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Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!

Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. Mystica Tribe is the musical alias of Tokyo-based dub/techno producer Taka (Takafumi) Noda. He collaborated with Vienna's own Vegetable Orchestra on 2020's "Transplants (Mystica Tribe Version)". After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.

So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, vibraphone, marimba, djembe, contra-alto clarinet, melodica, Farfisa - all bound together by organic live-drums and dub effects.

Liner notes by Steve Barker

The new project of the pianist & composer Alex MONFORT delivers beautiful contemporary soul-jazz songs influenced by rap, hip-hop, alt R’n’B’ and neo soul.

Tight beats, unique Rhodes sound and soothing harmonies propel the splendid vocals of Franco-Cameroonian singer Nina Tonji.

RAWAX proudly presents the 5th release by Fresh & Low on their own RAWAX TREASURES series!
This time we have the honor to re-issue one of the most wanted records from their entire catalogue.
It's "Wind On Water" which came out on legendary Guidance Recordings in 1996!!!
The new version on RAWAX is re-mastered and will be out in Jnauary. Don't miss!

For 'The Ones', Chicago House and Disco producer, Rahaan has pulled together a plethora of musicians and vocalists to create a smokestack of soul fuelled excellence on this ten track album. From the amazing vocals courtesy of Marcus J. Austin and Nancy Clayton on the opener, 'We Are The Ones', through the amazing instrumental City Rain Supreme and the vocals of Spike Rebel on the anthemic 'Forever', this album absolutely excels. The promise made on the original three track EP released on BBE Music in the Summer of 2023 is well and truly delivered on. Working with live musicians throughout the recording process has added layers of finesse and genuinely unfeigned authenticity in the overall sound of this album. Carnell Newbill's basslines and keys, Todd Swope's Afrobeat inspired guitar licks and the horns of Ohio Players legend Kenny Anderson all blend organically with the aforementioned vocalists to create an album of sublime music befitting the best traditions of the Chicago House canon. Rahaan Young is a DJ and producer who has been DJing since playing at parties in his native Chicago the 1980s. As a DJ he's enjoyed residencies at both The Spot and Buddha Lounge as well as entertaining and moving dance floors around the globe with DJ sets that show his music knowledge and exquisite taste. The Ones is mastered at the Grammy nominated Carvery Studios and will be released on vinyl and digital on BBE Music, adding to the catalogue of innovative and highly pertinent releases from artists, musicians and producers from across the world.

Breeding in open air since 1964, Sir James and King Johnny are the figureheads of the mysterious L'ENTOURLOOP collective. Feed with good grains from Sounds Systems, vinyle's culture (Scratchs / Beatmaking / Sampling) and rocked by the epic dialogues of a certain cinema, L'ENTOURLOOP concocte with love a music half-way between Kingston, London and New York! After rocking more than 300 scenes around the world, the two unflagging ambassadors continue to surprise us on stage. Well accompanied by the incredible Bermudian MC Troy Berkley and the maestro N'Zeng at the trumpet, L'ENTOURLOOP gives us an eclectic live and survitaminated at each of its outings!!

The million-selling self-titled duet album by Roberta Flack and Donny Hathaway was the breakthrough record for Flack. Donny already enjoyed some commercial success, but their hit singles “You’ve Got a Friend” and “You’ve Lost That Lovin’ Feelin’” put Roberta on the radar. The sensitive and emotional masterpiece can be seen as one of the best duet albums of all time. It was the album’s third single “Where Is the Love” which dominated the US radio for almost a year, and reached the fifth spot in the Billboard Hot 100. The album itself shows a work of great depth and tenderness, with some of the most impressive vocal harmonies you’ll ever hear. After the success of the album Flack and Hathaway recorded sporadically together throughout the ‘70s, until Hathaway’s tragic death in 1979.

Follow-up album to cult-classic debut, Mantra Moderne.

‘Melodi’ is the second album from captivating duo Kit Sebastian (aka Kit Martin and Merve Erdem). Those familiar with the band's cult classic 2019 debut record 'Mantra Moderne' will instantly recognise their unique sound that blurs boundaries of world music, jazz and psychedelia. Not to be content replicating the same album, sonically the feel of ‘Melodi’ is a maturation. It is more diverse and provides glimpses into many different worlds from the Italian Riviera to the mountains of the Caucasus, the beaches of Bahia to the city streets of Istanbul and Paris. This joyous merging of soundscapes evokes a borderless planet with music as an international language, belonging everywhere and nowhere.

‘Melodi’ is imbued with Kit Sebastian's love of vintage records and world cinema, but it is not a retro homage. It celebrates its influences but is very much a modern record, being simultaneously brand new and retro. This is a credit to the duo's craft as musicians and songwriters, presenting their influences as a circular interaction between the present and the past rather than a linear one.

The music was written during the first UK lockdown and recorded that summer, a time of opening up that only briefly existed. In a world with a slower pace than before the Covid crisis, the band were able to spend more time experimenting in the studio. The album’s range of instrumentation has expanded from the previous record to include zithers, harpsichords, congas, bongos, bulbul tarang, and a mock-up choir on top of the synthesizers, balalaikas, organs, and saxophones. Session musicians and friends were also booked to introduce trumpet and string sections giving the album an added depth and orchestral texture. Despite the added complexity, the album was recorded using the same techniques employed for the previous album with various tape machines, bouncing back between cassette and ¼” tape for practicality and sonic abstraction. To pierce through this abstraction, the vocals are intentionally more expressive. Merve took cues from the Turkish singers of her youth, adding a slightly more melancholic, darker and more reflective style than 'Mantra Moderne’. Rooted in observations from everyday life, they speak often about the worlds and thoughts that arise from the end of the night.

Like with many of the best albums, the record seems over all too soon and has you instantly wanting to play it again. On each listen you decide on a track that you think is your favourite from the album only for it to be replaced with a different one on the next listen. The songs and production have hidden depths that seem to evolve and morph the more you devour them. Moments of pure pop, moments to fall in love, moments to contemplate. This journey is rich in musical vitamins and nourishment, but like all the best things still leaves you wanting more.

Repress!

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in....

Tobias Menguser, AKA Leon De Winter, was a very influential figure in the 90's Frankfurt techno scene, releasing around 100 records under various aliases, including collaborations with Ricardo Villalobos, but it was his Leon De Winter alias that really caught the ears of legendary London label Eukahouse, who originally releases this 12" all the way back in 1997. A one-off, it is not only unique in its sound design but also genre defying, spanning deep house, tech-house, techno, electro and breaks.
A-Side 'Apollo Jazz' is truly that, sounding like it was composed from a freeform jam on a trip to the Moon. Opening with emotive chords, the track lifts off and builds, melodies effortlessly twist and turn, superbly pulling together a variety of well crafted synths, bass and percussion whilst keeping the energy to the fore. Over to the B-Side, 'Metamat', is bold and more playful in its execution, more sonic trickery abounds as the opening riffs and breakbeat percussion give way to a solid 4/4. The bass is as memorable as it is quirky, but again it's the strength in the way all the elements build and combine that creates some real tripped-out musical moments without ever losing its dance floor appeal.

This is one of Tobias's most sought after releases and it's no wonder his collaborative work with Ricardo Villalobos is legendary. The tracks themselves have remained exciting and relevant, achieving cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Tobias Menguser, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Box Set: Lift off lid box with crushed emerald felt lining, Includes Embossed Gatefold edition Double Tri-Colour Splatter Vinyl.

Plus limited edition Black Classical Music branded ProMark Drum Sticks, and branded Afro Comb.

Yussef Dayes veröffentlicht sein mit Spannung erwartetes Debüt-Solo-Studioalbum 'Black Classical Music' auf Brownswood. Zusammen mit Kamaal Williams brillierte der Multiinstrumentalist und Visionär auf dem Yussef Kamaal-Album 'Black Focus', das den Jazz FM Newcomer-Award 2016 gewann und zum Meilenstein der aktuellen Londoner Jazzbewegung avancierte. 'Black Classical Music' ist ein 19-Track-Werk, das die Zuhörer durch einen Spiegel auf die Vergangenheit und Gegenwart des einflussreichen Künstlers blicken lässt, während es Themen wie Zuhause und Familie erforscht. Inspiriert wird Yussef von seinen musikalischen Helden Miles Davis und Rahsaan Roland Kirk und seinen ausgedehnten Reisen rund um den Globus, die sein Studium des Rhythmus vertieft haben. Ehrenvolle Features auf 'Black Classical Music' bringen Chronixx, Jamilah Barry, Tom Misch, Shabaka Hutchings, Miles James, Sheila Maurice Grey, Nathaniel Cross, Theon Cross and the Chineke! Orchester, sowie Venna, Rocco Palladino, Charlie Stacey und Elijah Fox.

The EP consists of three original tracks characterized by raw sounds and a strong, resolute spirit. The contamination of house music is the driving force behind the label's vision. The record also includes remixes by Dj Soch from Perugia and Dj Rou from Bologna.

Ye (Kanye West) and Ty Dolla $ign‘s 2024 album VULTURES 1 (as the supergroup, ¥$) is Ye‘s first collaborative album since his 2018 album with Kid Cudi, KIDS SEE GHOSTS, and as such, delivers celebratory, reunion-like energy. Bridging R&B, classic soul-sample rap, and the lo-fifi electro stylings of late-era Ye, VULTURES 1 manages to fuse Ye‘s go-to productions methods with Ty Dolla‘s efortlessly smooth vocals. This results in an unpredictable and dynamic listening experience.

Back in stock soon !

First Word Records is very proud to present a brand new EP from Yazmin Lacey - 'When The Sun Dips 90 Degrees'.

This EP follows on from her two recent singles, '90 Degrees' and 'Something My Heart Trusts', both of which are included here, along with three previously unreleased tracks, 'Heaven', 'Body Needs Healing' and 'Burn & Rise'. This set illustrates again Yazmin's candid songwriting delivered in her uniquely laidback soulful style, whilst a glorious fusion of neo-soul and jazz performed by Pete Beardsworth and her trusty band rides throughout.

In recent times, Yazmin has made live appearances on Jazz FM, BBC Radio 4, 1Xtra and NTS, & received widespread acclaim across the airwaves, including BBC Radio 2, BBC 6 Music, Worldwide FM and Mi-Soul, plus Spotify love from the likes of The Independent and heavy support from DJs such as Gilles Peterson, Jamz Supernova, Tom Ravenscroft, Huey Morgan and Jamie Cullum. Yazmin appeared heavily in The Guardian / The Observer's recent extensive feature on the UK's new Jazz movement too.

Initially a Brownswood 'Future Bubbler' graduate, Yazmin self-released her debut EP, 'Black Moon', last year. This lead to a Maida Vale session late 2017 with Jordan Rakei, Moses Boyd, Oscar Jerome and now label-mates, Children of Zeus. She kicked off the year with a performance at the Worldwide Awards with Skinny Pelembe, and has recently done shows with artists such as Ezra Collective, Tall Black Guy and Fatima. Yazmin has a UK tour scheduled for later in the year, as well as several festival appearances across Europe locked in. There's a lot more to come from this Notts-based Londoner yet.

In Yazmin's words: "'90 Degrees' is about that time of the day / night when there's a shift in pace and energy. When you decide to lock off from the 'outside' world and create your own atmosphere, take some time to give thanks for what's breathing love into your life and smoke off the fuckeries. Everyone needs a little routine for self preservation."

Dublin's finest, Tommy Holohan, makes his long awaited return to S.C.D.D. with 'Temple Theatre'.

An ode to Dublin's Trance axis, the sky-piercing EP has been subject to much anticipation. Fusing reece-driven breakbeat, trance infused sonics overlayed by chants, rave stabs and orchestral breakdowns, the release is a strong embodiment of Tommy's ability to induce symphonic, rave hysteria.

Spiritual jazz fans are going to rather excited about this new one from the hard working people at P-Vine over in Japan: Chicago saxophonist Prince Billy Marge Wright's finest work, 'Summer Love', is now arriving on its own 7" for the first time ever. It is previously lost material that showcases his next level sound though here featuring mainly keyboard instruments as opposed to his more usual saxophone, but that only makes it all the more uplifting. On the flipside is a remix that is just as rare so this one really is an essential record for your collection.

Garden of Eden is more than just a music label, it’s an exploration of natural sounds, raw emotions and the essence of humanity translated into electronic music. Inspired by the bond between man and nature, the label champions an organic and authentic sound dedicated to those who feel music on a deeper level. With each release, we strive to create something truly distinctive, push boundaries, and shape new musical genres within the electronic landscape.

The debut release marks the beginning of this journey, featuring two original tracks by Costin, complemented by a remix from Priku, one of the most respected artists of the underground scene.

A must-have for any collector, this exclusive release is limited to 200 copies, encased in a stunning gold cover, delivering timeless tracks perfect for both the main party and the after hours.

he initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the victims of human rights violations during the military dictatorship led by Augusto Pinochet between 1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a 24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5 months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.

First solo release by Nicolás Jaar since 2020’s Telas and Cenizas.

Following up on the 2024 released remix album You Are Dreaming! Random Numbers continues its presentation of La Serpiente’s immersive output with Elaphe Dione: The first full-length album of the multifaceted producer and a matured imprint of his distinct sound. The record includes five tracks and a digital bonus exhibiting a sonorous marriage between post-industrial esotericism and club-ready psychedelia; A labyrinth of elaborate sound design coiling around sharp rhythms, adorned by fractured voices spawned in obscure worlds. With sensibility towards granular detailing amidst a powerful cascading flow, La Serpiente’s versatile sonic arrangements coalesce into music that always breathes – A drifting current of enchantment materializing as a release that is both ornamental and symbolic in its vision.

Superb new Berlin Invasion anniversary album...
The meeting between many many oldschool superb artists in the middle of Tribe and Techno skillz... The exact rare speed (140/150 BPM) needed to complete the bridge between Techno and Tekno !

For a double pack we have here a perfect : all bombastic tunes !! wich is rare !!!

Happy birthday Berlin Inv' !