We’re proud to welcome Robert Owens and Queer On Acid to Takeout, who present a ‘double-A side’ release. 2 sublime pieces of vocal-house and techno which will make the hairs stand up on the back of your neck.
Robert’s hypnotic vocals weave between QoA’s beautiful production with both tracks enticing remixes from none other than in demand Fear-E, Polymod and MASC (Mark Archer & Shadow Child).
The music does the talking here, and with a limited vinyl run (which excludes the MASC remix) to support a huge digital package, we’re excited to have such quality on the new label.
Enjoy !
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With Dead Planet Oliveri has taken a band once considered a side project and turned it into a full-fledged rock and roll powerhouse. As has been his trademark when he had written songs with Kyuss or QOTSA, this album just oozes with punk rock ethos. Combined with the stoner rock influences that he helped create, this album is a study in excess and self-indulgence. And that is exactly what makes it so damn good. - Ed Thompson
- A1: Pezulu (Way Up) (Way Up)
- A2: Thulula (Fill It Up) (Fill It Up)
- A3: Kuthwasi Hlobo (Spring) (Spring)
- A4: Half Moon
- A5: Yini Njalo (Stick Around) (Stick Around)
- B1: Kwa Thula (Thula's Place) (Thula's Place)
- B2: Joe's Jika (Joe's Groove) (Joe's Groove)
- B3: Nobomvu (Red Head) (Red Head)
- B4: Qonqoza (Knock) (Knock)
- B5: Phola (Cool It!) (Cool It!)
- C1: Pezulu (Extended Take)
- C2: Pezulu (Alternate Take)
- C3: Studio Interlude
- C4: Half Moon
- D1: Izulu Liyaduduma
- D2: Sibuyile (Take 1)
- D3: Sibuyile (Take 2)
- D4: Church Mouse
- D5: Untitled (Andromeda) (Andromeda)
Pressure Cooker South African Township Jazz and Mbaqanga
• Dudu Pukwana’s 1968 debut album, recorded in London, released only in South Africa.
• A second album of mostly unreleased 1969 recordings featuring Richard Thompson, Simon Nicol, Joe Mogotsi, Chris McGregor, Mongezi Feza, Louis Moholo, members of Osibisa, and others.
• Originally produced by Joe Boyd.
• Re-mastered audio, double gatefold album, heavyweight 180g vinyl.
- A1: Pata Pata (Mono Version)
- A2: Ha Po Zamani (Mono Version)
- A3: What Is Love (Mono Version)
- A4: Maria Fulo (Mono Version)
- A5: Yetentu Tizaleny (Mono Version)
- A6: Click Song Number One (Mono Version)
- B1: Ring Bell, Ring Bell (Mono Version)
- B2: Jol’inkomo (Mono Version)
- B3: West Wind (Mono Version)
- B4: Saduva (Mono Version)
- B5: A Piece Of Ground (Mono Version)
- C1: Pata Pata (Stereo Version)
- C2: Ha Po Zamani (Stereo Version)
- C3: What Is Love (Stereo Version)
- C4: Maria Fulo (Stereo Version)
- C5: Yetentu Tizaleny (Stereo Version)
- C6: Click Song Number One (Stereo Version)
- D1: Ring Bell, Ring Bell (Stereo Version)
- D2: Jol’inkomo (Stereo Version)
- D3: West Wind (Stereo Version)
- D4: Saduva (Stereo Version)
- D5: A Piece Of Ground (Stereo Version)
Strut presents an all-time classic of South African music, the definitive remastered edition of Miriam Makeba’s ‘Pata Pata’, her first album recorded for Reprise in 1966.
The album marked a significant international breakthrough for Makeba. Moving to the US after the anti-apartheid film ‘Come Back, Africa’ gained international attention and staying there in exile, she quickly built her career in New York during
the ‘60s, mentored by Harry Belafonte. Signing with Reprise after a period with RCA, she returned to one of her older songs: “I wrote ‘Pata Pata’ back in 1956, back in South Africa,” remembered Makeba in her autobiography. “It was a fun little song and I was thinking of a dance that we do at home (“pata” means ‘touch” in Zulu and Xhosa).” Originally a hit in South Africa with her early vocal harmony group the Skylarks, the new recording, produced by Jerry Ragovoy, brought a lighter uptempo R’nB arrangement, adding some English lyrics. “It was my first truly big seller. All of
a sudden, people who never knew I had been in America since 1959 were asking me to be on their television shows and play at their concert halls during 1967. In the discotheques, they invented a new dance called the ‘Pata Pata’ where couples dance
apart and then reach out and touch each other. I went to Argentina for a concert and, across South America, they are singing my song.” The track peaked on the Billboard Hot 100 at no. 12 and the album. Other songs In the album included a version of the traditional Xhosa classic, ‘Click Song Number One’ (‘Qongqothwane’), the atmospheric ‘West Wind’, later famously
covered by her friend Nina Simone, and a version of Tilahun Gessesse’s ‘Yetentu Tizaleny’ which Makeba learned on a trip to Addis to perform for Haile Selassie at the Organisation Of African Unity. Mastered by The Carvery from the original reel to reel tapes, ‘Pata Pata’ is released in its mono and stereo versions for the first time. Physical formats feature brand new sleeve notes alongside rare photos from the time of recording and session details.
The album is released on 6th September on 2LP, 1CD, streaming and digital
Best known for their ska, grime and indie blend, Man Like Me's brazen lyrics are less self-conscious than their musical counterparts and revel in the realities, perks and calamities of being a young Londoner. They reflect the melting pot that is the London scene, combining genres and entering into creative collaborations, cementing their reputations as one of the most exciting bands in the UK. The tracks on this EP have been produced by Clanger and Charlie Andrews (Madness, Micachu), and Charlie Hugall (Florence and the Machine, Crystal Fighters). The EP includes stellar remixes by rising French stars DeBRUIT and QOSO.






