Поиск:psy

An-i is the alias of Berlin-baseyd Korean-American Doug Lee, an artist with over two decades in the game already under several different monikers. This is the third EP to come under this name since debuting it in 2015 and finds him in an even more bold and adventurous mode than ever. Opener 'Rabble' is controlled techno chaos, a flurry of whirring machines and unrelenting drums that will frazzle your brain. 'Rubble' is just as intense, a big wall of rusted synth work and industrial noise mangled into something rhythmic and futuristic. 'Chapel Perilous' on the flip then offers up a spaced-out journey deep into the inner psyche. A welcome return from a truly singular artist that comes on fluorescent yellow wax.

La MegaCobla: an experienced traditional Catalan cobla wind quartet, born after an improvisation workshop with ZA! two years ago. Pep Moliner, Jordi Casas, Xavi Molina and Xavi Torrent are four of the most reputable and innovative cobla musicians, experts in hacking tradition and using their folk instruments in any modern musical genre.
Tarta Relena, young a capella trans-folk duet that have shook up theire scene. With their use of polyphony and voice FX, Helena Ros and Marta Torrella are digging in the deepest Mediterranean folk repertoire and placing it in the XXIst century with aesthetic renewal.
ZA!: Papadupau & Spazzfrica Ehd are European benchmarks of the underground Do-It-Yourself music community. Their uniquely intense shows, as well as their collective/collaborative work (wokshops, benefit shows, Do-it-Together cooperation) have allowed them to tour the whole world, from Tokyo to Maputo, from Tasmania to Sao Paulo, from New York to Saint Petersburg. Under the premise that avant-garde art is not incompatible with collective horizontal creation, ZA! mix cult, underground and popular music without asking permission.
These three elements come together with the purpose of portraying their own vision of Mediterranean music, filtered by distortion (so current in cognitive, social and identity terms) and psychedelia (so inevitable in an increasingly accelerated and saturated reality). A retro-futuristic journey from folk to free exploring the shores of the Mediterranean, claiming its power as a living core, never as a deadly border.

The TransMegaCobla fuses traditional Mediterranean culture -from bulería to kopanitsa, from gnaoua to sardana- with contemporary culture to create a fictional but deeply human and festive universe. Resurrecting the Phoenician language, the octet seeks common roots to fuse and remake them with contemporary molds such as rock, punk, free jazz and conducted improvisation. A timeless orchestra ready to invent, with real elements, a science-fiction Mediterranean in a parallel reality.

Stunning private press album from 1975 by Louisville guitar-driven psych-rockers.

A blend of West Coast styled psychedelia with acid dual guitar and gentle dreamy passages.

Officially reissued for the first time by Guerssen in 2009, here’s a new, improved repress sourced from recently discovered master tapes.

John Howard was one of the best and most creative DJs of the west coast house scene back in the 90’s. His mixes and productions were full of house groove, soul, breaks and jazzy rhythms. This new series on Repeat contains of three parts including Howard’s best productions. These tracks are all huge influence for many producers that later discovered these kind of psychedelic house grooves on European based DJ sets… John Howard was on his own journey much ahead of time and his music still sound absolutely incredible 25 years later… Mesmerizing release.

12" + 7" !

Mind Maze is, amazingly, Trees Speak’s fifth album to be released on Soul Jazz Records in the space of little over two years– an output matched only by the intensity of their music created during this short time.

The first pressing only of the album comes with a bonus seven-inch single containing two tracks that are not available on vinyl anywhere else.
As with all their previous releases, ‘Mind Maze’ is a mind-boggling tightrope walk across an array of musical influences that seamlessly create the unique present-day world of Trees Speak.

The band’s sound is characterized by a combination of German krautrock motoric-beat rhythms, angular New York post-punk attitude, 60s spy soundtracks, psych, rock, jazz, and 70s synthesizers and vocoders. There is also a cosmic spatial awareness to their sound; both personal inner space and galactic outer space, as well as a wilful pushing of sonic boundaries.

Trees Speak are a musical duo based in Tucson, Arizona, composed of Daniel Martin Diaz and Damian Diaz. Their music is heavily influenced by the cosmic magic of the natural desert landscapes of Arizona, creating a unique and captivating sound that is both experimental and innovative.

Here you will find the myriad sounds of 1970s German electronic music (everything from Can to Cluster, Popul Vuh to Tangerine Dream); 1980s New York post-punk and synthcore (from No Wave to Suicide); John Barry’s 1960s movies, John Carpenter’s 1970s horror. You will also hear the influences of French and Italian progressive rock (Magma, Goblin) as well as cosmic, new age and experimental space soundscapes …. an almost endless list of diverse influences that ebb and flow like an ocean of sound, in the process creating a truly unique soundscape that Trees Speak have made wholly their own.

The name Trees Speak reflects their interest in the concept of using future technologies to store information and data in trees and plants, with the idea that trees communicate collectively. This interest in nature and technology, combined with their passion for experimentation, has led Trees Speak to create a truly one-of-a-kind listening experience that is both unique and engaging.

If you ever wanted to hear Can, Neu!, Destroy All Monsters, Pere Ubu, electric eels, John Cage, Liquid Liquid, Tangerine Dream, Suicide, Laurie Spiegel, Art Ensemble of Chicago, John Barry, Mother Mallard’s Portable Masterpiece Company, Sun Ra, Stockhausen, John Carpenter, Electro-Acoustic and Musique Concrete and Mars in one band - then this is it! Trees Speak are a band that defies categorization and offer an eclectic listening experience, both exciting and memorable.

The two bonus tracks (‘Seraphim’ and ‘Orpheus’) included with the album give us a further window into the complex mind maze of the group - two stunning acoustic tracks that explore a distinct early 70s sound of Yes, Argent and other progressive rock accolytes.

Tai Chi Tommy steps out of the crypt to deliver his sultry crooner tones in a collection of Halloween themed doo-wop and garage psych songs live from the Sad Souls Social Club. drawing from the likes of Roy Orbison and The Platters, mixing lush and pleasing melodies with voodoo lure and a 50’s twang.

Love songs for Zombies, Vampires, freaks, geeks and the Strange & Unusual.

"We entered the shadowy mouth of a new space, descending into a realm that precedes the underworld, the arcane, far from our time. We met beasts that gave us lessons about their language which we started learning without grammar."


'The animal world is a constant in the work of Milan improvisational duo Rosso Polare. If Cani Lenti was guided by the diaphanous birdsong integrated into their sparkling mix of folklore, ambiences and occasional humming, on Bocca D’ombra the themes go darker, textures are harder to pin down and the animal presence takes on new connotations.

Instead of an anonymous, patchworked outdoors we enter a cavernous space that invokes the collective unconscious with bestial and funereal undertones, as the animals take on the role of the psychopomps, ancient guides through the shadow realm.

The album is influenced by Timothy Morton’s Dark Ecology, a thinker who sees the constant exchange between the human and natural world as an ongoing dialogue, the two influencing each other, in a series of reverberating loops. This looping is also reflected in their compositions, where improvisations with traditional instruments like electric and acoustic guitars, monophonic synths, horns or flutes meet natural noise-making tools like branches, rocks or nuts that amount to lugubrious, often dissonant textures. Bocca D’ombra is built on a series of whispers, breaths, panting and rustling, creating a feeling of closeness sometimes verging on the claustrophobic, ingeniously set against sounds evoking space – fireworks crackling, crows echoing, church bells reverberating, indistinct cries from a children’s playground.

Distance and repetition are deeply ingrained in their own understanding of sound and their surroundings, becoming the building blocks of their practice. Just like Gregory Bateson in the ‘70s, the duo believes in a more romantic approach to ecology, seeking a porous border between self and environment, human and animal, internal monologue and external ambient hum.

If earlier releases were noisier and denser, Bocca D’ombra is tight and focused - every sound and melody is given room to breathe and develop on its own, enhancing the haunting, otherworldly aspect of the music. The result is heady, intoxicating mix which sublimates chaos into sparkling compositions of contemporary animism.'

Sampled by Jay-Z and Dr Dre, Italian band Calibro 35 announces the release of the new album NOUVELLES AVENTURES. The album will be available abroad on limited edition Crystal Clear vinyl next June 30th via Record Kicks.

Italian cult cinematic combo Calibro 35 are back with their new studio album NOUVELLES AVENTURES. The new album will be available abroad on a limited edition Crystal Clear Gatefold LP on June 30th, distributed worldwide via Record Kicks. The crystal clear vinyl edition is a Record Kicks exclusive and is limited to 1000 copies, which makes it an instant collector's item.

After last year's Scacco Al Maestro, the 2 tribute-albums dedicated to "il maestro" Ennio Morricone, followed by the "Calibro 35 plays Morricone" tour and the releasing of the ost of TV drama series Blanca, Calibro 35 are back with NOUVELLES AVENTURES, a new studio album of original material. NOUVELLES AVENTURES was recorded in Naples at Auditorium Novecento, the former Phonotype Records, one of the most legendary and fascinating Italian recording studios. The new LP sees the group making full use of their knowledge and resources, refined and enriched over the years, back to making "Calibro's music": a unique mix of funk, progressive rock, alternative jazz and wide-spectrum cinematic music the public has known them for in fifteen years of career.

"After a couple of intense and stimulating years playing Morricone and writing music for the TV drama Blanca", Calibro 35 said, "we had a great desire to make new inspired music. To do so, we left home and we shut ourselves up in the splendid space-time capsule that is the Auditorium Novecento studio. The result is a series of musical voyages in which we concentrated all our artistic and human experiences. As in Verne's imaginary and extraordinary journeys, we explored distant places where we had never been before. We then happened to return to more familiar shores and discover them with new eyes without realizing it. We borrowed the title NOUVELLES AVENTURES from György Ligeti, precisely because after fifteen years of building ourselves, we are ready for new adventures".

NOUVELLES AVENTURES was anticipated by the first extract "EXTRAORDINAIRE", an almost 6-minute song that once again confirms the band's aptitude for the exploration of unpredictable sound territories: a music that, on one hand sounds liquid and abstract, while on the other, it cuts through the psychedelic mists, with a complex architecture.

Described by Rolling Stone as "the most fascinating, retro-maniac and genuine thing that has happened to Italy in the past few years", Milan-based Calibro 35 enjoy a worldwide reputation as one of the coolest independent bands around. Active since 2007, during their long career they were sampled by Dr. Dre on Compton ("One Shot One Kill" feat. Snoop Dogg), Jay Z ("Picasso Baby"), The Child of Lov & Damon Albarn ("One Day") and Demigodz ("The Summer Of Sam"). They played major venues and festivals all over Europe and as unique musicians they collaborated with, amongst others: PJ Harvey, Mike Patton, John Parish, Stewart Copeland and Rokia Traoré.

Forthcoming on Telephone Explosion. Bob Bell Necropolis. Canadian private press mega-rarity/ obscurity from the artistically schizophrenic Bob Bell.

Recorded in 1978, Bell splits the difference between his love of basement psych splatter/ pummel and squalling free jazz ramble, the former occupying side A with a stunning four part suite of wasted guitar scuzz and churning Krautrock-like drama with an akin to German Oak, Roland Kirk, Albert Ayler, DNA, Melt Banana (minus the vocals) and Guru Guru. The latter represents Bell as a saxophonist on side B, and the music itself translates into a 15-minute free-jazz exploration

Debut album by Akane, a new bedroom solo project by Tenerife's Carolina Machado - best known for her role as drummer and singer in space rock psychedelic outfit Gaf y La Estrella de la Muerte.

Cooked and slowly matured over the last couple of years, Carolina opens up her heart to present an intimate collec-tion of dreamy avant pop songs under the banner title Night-Time Birds.

With various nods to David Lynch’s dreamlike imagery and weird americana landscapes, Carolina gracefully merges her own local sensibilities to re-imagine a panoramic, fictional soundtrack to an unmade road movie, creating a per-sonal musical language made up of vintage pop songs, lush ambient soundscapes and West Coast lo-fi electronica. Her pursue of sonic exploration through modular synthesis techniques pushes her sound further out into a wider realm as she blends exotic alien-like melodies with her trademark soothing, shoe-gaze style voice. An album that seems to be floating gracefully and frozen in time…

The album’s seven tracks were recorded live during her performance in a disused gas tank at the Keroxen festival in 2022 and counts with the special collaboration of her bandmate in Gaf César Chinarro on guitar. No doubt, Night-Time Birds is not the last we’ll hear from Carol demonstrating once again the varied and eclectic creative energy currently flowing from the Canary archipelago shows no sign of slowing down.

**Debut album from former 'Eighties Matchbox B Line Disaster' front man Guy McKnight's new band.** **ORANGE MARBLE COLOURED VINYL - VERY LIMITED!!** The DSM IV’s debut album, “NEW AGE PARANOIA,” is an impressive collection of stories, beats, guitars, and noise. The album seamlessly weaves together sobering but dream-filled songs that explore the ways in which our collective minds are influenced by mass media, entertainment industries, and social media. Formed by Guy McKnight of critically acclaimed and cult favourite The Eighties Matchbox B-Line Disaster. The DSM IV has a dark sound that blends noise-rock, synth-pop and industrial, that delivers a unique musical experience. Their music is cacophonous and epic, featuring rich textures and melodic hooks that keep listeners captivated. The band’s powerful soundscapes, combined with their thought-provoking lyrics, create a mesmerizing atmosphere that both entertains and encourages introspection. The album prompts important questions about our society, such as what’s driving the normalization of a narcissistic culture that prioritizes personal desires over altruism. It delves into the ways in which technology, social media, and mass media shape our collective psyche and affect our relationships with ourselves and each other. The DSM IV’s music offers a timely and compelling commentary on these issues. The DSM IV is a band that creates music with a powerful message that resonates with people who feel that a kinder world is possible. Their songs are both nasty and nice, reflective and entertaining. With “NEW AGE PARANOIA,” The DSM IV has crafted an album that will captivate and inspire listeners, while also prompting deeper reflection on our society’s values and priorities.