Liberation Unlimited - MLU Private Press #1

As the world turns the page towards yet another decade the Two Swedes from SpaceTM in MLU embraces new beginnings and paves the way for their very first, and very own musical outlet. MLU Private Press is their new label-not-label and the result of years of joint music making. “We looked ourselves in the mirror and all we saw was us” - it’s a vanity label in the truest sense. An audial outlet candidly and simply releasing streams of future and past sounds flowing through a crack from their Stockholmian mountain and out into the world.

The first release features three tracks of MLU-matic electronics, spanning in making over the last decade. From the energetic rave-sentimentality of “Blue...” eloquently dreaming of approaching future skylines to the sound of breakbeats, to the nostalgic arpeggios of “Astro Travelling Pt. 2”. A track which got lost but recently resurfaced in the MLU lost-and-found bin, recorded almost 10 years ago and sound-wise very reminiscent of their earliest work. The aptly named “Madame of the Magic Mushroom” with it’s mix of acoustic drums and shroomy synthesis ends the 12” in weightless psychedelia recollecting memoria of ecstatic driven 70’s loft-rock.

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Last In: 6 years ago
10,04 €
Keja, Malcom & Jerash - Dormez Bien Brave Gens

2 mental progressives tunes on the A Side. The flip opens with a very psychedelic track, naturally sounding as if you were irie... The last track is a dub tune, quiet collector of a style ! A very active processus... Sonic illusion confirmed ! And then will come teh first Reggae track on mackitek ! With Malcom & Jerash, Dub Sensi style !

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Last In: 3 years ago
17,02 €
Freddy K - 1995

Freddy K

1995

12inchKEYVINYLLTD003
Key Vinyl
14.02.2020

"1995" is a reissue of three tracks extracted from the Album "Rage Of Age", released in 1995 on the famous record label ACV Records. The CD version of the album contained more tracks than the album's LP version. These three tracks were never released on vinyl and it is impossible to find on the net.

Three different aspects of Freddy K really on fire at only 24 years old. Three tracks with an original style that made Freddy special at that time. Unusual from what today is called '90s style'. The title of "Mac-Beth" wants to remind the famous damned opera called "Macbeth", the track is hard, abstract and psychedelic at the same time. "Electro K" is a personal vision of something electro, funky and crazy. "Love trax" is a representation of what a love story can be.

Welcome to this rare Freddy K's world picture from 1995...
Expect the unexpected!

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Last In: 2 years ago
9,03 €
Milord - META/MUSIC

Milord

META/MUSIC

12inchPF004
Pinchy & Friends
12.02.2020

'P&F Recordings' returns with it’s fourth release. This time they are coming at you straight outta NAPOLI, ITALY with a four track EP by MILORD (known to many as one half of the duo “The Normalmen” and one-third of “The Mystic Jungle Tribe”).

M • E • T • A / M • U • S • I • C is one part vintage library-music studio wizardry another part lowkey house. Imagine a slinky G-funk synth at a new-age retreat, a spacey kraut jam at an eighties video arcade - all at once familiar, yet unglued from any particular moment in time.

DJ SUPPORT: “Bro, I’m finding it hard to control the sunset with this damn Japanese remote,” said Crockett. “Can you lend me a hand?” Tubbs side-eyed with extreme shade and replied, “You’re such a k-hole, dude, that’s not a remote. It’s the car phone and you’ve been staring at it for an hour. Put that shit down and let’s hit the sauna.”

-Lovefingers (ESP Institute)

Meditative sunset sounds I could also use whilst taking an Epsom bath or a Hawaiian hike at dawn. Artwork also 10/10 another epic release from my fave new label.

-Danny McLewin (Psychemagik)

Thanks for the music - its right up me alley. I’m also already a fan of Mystic Jungle Tribe and Normalmen, so that is a formula I can definitely chemicalize with.

- Dreems (Multi-Culti)

Worked this album in the studio with Milord and I never got sick of listening to the tracks! "The kemetist" brings me in that fabolous druggy-place I would like to be at every weekend …
- Manny Whodamanny (Periodica - Naples IT)

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Last In: 21 months ago
10,88 €
Star Band de Dakar - Psicodelia Afro-Cubana de Senegal

Led by some of Senegal's most famous singers, like Youssou N'Dour and Laba Sosseh, Star Band achieved the perfect gumbo of Cuban and Senegalese sounds. Changüí, Guajira, Salsa, and Son mingled with cosmic Mbalax guitars, Sabar rhythms, Afro-Latin horns, and Spanish vocals spiced with a Senegalese twang.

With just two microphones and a four-track Revox tape recorder, Ibrahim Kassé, Star Band's founder and owner of Le Miami nightclub, recorded their entire catalog in his venue. Each album contained one stand-out Afro-Cuban tune, often covers of Cuban classics or original compositions using the deep, layered sound that had evolved over centuries from the roundtrip journey across the Atlantic. Six of Star Band's most psychedelic Afro-Cuban tracks, an ode to their finest hour, are selected here.

Remastered in the original mono, and accompanied by 12-page booklet containing an essay on Cubanismo in Senegal, a rare interview with Star Band guitarist Yakhya Fall and vintage photos from his personal collection, this album is the soundtrack to a time when Cuban music was the future for 1970's Senegal and commemorates the anniversary when another way — the Cuban way — was possible.

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Last In: 6 years ago
18,03 €
Eddie Logix - Placebo Palace

Rocksteady Disco's newest recruit is Eddie Logix. He's been at the heart of the Detroit underground for over 15 years, most recently with his Technically Yeah live hardware nights, a grip of ambient and hip-hop releases, engineering for Assemble Sound. He’s one half of left-field funk-hop duo Mega Powers with Pig Pen, and of 'BLKSHRK' alongside Blair French, who first appeared on Rocksteady Disco
back in 2016 on; For Todd.

Placebo Palace is Eddie's first solo dance EP, combining all of this experience into a diverse offering for discerning dance floors.

The EP leads with “Que Locos”, a tropical house banger driven by brass and Latin-Jazz piano. “Baby Girl” rounds out the A side, with a dusty R & B vocal sample coupled with a massive and unexpected bassline. The B side is darker and deeper, starting with the frantic Afro-Jazz-Deep House “Sunday Palaver”. Closing the EP is “Bottle Rocket”, a psychedelic surf rock-tinged disco-not-disco chugger, with live guitar by Daniel Monk and electric bass by stphn-b. More forward thinking music from Detroit via Rocksteady Disco!

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Last In: 5 years ago
11,72 €
Harrison Kennedy - Hypnotic Music

Harrison Kennedy was raised in Ontario, Canada before moving to Detroit and enjoying success as the lead singer of Chairmen of the Board with the classic ‘I’m The Chairmen Of The Board’, . He left the group in the 1970s to start on a solo career. Hypnotic Music’ is Kennedy’s 1972 debut album released on Invictus Records. It’s an in- demand folk funk album. Kennedy is still celebrated as a singer, songwriter and performer. He was awarded in 2016 at the Canadian Juno Awards with the Blues Album of the Year. This classic is reissued on 180g heavyweight black vinyl with original artwork and printed inner sleeve. Album features rock orientated songs like the Beatles cover, social commentary with 'You Hurt Your Mother Again’ and psychedelic sounds like ‘Night Comes Day Goes’ – showcasing Harrison’s musical talents.

pre-order now11.02.2020

expected to be published on 11.02.2020

19,71 €
Pleaxure - No Such

Pleaxure

No Such

12inchNICE1001
NiCE1
10.02.2020

Pleaxure's debut EP, "No Such", leads us down the rabbit hole of a guided LSD therapy session
formatted to a half hour of psychedelia-infused techno. Keeping one foot in Baltimore and the other in Brooklyn, "No Such" drops as the first release on NiCE1, a label collaboration between Pleaxure and Broke City's Jordan Ehr. With remix blessings from New York underground artists Anthony Naples, MoMa Ready and Bergsonist, the EP rounds off as a special exploration of crafty fodder for dancefloors and heady listening alike. The proceeds of all Pleaxure records will be donated to help the city of Baltimore (currently at Rebuilding Together - Baltimore, https://rebuildingtogether.org)

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Last In: 6 years ago
11,47 €
Kit Sebastian - Remix 12"

Kit Sebastian

Remix 12"

12inchMRB12051
Mr Bongo
07.02.2020

"Mr Bongo" is proud to present three unique reworks of Kit Sebastian.
Each of the producers featured in this package created their own
interpretation of the 'lo-fi-hi-fi’ originals and have taken the duo’s
sound into bold new directions. When it came to choosing who should remix Kit Sebastian, Natureboy Flako (Flako/Dario Rojo Guerra) was a producer at the top of our list.

Keeping true to the original, whilst leaving his own stamp on the
track, his mix adds break-beat drums and middle-Eastern guitar riffs
that transform the track into a more cinematic piece. It sounds to us
like the music from an exotica dive-bar scene in a David Lynch film -
which of course, is a very good thing.

Producer and DJ Baris K, who was behind the awesome 'İstanbul 70'
series (re-edits of classic Turkish gems), takes ‘Durma’ in a very
different direction. Totally reconstructing the track, his remix has
flipped the original and totally run wild.

The results are an epic left-field electronic workout. By bringing the spoken-word vocals to the forefront and giving the track a darker industrial vibe, it wouldn't sound out of place bouncing around the walls of a Berlin basement club at 5am on a Sunday morning.

The paring of Kit Sebastian and Halal Cool J grew after DJing together
at the alternative Great Escape party at the Mr Bongo HQ in May 2019.
They share a love for dusty old psychedelic Turkish records. Halal Cool J (aka Aly Jamal/Don Leisure) has released records on First World and is a co-member of Darkhouse Family with Earl Jeffers.

For his interpretation he has delivered a mix-tape-collage with a hip-hop aesthetic, and rather than focusing on remixing a specific song, he has cut and paste his favourite elements of tracks taken off the band’s 'Mantra Moderne’ album. Available in 2 limited-edition, hand-numbered sleeve designs.

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Last In: 6 years ago
12,82 €
THANASIS ZLATANOS - A RETROSPECTIVE

When Elena Colombi launched the Osàre! Editions label in the autumn of 2019, she explained that the label would become home to bold, daring, future-facing music rooted in experimentation and free-spirited musical abandon. These are all descriptions that could apply to the label’s latest release, a retrospective album of little-known works by Greek musician and producer Thanasis Zlatanos.

Many will not have heard of Zlatanos, or Nekropolis, the band he fronted alongside dear friend and regular collaborator Trygve Mathiesen, yet the music he made during the 1980s was otherworldly, intergalactic and undoubtedly alluring. These songs and instrumentals made extensive use of analogue synthesizers and lo-fi drum machines, as well as Zlatanos’s trusted Gibson Les Paul guitar and his own distinctive voice.

Stylistically, the musician and producer refused to settle on a specific sound, preferring instead to create inspired, often mind-altering pieces that join the dots between wave music, skewed leftfield pop, ambient, prototype electronic and Madedonian folk music. Operating for much of the period from a crumbling house earmarked for demolition, Zlatanos kept up a daily music-making vigil that resulted in a vast vault of music, most of which has remained unissued since the 1980s.

The breadth of and width of Zlatanos’s distinctive approach is laid bare on Retrospective, a compilation album prepared by Colombi and the artist himself that draws on tracks from his numerous albums, those by Nekropolis – whose sophomore set “The New Europeans” was banned in Norway – and his epic archive of previously unheard material.

The artist’s singular but wide-ranging musical vision is free for all to see across the 13 tracks stretched across the vinyl version of the album (digital buyers also get a further four superb cuts). It veers attractively from the ghostly, traditional-meets-futuristic new age electronica of “The Crystal Sight (Excerpt)” and the doom-laden coldwave throb of “Master Chameleon”, to the undulating, soft-touch creepiness of “Surreal Moment”, the Vocoder-laden operatic poignancy of “The New Barbarians” and the squally guitar solos and effects-laden electronics of “The Light”.

Words from the artist___:
"I live in the Internet. Visits from outer space make me compose. I breathe here. I am the master chameleon, the psychedelic clown. I am not here anymore, neither in the picture, nor the reflection. Our bed is a boat that takes us tomorrow without us.

Here is an album of dreams and digital emotions. Analogue recordings made with a Prophet, a Moog Rogue, a tape recorder and a Gibson Les Paul guitar.

As far as I can remember I have always been in a recording studio. I listen to, understand and live my life through songs and music. I have worked alone and with friends such as Trygve Mathiesen. Although I am a guitarist, I continue to work with synthesizers on music that blends elements of Macedonian folk music, recordings from the streets and embryonic electronic sounds.

Some of my albums have been critically acclaimed, others banned by radio stations. For years I worked on endless recording sessions in a crumbling house that should have been torn down. The music on this retrospective compilation was recorded at various points between 1982 and the present day. Some of the compositions first appeared on previous albums, while others have never been released before. They were sat on tapes waiting for a saviour. Now that saviour has arrived and they can be free.

For further proof of Zlatanos’s unique sonic approach, check the startling contrast between the bass-laden slacker pop headiness of “No Expectations” and the spacey ambience of “The Dead Don’t Remember”. Considered together, the selected pieces and those elsewhere on Retrospective forms a snapshot of a genuinely unique and visionary musician, composer and producer. It’s a celebration of someone whose work has previously been overlooked."

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Last In: 6 years ago
20,63 €
NICOLAS GODIN - Concrete And Glass

When Air’s Nicolas Godin released his debut solo album, Contrepoint (2015), he channelled the influence of Bach into a rich, resonant and hugely rewarding spread of musical explorations. One soundtrack (A Very Secret Service) later, Godin builds on equally fertile conceptual foundations for the follow-up. Released through Because Music on 24th January, Concrete and Glass is an exquisitely crafted set of variations on architectural reference points: mounted with minimalist precision and delivered with an abundance of pop warmth, it finds Godin in his element, working seductive wonders with poise and style to spare.

For Godin, the album circles back to his formative work as half of ground-breaking French electronic group Air. Revered modern architect Le Corbusier was an influence on the young architecture graduate’s music, notably on his 1997 debut “Modular Mix”. Twenty-plus years later, Le Corbusier featured on a list of modernist architects Godin was invited to compose tributes for, tributes intended to be heard as the soundtrack to site-specific installations around the world.

In its soft ambient pulse and melting minimalism, lead track “The Border” is a perfect entry-point to Godin’s hymns to buildings, arranged and co-produced with Pierre Rousseau. Its levitating synths, vocoder vocals and scudding bass hove into view with understated elegance, all the better to accommodate the discreet slow-build of delicate details within. As with Air, Godin makes gorgeously light work of every angle: this is music that seems entirely unperturbed by gravity, occupying an elevated atmosphere of its own.

Elsewhere, the title-track’s clean synth lines, crisply apportioned arrangements and tender timpani offer another inviting entry-point, sculpted with architectural clarity. While Godin’s vocoder vocals also hark back to Air’s early work, the album accommodates a diverse spread of guest vocalists elsewhere. Hot Chip’s Alexis Taylor guests on the falsetto-soul dream-pop of “Catch Yourself Falling”, one of Godin’s sweetest melodies yet. Oxnard singer/activist Cola Boyy brings soul to the righteously engaged “The Foundation”; the squelchy synths and buoyant grooves burn slow, allowing the stealthy arrangements and message room to resonate. Psychedelic soul singer Kadhja Bonet sings with measured serenity over tremulous synths on “We Forgot Love”, while Russian experi-pop artist Kate NV brings a gracefully aching romanticism to the blissful swoon-pop of “Back to Your Heart”.

Additionally, Australian conceptual provocateur Kirin J Callinan contributes a vocal of restrained drama to “Time on My Hands”, a midnight-drift soft-pop ballad with a silky allure. One of the quickest tracks to record for the album, it emerged in collaborations between Los Angeles (”During some lively sessions in Mac DeMarco’s studio,” notes Godin) and Paris. After he missed his flight home, Callinan stayed in France for a day as the guitar solos were recorded, complementing the song's air of sleek luxuriousness.

Between its title-track and the sultry, smoky jazz stylings of closer “Cité Radieuse”, Concrete and Glass is an album that truly travels, in tune with its global pitch. For Godin, it marks another milestone in a musical journey that began when Air’s 1998 debut album, Moon Safari, became the sublimely weightless soundtrack of its time. For Concrete and Glass, Godin builds on his storied past with tremendous finesse, charm and fluency, opening fresh windows of perspective at every lovingly executed turn.

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Last In: 5 years ago
27,10 €
Martin Bond - Liquid Echoes

reissue

R.A.N.D. Muzik Recordings remasters and reissues Martin
Bond’s, ‘Liquid Echoes’, first released in 1994 on San
Franciscan psychedelic house label, Visible Records. Includes
the amazing Aqueous Mix by Seofon.

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Last In: 6 months ago
8,82 €
Ghast - Mothership EP

Ghast

Mothership EP

12inchOVDBLK001
Overdue
24.01.2020

Concealed within the eclipse, Overdue presents a new black-label 12" series - symbolic of its sinister auditory contents.

Further proof of their unbridled dedication to sound system music and commitment to quality, the Belgian Dubstep imprint unravels
it's fifth physical release. Based in Denver, its newest signee by the name of Ghast returns to the spotlight, following up on heavyweight releases on prominent labels such as Encrypted and Gradient Audio.

The talented American artist sets the stage with two unruly armaments, alongside murderous remixes by Denmark's bass music stalwart RDG as well as the label operators themselves, Substrada & Caba.

Starting the engines, 'Mothership' immerses the stage in flickering echoes and haunting wails - the air bustling with anticipation. Eerily disfigured, granular reverberations materialize amid a pressurized and truly outlandish soundscape, barren at its core. Heading into the second section with renewed vigour, no dance floor remains unscathed in the ensuing aftermath.

The subsequent doomsday scenario, as engineered by Substrada & Caba, strips the ship to its bare essentials - laced with trippy drum instrumentations and the psychedelic foley samples. The meticulous flow presents itself in a bleak dungeon style - hoodlum vocal fragments rounding off the resulting low-frequency inferno.

Flipping the record to its equally profound B-Side, 'Vehement Mess' unhinges another portal into madness - dance floor upheaval guaranteed. Showing no signs of mercy, the infernal armagedon proves to be emblematic for Ghast's dystopian sound design. Profusely industrial and with clinical efficiency, hitting all the right frequencies as the second wave ignites but all available power reserves.

Finishing off any remaining survivors with his irreproachable signature style, RDG's remix marches onwards with unrestrained might in a four-to-the-floor fashion - super-charged, galvanizing the rave in a no-holds-barred shutdown.

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Last In: 6 years ago
9,87 €
Steve Hauschildt - Nonlin

Chicago-based contemporary electronic musician Steve Hauschildt has composed panoramas of synthesized sound for over a decade. First within his former band, Emeralds, an American touchstone of 2000s home-recorded psychedelic noise music, and later across a steady and critically-acclaimed stream of solo releases spanning ambient techno, arpeggiated electronica and post-kosmische styles utilizing synthesizers, computers, and digital processing. In 2018, he extended a collection of rich, visceral tracks titled Dissolvi, his first release on Ghostly International and his most collaborative work to date. Just a year later, Hauschildt returns with Nonlin, an album that's freer, leaner, and looser, both structurally and conceptually; less linear compared to its predecessor, but still captivating. Developed and recorded in several studios during and around the edges of tour - Chicago, Los Angeles, New York, Tbilisi, and Brussels - this material emulates an alienating encounter with a smattering of places, a replicant of culture shock, a solitary and stark experience with uncanny environments, melody and dissonance as oblique locales. Nonlin finds Hauschildt evolving his palette of tools, integrating modular and granular synthesis. The improvisatory and generative nature of modular systems, when paired with his signature grid-oriented and hand-played techniques, guides these compositions slightly out of line to hypnotic effect. Opener "Cloudloss" permeates the mix with an unsettling smog, which reappears and all but engulfs "A Planet Left Behind." On cuts like "Attractor B" and "Subtractive Skies," pockets of air rest between sequenced pulses, whose crumpling and flattening folds build into a restrained rapture of crisp frequencies and milky reverb-swallowed coruscations. The album's title track and centerpiece logs on to a foreign network, a fractured percussion signal that modulates and stutters into static amidst curious melodic sparkling in the hazy bandwidth. "Reverse Culture Music" casts an elegant and brooding stream of strings, pizzicato and churning bow from Chicago cellist Lia Kohl, against chiming minimalist synth frameworks. A surprising pattern emerges in the taciturn systems at work. Hauschildt continues to expand his already horizon-wide repertoire, here exploring the effects of corrupting coordinates; a flight subject to the collapsable abilities of time in remote spaces, a smearing of the axis to elegiac ends.

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Last In: 6 years ago
19,87 €
Various - Locus Error 2x12"

Various

Locus Error 2x12"

2x12inchTRP029
TRIP
23.01.2020

Repress

2x12"

TRIP presents 'Locus Error', a new double vinyl concept album. Moving beyond the scope of the traditional, arbitrarily compiled VA, TRIP's conceptual approach brings together a range of artists around a uniting theme, supplying a sense of cohesion and narrative thrust. Like Noel Saavedra's accompanying artwork, the narrative is vibrant yet nightmarish, a vision of classic trance music, including it's psy side, refracted through TRIP's fearless, oddball aesthetic.

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Last In: 4 years ago
20,46 €
Kristina (UA) - This Is Only A Test

Vinyl Only

Obrani Records goes back to business with the new release "Test" EP from label's founder Kristina and TC80's remix. Starting with references to the vintage sound, - through some psychedelic patterns and haunted beats to a delicate surreal tech landscape. It may bring you to a parallel reality of hidden cyber worlds, so don't miss the opportunity to join this fascinating trip of twisting groovy house, minimal, techno, and electro into exciting new forms.

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Last In: 20 months ago
9,20 €
Matt Meler - Incognito Cognito

Aussie house maestro, Matt Meler debuts on House Puff with a tasty club-focused four track release. The A-side kicks of with 'The Looker' full of freq'd 'n' filtered stabs and pads that'll get the juices flowing. A2 strips a few layers off for a hypnotic bumper, 'Rub- A-Dub'.

Incognito Cognito, thumps us with a heavy hearted groove with etherial textures and psychedelic atmospheres. Closing out the B-Side is 'Nice Things', Saturated with classic deep influences, wonky LFO's and hats for days. Wrap your head around this all class EP.

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Last In: 16 months ago
9,71 €
KLASH POiNT - 888 Miles EP (François X remix)

The 888 Miles E.P. includes two original tracks, 888 Miles and 777 Miles, which both develop a psychological tension that leads to moments of euphoric liberation where the synths soar and allow the mind the wander, accompanied by a rhythmic groove. There is a slightly different sensitivity between the two tracks that you'll can easlyer constat. Then, don't forget, even if the approach sounds different, the soul remains the same. The other original track, 000 Miles, places you on a spacecraft, with ambient musicality sounding like it could have been generated by hydraulic pipes or air conditioning. This E.P. release also includes '888 Miles XXX Reshape', a deep techno remix by none other than the awesome Francois X. He's probably the best person to describe it: "I've known David & Kevin (Klash Point duo) for a while now and when they suggested that I produce a remix for them, it was natural to say yes. It's funny how this piece of music saw the light, as it has a completely altered tone from the original. It's definitely one of my funkier tracks, with trippy and bluesy vibes - like a trip deep into the wild."

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Last In: 6 years ago
9,87 €
Mehmet Aslan - Lobster Is Coincidence

For it’s second-release, Planisphere returns once more to the Berlin studio of Swiss-Turkish producer Mehmet Aslan, who has fast become one of the most fiercely individual and increasingly prolific emerging artists in some time.

This three-track EP is arguably Aslan’s most-refined work to date, aiming squarely at heads-down dancefloors, riding on sophisticated and hypnotic grooves. On ‘Comme II Faut’, a minimal beat unravels Aslan’s textural, traditional samples, delivering a woozy and intoxicating atmosphere.

Meanwhile, ‘Lobster Is Coincidence’ christens the EP with its title and a stop-start slice of unpredictable, cut-up psychedelia, utilizing obscure samples to generate esoteric funk. On the contrary, Aslan executes a tapestry of tightly-wound and no less entrancing rhythms on ‘Kakusui’, which evolves intriguingly with a subtle half-step and further echoes of Aslan’s unique musical heritage.

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Last In: 6 years ago
10,63 €
Hyper On Experience - Disturbance Remixes EP 2x10"

This double 10" vinyl features some absolutely enormous remixes that are not to be missed! Hamilton (Dj Ham) steps up to the plate and delivers a blisteringly dark remix of an already dark tune. Tough and rough, this one has a bassline that shakes the speakers to death and is built to last in his customary RAM records style.
Abyss gives us a glorious old skool drum and bass remix, in line with the 1994 sound, full on amen cuts, heavy sines and deep atmospherics.
Lowercase and Psycangle move the whole track into early 90's Ruffneck Records / Malice territory, with a furious old skool gabber remix, hard as nails and noisy as hell.
But perhaps the best is saved for last, because Sunny & Deck Hussy do the near impossible and take a dark tune and flip it on its head, making it euphoric and deep without losing the essential character of the original.

Club / DJ Support
Shimon, Andy C, Randall, Ray Keith, Chase 7 Status, Zinc, Jack Frost, Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Liquid, Hyper On Experience, Ant To Be, Ponder and many others

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Last In: 5 years ago
15,76 €
The Dining Rooms - When You Died

"When You Died" is the first single that anticipates The Dining Room's next full-length album, four years after "Do Hipsters Love Sun (Ra)?".

Side A contains the original version of the song, a funk cut with a 70's psychedelic taste, featuring Sean Martin on some vocals. On the flip-side (Side B), the same track has been reworked by 'Massimo Martellotta' (Calibro '35) to become an compelling disco soul midtempo tune.

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Last In: 6 years ago
7,35 €
CPI/JUAN RAMOS/KRIS BAHA/BEZIER - Nothing Matters When We Are Dancing Vol 10: Cosmic Hole

Discodromo are delighted to present a three-vinyl compilation to celebrate the 10th birthday of their Berlin party 'CockTail d'Amore'. The compilation features the sound that best envisions the party and its evolution throughout its first D102-decade.

This vinyl features the sound of the Cosmic Hole, a room dedicated to downtempo psychedelia. CPI, the name behind Marc PiNol and Hugo Capablanca's collaborative project, launches this record with a hypnotic acid ballad named Mount Anal: for a late night slow-mo dance experience.
Synth-noir melodies are brought by two label aficionados, Juan Ramos and Kris Baha, while Honeysoundsystem's Bezier journeys to a One Thousand and One Nights soundscape with his Starpoint.

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Last In: 6 years ago
10,04 €
Charles Ditto - Human Terms

In the mid-80's, an original form of music was discovered on the midi-capable little planet of Austin, Texas. At the age of 32, Charles Ditto would release his first solo album applying cutting edge computers and synthesizers of the era (Roland DX7, Roland MKS-20, Roland MKS-80, Sequential Circuits Profit 2000 along with a Macintosh SE), creating a unique and detailed world that was inspired by Cluster, Eno & The Residents.

In Human Terms bridges the gab between contemporary classical and minimal pop. Rhythmic but melodically abstract. Microtonal and organic. Often described as experimental electronics, tone poems or Cyber-delic-psychotropic-avante-garde.
In Human Terms, remains very emotion, deep and different. Ditto's music imparts a new listening experience that is still somewhat indescribable today, but remains approachable and relatable.

'What makes Ditto's music so strikingly different is his overt use of emotion, very descriptive melodies and deep atmosphere' Audio Magazine - August 1988 // 'If Erik Satie had midi gear' Keyboard Magazine - April 1988 // 'Brian Eno meets Seastones, but with more melody' Relix Magazine - August, 1988 // 'Ditto's choice of Synthesizer tones are at once both organic and unique' Electronic Musician - June 1988.

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Last In: 6 years ago
28,53 €
Various - Breath Of Danger (Themes)

They Say: “A selection of suspense underscores and drama blackcloths which vary in intensity and cover a wide range of suspense and drama situations”.

We say: A breaky, funky library great masquerading as a horror score. Oh, and the cover art is amazing.

Breath Of Danger was originally released in 1974, and rounded up a killer ensemble cast of library legends including Alan Hawkshaw, Brian Bennett, Alan Parker, David Lindup, Kenny Salmon, Barry Morgan and Ray Cooper.

Lindup’s opener “Cold Sweat” sounds like hip-hop-friendly mode Axelrod and, indeed, was brilliantly sampled by Kool Keith for his Dr. Dooom project. Alan Hawkshaw and Brian Bennett’s “The Manipulator” sounds like it arrived straight out of the same sessions as their legendary Synthesizer & Percussion LP from the same year.

Over on the B-side Alan Parker’s “Psychosis” is a moving and beautifully restrained funk-guitar/cello/harp workout. Stunning. Kenny Salmon’s “Flying Squad” is a sleazy, flute-enhanced gem and the album closes with “Voodoo”, a seventy second riot of sound and colour from the dynamic drumming-percussion duo of Barry Morgan and Ray Cooper.

Sonically, there’s a widescreen vitality in all these tracks thanks to the driving rhythms, vibrant horn sections and blazing guitar work. It renders Breath Of Danger - 45 years old - truly ageless. The Themes series is known for having particularly striking sleeves, which was unusual for library records at the time, and Breath Of Danger’s scraps of comic-book crazy make for one of the most eye-catching.

As with all of our other Themes re-issues, the audio for Breath Of Danger comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Last In: 6 years ago
20,71 €
OSSIA - The Marzahn Versions

“The third part of our "Ode To The Soundsystem" is here and the abstract sound of the last Ossia album is no longer evident. The influence of the early Disciples 12"s shows up for the first time, with a Drexciyan connection happening on the b-side, creating one of the most lethal and militant 12"s that we have ever released. Ossia is back on Berceuse Heroique and we are very happy about it.”

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Last In: 5 years ago
10,88 €
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