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French DJ/producer Simo Cell is gearing up to drop a new 4-track EP on his label TEMET. He reimagines the Blog House/French Touch 2.0 movement, presenting a futuristic evolution of its iconic sound with a distinct Simooo twist and the raw energy of contemporary club music. It's a big day! Meet FL Louis, a (real) puppet designed by Simo Cell and the robotic voice behind the music. Stay tuned, clips coming soon!

Facta returns to Wisdom Teeth with ‘GULP’: a zippy, hi-def mini-album full of scrambled vocals, blown-out basslines, dripping synths and spring-loaded grooves that together map out his playfully psychedelic corner of contemporary club music. Written in a quick creative burst in late 2024, the record brings together a range of the producer’s distinct creative strands into a sharp, cohesive whole. Sitting snugly within the stylistic niche carved out by his A&Ring and DJ sets (alongside label co-founder K-LONE), we hear the influence of 00’s minimal, tech house, UK soundsystem music, ambient electronica, dub and more rubbing shoulders in a way that feels effortless and personal. Many of the tracks began life as sketches penned on the road - dotting between festivals, European club shows, and on tour in Japan - and so the record carries with it a sense of movement and forward momentum, and feels populated by voices, memories, people and places.

The Londoner’s characteristic approach to sound design and genre interplay are on full display here. Generative vocal hooks melt and warp into strange fluid forms, while synths stretch, detune, bend and dissolve into space before snapping back into shape again. Keyboards mirror human vocal formants, forming melodies that feel at once organic and alien. Basslines warp and distort, as if being re-moulded out of different synthetic properties.

Across the record there’s a commitment to expressing simple or familiar ideas in new and unexpected ways, whilst experimentations and innovations are presented clearly and intuitively. Cherished genre references are lovingly deployed as personal touchstones across the record - bleeping minimal- and tech-house; breakbeat dubstep and funky; Chicago house; dub techno - yet sounds and influences are combined and meshed in unexpected ways. Each track is tightly engineered and reduced down to its key elements, which are then manipulated, flipped, warped and pushed to breaking point. As is typical of Facta’s music, uncanny contrasts are worked throughout the music in unexpected ways. Warm, balmy moods come laced with seams of tension or uncertainty, whilst the record’s darker moments are handled with a light, playful touch.

With 15 years experience writing, DJing and A&Ring under his belt, ‘GULP’ is testament to Facta’s love of creation and curation - of seeking out, absorbing, experimenting, and channeling new sounds to create your own sonic world. A record borne of playful experimentation and happy accidents, ‘GULP’ shines bright with a simple, pure energy - a testament to writing quickly and intuitively and, above all else, enjoying the process.

The album’s artwork features photography by award-winning Boston-based photographer, Pelle Cass, whose complex time-lapse composites present hyperreal yet impossible tableaus of seemingly simple everyday scenes - an approach that parallels the record’s blurring of the familiar and the unfamiliar. Cass’s work has been widely exhibited, collected, and published, including solo shows at Gallery Kayafas, Boston, the Photographic Resource Center, Boston, and the Houston Center for Photography, and in collections such as the Fogg Art Museum, the Peabody Essex Museum, and the Museum of Fine Arts, Houston. He was twice a Critical Mass Top 50 photographer and has received two fellowships from Yaddo and one from the Berkshire Taconic Foundation.

The duo of DJ producers DJ Marrrtin and Deheb reunite after a five-year hiatus, during which they each pursued solo
projects. Deheb released the LP Jazz Mirrors, while Marrrtin put out a Disco Funk EP titled Aktshun, a hip-hop album La
Pie Bavarde in collaboration with Dayton, Ohio rapper Tino, and his third solo project Cyclothymix.
They return with a new 11-track album steeped in Jazz-Funk flavor, blending heavy breakbeats—recalling their earlier
albums that have been featured at major international breakdance events—with nods to their shared influences: Jazz, Latin
Funk, Hip Hop, Psychedelic Groove, Library Music, and Blaxploitation soundtracks. The record plays like an imaginary film
score, a sonic illustration of a relentless chase scene—picture The J.B.'s jamming with Piero Piccioni, accompanied by
Mongo Santamaria.

The album features a lineup of international collaborators, including:
Saucy Lady (USA) on Tambourine,
Felix (Fusik, USA) on Payback Run,
Roma Scotch (True Flavas Band, Russia),
Leo Debroise (Namas Trio, France),
Medline (My Bags, France),
Louise Chavanon, an incredible 18-year-old flutist from France,
and Antoine Laloux (The Selenites Band).
This album further develops the duo’s signature sound—a perfect blend of powerful grooves and deeply soulful musicality.

500 Copies , Covers hand made screenprinted and Hand Numbered
400 white with Black ink
100 with various colours

Dancing Vinyl Records kicks off its journey with a radiant debut EP from Scruscru – a four-track house odyssey titled simply and soulfully for the dancefloor.

From the warm acid lines of “303 Baby” to the sunny, uplifting groove of “Love Is Taking Me Over”, Side A offers instant feel-good energy, perfectly tailored for both daytime sets and cozy listening sessions at home. On the flip, “Watashi Mo” brings jazzy textures and head-nodding swing, while “O.K.” closes the record with a laid-back yet infectious deep house flow, full of elegant rhythm and charm.

This is house music in its purest form – heartfelt, unpretentious, and irresistibly groovy. A confident statement from a label that values soul, simplicity, and sound system readiness.

Pressed with care. Designed for DJs. Built to last.

After what seems like an aeon of anticipation, Yugen Blakrok returns bolder than ever with The Illusion of Being, a raw, fearless exploration of emotion and resilience. This album is a call to triumph. Through poetic lyricism and experimental soundscapes, this project offers the listener a journey into the heart of uncertainty and the power of perseverance. Created and recorded in a world in flux, The Illusion of Being reflects the artist's evolution as a storyteller and resonates directly with the era that shaped her. Driven by incisive lyrics andsoundscapes blending grunge, trip-hop, and 90s spirit, this project tests the boundaries of alternative hip-hop. Here, rhythm speaks louder than reason, and the acceptance of "Being" becomes the thread that ties each track together. This album captures a bold new chapter in Yugen Blakrok's discography. While rooted in the lyrical mastery and poetic precision that fans cherish, it marks a departure from the familiar, embracing a more unfiltered and experimental approach. The collaborations seem purposeful, and match this intensity: Sa-Roc delivers combative and sisterly energy,Cambatta brings his visceral urgency, while Hannah Allen offers a touch both delicate and impactful. Instrumentally, the arrangements dare to break new ground: wailing electric guitars,enchanting flutes, and hypnotic beats create a striking sonic alchemy. As described by Yugen in three words: Free. Involved. Anti.Free from convention. Involved in the fight. Anti-establishment. In many ways this album is a sonic manifesto. Each track resonates as a call to rebellion, an anthem for those who refuse to bow down. The Illusion of Being is not just a work of art; it’s a statement: for freedom, for community, against oppression. A mirror of our collectivestruggles and a light for those who keep moving forward. It promises its listeners a deeply personal connection, offering a glimmer of hope amidst despair and a soundtrack for their fight.

"We loved this piece of ramshackle punk funk when we first heard it on 7" in 1994 and we still love it now!" - The Chemical Brothers, 2025 A timeless slice of garage soul punk, the "Fuck Shit Up" DBN102 7" 45rpm was released in 1994, the second volume in Dub Narcotic Sound System's Dub Narcotic Disco Plate series. Immediately recognized as a unique bending of disco bleed towards the teeming masses, "Fuck Shit Up" was championed by the likes of Chemical Brothers, Beck, The Jon Spencer's Blues Explosion (who covered the song on their 1996 Now I got Worry LP) and Make-Up. "Fuck Shit Up" is still a must-play at every down-in-the-basement dance stomp the world over. Assorted unauthorized postings on youtube have accumulated over 100,000 views. Now available for the first time in the digital realm, the original "Fuck Shit Up" is reimagined as a 7" 45rpm phonograph record with new remix version on the flip by Hifi Sean (aka Sean Dickson of Soup Dragons). Hifi Sean's most recent album, in collaboration with David McAlmont, is Twilight (Plastique Recordings), a twelve-song night drive, dancing from dusk `til dawn, with all the moments in-between (out February 14). Hifi Sean has also directed a video for the "Fuck Shit Up Hifi Sean Mix."

2025 Repress
Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos
comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman’s 27-year career.
Across the EP, the five tracks fizz and pulsate driving ever forward, making the release’s title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Grátt Silfur, a term in Íslenska (literally “grey sliver”) which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.
The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.
Green Light EP continues this year’s blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.

Fennesz's first album in over five years is a moquettish mosaic of heart-tugging synth string movements and tinctured textures, described by its releasers P-Vine as bearing "terrifyingly detailed sound image". If inhalatory gasps in the face of the Byronic sublime were merged with the atmospheric-communicative chatter of radio and telecoms, this would be the sonic result. Described as Christian Fennesz' most introspective album to date, the record follows a newfound process for the artist, which came after the construction of a new studio and the sticking to a strict regimen. The likes of 'Personare' and 'Goniorizon' reflect this commitment, with new molten plastic ventures in sound yielded as a result; clock the tender, hand-pulled, doughy sound design on the latter track in particular.

FCL presents Can We Try — A Deep House Anthem remixed and
remastered for 2025 including flips from Jimpster, Ben Hixon & Deetron

The ever-reliable FCL—aka Belgian house heroes San Soda and Red D—are back on the block with this remastered remix package of Can We Try, a soul-drenched dancefloor meditation that taps into the timeless tension of love and longing. With its raw vocal hooks (courtesy of Lady Linn), analog warmth, and stripped-down groove, the original cut is pure FCL: emotionally rich, effortlessly deep, and aimed straight at discerning dance floors.

Bringing fresh heat to the 2014 original, three heavyweights of house and techno step in for remix duties—each reworking the track in their own signature style:
Jimpster injects his trademark deep, jazzy finesse, flipping Can We Try into a swirling, soulful roller—lush pads, Moog flourishes, and enough swing to keep bodies moving and hearts locked in. Ben Hixon, the Dallas-based underground wizard, lays down a chunky, hardware- heavy rework full of crunchy drums and woozy funk. It's lo-fi soul with hi-fi intent. Deetron closes it out with a peak-time bomb—big room pressure, hypnotic bass, intense stabs and the kind of tension-release dynamics that only a true craftsman can deliver.
This limited-edition white label 12" vinyl is circulating in the wild—no frills, no hype, just a nod to those who know. Pressed loud and cut for the floor, it’s already making waves in the bags of tastemaker DJs from Berlin to Brooklyn. Can We Try is a reminder that dance music doesn’t need to shout to speak volumes. With this return, FCL prove they’ve still got their finger on the pulse—and their heart in the mix

Italian DJ Plant Texture drops ambitious techno odyssey 'Mondo Nuovo' on Mutual
Rytm sub-label, X.

Bari-based underground mainstay Dona Basile, aka DJ Plant Texture, has been crafting forward-thinking techno for a decade, releasing on leading labels from Ilian Tape to Tresor Berlin. Adding to his rich catalogue, his label debut on SHDW's Mutual Rytm sub-label X is a homage to the spirit of space travel. With the label boss already a long-time fan and having dropped tracks from this EP in his sets for a while, the partnership creates an ideal match for an artist and label looking to push the boundaries of the genre. With Basile's distinctive style perfectly fitting with the label's vision, each of the productions provides a tribute to space exploration - fusing analogue hardware and deep rhythmic invention while channelling everything from early sci-fi cinema to the 80s ambient soundtracks. "Space exploration is the ultimate metaphor for creative freedom. This album is my way of sonically mapping the cosmos, not through melody but through mood, modulation and motion", notes Basile.

Opener 'Wormhole' is a raw, driving sound with synth pulses and jacked-up drums for peak time chaos, while 'Echoes' evokes ramps it up further with panel-beating percussive loops, earth-shattering bass and twisted stabs. The title track pairs more physical and booming drums with introspective synth craft that encourages deep thought. 'Flex The Beat' is the first of two digital only cuts and offers a chaotic collision of overdrive percussion, manic vocal loops and reversed stabs for utter dance floor carnage, before 'Let It Go' (Jungle Mix) provides a dark exploration of
frenzied jungle breakbeats with drilling bass to close the offering.

A nocturnal ride through the magnetic waves of an imaginary club that never sleeps, where groove becomes ritual and the dancefloor an extension of the body. Francisco & Cosmo Dance – aka Francesco De Bellis and Cosimo Mandorino – orchestrate a mechanical and naif dance between man and machine, where synths chase each other and drum machines dictate tight, unrelenting beats. “Go Go Dance” is a concentrated dose of analog groove, electronic funk, no-wave pulses, and retro-futurism.

The Extended Mix transcends radio boundaries, diving into a hypnotic, fluid, body-driven dimension: a sonic tide echoing cosmic italo, primitive house, and off-kilter disco, shaping a soundscape for dancefloors from another dimension.

The House Mix, finely edited by Whodamanny, is a manifesto for the floor: pure rhythmic dynamite, made to ignite bodies and let them vibrate freely. A shared and refined vision of house music, where instinct and style fuse into a single voice.

“Go Go Dance” doesn’t aim studio perfection; it craves sensory truth – the kind born of urgency, space, and the pleasure of repetition. An anthem to the most authentic and lived-in club culture, where music becomes sweat, fantasy, and freedom once again.

System Error introduces Immer Feierabend - a strictly afterwork series. Kicking things off is Buenos Aires’ own Guile. Off the back of super slick releases on imprints such as Limousine Dream and Proper Grub, the Freak EP delivers four sophisticated movers built for dancefloor release - good house music, pure and simple, with just the right amount of wiggle to move heads and toes.

It's the end of the workday, and if it isn’t, it’s always quitting time somewhere…

This one’s vinyl only, no digital release.

Efficient Space charts Ghost Riders’ North American roadmap, crashing into 1973 New York to ignite the unfiltered teen dreams of Dennis Harte.

In the late ’60s, 11-year-old prodigy Dennis Harte was handed a Sears-bought Silvertone 1448, its in-case amplifier primed for street-level incantations. Recruiting two neighbourhood friends, the trio hammered out raw rhythms, drawing in Brooklyn’s wandering bohemians, keen to glimpse a prepubescent Alex Chilton in the making.

Also jamming with his older brothers, Bart and John, a family friend introduced the siblings to budding music exec Carl Edelson, who had spent the better part of two decades hustling through a string of local labels. A father figure of sorts, Edelson backed them immediately, facilitating sessions at the famed A-1 Sound Studios and Sanders Recording Studio and pressing four 7”s on his newly minted Roundtable Records. To maximise his chances of courting major labels, he strategically assigned each release a different artist name - Dennis Harte, Pure Madness, Harte Brothers and the wryly titled Harte Attack.

Dennis’ emotional maturity and sheer talent bleed into the defining ‘Summer’s Over’, penned by Edelson and once recorded by mid-'60s New Jersey garage vocal group The Wouldsmen. Morphing into an unfathomably teenage, blue-eyed soul/psych lament, it aches for a season slipping away forever. Its Harte Attack edition counterpart - the candied ballad ‘Running Thru My Mind’ - delivers unison harmonies and kinetic guitar interplay with a streetwise punch, channeling the spirit of NYC-area icons The Rascals, The Lovin’ Spoonful, and The Youngbloods.

Roaring like the Spencer Davis Group, Pure Madness’ organ-driven bruiser ‘Freedom Rides’ screams of biker gangs, yet its true subject - ’60s civil rights activists the Freedom Riders - looms as another towering theme for an adolescent perspective. Meanwhile, the loose, bluesy ruckus ‘Treat Me Like a Man’ digs back into Edelson’s catalogue, covering the Beatles-inflected Levittown group The Shandels.

Though Dennis later found success touring with Wilson Pickett and now doubles as a piano tuner to the stars, these four snapshots frame ambition on its outer edge - a heartfelt homage to an unbreakable brotherhood.

Mr Bongo proudly presents Ritmo Italiano ‘Unspoken Sounds of Italian Tamburo’ a captivating compilation of percussive-driven, Italian gems curated by Sardinian multi-instrumentalist, percussionist and producer, Gabriele Poso. A journey into the heart of Italian musical history, it celebrates Italy’s rich rhythmic traditions, showcasing a selection of genre-traversing, Italian treasures from the ‘60s to the early ‘90s. Honouring the timeless rhythms of Italian percussion masters, alongside a brand-new exclusive composition by Gabriele, ‘Ritmo Italiano’ shines a light on the universal, primal language of the drum.

A connection sparked from an early age; percussion has always deeply resonated with Gabriele. It led to years of studying percussion traditions across Cuba, Puerto Rico, and Brazil, crafting his own songwriting skills in the process. An acclaimed producer and compiler, his releases on Yoruba Records, BBE and Soundway Records have garnered global support. Yet a growing need to rediscover the essence of his country’s cultural heritage laid the foundations for this new compilation.

In Gabriele’s own words, “Italy has always been a crossroads of civilizations, with influences from the Mediterranean, North Africa, the Middle East, and Europe converging over centuries. Ports like Naples, Genoa, and Venice played a crucial role as gateways for musical exchange, a melting pot of sounds and cultures brought by sailors, merchants and travellers. These influences blended with Italy’s own folk and religious traditions, creating Italy’s unique and emotionally resonant rhythms.”

Across the 12 absorbing tracks, there’s jazz influences, Italian library music aesthetics and experimental beats mixing with Afro-Cuban and Mediterranean rhythms. It’s a broad selection anchored by the drums. The synth-heavy, ‘80s jazz funk flavours of Gegè Munari's ‘Police Man’, sit side-by-side with the samba-infused ‘Napulitano D' 'O Brasil’ by Don Marino Barreto Jr. Tribal, earthly energy radiates from Naco’s ‘Volando Con Milton’, with Tullio De Piscopo serving up cosmic disco brilliance, and blistering jazz funk mastery coming courtesy of Agostino Marangolo. Taking the name of the compilation, a new original track by Gabriele, ‘Ritmo Italiano’, blends traditional rhythms with contemporary energy, Afro-Latin influences with Italian jazz essence. Recorded live in one take, it captures a raw, unfiltered vibe.

“Each track tells a story, connecting the past with the present, and highlighting the deep-rooted traditions that shape Italy’s rhythms. The collection also offers a glimpse into the diversity of Italian music with a variety of styles from the organic, earthy beats to the more experimental and modern takes on traditional rhythms. It’s a reflection of how these rhythms have not only shaped Italian culture but also influenced global music.”

Releasing four of the biggest dance tracks of 2018 and crowned as the #2 Beatport Artist Of All Time, Dresden born disco-house producer Purple Disco Machine has quickly become one of the most prolific and sought after producers in the industry.

Following on from hit singles ‘Dished (Male Stripper)’ and 'Body Funk', Purple Disco Machine returns with his double A-side Emotion EP.

DJ Support:

Black Madonna, Jamie Jones, Fatboy Slim, Annie Mac, Pete Tong, Danny Howard


Previous single 'Body Funk’ already clocking 12 million combined streams and #1 Beatport and #1 DDC & DCC Chart

‘Dished (Male Stripper)’ spent 10 Weeks on BBCR1 Daytime playlist, including 4 weeks on A-ist making it the #5 Dance Record of The Year on BBCR1

Official releases with Fatboy Slim, Calvin Harris & Rag’n’Bone Man, Jax Jones, RÜFÜS DU SOL

Imagine having a song go viral for 17 years - without even knowing it. That's exactly what happened to the German 1980s band FEX. And this isn't just any song - it's The Most Mysterious Song on the Internet, a track that puzzled music detectives for decades before finally being identified in November 2024. Now, it has been officially released - twice.

The Story in Brief:
Sometime around 1984, a song was broadcasted on NDR Radio. The name of the song was Subways Of Your Mind - only found out 40 years later in November 2024. Back then, a listener recorded the NDR show on cassette, a common practice at the time. Decades later, the tape resurfaced, but while most songs from the recording were identified, one remained an enigma. On March 18, 2007, the track was uploaded to the internet in an attempt to uncover its origins. Due to its now-iconic opening lyric, it was tentatively titled Like The Wind. Over time, the mystery deepened, and the song was given a nickname: The Most Mysterious Song - or simply TMMS.

Starting in 2019, a dedicated Reddit group, TheMysteriousSong, now boasting over 63,000 members, took up the search. They meticulously documented every lead, hoping to solve the riddle of the song's origins. Then, in 2024, the breakthrough: Reddit user marjin1412 reached out to musician Michael Hädrich after discovering a reference to his band FEX in an old newspaper article. Hädrich, FEX's keyboardist, provided a recording from an old demo cassette which included an alternative version of the song. On November 4, 2024, the mystery was officially solved: FEX was the band, Subways Of Your Mind was the title.

What Happened Next:
Since then, FEX has released two singles - both featuring Subways Of Your Mind - through the Berlin-based independent label The Outer Edge. First, the demo cassette version was pressed onto vinyl, as the original NDR radio recording remained lost (see EDGE-028). The Remastered Demo Mix single instantly topped Bandcamp's global charts, holding the #1 spot for several days. By then, it was clear: this was more than just an internet curiosity. A real fanbase had formed. Enthusiastic comments on the sales page ranged from "best post-punk song to ever exist" to "FEX themselves (are) perhaps the most underrated musicians of all time."

But the story didn't end there. A higher-quality version of the NDR radio recording was rediscovered in late december, remastered, and now sent for a second vinyl pressing: the TMMS Version. This new vinyl 7" is backed with Talking Hands another great and unissued song that was found on the demo cassette.

Fame Comes with a Price
Suddenly, time isn't standing still for FEX. The band had to come to terms with the fact that they had become Lostwave super stars. A FEX fan club quickly formed on Reddit, fan-hosted FEX parties are popping up, and the internet is demanding more - an album, merchandise, live performances. But how does a band prepare for a comeback after a 40-year hiatus?

For now, FEX is carefully considering their next steps. Their demo cassette contains six songs - and a few other recordings have resurfaced which probably could be restored and compiled. But foremost, a brand new re-recording of Subways Of Your Mind is in progress.

One thing is certain: The Most Mysterious Song will continue its unstoppable journey around the world. Don't miss this (second) chance to own a piece of music history!

JR Disc has already become a firm part of the Detroit new school with his two previous outings on this label. Once again here he shows off his raw but emotionally poignant style and knack for a catchy groove. 'Bust' has rusty hi-hat sounds and deep, cavernous bass with rough edge drums a la Omar S. 'Wonder Traxx 1' then picks up the pace with heavy but inviting kicks that are again all frayed and dusty while some jazzy melodies bring a cheeky and playful twist. Pure Motor City gold if you ask us.

With a deeply introspective and poetic essence built upon Monolink's layered vocals, spirited rhythms and poignant storytelling, "Powerful Play" invites listeners to embrace the fleeting nature of existence and immerse themselves in the beauty of the moment; his distinctive blend of electronic beats and raw acoustic elements serving as a perfect backdrop to the song's profound lyrical depth.

On the B-Side andhim rework the track with their signature blend of luscious grooves, refined electronica and subtle euphoria, breathing fresh life into the original. The remix plays with dynamics and space, pulling Monolink's haunting vocal lines through intricate rhythms, warm analog textures and a hypnotic build that carries listeners through an immersive sonic narrative. The duo's groove meets Monolink's elegiac depth, resulting in a track that's both club-ready and emotionally resonant.

HUGE CONGRATULATIONS TO MOXIE AND THE LOVE INTERNATIONAL X TEST PRESSING TEAM FOR WINNING THE BEST COMPILATION IN THE DJ MAG BEST OF BRITISH AWARDS 2025


“I feel really chuffed as a lot of work went into building this compilation,” beams Moxie, when we congratulate her on the award. “I also worked alongside a great team, including Dave Harvey, Ellie Stokes, Chez de Milo and everyone at Prime Distribution. I’d been manifesting working on a project like this for years, so when it all came together I was so happy with it. But to have recognition from the DJ Mag public vote is the cherry on the cake.”


Few artists have shaped their local scene quite like Alice Moxom under her celebrated Moxie alias. A born-and-bred Londoner, Moxie is a dance music powerhouse whose influence runs deep—from the grassroots to global stages. Her trajectory spans early teenage years digging for garage records, to dubstep sets at legendary club nights, to running her long-standing and beloved NTS Radio residency. For over a decade, she’s been a midweek staple on NTS, championing deep house, Detroit techno, and all things dubby, groovy, and percussive, while regularly platforming artists through guest mixes and interviews with icons like Jeff Mills, Four Tet, and Or:la.

Her latest endeavor, the Love International compilation, brings that wealth of experience to life. 'I’d secretly been manifesting this for a while,' Moxie admits. 'Love International has such a specific energy, and I wanted the compilation to reflect that—dubby, fun, euphoric, deep. It’s all the styles of music I love, pulled together in harmony. Being at Love International always feels like coming home. Whether it’s dancing in Barbarellas or sharing a smile with a stranger on the dancefloor, there’s this sense of unity that’s hard to describe. That’s why I chose ‘U Skladu’ for the sleeve—because that’s what it feels like: in harmony.'