Krystof is the nom de plume of Polish-born composer, producer and DJ Krzysztof Skonieczny. After a decade in London, Krystof relocated to the remote, serrated landscape of La Palma, in Spain's Canary Islands. There he came into possession of a piece of land scattered with natural caves - one of which became his home and recording studio.
It was here that Krystof wrote his debut album, Diario di Vacanza. This record is a paean to the fertile terrain of La Palma, replete with its tangled networks of hiking paths, minas galerias (water tunnels), black sand beaches and banana groves.
Recordings of these spaces, melded with modular synthesis and electronic composition, form the basis for Krystof's work. These are soundscapes that hum with volcanic activity, bubble, burst and chatter - cooling to reveal locations, impressions, and fragments of a shared lived experience on the island.
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- 1: Seedling
- 2: Soaring
- 3: From Dirt
- 4: Small Lives
- 5: Dog Happy
- 6: Oryzae
After years of sonic exploration with guitars and electronics in addition to other projects (Lost Girls, Moon Relay, Jenny Hval), Håvard Volden has returned to his main instrument with renewed curiosity and a new band. On this album, the guitar takes center stage, with alternative tunings and an exploratory approach forming the foundation for a new musical direction. The result is a beautiful album with an honest and organic sound, and the perfect blend of jazz and alternative pop/rock. The music is rooted in jazz but also draws inspiration from early tape music—think Joe Meek, and Luc Ferrari—as well as folk traditions from all over, new age, and the raw energy of experimental rock, likeVelvet Underground. The result is a collection of instrumental compositions where guitar, synthesizers, bass, and drums interweave in dynamic interplay. At times, the pieces are loose and expansive; at others, they are rhythmically precise and compressed—like instrumental pop songs with an open structure. And to add to the pop cultural pallett; the cover photo is taken on tour with Jenny Hval in front of the ”Twin Peaks” mountains. With music that thrives on dynamics and improvisation, most of the album was recorded live in the studio. This album is an exploration of the guitar’s potential, where echoes and tape machines extend the instrument’s rhythm, resonance, and tonality. A playful, dreamlike, and uncompromising record that embraces the power of collaboration.
Keyboard virtuoso Terry Riley started experimenting with different instruments in the ‘50s. One of his electronic music landmarks
is his third album A Rainbow in Curved Air. Through the use of overdubbing, he recorded all the instruments to feature on the title track. The composition consists of three movements, each representing another part of his musical influences. As the song progresses, its structure goes through frequent changes. It’s a colorful,
psychedelic, atmospheric and revolutionary song. The second track consists of a loop of saxophones and is the dreamy and calm opposite of the title track. Fans of electronic music, such as Tangerine Dream and Klaus Schulze, would love this record.
Taking inspiration from Hindustani classical music and jazz techniques, Riley’s masterpiece
influenced many musicians, from the likes of Brian Eno to Emeralds.
A Rainbow in Curved Air is available as a limited edition of 750 numbered copies on translucent yellow coloured vinyl
- A1: We Gotta Know (3 26)
- A2: World Peace (2 14)
- A3: Show You No Mercy (1 54)
- A4: Malfunction (3 38)
- A5: Street Justice (1 36)
- A6: Survival Of The Streets (1 04)
- A7: Seekers Of The Truth (4 01)
- B1: It's The Limit (1 35)
- B2: Hard Times (1 39)
- B3: By Myself (2 31)
- B4: Don't Tread On Me (1 19)
- B5: Face The Facts (1 41)
- B6: Do Unto Others (1 48)
- B7: Life Of My Own (2 53)
- B8: Signs Of The Times (2 03)
- Make Me An Offer I Cannot Refuse 5:19
- Run Away With Me 4:07
- Video Game 4:16
- Lamentations 3:42
- Tell Me You Love Me 4:22
- Die Happy 5:47
- Ativan 6:32
- Ursa Major 3:43
- Landslide 5:04
- Gilgamesh 3:50
- Death Star 4:04
- Goodbye To All That 3:48
- Sugar 7:37
- The Ascension 5:56
- America 11:56
deleted because bad quality !!!
'Hot Ring' sees label alpha-bear Stevie Kotey team up here with alpha-producer Bottin for a spicy, seasonal warmer. First conceived in a Venice studio session on one of Stevies regular DJ trips to Italy, the chunky discoid romper has finally seen the light of day.
The original is probably exactly what you would expect when the 1975-to-1983 music mind of Stevie melds with the Italo-movieslasher-synthbrain-tweaker that is Bottin. Lots of stabs, rolling bass and tight drums. All tied together with new synth sounds which you probably haven't heard before.
Things go dance-floor when Bottin re-rubs things down for the stripped down dub. UK based Fernando moves the groove a thousand or so miles north with a shiny and slick crisp-disco version.
Stevies 'Kotey Extra Band' collaboration album drops around Easter 2010 so stay tuned for a sleuth of bear love-ins.
- A1: All The Trees Of The Field Will Clap Their Hands 4:14
- A2: The Dress Looks Nice On You 2:32
- A3: In The Devils Territory 4:57
- A4: To Be Alone With You
- A5: Abraham 2:33
- A6: Sister 6:00
- B1: Size Too Small 3:04
- B2: We Won't Need Legs To Stand 2:16
- B3: A Good Man Is Hard To Find 3:16
- B4: He Woke Me Up Again 2:43
- B5: Seven Swans 6:33
- B6: The Transfiguration 5:18
2025 Repress
Forest Drive West returns to Livity Sound with the 'Dualism' EP, a tour de force of stripped dub aesthetics and swirling psychedelic rhythms.
One of the finest breakthrough UK producers of recent years, in a short space of time Forest Drive West has created an enviable catalogue across labels such as Livity Sound, Rupture, Echocord, Whities and Mantis. This new EP marks some of his best work to date.
The final track on the EP, 'Scorpion', features Melbourne based percussionist Lucky Pereira whose frenetic but tightly locked drums add a fizzing energy to Forest Drive West's deep atmospheric rhythm track.
Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.
Ma Haiping's "Mind Reader," on SCAN Records, the new label from Detroit legend SCAN 7, is an EP that extends his Detroit Futurism aesthetic, reimagining techno as a vehicle for paranoia and prophecy in the algorithmic age. It's a tense, synth-driven meditation on surveillance and synthetic reality. "Mind Reader" suggests our devices aren't just watching—they're thinking. The standout, "Sensitive Period" (with Shanghai Ultra), pulses with restraint, while "No Exposed" explores icy isolation. Classic 808s and funky basslines nod to Drexciya, but Ma's voice is unmistakable: cerebral, tactile, and deeply attuned to the present moment's fractured frequencies.
- 1: Cracked Path 04 22
- 2: Crawl Crawl Night Time 05 59
- 3: Cell Debris 0 7
- 4: Red Sky 03 6
- 5: A Place Of My Own (Live) 04 44
- 6: Exchange Is No Robbery (Live) 04 22
- 7: I'm To Blame (Live Bonus Track) 04 10
- 8: Life Span (Live Bonus Track) 04 24
- 9: Windwiper Freeway (Live Bonus Track) 02 46
- 10: The Naughtiest Girls Is Alive And Well (Live Bonus Track)
- 11: Crawl Crawl Night Time (Live Bonus Track) 08 49
- 12: Maiden Flight (Live) 05
Active between 1970 and 1976, the Bolton Iron Maiden (originally known as Birth and then Iron Maiden) was a psychedelic hard-rock band formed in Bolton by Ian Boulton-Smith (Beak) on lead guitar, Derek George Austin on bass and Paul TJ O’Neill on drums / vocals.
Influenced by contemporaries like LED ZEPPELIN, CREAM, FREE, GROUNDHOGS OR ANDROMEDA, their music blended blues, hard rock, and progressive elements.
They soon built a strong reputation supporting acts such as UFO, Bedlam (with Cozy Powell), CARAVAN, THIN LIZZY... In 1976, the band disbanded following the death of guitarist Ian Boulton-Smith from cancer.
In 2005, Paul O’Neill revived interest in BIM by releasing two albums, “Maiden Flight” and “Boulton Rides Again”,which compiled studio and live recordings. The proceeds from these albums were donated to Cancer Research and Macmillan Cancer Support. With the blessing of the more famous
Iron Maiden and their manager Rod Smallwood, the band adopted the name “The Bolton Iron Maiden” to avoid confusion.
For the first time on vinyl, “Maiden Flight” collects their previously unreleased studio recordings from 1972 plus raw as f*ck live tracks circa 1975.
*Insert with detailed liner notes and rare photos / memorabilia / *Download card with extra (live) bonus tracks
- Birdshit 03:34
- Ugh 02:58
- Screwdriver 05:01
- Beauty Tips! Ft Blanco Teta 04:08
- Cranberry 03:45
- Eldingar Í Prag 04:14
- Allt Sem Er Gott Er Gott 04:04
- Drekk Ekki Kekki 02:48
- Kim 06:21
Written and played by GRÓA
Fríða Björg Pétursdóttir - Bass
Hrafnhildur Einars Maríudóttir - Drums, perc
Karólína Einars Maríudóttir - vocal, synthesis, guitar
Produced by GRÓA, co-produced by Atli Finnsson and Albert Finnbogason
Recorded by Albert Finnbogason
Mixed by Atli Finnsson




















