Mystic Arts brings you two essential cuts from Gary Irwin (The Vendetta Suite / Hell YeahRecordings). Dating back to 1994 and 1995 respectively, both tracks were originally released on David Holmes' Exploding Plastic Inevitable label.
Waveforms In Wonderland is a bubbling, acidic brain-melter - inspired, as Gary recalls,by Richie Hawtin, Conemelt and falling out with a friend at a Primal Scream gig. Diary of aMicrochip moves further off-grid: an unplaceable hybrid where Detroit techno, electro, funk and ambient house intersect. Thirty years on, both tracks remain remarkably intact. Timeless.
Cerca:r 04
2026 Repress - Vinyl Only
2 tracks by Swiss veteran Styro2000. Superb remix by Ion Ludwig
- 01: The Blak Fire (Sogno I)
- 02: Benzocrazia
- 03: Le Basi H Si Alzano In Volo
- 04: Mila Nel Bosco
- 05: Il Giorno Di Zaha'kol (Sogno Ii) (Feat. Julinko)
- 06: Dentro Un Bus Proiettato Nel Vuoto
- 07: Heyran
- حیران) 08 Daēvā – Falso Dio
- 09: La Dama Con Il Corpo Di Uccello (Sogno Iii)
- 10: Frrepa (Feat. Liz Van Der Nüll)
- 11: Idoli Rotti Fatti Di Paura Ed Oro (Feat. James Jonathan Clancy)
- 12: Disintegrazione
- 13: Un Sequestro Lungo 10.000 Anni
In an age that demands hyper acceleration, kinetic flashes and byte voracity, Blak Saagan sticks out like a sore thumb with a sprawling body of work that requires attention and unlocks profound symbols and meaning with every passage. After a 5 year gap, the Venetian composer returns with his most personal and openly political statement yet, ‘Un Sequestro Lungo 10.000 Anni’, a staggering 108 minute triple album soundtracking a dystopian city through flashes of futuristic fourth world visions, warehouse 80s rave-ups, meditative trance and dark rumblings. Following his acclaimed ‘Se Ci Fosse La Luce Sarebbe Bellissimo’ was never going to be an easy feat but Samuele Gottardello (Blak Saagan) approached the fresh canvas with a renewed sense of commitment sparking a dense parallel world inhabited by paranoia, control and repression. A world that is relieved by the figure of a woman with the body of a bird emerging from the asphalt and freeing humanity from the “sequestro” (kidnapping) to which it has long been subjected. Dystopia pushed to the limits and sadly close to our current affairs.
- 01: Two
- 02: Twelve
- 03: Nineteen
- 04: Nine
- 05: Fourteen
- 06: Thirteen
- 07: Twenty
- 08: Fifteen
- 09: Ten
- 10: Three
Vladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of any given timeline.
Based in Hailuoto in Northern Finland, Vladislav Delay has never fit into any given mould as an artist. His prolific, at times mythical output has elevated him to a veritable legend status in all music cycles appreciating a unique artistic voice. Be it his forward-reaching recent releases as Vladislav Delay on his own Rajaton imprint, his Ripatti alias, or playing metallic percussion with the Moritz Von Oswald Trio, Vladislav Delay always has A SOUND. And that sound is ever-evolving, as his new jazz album shows. What "jazz" is this? There are certainly liquid elements there in the mix, not unlike the ones heard on previous vd productions. Then again, this is acoustic quintet music by and large, but not any specific kind we have ever heard before. Isn't that the whole point of "jazz"? Whatever came before is a springboard, not a limitation.
Those albums that never age, that never cease to surprise with their innovative freshness—listen after listen—defying the years that go by.
Released in 2016, Heimat’s debut album is one of those records you love knowing is there on the shelf or on the turntable, like a reassuring talisman.
To mark its 10th anniversary, and such an awaited repress, we decided to honor this landmark album as it deserves: with a powerful remaster by Tioma Tchoulanov (UVB76, NzeNze) featuring enhanced dynamics, and an ultra-limited edition on blue splatter vinyl.
What a beautiful object this is, celebrating—alongside Armelle and Olivier Demeaux—ten years spent exploring the outer limits of music, in France and abroad, from SMAC venues to squats and other joyful initiatives.
Their deeply sincere music loses none of its naive tension; the emphasis is there, yet it remains restrained, contained, almost nervous, without any show of. Here, then, is something to make this fantastic album, a subtle milestone in a teeming musical landscape.
A fine achievement indeed!
A two-tracker rooted in movement and memory.
It’s Girls Night / Long Hair marks a confident next step for the Amsterdam-based, Dutch-Argentinian artist, pushing deeper into darker, more physical territory. Built from warped drum patterns, low-end pressure and distorted, inhuman textures, it leans fully into a percussion-led, club-focused sound.
It’s Girls Night is immediate - fast, raw, and unrelenting.
Long Hair pulls things into a heavier, more ritualistic space - broken rhythms, slower tension, deeper atmosphere.
Shaped by formative nights in places like De School, the EP reflects a direct connection to the dancefloor - where repetition, intensity and immersion take over.
A concise, impactful release and the first in a series with fabric Originals
- D4: The Look Of Love (Medley No 2)
- B7: The Look Of Love (Medley No 1)
- A1: D Ballers
- A2: When I Die .. (Feat. Emade)
- A3: Home
- A4: Take Some Time
- A5: From Harlem 2 Conant Gardens
- B1: Fuck Ya, Just Clap
- B2: Troubles
- B3: Fall In Love (I&Apos;M Ready)
- B4: Metreeves
- B5: Much Better Smokey
- B6: One
- C1: Woo
- C2: Rockin
- C3: Two Loverz
- C4: Detroit Wisp
- C5: Whut Do U See Harold?
- C6: Whoodonut
- C7: Love Y O.u
- D1: The Spot
- D2: So Heavy Sir
- D3: Never Hurt U
- D5: Welcome 2 .. (Feat. Emade)
The album was pressed on double 180g black vinyl.
Limited edition of 200 copies worldwide.
J Dilla passed away 20 years ago. Metro himself paid tribute to the production master.
"Donutroit" is a meticulously crafted tribute to James Dewitt Yancey. Reinterpretations, reworks, and original compositions – a total of 24 tracks produced by Metro, who pays tribute to the legend with this album. Maciej returns with the album after a somewhat lengthy break, but he does it with a bang. This kind of hip-hop with soul elements has been unheard of in Polish music for a long time. This is the first Polish full-length tribute to Dilla. The guests are few, but they are impressive. Emade himself plays drums on two tracks, and Immortal Onion reworked one of James's iconic recordings.
Dawid ObyOby Frańczak is responsible for the full artwork.
The legendary Polish underground label JuNouMi Records is responsible for the pressing.
l 12: The Look Of Love (Medley No. 1) feat. Immortal Onion
[w] 23: The Look Of Love (Medley No. 2) [feat. Immortal Onion]
[l] B7: The Look Of Love (Medley No. 1) [feat. Immortal Onion]
[w] D4: The Look Of Love (Medley No. 2) [feat. Immortal Onion]
[l] B7 | The Look Of Love (Medley No 1) [feat. Immortal Onion]
[w] D4 | The Look Of Love (Medley No 2) [feat. Immortal Onion]
- A1: K 4 Kimchi
- A2: It Excites Me
- B1: I Luv Ya
- B2: Deep Sense Of
HOUSEWAX presents the 3rd release by FLABAIRE!
We are very happy to have this great artist from Paris again on our imprint.
Ralph delivered anothe outstanding piece of music for our 40th edition.
Don't miss this beauty!
Borrowing from the melody of Rah Band’s “Electric Fling”, Stefano Breda’s cover version completely re-invents the theme into what came to be a “Afro Cosmic” classic. Not your average Italo Disco sound, the downtempo chuggy beat quickly got picked up by pioneering jocks in the cosmic scene. With plenty of silence in between transients putting the spotlight on the multiple percussive elements employed by the skilful drum machine techniques of Breda along with trippy electric wind instrument sounds, resulting in an overall aesthetic of highly unforgettable mediterranean dreaminess, take a deep dive into Breda’s instrumental bliss. This release is remastered and further embellished with yet another previously unreleased mix of “Electric Fling” which was recently alchemized by the artist himself — the “Long Afro Version” which goes in the bonus beat realm with another study in his percussive generosities.
- 01: Arp Amp Chasm
- 02: Drift Vector
- 03: Modloop 138 Fragment
- 04: Foldsp4
- 05: Osc Hop (Slow Collapse)
- 06: Tweak 3 Driftmass
- 07: Blurform Dust
- 08: Wogglebug Remembered
- 09: Trippy135 Phase 0
- 10: Nachtgrain
- 11: Chronoroute Fank
- 12: Freeqwarp 2025 Redux
- 13 30: 3 Template Refract
- 14: Dln - Soft Ruin
- 15: Cr78 Mesh
- 16: Volca Signal 06
- 17: Ctrssalms (Cold Render)
- 18: Oceans Past And Present
- 19: Jt33Unstable Core
- 20: Modern Birds (Origin Edit)
Contemplating the role of the album format in an attention-deficient society, Speedy J presents Walkman -- a constantly shifting, 90-minute soundtrack to a journey of your choice. Jochem Paap's first solo album in over 20 years is a freewheeling, 20-track testament to his decades-deep studio skill and sonic versatility, running from skewed rhythmic rabbit holes to exploratory tonal abandon. For Paap, the traditional idea of the album had become obscured by listening habits and the non-stop information barrage of our digital lives. Having moved on from his breakthrough years releasing LPs and touring off the back of them, he was more inspired to develop his many-sided STOOR project and feed into a bigger artistic body of work than the temporary shelf-life of a single release. As is natural for any artist, his perspective shifted over time and he found himself drawn back to the idea of an album, realising he connected best with longer releases while he was on a walk, out for a run or generally in transit one way or another. With an endearing call back to the humble Walkman, he selected an hour and a half of material created during studio sessions at the beginning of 2025, perfectly sized to fit on two 45-minute sides of a cassette tape. As has long been the case for his studio practice, there were no fixed intentions when sitting down in the STOOR lab to start making noise -- just a wealth of experience and an expansive set of tools to start exploring with. From hours of jams Paap pulled together standout moments and moulded them into a mixtape-like narrative ranging from two-minute beat nuggets to full-tilt techno workouts and immersive ambient drops. Every sound is intentional, but the overall delivery is instinctive and curious, showing multiple new dimensions to Paap's sound and offering unpredictability at every turn. 'Arp Amp Chasm' opens the album up in a thick blanket of humming, harmonic waves with an electric emotional charge, while 'Ctrssalms17 (Cold Render)' journeys through evocative blooms of melancholic, gritty pads and rugged, half-submerged tech funk. 'Modern Birds (Origin Edit)' reaches skywards with grand sweeps of dynamic, brilliantly rendered synthesis. From the dexterous drum science of 'Drift Vector' to 'Osc Hop (Slow Collapse)'s lurching, beatless swamp of synths, on Walkman even the briefest snapshots leave an impression that lasts beyond the quick-scan cycle of the modern music experience. With his return to the album format, Paap's message is clear --put your headphones on, get outside and lose yourself in the sound of an artist constantly committed to moving forwards.
Music For Stalagmites is a slow-form, immersive album, marking the accumulation of over 20 years of experimentation from the Middlesbrough based artist.
The album explores the duality of both primal and futuristic worlds, drawing inspiration from nature, technology and evolution to create a body of work that transcends beyond any timeline that has come before us. Forging vivid and otherworldly subterranean environments that transport the listener to an alternate haven. Music for Stalagmites embodies the sound of animism, a concept where all forms of nature hold a spiritual essence.
RareTwo Inc. aka DJ Sneak and Tripmastaz are back together for 33 chambers EP, the next Respect The Craft release.
Words by Sneak:
"On a hot Ibizan summer the Rare Two fellas spent a period of 33 days on the island making tracks in a house garage with a couple of pieces of affordable gear and a whole lot of talent. We managed to create 33 tracks often burning them on CD to take to djs like Ricardo Villalobos at Amnesia and seeing the instant reaction of the crowd. We are a mega team of same mentality dudes who create from the heart breaking all rules and getting music done for a purpose. The Tripmastaz and Sneak Team is one to expect many great dance floor killers. As we call them Guttah Styles!
Words by Tripmastaz:
Recently I found these projects and since they were done on just a laptop and cheap small speakers, I gave them proper analog mixing and mastering.
All tracks remain exactly the same form and arrangement as they were originally done, including track Aww Lawd, that was featured on R. Villalobos BBC Radio 1 Pete Tongs mix back in 2018.
Mike Grinser at Mandmade Mastering did the lacquer cut and made it sound very crisp and loud a lot like it would've been cut in the 90s.




















