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Two undeniable disco classics given the golden touch by edit royalty Mr K, for the third instalment of his highly sought after and limited edit series. Buy on sight business from the master once again.

The latest from Mr. K and Most Excellent Unlimited pairs lowdown and stomping disco from an unlikely source with a funked-out floorfiller from some very familiar voices.

Minnie Riperton’s 1977 single “Stick Together” was an outlier in her catalog of smooth modern soul, an intentional nod in the direction of the prevailing disco sound. Co-written with Stevie Wonder, “Stick Together” in its original single release was divided into two parts, the first a fairly conventional uptempo cut with all the catchy qualities you’d expect from Stevie and the husband and wife team of Richard Rudolph and Minnie. It was the second half of the song that caught the ears of DJs who played for funkier dancefloors, however. Freddie Perren, a former member of Motown’s legendary Corporation collective of songwriters and producers, and a man then red-hot off his success with Tavares’ “Heaven Must Be Missing An Angel” and the Sylvers’ “Boogie Fever,” was on production duties, and the song clearly benefits from his disco-friendly touch. In Mr. K’s epic edit we are treated to a lengthy exploration of the second part of “Stick Together,” featuring keyboardist Sonny Burke (veteran of Marvin Gaye’s band and fresh from playing on Candi Staton’s disco smash “Young Hearts Run Free”) working out an irresistible Jingo-esque piano part, Riperton’s sensual ad-libs, and, as if that wasn’t enough, a cameo appearance by Pam Grier on finger snaps! Krivit’s 8-minute-plus edit passes way too quickly to get enough of the hypnotic groove — rewinds are called for!

Our flip side, “Body Language,” originated as an album cut on the Jackson Five’s last album of original material for Motown, Moving Violation, recorded before Jermaine left to go solo and the remaining brothers joined Epic Records in a new incarnation as the Jacksons. For such an obvious heater it’s puzzling why the label never released it as a single; but regardless of that apparent misstep, “Body Language” has long been a sure shot in many DJs’ bags. With his new edit, Mr. K presents the track in its ultimate form, loud, remastered, stretched out and rippling with energy over a full six minutes. With an iconic bass line that just doesn’t quit, and Michael and the boys in fine form, it’s impossible to imagine a situation where this wouldn’t set the room on fire.

Israeli DJ and collector Elado makes his debut on RNT with a pack of impossibly rare edit heat! A relative newcomer to the scene, Elado made some waves recently with a stunning entry on Eddie C’s Red Motorbike, and he’s clearly no novice when it comes to digging as this exceptional pack of tunes shows.

With rarefied material ranging from Africa, India and the Mideast, Elado works these 4 tunes with a careful editor’s touch, nipping and tucking only where necessary to let the incredible source selections shine through, but rendered eminently DJ-friendly. Already supported by Antal and many others, this 12” is the first essential add of 2021!

Back at it again, layin’ down the rowdiest of mashups you’re likely to hear this side of the Atlantic.

Crankin’ the bass up to max for those heavy vibes inside.

Los Angeleno and all around swell guy Dino Soccio has been building his rep as a premier selector and editor with his own Pleasure of Love edits series, and now joins the RNT ranks with an EP of rarified rework gold.

The record kicks off with the meteoric energy of 'Star Beaming', a rolling interstellar disco stomper, then lays back with the low-slung 'Fred’s Groove' and jazzy balearic groove of 'Laid Back', finishing off with the bouncey early-'80s boogie feel of 'Forgot'. All dusty digger’s delights, simonized and edited to perfection for maximum vibes!

Afro-Cuban Jazzdance House from the XXXV Edit series / Vinyl Only / limited to 150 copies

Thrice is nice for Dimitri the Brooklynite-By-Way-Of-Paris, who comes correct with his 3rd 3-packer of disco edit deelite for RNT! Filling up the A-side is KETTLE AMERICA, a cheeky bit of south-of-the border uptempo disco funk. I KNEAD YOU is a stomping and sermonizing version of a cherished classic, completely redone with a chorus of handclaps and gospel piano, and the record finishes with WITHOUT ROB for some re-touched dancefloor doo-wop gold!

NEW from RAZOR N TAPE - with re-edits of Madonna 'Into The Groove', plus Goldie Alexander's 1981 soul/funk cut 'Show You My Love' and Paula Abdul 'Opposites Attract'

2026 Repress
Sonic Groove Old Gold, the new sub-label of Sonic Groove releasing rare techno obscurities from decades past, debuts with two rare 1996/97 deep acid gems by CAT 1, originally released on Germany's Overdrive. With scarce original copies fetching very high prices online at over €100, "Revolution" and "Axion" have been updated for modern sound systems. Adam X has layered new, prominent kicks onto both tracks, bolstering the drive for today's dancefloors while keeping the original arrangements 100% intact.

After a couple of Echo Labs 45s and an ECR release - the ECHO EDITS sub-label is back once again, with the BREAK CRACKER in 2026

After the last latin flavoured joint on the label, we head to an all out Funk and Jazz party with a couple of cover versions of dancefloor favourites, never on a vinyl 7” before - given an added makeover for a double sided 45 bomb.

“I Want You Forward” takes a big band version of the Jackson 5 monster hit originally released on an LP. After being chopped,looped and layered with sound FX plus JA hype vocals to take it to the next level - this has been a favourite dubplate to start DJ sets with a bang !

“Psychedelic Drummer” is the Horace Silver penned soul-jazz cut that spawned various other vocal and instrumental versions that have been dancefloor favourites in mod clubs and funky jazz sessions over decades. Originally a very short track on a private press LP - it was the massive drums that made this ripe for more exposure with nothing more added - just cut-up, rearranged and extended for club play.

Having reworked stone-cold classics and forgotten gems for the first two instalments in the series, the mysterious B returns for 003 with something truly special: an exotic tapestry of sounds and samples, woven together into something fresh and ready to play at the fashion week afterparties in New York, Paris, London and Milan.

**SELECTED BY... Shy One, Tim Sweeney, Bradley Zero, Alexander Nut, Ruby Savage, KON, Ross Allen, Auntie Flo, Adam Port, Benji B, Jamz Supernova, Kasper Borke, Bill Brewster + More...**

Strictly limited promo with 2 house edits made by anonymous but famous French DJ. Those who know will jump on it !

2026 Repress

With this seventh instalment of retweaked heat, Perro Bueno Edits once again prove that less is more when you know exactly what you're doing. Both refixes strike a sweet spot between respectful crate-digger sensibility and dancefloor punch while updating Afro-funk classics without sanding off their soul. 'TFOM' puffs out its chest with big, bold, playful horns leading the charge as Latin vocals bring some sunshine and funky bass keeps things moving. 'SMPP' slows the tempo, which means more room to luxuriate between the dumpy kicks and appreciate the sharp horns and organic percussion before some raw vocals bring a Brownian funk edge.

The eighth helping of these Perro Bueno Edits is as delicious as Kinder Buenos (we have kids, don't judge us). Once again it is an anonymous affair from the in-house team, whoever that may be, and this one opens with 'SDBO', which is a new flip of, we're told, a "rare African cover version of a much-loved disco classic". It has a perfect mix of disco glam and Afro earthiness with soaring melodies and funk drums that can't fail to get you locked in. 'LEHA' on the B-side is another Afro-funk gem that is rebuilt with layers of chunky percussion and drums, interplay between male and female vocals and fat bass that anchors the whole thing perfectly.

Following a hugely successful debut, the LA collective Boogie Down Edits return with a second volume that turns its attention to one of hip-hop's most untouchable catalogues - A Tribe Called Quest. The approach remains as tasteful as ever: the defining vocal fragments and musical DNA of the originals stay fully intact, while the grooves and rhythms get subtly reworked for DJ-friendly, peak-time impact. 'Award Tour' opens proceedings with that unmistakable vocal hook gliding over a chunky, rolling house beat built for packed floors, while '4Momz' takes things deeper and more atmospheric, warm bass pressure and dreamy textures giving it a genuine late-night feel. Golden-era hip-hop attitude meets contemporary house production. Mad respect.

c A3 Hogin' Machine - Drums



[c] A3 Hogin' Machine - [Drums]



[c] A3 | Hogin' Machine - [Drums]

Mr. K turns his attention to his hometown with a couple of deep underground NYC disco cuts that have never appeared on 7-inch before: the stomping ‘Hey Roots’ by Black Rock and Ahzz’s sought-after ‘New York’s Movin’’. Black Rock’s ‘Hey Roots’ was the band’s follow-up to their 1975 proto-disco single ‘New York City Bump’ and takes a similar four-on-the-floor approach while raising the tempo to match the energy of a standard 1977 dancefloor cut. Mr. K’s edit builds the track methodically, using a sparse sprinkling of the original vocals and focusing on the hypnotic, Bohannon-esque beat. On the flip, he tackles the Peter Brown-adjacent classic ‘New York’s Movin’’, this time dropping the vocals entirely in favour of working with the wicked instrumental take, a wild jam that layers handclaps, tambourine, slicing rhythm-guitar and perfectly cheesy synth strings to make an irresistible dancefloor banger. Adding a dubby breakdown and arranging the parts to get the maximum out of the limited 7-inch real estate (both cuts here top the five-minute mark), Mr. K has given us another powerful tool in an ever-growing arsenal of dancefloor weapons.

2026 Repress

New blazing Legofunk 12" with tropical vibes. "Super Disco Edits Brazil Jazz Funk" is a 4 precious gems EP, that will be able to take you far away with your mind finding the right sensations.

The new chapter of "Colpo Grosso" series features 4 killer dancefloor tracks alongside 6 audio cuts sourced from the golden age of Italian cinema.

Mexican producer/musician MONSIEUR VAN PRATT returns to our TSTD shores with his second two track Edit trip into the world of Mexican obscure, super rare Coverversions.
His first 7 Inch (with an amazing Edit of a Cover of Bobby Caldwell's "What You Won't Do For Love") has been the most repressed and highest selling Issue in our long ongoing TSTD EDIT Vinyl series.
For the upcoming 7 inch he delivers two brandnew fun reworks:

Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bill Withers' classic love song "Just The Two Of Us".
Side B is a midtempo Rework of a Mexican cover of "Upside Down" by Diana Ross w/ Nile Rogers

The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version. This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible! This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.

The talented Mr. K continues to build up the most comprehensive collection of DJ essentials to hit the 7-inch format with this latest offering of two beloved classics from the golden era of neo soul. First up is Jill Scott’s self-empowerment anthem ‘Golden’, here the original version stitched together with an unreleased 2005 breakdown remix by London crew Blackbeard. Using sweeping strings from the Blackbeard version, dramatically building to a tambourine acapella & original track makes for a masterful edit, one even more impressive when it’s done as seamlessly as this. The flip side ups the tempo with Mos Def’s ‘Umi Says’, a unique hybrid of broken drums, swirling keyboards (courtesy Weldon Irvine Jr. and Will.I.Am!), a propulsive bassline, and those instantly addictive vocals. Mr. K adds a solid minute of intro, giving the song the room it deserves to breathe, and just lets things simmer without distraction. Another masterclass at the edit board, and another gem to add to our growing treasure trove of work from Mr. Krivit in maximum sonic fidelity both for their first appearance in a 7-inch format.

Not only were Derek Cannon and Hardy Thrower a music /songwriting duo from San Diego in California, they were also cousins. Its not often our paths come across such a duo that didnt sing on their own compositions.

Derek Cannon a prolific Trumpet player and Hardy a lyricist put these tracks together circa 1981 with a view to getting them a record deal. They paid for the sessions themselves and went into Golden track studio's located in Santee East San Deigo with a host of singers and musicians.

What came out was just two stunning mid temp hanuting ballad songs with exquisite playing and vocals. From the opening west coast waves crashing on the into of "Think It Over" you are already closing your eye's and painting a picture of the unfolding love story. James Higgins was hired for the vocals on this track and delivers such subtle tone's that are complimited by keyboards by Bill Santos.

Then wait until the flute solo by Ken Abady. Boy i fucking love this song. Its what soul music should be about. Love it stuff like this got recorded in 1982 when their heads could have easily been turned by what was happening in the music world.

"Im In Love With You" is slightly more uptmepo but not by a whole heal. Cannon And Thrower were far too soulful to just throw a 4/4 drum beat on the hope of a top ten winner. They cut way more deeper and soulful than that. Roosevelt Carter was hired for this vocal performance and not letting the duo down performs a beautiful take of the duo's love song. I think special shout out must go the female backing singers of Julie Reyes, Cynthia Hammond and Jamice Garcia.

The two songs were sent to none other than Lou Rawls in hope he may sign them to his record company. This never happened and the tape was later sold on an estate sale of Lou's. The buyer was Christian Peintner who was so kind to lend us the tapes and make this 45 happen. So thanks to him for allowing us to preserve the Cannon And Thrower legacy.

DJ Support – Luke Una, Justin Stauss, Heidi Lawden, Jon Dasilva, Horse Meat Disco, Fingerman, Colleen Murphy, Dicky Trisco, Greg Wilson, Ian Ossia

One of Talking Heads best-loved tracks, but not a club play until now. Brilliantly reimagined for the dancefloor by Loveface, and right on topic given its original title, ‘Life During Wartime’. This is a surefire proven party favourite following pre-release plays, coupled with ‘Tarot’, an early-‘80s Italo gem, which was brought back into circulation 22 years on, via an Idjut Boys re-edit, and now, another 22 years down the line, Misui’s wonderfully fluid take on this mesmeric track brings it back into focus.

Following his recent appearance on Blueprint, Mark Broom returns to the label with a unique project, revisiting the work of techno pioneer Regis. Entitled "Power Is Neutral", the release sees Broom rework a selection of seminal Regis recordings originally released on Downwards Records across the albums Gymnastics (1996), Delivered Into The Hands Of Indifference (1998) and Penetration (2001).

Known as one of the key architects of the Birmingham techno sound, Regis (Karl O'Connor) helped shape British techno through his work as co-founder of Downwards Records and a catalogue that continues to influence generations of artists.

For Mark Broom, few artists embody British rave culture quite like Regis. Drawing on source material that has long stood as a cornerstone of UK techno, Broom approaches these edits with both respect and imagination. As Regis puts it, "Mark Broom is like some modern day Bagpuss... he has fired up his techno mouseorgan and polished old relics to make them all shiny and new."

Power Is Neutral delivers six expertly crafted reinterpretations that bridge the raw energy of Regis' original works with Broom's unmistakable contemporary dancefloor sensibility, bringing these timeless tracks to a new generation of listeners.

After a long hiatus from his world of Edits & Overdubs, Joaquin Joe Claussell brings you this Limited Edition 12" sampler taken from the forthcoming Joe Claussell "Praise" 6xLP box set. Joe raids the vaults of the legendary Savoy Records, the Strictly Rhythm of Gospel music! On the A-Side he takes the mid-tempo stomper 'So Much to Live For' by Myrna Summers and invokes the Holy Ghost, fortifying the drums and rearranging the vocals so you are left humming the chorus long after it has ended. The hook 'So Much to Live For' in itself sums up all of the 'Praise' series, a cry to instill hope and meaning in what is often perceived as the mundane of daily life. On the flip is a previously unreleased Joe Claussell takes of 'Jerusalem' by Bishop Jeff Banks. Here the sermon takes off right from the jump, a floor filling call and response four to the floor version finished in classic Claussell style. Wailing organs, driving percussion and vocals that will make you want to jump out of your skin. Both sides cut LOUD at 45RPM!

Very limited one time run of special color vinyl.

The first installment in an ongoing series of re-edits from the New York Disco Machine. Stretching and reshaping obscure gems and cult classics from the leftfield edges of disco for the dance floor. Limited pressing.

MXKR2078
Introducing the near-mythical Boyd Jarvis/Danny Krivit remix of Sade’s 1992 (LP-only) downtempo masterpiece ‘Couldn’t Love You More.’ Originally making the rounds in 2008, this release finally sees the light of day in a completely remastered and sonically optimized 12" version for RSD 2026. Mr. K combines the irresistibly flawless qualities of the original with Jarvis’s epic keyboard jam, extending it into a magnificently evolving fourteen-minute dancefloor classic. Crucially, for those who were able to get their hands on the first issue of this rare gem, the sonic faults that marred that pressing have been completely eliminated, and we can finally hear this rework as it was intended by Mr. K and the late, great house legend Jarvis himself. With a lengthy instrumental on the flip side, this twelve-inch single is fully primed for warm ups, late nights, balearic beach sets or anywhere you want to just want to bask in the warm chords and lush arrangement of a true modern RnB classic.

IBOGA Africa Edits and Overdubs by Joaquin Joe Claussell Feat Long Versions and Unreleased Afro Centric Compositions Special White Color Vinyl 7inch W Full Color Jacket

IBOGA by Joaquin Joe Claussell

Straight from the acclaimed IBOGA EP series, Joaquin Joe Claussell returns with a powerful limited-edition 7-inch pressed on colored vinyl. This special release features the long-awaited extended version of “Dark Eyes,” alongside two brand-new Afro-centric edits.

Included are “Egbe Awan Okurin,” a deep rhythmic journey inspired by African cosmic soundscapes, and “Mochate,” a reimagined 1970s Afro-disco edits enriched with fresh overdubs and signature Claussell energy.

Crafted for DJs, collectors, and selectors alike, this essential 7-inch delivers raw groove, spiritual rhythm, and dancefloor-ready Afro-inspired sounds.

Luz Retina Edits - One shot, exemplary reworks from Tiago...

A clean sweep of undeniably funky industrial, Balearic-Goth anthems, reimagined for enhanced, 21st century dystopian escapism.

VERY limited !

ESSENTIAL ITEM

The ENSOULED EDITS series begins by showcasing the work of Cee Alassad, a Moroccan producer famed for his previously digital-only reworks of historic cuts from his native country. It's these reworks Alassad offers up on his first vinyl outing for the freshly minted series. He begins with 'Tekere', a lightly house-style revision of a simply sublime workout - all bouncy, layered percussion, glistening guitars, righteous horns, heady vocals and chunky kick-drums. Over on side B, he tackles another cut from the same artist, joining the dots between 21st century Afro-house, synth-laden Afro-disco and far-sighted, tech-tinged grooves.

Side A’s “Mysterious Vibes” comes from Action (1977), the later-era The Blackbyrds LP produced by Donald Byrd. By this point the group had fully locked into that hazy jazz-funk pocket—rhodes, bassline glide, & drums that feel tailor-made for loops. It’s been a quiet weapon for producers: Kurious (“I’m Kurious”), Paris (“The Days of Old”), plus later flips from Big K.R.I.T. & Dom Kennedy. The Jazz Dub leans into that—stretching the groove, letting the atmosphere breathe, keeping it playable.

Flip side is certified soul-collector territory. Tom Brock’s “When There’s Nothing Left…” is lifted from I Love You More and More (1974), produced by Barry White & Gene Page. Lush, aching, full orchestration—exactly why Just Blaze flipped it for Jay-Z’s “Girls, Girls, Girls” off The Blueprint. One of those samples that instantly connects eras.

This isn’t just a “nice edit” 45—it’s a bridge between jazz-funk heads, soul collectors & hip-hop producers. Both sides rooted in records that already did damage, now reworked for the floor.

Mr. K’s latest is a sureshot double-sider with two much-loved classics given the exclusive treatment from the edit master.

The Shades Of Love, a powerhouse female vocal trio led by the sensational Meli’sa Morgan, dropped an absolute boogie bombshell in 1982 on their first collaboration with superproducer Patrick Adams. ‘Body To Body’ has an easy midtempo swing that’s perfect for a dancefloor (or roller rink!) with a chunky bass line and crisp claps pushing things along, giving Morgan’s sultry vocals the perfect springboard. Previously only available as a 7-inch on obscure Dutch and Brazilian pressings… but that was a remix version, this custom edit by Mr. K is from the version Larry Levan made famous at the Paradise Garage, a welcome addition to any dance 45s crate.

Taking things back to the early days of disco music, Crown Heights Affair provide a shimmering slice of uplifting magic on ‘Dreaming a Dream’. Originally an instrumental break of a vocal song, this wordless take became a hit in its own right when it was released as a single in 1975. That famed version, however, sadly ends far too early. The magnificent waves of sparkling keys, rushing