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Iñigo Vontier - Zongato EP

Mexican enfant extraordinaire Iñigo Vontier is rolling in with his debut EP for Feines Tier and it’s a match made in heaven. Just judging on the name alone, as he seems to be from some kind of royal Tier family descent. But enough with the mind-numbingly bad puns and on to some brain-meltingly good music.
Rolling. Everything’s rolling. Zongato is rolling. We don’t know who or what a Zongato is (a Google search just led to a Twitch streamer with that name and 0 followers), but they are definitely rolling. It’s got this special combination of straight and uncompromising beat and bass paired with psychedelic synth sirens floating around your head that somehow only the Mexicans really know how to nail.
Astrolo is rolling. Like a well-oiled machine. Well, maybe like a not so well-oiled machine, one that’s shrieking and creaking, but has been running since forever and reliably will do so until we’re all gone from this Earth.
If you ask Google Translate, Mucha Onda means „very cool“ in English, „molto bello“ in Italian or „valde frigidus“ in Latin and there is nothing more to add to that.
The psychedelics are back (were they ever gone?) and kick in in full swing on Hedonist Lizard. A dangerous cocktail of high-proof alcoholic drum and bass patterns paired with some sugary spicy herbals of unknown origin, better not down it in one go. You were warned.
On The Sounds Are Good, the sounds are good indeed! And rolling.

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19,12

Ültimo hace: 8 Meses
BLANCO TETA - LA DEBACLE DE LAS DIVAS
  • Mechita
  • La Debacle
  • Subiduki
  • Sin Nafta
  • Perdida
  • Joven Promesa
  • Deseo Deseo
  • Deja De Llorar
  • Sin Bombacha
  • Exorcizada

The Argentinian punk-noise-queer combo Blanco Tet ais back with a new album from the underground scene of Buenos Aires. La debacle de las divas is a raw, satiric and emotional album about capitalism"s obsession with youth, and the burnout of always having to keep yourself "new." It dives into the sounds of pop and rock, noise, no wave and even metal and grunge, and it"s a record for the working-class divas, the Flixbus divas - too broke, too tired, too late, but still loud. Recorded live in one room, no overdubs, no edits-just the urgent chaos of cables, bodies and feedback. It"s danceable, glitchy, and full of heartache and rage. Fuck meritocracy. Fuck techno-feudalism. This is survival music for the ones paying subscriptions to platforms that censor them. La debacle de las divas is a shelter and also a call to arms for outdated divas.

Reservar04.07.2025

debe ser publicado en 04.07.2025

21,81
SPLIT SYSTEM - ON THE EDGE / ON THE LOOSE
  • On The Edge
  • On The Loose

After a massive 2024 that included the release of their second album Vol. 2 and a U.S. tour, Naarm/Melbourne punks Split System are back with new 7" On the Edge/On the Loose.The feeling of stress and anxiety permeates through both tracks. The opener is the sleazy, hardcore-infused On the Edge, featuring a pounding rhythm that mirrors the pressure of day-to-day life and the inevitable breakdown that awaits.Next, the sub-two-minute On the Loose delivers a catchy, high-energy garage-punk thumper about moving through life feeling like you've got a gun to your head. The band will return to Europe mid-year 2025, including a spot at the Best Kept Secret Festival in the Netherlands.

Reservar04.07.2025

debe ser publicado en 04.07.2025

12,82
SPLIT SYSTEM / LES LULLIES - SPLIT

SPLIT SYSTEM / LES LULLIES

SPLIT

7"-VinylDRUNKEN187
Drunken Sailor
04.07.2025

A Split System split 7" release in tandem with French garage-punks Les Lullies - one song apiece. The Australian side features a tough-as-guts Rock & Roll stomper, 'Chemicals'. On the other side Les Lullies deliver A L'Etroit. written and recorded in a burst of urgency - fast, loud and straight to the point. The two bands will hit the road together in June 2025 for a run of high energy gigs across Europe.

Reservar04.07.2025

debe ser publicado en 04.07.2025

12,82
Cocojoey - Stars (TAPE)

Cocojoey

Stars (TAPE)

CassetteCSHAUSMO144
Hausu Mountain
04.07.2025

Chicago-based composer/producer Joey Meland makes music under the moniker Cocojoey. Treating genre conventions and ostensible barriers between disparate musical vocabularies like playthings to gleefully smash and reshape at will, Meland channels decades of experience as a polymathic professional musician adept in styles like metal, jazz, synthpop, and experimental sound design into their infinitely combinatory compositions. STARS, their first album on Hausu Mountain, follows the self-released COCOJOEY’S WORLD with a spellbinding burst of heart-on-sleeve self-expression. The album finds Cocojoey indulging their most adventurous impulses in production and technical instrumental performance, launching into a constantly morphing program that contrasts day-glo earworm hooks against cathartic moments of screaming intensity. Cocojoey’s music exudes warmth and finger-wagging mischief as it exhumes the depths of their psyche with the pure-hearted goal of making their audience smile — when those listening find a chance to breathe within the ecstatic overstimulation.

The album’s tightly constructed song cycle blasts the listener with moment after moment of novel juxtaposition, both in terms of genre and emotional energy, that keep us reeling in a state of delirious whiplash. Warp-speed piano solos over bossa nova-inflected chord progressions segue into detonations of death metal that front-load Meland’s ferocious screaming vocals and meticulously programmed double-kick drum patterns. A strain of iridescent prog emerges in the sheer overload of notes and ideas, as drum n’ bass breaks collide with labyrinthine multi-time signature keyboard lines and bright flashes of clean vocals. Despite whatever contrasting styles might hit within any given Cocojoey song, Meland returns again and again to the upheaval and release provided by extreme metal — though that idiom lands with joyful exuberance, an abrasive yet heartwarming flavor whose positive energy carries through even to those who might not encounter screams and hyper-technical drum breakdowns in their typical listening regimen.

Reservar04.07.2025

debe ser publicado en 04.07.2025

18,07
HEAVEN'S SAPPHIRE - WELCOME TO WONDERWORLD
  • The Wonderworld March
  • Flight Into Space
  • We Are The World...we Are The People
  • Million Miles From Home
  • Song Of The Stars
  • Lights Out
  • Sinister Minister
  • Ready To Fight
  • Lady Starlight
  • I Can See The Future
  • Don't Look Back
  • The Wonderworld March(Reprise)

Movie Rock - ein neues Genre wird definiert. Den beiden Komponisten Sven Bergmann & Oliver Bartkowski ist eine wunderbare Symbiose aus Rock und Pop gelungen, die mit klassischen und sogar jazzigen Elementen, sowie Ausflügen ins Reich des Musicals neue Maßstäbe setzen kann. Der Fan von Film-Scores wird gleichermaßen bedient wie der Rockfan, bei dem es auch gerne einmal krachen darf. Bergmann und Bartkowski konnten bereits mit "The Movie Trip Show" ihr Publikum begeistern. Sie komponierten die Musik für den international prämierten Euro-Western "Durch seine Venen fließt Blei - Bullet Vain" und präsentieren nun mit HEAVEN"S SAPPHIRE "Welcome To Wonderworld" ihr erstes Movie-Rock-Album.

Reservar04.07.2025

debe ser publicado en 04.07.2025

12,56
Joe Stilgoe & The Entertainers - Can We Entertain You?

Joe Stilgoe and the Entertainers - the new powerhouse jazz supergroup - have put together a record like no other; a pure love letter to jazz clubs around the world, and the people who frequent them. Titans of the UK jazz scene, singer and pianist Joe Stilgoe and clarinettist Giacomo Smith have come together to form The Entertainers, which features members of Kansas Smitty's House Band, Joe's own band, and guest vocalists Emma Smith and Pete Horsfall. 'Can We Entertain You?' is the first single from the forthcoming album 'Welcome to the Club' and this signed vinyl edition is now available.

Reservar04.07.2025

debe ser publicado en 04.07.2025

18,28
Katatonia - Tonight's Decision LP

Katatonia

Tonight's Decision LP

12inchVILELP1260
Peaceville
04.07.2025
  • A1: For My Demons
  • A2: I Am Nothing
  • A3: In Death, A Song
  • A4: Strained
  • A5: This Punishment
  • A6: Right Into The Bliss
  • B1: No Good Can Come Of This
  • B2: Had To (Leave)
  • B3: A Darkness Coming
  • B4: Nightmares By The Sea
  • B5: Black Session
Reservar04.07.2025

debe ser publicado en 04.07.2025

28,99
JEFFREY ALEXANDER & THE HEAVY LIDDERS - SPACIOUS MINDS VOL: 2 LP

“Extremely highhgrade psych” (MOJO, 2024) “Immaculate sounding new psychedelia“ (Maggot Brain, 2024) “Alexander succeeds in capturing the post-psych grandeur that he’s aiming for while also creating one of his headiest offerings yet” (Raven Sings The Blues) “Psych lifer in a bloozy Americana mode. The whole thing hangs loose like a frayed rope tied to a river tube… essentially, a choogler’s dream.” (Viking’s Choice / NPR Music) “Plug in and space your face” (Aquarium Drunkard) Originally on Tape via Arrowhawk (please go check more releases on this wonderful label) - Now on Vinyl Presented in a high gloss laminated outer sleeve with artwork by Jake Blanchard - Both sets of art joining together to complete the picture. 36 minutes of sonic bliss for your ears and brain. Side 1 - Dark Star Side 2 - Dark Star (continued) "Jeffrey Alexander is a lifer. He has been flirting around the underground for the past thirty years - starting in Baltimore in the mid-90s and later percolating in Providence, Pittsburgh, San Francisco and, now, Philadelphia. Throughout this span, he has run various record labels, worked in a bunch of record shops, organized music festivals, managed live venues, FM deejayed, jammed econo, booked endless tours and performed in a gaggle of groups from Black Forest / Black Sea to Dire Wolves to Jackie-O Motherfucker to The Iditarod and points in-between. And now we have The Heavy Lidders. Jeffrey Alexander + The Heavy Lidders takes the freaked improvisation of Alexander’s instrumental band - DWLVS / Dire Wolves Just Exactly Perfect Sisters Band - into the world of song. Heady songwriting, ethereal jazz and Trad Gras-y blues stomps all feature. Backed by members of Elkhorn and Kohoutek. This vinyl (in 2 volumes) you hold in your hands is a collection of live Lidders that will surely wax your stem, and how! When Record Crates United invited JA+THL to perform at their inaugural garden party, not only did the Lidders show up with a one-off Live/Dead cover as a surprise gift for Keith and Sarah, but they rolled in with the Jesse Sheppard mobile multi-track truck, as well. Fucking pros, mate. Most of the material here was captured that sunny afternoon in suburban New Jersey - and thank the Godz that we have this plastic burner. I missed the set, but Kenneth Higney was there and gave it two thumbs up! I know them Lidders have a deluxe studio LP lined up for September, but til then, this little box will comfortably help you break on through. But don’t be fooled into thinking this is a mere EP. It’s SEVENTY SIX minutes of pure medicated goo. Now dose your capstan and pinch your roller. Shit is about to get Lidded." - Glen Burnout (on Sun Ra’s arrival day 2023)

Reservar04.07.2025

debe ser publicado en 04.07.2025

28,53
Olive Kluge - Lost Dog LP

Olive Kluge

Lost Dog LP

12inchLPSIG7062
Signature Sounds
04.07.2025
  • 1: Taking Punches From The Breeze 3:45
  • 2: What To Make Of Me :57
  • 3: Cold War :0
  • 4: Train Of Thought 2:6
  • 5: Opposite Action 4:0
  • 5: Lost Dog 4:00
  • 6: One Dimension 3:14
  • 7: Fleeting 4:25

It’s been a short time since the van-dwelling singer-songwriter Olive Klug has fully pursued the life of a touring musician. Their DIY career has resulted in a huge following with over 20 million Spotify streams and 100,000+ Instagram followers. Self-described as “someone who floats on the breeze, letting the wind take me wherever I’m meant to be,” Klug’s sophomore album and label debut, Lost Dog finds them contemplating this propensity for adventure no matter which avenue of love and loss it leads down. Although still very young, Klug artfully addresses “aging as a neurodivergent free spirit” on the road with a compelling ability to voice honest emotions through captivating storytelling. Audiotree praised, ”equal parts vulnerable and powerful, ebullient and heartbreaking, reminding us how powerful the journey of music can be.” Olive Klug is a singular voice for the future of folk: honest, fearless, often unsure, but willing to try anyway.

Reservar04.07.2025

debe ser publicado en 04.07.2025

25,34
SEQUENCE OF EVENTS - THE ART OF MEMORY LP

Emerging from the fertile chaos of Düsseldorf’s Salon des Amateurs scene, Sequence of Events, the collaborative project of Deniz Saridas and Joshua Gottmanns, presents The Art of Memory, an album that feels both intimate and ungraspable, like recalling a dream that fades upon waking.

Rooted in the post-industrial landscapes of West Germany, The Art of Memory channels the bleak resilience of these environments into its sound. It’s a collage of kraut-infused electronics, shoegaze textures, and industrial pulses, filtered through a lens of introspective psychedelia. “We don’t consciously break down or combine genres,” they explain. “Everything is interwoven, like chemistry. Some reactions happen immediately, others take years under pressure.”

From the opening track TAR, with its stoic vocals and drum-heavy propulsion, to the robotic Meagre Gardens, where autotuned chants coil around unconventional drum programming, the album moves like a fever dream through fragmented memories. Soul Divider unfolds like a cinematic journey through yearning and desire, its repetitive pulses echoing the ache of unfulfilled longing, while Nature Hates Life distills pop music through the eyes of a killjoy: “Kurt Cobain on an AKAI MPC2000,” as the band describes it. Even moments of tenderness, like the drifting Becomings, shimmer with absolute sensuality: a seductive exploration of presence defined by absence. We lift each other up and hold each other down.

The creative process behind The Art of Memory is as fluid as the music itself. Saridas and Gottmanns, both self-taught musicians with backgrounds in fine art, worked intuitively, drawing from a shared pool of samples, text fragments, and images. Operating somewhere in the space between fin de siècle aesthetics and occultism, it’s a dream wedding with a continuous stream of meaningless (moving) images generated by human and non-human entities.

Ultimately, The Art of Memory is not an escape but an immersion. A meditation on the sensory overload of the present and the ghosts it leaves in its wake. In a world where music is often reduced to background noise for consumption, Sequence of Events offers something more elusive: a record that lingers, unsettles, and demands to be remembered.

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19,12

Ültimo hace: 10 Meses
ALANIS MORISSETTE - Jagged Little Pill 2x12"
  • All I Really Want
  • You Oughta Know
  • Perfect
  • Hand In My Pocket
  • Right Through You
  • Forgiven
  • You Learn
  • Head Over Feet
  • Mary Jane
  • Ironic
  • Not The Doctor
  • Wake Up

When Alanis Morissette took direct aim at an ex who wronged her on the eviscerating “You Oughta Know” in 1995, everything about the Top 10 song communicated it wasn’t the usual narrative about love gone south. Or the typical wounded singer wallowing in self pity. Morissette, and both the lead single from and her entire American major-label debut — the profoundly personal Jagged Little Pill — represented a sea change. They kickstarted a movement, one whose impact continues to echo throughout the mainstream nearly three decades later.

Ranked the 69th Greatest Album of All Time by Rolling Stone, included on the Rock and Roll Hall of Fame’s list of 200 Definitive Albums, and featured in several books about essential albums, Jagged Little Pill remains more than a blockbuster that has sold more than 17 million copies in the U.S. and 33 million units worldwide. It’s a statement, an attitude, a soundtrack for anyone seeking inspiration, an outlet, or permission to be themselves.

Sourced from the original master tapes, pressed at Fidelity Record Pressing on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP box set of Jagged Little Pill presents the landmark effort in audiophile-grade sound for the first time. A key part of the record’s appeal and accessibility — Glen Ballard’s smooth production, touches that help Morissette’s exposed-nerve fare seem more accessible and melodic — comes through on this special 30th anniversary edition with an openness, presence, and dynamic explosiveness that make the vocalist’s songs that much more real and visceral.

The singer’s distinctive mezzo-soprano deliveries — the octave-rippling highs, dark-hued lows, dramatic crescendos, belted choruses, wispy reflections, occasional yodels — resonate with full-range ardor and depth. As crucial as anything on the record, Morissette’s confessional words take center stage like never before. Ditto the instrumentation and atmospherics that form the magnetic backgrounds of the songs. Key in on the contributions from Red Hot Chili Peppers Dave Navarro and Flea on “You Oughta Know” to Tom Petty & the Heartbreakers' co-founder Benmont Tench’s organ playing on six tracks.

The deluxe packaging of Mobile Fidelity’s Jagged Little Pill UD1S set underscores the work’s distinguished status. Housed in a slipcase, the LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendor of the recording. Benefitting from an ultra-low noise floor, superior groove definition, and dead-quiet surfaces, this UD1S reissue is for listeners who prize sound quality and desire to engage themselves in everything involved with the album, including the now-iconic cover art that juxtaposes two portraits of the then-21-year-old singer-songwriter and features typewriter font.

That script — which suggests a raw, blood-on-the-floor document created without modern aids like spell check or language correction — hints at the heightened level of unvarnished intimacy, honesty, and catharsis Morissette offers throughout Jagged Little Pill. Named after a phrase uttered on the astute “You Learn,” the album explores the frank emotions, inherent contradictions, and wishful desires people feel everyday but are often too afraid to express. Morissette displays no such fear or shyness.

Akin to a woman reading from a diary, Morissette leaves nothing to the imagination as she skewers hypocrisy during the poignant “Forgiven,” seeks recompense on the vengeful “You Oughta Know,” and spills her guts on the soul-purging “All I Really Want.” For all the anger and bile ascribed to the singer and record, Jagged Little Pill is incredibly healthy and upbeat. Morissette uses the catchy pop-rock frameworks and moody ambience to suss out situations, to learn, to give hope. There’s the clever yearning of “Hand in My Pocket”; wry contrarianism of “Ironic”; kind-heartedness of “Hand over Feet”; the live-and-let-live spirit of “You Learn” – all positive and amiable.

Throughout Jagged Little Pill, the ever-approachable Morissette connects with listeners who recognize themselves in her — and has an intelligent conversation with anyone who wants to participate. It seemed almost everyone did. In addition to the mammoth sales that make the effort the 17th-best-selling album in American history, Jagged Little Pill collected four Grammy Awards, two American Music Awards, three Billboard Music Awards, and eight Juno Awards. In 2018, the record became the basis for a musical that netted 15 Tony nominations on Broadway.

Ironic? Anything but. Jagged Little Pill transcends generations, gender, and trends. As Morissette sings on the opening “All I Really Want,”, the album represents “deliverance” — “a place to find common ground.”

Reservar03.07.2025

debe ser publicado en 03.07.2025

186,13
Marcal - Cyber Dystopia

Marcal

Cyber Dystopia

12inchENEMY039
Enemy Records
03.07.2025

Repress.

Marcal is back for round two on Dustin Zahn’s Enemy Records with “Cyber Dystopia.” Marcal’s trademark grooves and clever vocal processing make this one of his most exciting and hypnotic records yet. It’s pure class…there isn’t much else to say!

BUT we have to try anyway…
“Cyber Dystopia” starts off with Bionic Jungle, a trippy peak time roller sprinkled with uh, lifeforms or something? We haven’t been able to identify them, which is just proof that Marcal is living on another planet we haven’t been to yet. We’re standing by for the invite.

Moravex’s Paradox picks up where Bionic Jungle left off…chugging along in his signature style. It’s loopy. It’s tooly…but still heavy on the grooves, making it a perfect fit in deep and peak time sets alike.

Nothing About the United States hits a little harder and darker. Dissonant drones and catchy sound design take over, flipping the switch from “party” to “punish.” For fans of his recent track on Enemy, “Never Wrote This.”

Don’t Fear the Three is a classic Marcal percussive workout in heads-down mode. It’s as equally powerful as every other track on the record.

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11,13

Ültimo hace: 2 Días
L.D.F. & Javonntte - People From Mars EP

LDF (Lello Di Franco) makes a powerful return to Skylax, this time teaming up with Detroit's own Javonntte. Following his stellar release with Gari Romalis, LDF delivers a release that is pure gold for fans of the original Detroit sound. If you appreciate the styles of Moodymann, Theo Parrish, or Omar S, this record is bound to resonate deeply. The EP opens with "Disco One (All Night Long)," a groove-heavy track that embodies the essence of classic Detroit house. It pulses with soulful basslines and infectious rhythms, setting a hypnotic tone that's perfect for late-night sessions. "Saved" ventures into Chicago acid territory, a tribute to the raw, driving energy of classic acid house. With its punchy 303 basslines and tight, snappy percussion, it channels the best of Chicago's underground with a fresh, modern edge. "After Midnight" offers a smooth, after-hours vibe, balancing deep, jazzy chords with a pulsating rhythm that keeps the energy simmering. It's a track that brings warmth and intimacy, ideal for closing sets or introspective moments. "Martha" is a lush, emotionally rich track that embodies LDF's Italian roots while staying grounded in Detroit's heritage. With warm melodies and a rolling bassline, it delivers a balance between soulful warmth and a classic dancefloor feel. "Love Anthem" is a heartfelt groove, merging lush pads and laid-back percussion with a sense of nostalgic euphoria. It's a track that brings people together, a true love letter to house music. "People From Mars" pays homage to Omar S, with its stripped-down, gritty approach. The track has a rough, analog feel, capturing the raw energy and spirit of Detroit's underground. Finally, "The Dirty Digital Show" closes the EP on an intense note, with a driving rhythm and futuristic soundscapes. As an Italian DJ and producer from Naples, LDF brings his decades of experience—starting from his early inspirations in house and techno in 1993—into this record. Also, as co-owner of Frole Records and co-founder of Basic Frame Distribution, his knowledge of the scene is profound, and it's reflected in each meticulously crafted track. This release is a testament to the timelessness and diversity of house music.

Artwork done by legendary french cult designer H5 (Daft Punk, Air, Etienne de Crecy …)

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12,40

Ültimo hace: 5 Meses
VARIOUS - THE ONLY GOOD WAVE IS A DEAD ONE LP 2x12"

Underground Pacific is back with a new double vinyl compilation titled ‘The Only Good Wave is a Dead One’ that confirms, once again, its uncompromising taste for bold electronic music, psychedelic textures, and raw, electrified rock ‘n roll. This release brings together a varied group of artists, each of them adding something special to the journey.

The trip begins with “Excursions” by Gregory Moore, a piece that floats into a humid sonic world, between the nostalgic tones of vintage video game soundtracks, the Fourth World atmospheres of Jon Hassell, and the shimmering calm of ’90s Japanese ambient à la Takashi Kokubo.

Next comes Talee, the Rotterdam-based regular of the label, with “Makes Me Wonder”. Here, grunge-soaked vocals meet a tight dark disco groove, pierced by crystalline guitar chords that shimmer at the track’s heart. A song with its soul in the past and its feet in the club.

Label founder Cantor teams up once again with German duo New Hook on “Achtung! Achtung!”, an homage to the eponymous track by Italian producer Black Saagan. Fueled by vintage drum machines, punk-infused vocals, and melodies echoing the krautrock minimalism of Cluster, the track channels pure Cold War disco energy.

On “Scavengers”, Berlin based World Wild Web and Rasp Thorne deliver a pure mix of electro-rock noir – Suicide by way of David Lynch. Picture a never seen before episode of the series where Martin Rev and Alan Vega are playing live at the Roadhouse in Twin Peaks, while Laura Palmer slowly moves her head to the music, with a devilish smile on her face.

All the way from Grenoble to Berlin, H.L.M. deliver a dirty bass-driven anthem called ‘Fronde’. French spoken vocals spitfire over layers of distorted drones and hypnotic rhythms. The result is rough, hypnotic, and brings to mind the grooves of Death in Vegas.

New Hook return, this time solo, with ‘Unity’: a blend of groovy downtempo percussions, melancholic guitar riffs, and their signature brand of spoken word, a style that’s quickly become their sonic fingerprint.

Then it’s the turn of mexican-wave exponents Montessori featuring Vongold on “Ad Libitum”: a techy sunrise piece with soft pads, subtle build-ups, and an ecstatic sense of endlessness. After-party music for vast, open spaces.
Next up are SX2 from Ireland with their ‘Buttons’, offering a rolling tech-house banger laced with desert guitars. Psychedelic FX’s and whispered vocals drenched in delay slow the pace in a breakdown full of tension, preparing the floor to an euphoric release.

A dream from the pandemic era reappears: Cantor’s “Hannett’s Dream”, originally released in 2020 by Modular’s Project’s imprint ‘Nothing Is Real’ together with their own reworked version present also in two very limited vinyl-collector editions released by Underground Pacific. The introspection and hypnotic structure of the original cut here is replaced by a more stripped down arrangement, with a four-to-the-floor groove that is perfectly crafted for peak-time ignition.

Closing out the release is “Carissima” by the man behind iconic label Wonder Stories, Aimes – a Moroder-esque bassline and sensual vocals play on top of a warm groove that suddenly fractures into jazz-tinged, breakbeat mood, in the style of early Warp Records, just in time to get back into its disco-ish swing.

Contrary to what the title of this release might suggest, the wave isn’t dead at all. It’s well alive in the underground, reanimated by labels like Underground Pacific who are always ready to welcome artists who aren’t afraid to crash genres together and, above all, who are driven by the desire to make free-form, inspired pieces of music.

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20,97

Ültimo hace: 9 Meses
Future Sound of London - The Pulse EP Vol 5

Last year, 2024, the inimitable Future Sound of London graced us with 'Pulse Five', a CD instalment and follow-up to the classic Pulse EP series that began over 30 years ago as vinyl EPs. Now, as an extension of that original UK 12” series, six tracks have been hand-picked to create, “The Pulse E.P.-Volume 5” containing what had been previously unreleased DAT tape material from the early 90s. These unheard vintage recordings date back to the era of FSOL's much sought after classic singles and highly acclaimed Accelerator album.

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23,32

Ültimo hace: 6 Meses
Shawty Pimp - Still Comin' Real LP

California and New York aren't the only US cities to have pioneered underground hip-hop over the years. Back in the nineties, southern states such as Memphis, Tennessee were also hotbeds for the fast evolving musical phenomenon. As we push on into the second millenium; from the swathes of short-run, tape-only releases that came out in the 1990's, some are at last being cut to vinyl. Shawty Pimp and the Big Pimpin' Productions crew were brought to international ears in 2014 when his album 'Comin' Real Wit It' was pressed to vinyl and sold out in the blink of an eye. Gyptology Records (a new Europe-based Hip-Hop and Egyptian Archaology styled re-issue label) now present a vinyl pressing of the 1995 sequel; 'Still Comin' Real'. Here are eleven original, raw rap cuts, remastered and restored with love. Available June 2018 for the first time in the format that never goes out of style. Vinyl only for now and in one short-run only, no represses. Produced with the full consent and participation of the artists.

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26,85

Ültimo hace: 9 Meses
COOL MARITIME - BIG EARTH ENERGY

Having crested the west coast modular-ambient wave in just a few releases - including 2018's Sharing Waves on the influential LA experimental imprint Leaving Records - Sean Hellfritsch has swapped the mossy analog synth improvisations of his prior output for refined melodic arrangements dressed in sprightly dawn-of-digital textures. Big Earth Energy plumbs the depths of Hellfritsch's multimedia mind and naturalist heart, spinning an impressionistic narrative world off of cultural touchstones like the PC game MYST, and the work of Studio Ghibli composer Joe Hisaishi. Inspired by the aforementioned, and guided by Hellfritsch's experience as an animator and filmmaker, Big Earth Energy is the soundtrack to a hypothetical video game with a pointedly ecological premise, and a twist of psychedelic charm. In Hellfritsch's imagined virtual journey, the player assumes the perspective of a treefrog sixty-five-million years ago, hopping epochs with each new level, forming a comprehensive picture of the massive changes the planet has gone through over the eons. The ultimate goal of the game is not to amass resources, defeat enemies, or gain power, but to fully witness the unfolding of one of the biggest systems of energy imaginable - or as the album's creator puts it - "to explore the incomprehensibly vast energetic expression and mystery that is Earth." Big Earth Energy is steeped in exploratory RPG intrigue, possibility, and contemplation, lovingly overlaid with Miyazaki-an sentiments and aesthetics. The through-composed, organic, meandering synthesis heard on previous Cool Maritime albums has been fully replaced by meticulous polygonal arrangements that recall the computerized sheen of late 80s work by composers like Hiroshi Yoshimura, and Yoichiro Yoshikawa - using true-to-period gear no less. Even given its referentiality, Big Earth Energy comes off as forward-facing where so much reminiscent music remains fixed to a bygone moment in pop culture. Hellfritsch has created a musical world where the endless verdancy of the biosphere finds its parallel in the golden age of early 1990s video games, and late 80s Japanese environmental music, all while pointing to a hopeful planetary and artistic future that vindicates the motives of all of these muses.

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22,48

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OHL - VERBRANNTE ERDE LP

Ohl

VERBRANNTE ERDE LP

12inchPIU296
Power It Up
02.07.2025

Für damalige Verhältnisse derbster, schneller, krachiger Hardcore-Deutschpunk diese Band ist ganz oben in europäischen Thrash-King-Historie. Die Gitarren dominieren, während das Schlagzeug und der Leadgesang darum kämpfen müssen, gehört zu werden. Unglaublich kraftvolle Musik, die ihre früheren Werke in den Schatten stellt. Von Anfang an rasen OHL auf dem Highway der antikommerziellen Musik. "1. Oktober" ist zugleich Auftakt und erster Höhepunkt. Wer einmal die hysterischen "Deutschland, Deutschland"-Rufe des Deutscher W. gehört hat, wird sie nicht mehr vergessen. Viele Songs folgen dem manischen Rausch des Eröffnungstitels. "Freut Euch", "Glocken der Revolution" oder "Neue Macht" gehören zu diesen Liedern und sie zelebrieren eine energiegeladene Orgie aus kompromissloser Geschwindigkeit und grimmig entschlossener Kampfeslust. Klappcover, neues Artwork & Linernotes. Rough, fast, noisy hardcore German punk for the time, this band is at the top of European thrash king history. The guitars dominate while the drums and lead vocals struggle to be heard. Incredibly powerful music that puts her previous works to shame. From the start, OHL race on the highway of anti-commercial music. "1. Oktober" is both the start and the first highlight. Anyone who has ever heard German W.'s hysterical calls of " Deutschland, Deutschland " will never forget them. Many songs follow the manic rush of the opening title. Freut Euch", "Glocken der Revolution" and "Neue Macht" are among these songs and they celebrate an energetic orgy of uncompromising speed and grimly determined fighting spirit. Comes in an nice inside/out gatefold sleeve with new Artwork and linernotes.

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22,06

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