Their newest release “For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved” comes from Brooklyn-based Dekalb Works (debut ‘Duologue’ on Where To Now? Records), the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D).
The release summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.
“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.
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(comes with a poster) The Klein blue horizon, gliding seagulls, a ferry purring between two languid islands, dotted with ultra-white villages and ancient ruins... These idyllic visions run through Glika, the ultimate musical project of Les Cyclades. An exciting electronic odyssey from West to East, from Belgian effervescence to Greek mysticism.
In 2020, confined to the neighborhoods of Yser and Mystère in Brussels, Alex and Ludo dream of Greek islands, of scorching sun on their skin, of salty baths, chilled ouzo and braised octopus. But everywhere, time stands still. Must one necessarily move to travel? To levitate? In the absence of Elsewhere, the Franco-Canadian duo will compose the imaginary soundtrack to their escape.
Glika (which means "sweet" in Greek) perfectly synthesizes the musical influences of Les Cyclades: a cosmic saxophone inherited from Alex’s dub and free jazz past, an architect-pastry chef-botanist from Normandy, and Ludo’s "Balearic" tracks, a musician-performer-wine lover who frequented his first raves in 1995 in Houston, Texas.
From a hedonistic encounter on a friendly terrace in the 19th arrondissement of Paris to their chosen exile in Brussels, these hypersensitive jacks-of-all-trades first danced and mixed records. Before creating their own phantasmagorical sonic territories, where cinema and poetry meet more or less human voices, brass instruments, synthesizers and analogue drum machines.
A searing fragment of Greek filmmaker Theo Angelopoulos's "Eternity and a Day" preludes Glika. Then, on Yser Mystère - the names of the two stations on tram 51 that physically linked Alex and Ludo's psyches during the lockdown - Alex's astral sax balances out the industrial mechanics of a locomotive, against a backdrop of urban soundscapes.
And then a rising bpm dominates Alocasia, with its deep and sensual light foot. So sunny. From one track to another, there are interludes influenced by Xenakis, Vangelis and Jean-Michel Jarre. Seminal heroes of the Cyclades... But soon, the duo unleash hostilities at the helm of Epigone, their meta-techno anthem. "I know", "You know", echoes Alex.
Laughs of friends, "mouth noises," and "bizarre rhythms" still dominate Parc Fou, while DRAM eyes the minimalist techno of Detroit. So dear to Ludo's heart... And what about PAME, that post-modern Greek epic.Or Glossa, a timeless track that finishes with a fascinating - because diffracted - elegance, this multi-sensory journey through Les Cyclades. Let's close our eyes. Silencio! Hay Banda!
By Eléonore Colin, journalist (and friend!!)
2026 Repress
DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche
Next up and with a label debut is one of the leading Female artists on the circuit, Tini Gessler! Tini dropped some straight-up club fire on our sister label Toolroom Trax earlier in the year alongside Juliet Sikora and digs deep into her clubby roots once again with 'Do What You Want'. After releases on the mighty Drumcode, Sola and Kittball in recent years, her 10 year career is going from strength to strength which is seeing her DJ all over the Globe on a weekly basis and her music production is making huge waves within the industry, and rightly so. Next up Italian born DJ and producer, CASSIMM is back on Toolroom with a straight up club weapon! After laying down the delicious disco number last year called 'Get On The Funk' with Kid Enigma, this follows suit perfectly and fuses chunky beats, disco licks and has Bruno Blanc sharing some sentimental lyrics about how important house music is to all of us. Last but not least, French artist Tony Romera is back on Toolroom with another slice of Tech House fire. Tony Romera first stepped onto the scene 10 years ago as a fresh-faced 20 year old looking to make waves and disrupt the electronic music world with his unique style and French-house inspired beats. Since then he's been busy releasing music and experimenting with different sounds and styles, putting out music on a range of powerhouse labels and gaining support from the likes of Diplo, Fisher, Chris Lake, Fatboy Slim, Deadmau5, Vintage Culture, Adam Beyer and more. House Y'all's distinct character is built upon a warped, creeping bassline and tough, relentless beats providing an irresistible pulsing backdrop as the familiar chanted vocal emerges. A sonic trip that transports you deep into the heart of the underground.
Countless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio
On the occasion of this first vinyl of the year 2024 and to celebrate its 15th anniversary, Fantastic Friends Recordings sets the bar high by signing 4 new artists on the label among the most talented of the moment which are Daniel Meister, Lukea, M&M and the duo Primarie & Lucide. All the tracks on this EP are rich in texture and catchy melodies. On the A-side, Daniel Meister and Lukea offer you the best of minimal/rominimal sound in its futuristic and acidic orientations, while on the B-side M&M and the duo Primarie & Lucide will delight you with their work on the rhythmic with a deeper side. Either way, it's a "must to have" in your flight cases.
black vinyl[11,72 €]
Pure Dub techno driven 5 tracker. Hydergine is back on Ranges with a new sonic journey that delves deep into dub techno while infusing it with innovative broken beat structures.
The EP showcases the artists signature style in a captivating and refreshing way. Four tracks take the listener on a diverse and evocative journey, ranging from futuristic and dark sci-fi vibes to immersive and emotionally resonant soundscapes, with a rich tapestry of sonic elements that engage the mind and stimulate the senses.
Resoe provides a reinterpretation of “Perception” that reveals new layers of complexity and emotion. A captivating exploration that results in a hypnotic and addictive masterpiece, further enriching the overall package.
We are delighted to present our first Split Series and to welcome three notable artists to the label.
FDEZ takes charge of the A side with three dancefloor tunes fresh from Barcelona.
A1/ ABSTRACT FUNK is an Electro House track with arpeggio synths and classic hi-hats following a fat bassline.
A2/ SUN FIGHT is inspired by a hot summer's day in the summer of 22. Including a vocal sampler from another planet and 303 notes.
A3/ RAVAL NOCHE is flush with hypnotic and spooky synths, making for an after friendly house track.
Two french producers who require no introduction, Chris Carrier and Le Loup, aka AV1 put thier mark on the B side.
B1/ MYSTIC POINT is a powerful track with mysterious melodies and a forceful rhythm, right at home in an underground warehouse.
B2/ TROPICAL EXCURSION is a hypnotic voyage inspired by the golden age of trance. Ideal company during an endless after.
Only 200 copies
Repress.
One of Stockholm’s finest exports, Elfenberg arrive at Bordello with four slices of synthesizer goodness. The duo open with “Forever Alone”. A cruising arpeggiator steers its way through glistening snares, rolling kicks and classic italo vocals. Night falls in the jungle “Conga Coronation”. The treetops bristle with birdsong, thickets of bongos, toms and rain sticks lead a path to dawning melodies. A wonderfully textured percussive piece, the track is intricately carved and demonstrates the diversity and depth of Elfenberg. The disco dipped futurism of “Sphere Of Missing Out” follows. Echoes of “Conga Coronation” rhythms are countered by beaming synth bars and vocoder lyrics with the Swedish pair pushing for the floor. “Cosmic Tribune” is the curtain close. Astral chords, spiralling key shifts and incising drums coalesce in this space inspired finale. A truly stunning debut from this talented partnership.
Excelsior Ruth is a composer, DJ and producer born in the North-East of England but who currently resides in South London.
On her eponymously titled debut, she combines a life-long love of euphoric trance with echoes of her live performances as exlRuth, which incorporate sound recordings, drone, traditional choral music and the makina backdrop of her youth. Embedded in community heritage, it’s a record that probes connections between the classical and contemporary.
Gossamer harp drifts across time on ‘Haunt’, leading to the affecting arpeggios, strings and high BPMs of ‘Dream Of Night’, programmed, as much of the EP was, on classic 90s synthesisers, including the Roland JP8080 and Quasimidi Rave-0-Lution 309. Drinkwater’s ‘Dawn Return mix’ reduces ‘Dream Of Night’ down to a moment of 6am E-motion, limbs weaving through dry ice like mist on long-forgotten moors.
A cathedral of angelic voices swells in ‘Dream Of You’, their hymn to oceanic feeling rooted to earth by a raining cascade of kicks. And ‘Sleepy Hollow’ journeys further into deep, unspeakable bodily knowing, pushed and pulled between propulsion and stasis as fizzy high hats and restless melodies weave through shrouds of ambient pads.
Words by Joe Roberts.
- A1: A Certain Ratio – Shack Up
- A2: 23 Skidoo – Coup
- A3: Gang Of Four – To Hell With Poverty
- B1: The Human League – Being Boiled
- B2: The Slits – In The Beginning There Was Rhythm
- B3: This Heat – 24 Track Loop
- C1: Throbbing Gristle – 20 Jazz Funk Greats
- C2: The Pop Group – She Is Beyond Good And Evil
- D1: Cabaret Voltaire – Sluggin For Jesus
- D2: 23 Skidoo – Vegas El Bandito
- D3: A Certain Ratio – Knife Slits Water
Unavailable for over 20 years, In The Beginning There Was Rhythm was Soul Jazz Records first foray into post-punk and punk-funk in the UK and captures the groundbreaking and seminal groups that crossed the divide of punk and dance music for the first time.
" In the Beginning is essential missing-link history – and body-rockin' fun" The Guardian
" In the Beginning doesn't have a single limp tune. It'll amaze new listeners and give old ones some hard-to-find tracks. Buy it." Pitchfork
"There's no denying that In the Beginning There Was Rhythm is a great gateway into this expansive, fruitful, trailblazing era." All Music
First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat.
This album comes as a limited-edition one-off pressing double coloured vinyl (red and blue) complete with two bespoke inner bags containing extensive sleevenotes and original photography.
As Muzik magazine noted on its initial release 'In The Beginning' is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst.
The bands featured come (mostly) from the then bleak post-industrial North of England - Manchester, Sheffield, Leeds as well as Bristol and London, and yet all show a fascination with black American rhythms and an experimentation in sound that was completely unique at the time.
The title of the album comes from The Slits track of the same name.
This album is produced with all the original photos and full extensive sleevenotes.
New Krystal Klear on Running Back. No re-inventing of the wheel here. Sometimes it is what it is. But let‘s hear it from the artist himself:
“ No notes or real inspiration behind this EP. Rb128 consists of four tracks that I made to keep gigs coming and the calendar full - In a time where artists are being forced to DJ like maniacs to keep the electricity running to make more quickfire records (except for Gerd who loves it).
These pure dance tracks try to mix the cocktail between the trendy trance that people like now and the good house records they liked yesterday.
Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
But yes, it is still and will always be pretty damn good dance music (Gerd does a high kick and claps his hands)! Love is all we need.
Short:
New Running Back by the ever-reliable Krystal Klear.
Standard procedure: Melancholic chords over processed drums and breakdowns that make waiting for a train to pull in more bearable.“
Aerials live, dials tuned, Transmission Towers broadcasting. On either side of the river Mersey, transcendental communications are traded back and forth. Two late-night revellers, one firing messages filled with music, the other returning them laced with lyrics. The result, a dopamine hit of oddball machine soul, melded with a highlife, Afrofuturist touch. Wonky and murky yet deeply emotional, Transmission One, is a debut album that also marks the first release on Luke Una’s É Soul Cultura label, encompassing expertly the off-kilter atmosphere the label sets to orbit.
A synthesised landscape with a Northern charm, Transmission Towers marry the musical worlds of two artists that last collaborated over a decade ago. 10 years have passed, lives have been led, but a gravitational pull has placed Mark Kyriacou and Eleanor Mante back in each other’s spheres on opposite sides of the city of Liverpool. Energised with a newfound desire to strip it all back to the sounds that influenced their formative years in the late ‘80s and ‘90s - astral travelling, intoxicated on Motor City techno, Black Dog IDM and mystical Sun Ra.
Mark half Irish, half Greek Cypriot, Eleanor half Nigerian, half Ghanian, the music contained within is an alchemy of those roots and the pivotal acts that buried deep into their minds. A cosmic contrast, part machine-made, part distinctly human. Take the opener ‘UP’, an ESG-channelling, sci-fi punk beatdown or the polychromatic hyperspace anthem ‘Roller Skater 23’.
Transportive throughout, you ride the solar waves, pace and emotion ebbing and flowing. Tracks like ‘Go Slow Heart’ and ‘Cosmic Trigger’ step to a slower beat but hit with a punch. The former, a slo-mo blast of celestial tenderness, the latter an otherworldly, chugged-out lunar excursion, micro-dosing on whacked-out Wah Wah and Eleanor’s ethereal vocals. Beaming love letters to space and back, ‘Sparse’ marries the organic with the artificial, pianos and percussion circling around synth pads and broadcasting bleeps.
Elsewhere, vibrations move faster. ‘Mega’ strikes, fusing sonic tribalism with psychedelic swirls, as ‘Everything’ sweeps you up in its extra-terrestrial new wave grip. Synth stabs and basslines fizzing from every angle.
Demos of Transmission Towers music surfaced on Luke Una’s radar, making him stop in his tracks. Something magical was emerging, perfectly aligned with the E Soul guardian’s tastes. Guidance followed, quickly turning into conversations about Transmission One becoming the first release on Luke’s own label.
Escapist and futurist yet grounded and relatable. Transmission One is synthesis meets sentiment with a deep, spine-tingling soul at its core.
- A1: Oriana Ikomo - Never Forget
- A2: Moodprint - Eartha
- A3: Kin Gajo - Exit, Gajo!
- A4: Adja - Told You So
- A5: Bodies - Brioche
- B1: Orson Claeys - Conversations
- B2: Bodem - Kleine Mars
- B3: Honey - Bossa Dolce
- C1: Azmari - Sheep Party
- C2: Le Ministère - De L'amour
- C3: Ciao Kennedy - Parcifal Pt. I
- D1: Echofarmer - Beginning Would Have Been Outside
- D2: Kassius - Escapism
- D3: Bruno X Soet X Moene - Ott
Vol. 1[22,27 €]
Vol.2 Black Vinyl[24,79 €]
Vol.2 Limted Red Vinyl[26,01 €]
Vol. 3 Transparent Violet Vinyl[27,52 €]
Standard version on 2LP black vinyl in gatefold sleeve. ‘Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent.
'Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent coming out one of the smallest countries in Europe. Never change a winning team they say, so we're happy to have Belgian DJ and eclectic connoisseur Lefto on board again.
Although you expect thecompilation to be talking jazz, volume 3 explores a broader array of styles, genres, and sounds than ever before, arriving at a point where the 'young cats' of today don't bother no more. It may focus on the Belgian scene, but let's face it, seeing the influences, this one could be compiled from all over the world. From the empowering and bittersweet voices of Oriana Ikomo and Adja, over the more acoustic-electronic productions of Moodprint, Ciao Kennedy, Kassius and echofarmer. It's even expanding the Jazz Cats universe to dub and bass-heavy tracks with Kin Gajo and Le Ministère, Ethio-jazz from Azmari, while sending you back to earth with bodies' swirling sax and drums. That saxophone still rings in your ears when you end up in the orbit of the march-like drums of Bodem, Orson Claeys' piano testing your ability to follow him, slamming the breaks to go smooth cruisin' with HONEY (Morricone meets Khruangbin, anyone?), to crashing in a raging tempo on that last track of Bruno x Soet x Moene. And there you are, back with us.
2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters, including Black Flower, STUFF. De Beren Gieren and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews. The 2022 follow-up 'Jazz Cats volume 2' paved the way for a new generation inspired by its peers, entering another era of very talented individuals and collectives. Maybe even more so than 4 years before. It uncovered a beautiful balance of more established but also obscure musicians and artists. Opening up to electronics and dance, enter bands like ECHT!, Stellar Legions and TUKAN. Thrilling innovative soundscape grooves and jazz fusion with Bandler Ching and L?p?GangGang, not to forget about the weaving musical odyssey that is M.CHUZI. In addition, there's the balanced unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and cinematic The Brums, all of these have set volume 2 on the map as an essential release for any jazzhead with a passion for new sounds.
Tastemaker, selector, curator, DJ and producer, these words often get mentioned when Lefto's name pops up in discussions. And rightly so. If you've ever had the pleasure to listen to one of his incredible Boiler Room sets or one of his many radio shows, you'll know why. Famed for his gloriously eclectic taste on the decks, he switches effortlessly between hip hop, funk, breaks, neck-snapping beats, future bass, South-American influences, bruk riddims, some wild African rhythms and of course, jazz.
Growing up as a child, his father would have the sounds of jazz flowing through the speakers. Which led him to bars around town to hear the latest jazz ensembles. Falling in love with the genre, he would later refine his knack for record digging and fine ear for music working at Belgium's legendary Music Mania record store in his hometown Brussels. Which makes that Lefto is consistently a couple steps ahead. He doesn't wait for the next thing to land in his lap, but actively seeking it out.
Lefto on Jazz Cats volume 3:
"Another release in less than two years! I am very impressed by the amount of creative "jazz" talent we've managed to compile over the last couple of years. Thanks to the internet, young musicians find inspiration from around the globe and incorporate diverse influences into their work. Given the history and heritage of jazz in this country, it has managed to create a healthy jazz scene supported by festivals, venues, press, and labels. Therefore, I am very proud to present to you the thirdinstallment of Jazz Cats. This compilation is dedicated to the young and hardworking musicians who are the present and the future of Belgium's jazz scene."
Two powerfully effective club tracks by one of Berlin's most talented Juan Ramos. A clear cut exposé of his vastly amassed knowledge in dancefloor experience throughout over a decade of dedication to the craft of steering some of the most significant contemporary underground dancefloors. Can't really go wrong here, mandatory for any club focused record bag, with an entourage of 125 BPM percussion sample based mayhem on the A side and a slower industrial 115BPM chugger that grows into a tripped out narrative of playfully galloping transient elements.
With a mysteriously unknown release date, “Photochrome” could have been originally put out somewhere between the late 70's to early 80's on the Italian Idea label, which although only boasting a minuscule catalogue of mainly 7”s has gotten the attention of many collectors of European disco obscurities for releases such as “Flavio – Drum Explosion” and “Aleo's Band - EOE”. “Photochrome” features a very organic sound with hints of early electronics that might have been making their way into studios at the time. A fast passed driving bass line layered with what almost sounds like an early 303 bass line and spacey/cosmic vocals. Dry drum recordings give it a naive DIY feel which coupled with the experimental tricks on the vocals results in a very unique sound that has put this release on the radars of diggers world-wide. Now available once again at an affordable price with a new two part bonus beats remix that starts off as a more DJ friendly tool but soon embarks into a questionable full-fledged acid house excursion. Originally only released in 7" format but now re-issued in remastered 12" format.
2026 Repress!
Italian musician, composer, producer and DJ Sergio Sturari aka Serge Funk is one of the most successful disco-house/funky-house artists of recent years, with his productions often sat atop the Traxsource and Beatport charts. This latest release on Groove Culture’s 7 inch sub-label showcases two of his most accomplished creations.
Serge's most famous track, ‘You and I’ takes the A side. An infectious guitar groove provides the hook for this uplifting vocal-led disco house anthem that has already racked up more than 1 million plays on Spotify.
Flip it over to find ‘Yeah Yeah’ – an unmistakable funk jam with a punchy house beat to keep the bodies moving. Flavourful horns dance around slap bass, spiritual organs and juicy guitar riffs tied together with those energetic funk vocals.
Early DJ Support:
Mousse T, The Shapeshifters, Jamie 3:26, Seamus Haji, and Cevin Fisher.
" Official reissue of a German pop rap obscurity in addition with a bombastic HADE rework. Comes in picture sleeve with the original artwork. Limited to 300 copies.
The project fes consisted at its core of Fred Schwalbacher and Herry Schmitt. Their impetus was to combine the local dialect of the German Saar area with modern musical styles. After a full length release in 1984, the single 'Altstadtking' was released in 1986.
At that time musicians were encountered with rap music and some experimented with and included it into their musical output. 'Altstadtking' (old town king) is the result. The old town part of Saarlouis was a mecca for all kind of braggadocio back then, it was all about seeing and beeing seen. This tongue-in-cheek song is the story of a man showing off and bragging at nighttime while living an ordinary life at daytime.
For the flipside jack of all trades and any-bpm-powerhouse HADE (baumusik, OYE Records, Razor-N-Tape) did a stunning rework. He chopped and cooked down all instrumental parts of the original into a new dub version, added keys & bass on top and an extra punch to the mixdown for his vision of a dancefloor-ready 'Altstadtking'.
Rock it! "
Bedroom Talks, hailing from Ukraine, is a gifted solo artist whose music, delves into an eclectic blend of genres including coldwave, darkwave, synthwave, post-punk with touches of EBM. “Call Me Malespero,” produced during Ukraine’s shelling, captures the essence of his art in a unique and moving way.
It’s a powerful testament to human resilience and the ability to find beauty even in the darkest moments, evoking a range of emotions from pain and anger to palpable sweetness, all woven into poetic lyrics and enveloping melodies. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany). inc
In the annals of German techno history of the early 90s, Mannheim's Milk Club was always something like the dirty little brother between Berlin's Tresor and Frankfurt's Omen - not as cocky as the two big siblings, but secretly all the more clever. Less pretentious than the Äppelwoi metropolis, less dirty than the capital and, despite squaring the circle, less straightforward than both together. Instead, they delight with breakdancers of almost Wigan Casino-like elegance. Very British, even in the musical mix of house, techno and breakbeats, breakbeats, breakbeats. A club like a kind of mother raising the nightclubbers with her milk.
Devi g. pay tribute to this club with their MILK EP. on Pudel Produkte.
Devi g. are Dirk Mantei aka Dman (DJ and former manager of the Milk Club) and Oliver Bradford (one half of Thee Church Ov Acid House and resident DJ at the equally legendary Brückenkopf parties in Mainz). Pudel Produkte because, well, Golden Pudel Club - Legend binding.
A four-part promenade mix is on offer that has it all. It contains house, techno and, yes, breakbeats, breakbeats, breakbeats.
The VA theme on the LP series under the name Untitled || continues to explore the subject of 8 different minds from different corner of the globe connected by the principle and love for the audio frequencies in line with Exarde. Featuring two artists which already dear to label due to the fact of past releases on it and six new ones who have become instant people of love and admiration for me.
From the more deep and mellow to the higher pressure for the brain this double disc shall meet your demands. The art theme of this one is blobs & globs from space, whether they are emerging, fighting with their own shadow, or just simply floating and co-existing. This shall conclude my rambling for this body of work as I go and put these eight essences through my ear canals once again. Great deal of thanks for the hard work and dedication of these talented conductors.
Adiel's "Il Significato Delle Parole Remixes" EP Returns with Captivating Remix Package includes Donato Dozzy & Pinch
In the ever-evolving landscape of electronic music, where sonic landscapes morph and intertwine, Adiel's "Il Significato Delle Parole" EP stands as a testament to the power of artistic collaboration and sonic exploration. Now, this boundary-pushing release returns with a mesmerizing remix package, featuring reinterpretations by acclaimed artists Donato Dozzy, Pinch and Adihell.
Originally conceived as a collaborative effort between Adiel and musician Flavio Accorinti, "Il Significato Delle Parole" delves deep into the intersection of techno and experimental sounds. Its tracks serve as conduits for a journey through fragmented realities, weaving together elements of cyberpunk futurism and introspective dreamscapes.
Leading the remix charge is none other than Donato Dozzy, whose masterful touch breathes new life into the EP's ethereal atmospheres. His reimagining of "Nulla Resta" takes listeners on a hypnotic voyage, layering intricate textures over a pulsating rhythm, while maintaining the track's emotive core.
Joining him is Pinch, a visionary producer known for his genre-defying approach to bass music. His Remix of "Sospesa" injects the track with a sense of urgency, blending dark trip-hop aesthetics with futuristic sound design to create a truly immersive sonic experience.
The EP also includes Adihells' captivating remix of "Nulla Resta," returning after leaving an indelible mark on the original release. This rendition adds another layer of depth and intrigue to the already mesmerizing collection. It's worthnoting that Adihells isn't merely an alias but rather a darker iteration of Adiel, embodying a distinct sonic persona.
Adiel is a visionary artist whose sonic explorations defy conventions and push boundaries. With a keen ear for intricate soundscapes and a fearless approach to experimentation, she continues to captivate audiences worldwide.
With these remixes, Adiel's "Il Significato Delle Parole" EP transcends its original boundaries, inviting listeners to explore new dimensions of sound and emotion. As words continue to shape our understanding of the world, this release serves as a reminder of the transformative power of music to unite and inspire.
Embrace the journey and let the music speak for itself.




















