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Modularz presents a special edition release
Taking a bit of a different approach to whole getting deeper and focusing on the details that make it happen on the floor !
This is a solid 4 track techno banger written and produced by Juxta Position who was previously featured on DVS1's
Mistress Recordings, Rhythm Nation and his own Failsafe imprint, the release displays great Razor sharp percussion with
melancholic synth lines, whilst serious sub bass shifts much air and shimmering moods filter across the mid range.
This is another one of those never leaves the bag EPs Play it loud!!

Coyu's remix for 'Natural Blues' was just the prelude for our big hommage to one of the biggest pop and electronic music artists of the 90's, Moby.

We are proud to have this great bunch of remixes of some of the classic Moby's anthems, with different options from Deep House to Techno, for a wide range of DJs and music lovers.

Four awesome artists, Victor Ruiz, Julian Jeweil, Reinier Zonneveld and Oxia deliver seven remixes of tracks like 'Natural Blues', 'Go', 'Porcelain' and 'Why Does My Heart Feel So Bad'. Enjoy the package!

Emerging danish artist Denis Horvat delivers a great varied EP.
All the tracks are road tested and at least I can say they work like hell...

Vinyl Only

Castanea Records present its sixth release by Pressure Point.
The vinyl includes 3 original rhythmical glitch/micro tracks which juxtapose to the melodic synthesis tending to housemusic noteworthy to the expansion of some modular randomized sounds .
A complete Ep in every respect which also includes a remix by TC80 targeted to the dancefloor .
Do not forget that the release will be only on vinyl

A year after their impressive last album Burn It Down, Detroit techno legends Octave One are back with a nine track double EP that again shows they are masters of big hypnotic grooves.

Entitled Love by Machine, the album's name is a nod to the fact that the Burden brothers are such revered masters of their hardware. Both in the studio, where they cook up atmospheric house and techno with soaring synths and vocals and also in the live arena, where they are celebrated as one of the most accomplished and forward thinking performers in the game today. That is all the more impressive when you bear in mind they have been active since the '80s, most often releasing on their own 430 West label, which is where they appear again here.

Say Lenny: We've been exploring the theme of connection with this project. How technology gives us the illusion that we are closer to each other more than ever. At some point humanity crossed a line where the devices that we created to bring us together are the same devices that are blocking us from organic experiences.'

Technology is only a tool, which we also had in mind during the recording process.' Adds Lawrence. We decided to go back to how we used to make our records, when we didn't have so many 'sophisticated' audio devices. Back to when we interacted in the studio together as musicians.'

Things open up with the loose metallic percussive line that is In Mono, which sets the machine made tone and is filled with promise. Locator then immediately gets to action with a gallivanting techno kick and various synth lines wrapping round each other as you get sucked into the groove. Just Don't Speak (Midnight Sun Redub) is a more deep and house leaning track with big feel good piano keys and slithering synths that will get hands in the air. Proving they have real range, 7 B4 Dawn is a moody and reserved cut with subtle acid pricks, hip swinging claps and a spaced out dead of night feel.


The second half of the album offers peak time business in the form of the spectacular Bad Love II, the whirring and cosmic Sounds of Jericho and the big loops and fluid grooves of (Where) Time Collides. Pain Pressure is a wonky number with big bassline and a focus on percussive patterns as well as some vocals with real attitude and last cut 8 B4 Dawn ends things in a downbeat and sombre way with sad chords and emotive strings. It is pure Detroit, much like the whole album, and rounds out another fine release from these most revered veterans.

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP 'Moon Rocks'. The heavy hitting four track EP shines a light on Sangiuliano's tight, thundering production skills. The hoover heavy lead track 'Moon Rocks' is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano's wide spectrum of sounds ranging from the fat bass line of 'Moon Rocks' to the more delicate harmonies shown within the "Dutch Kiss" mixes whilst 'Ghettoblaster' sits somewhere in between.

Adam Beyer's Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno's number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary.

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn't fit in their regular EP release schedule.

With an eye on future talent, as much as the label's established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode's multifaceted techno sound, equal parts inspiring and functional.

Led by the stealth techno funk of 'Nine of You', Beyer's deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck.

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O'Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016.


Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America.

Early support by: Marcel Dettmann, Takaaki Itoh, Gary Beck, DVS1, Adam Beyer, Randomer, Jeroen Search, Speedy J, Jonas Kopp, Tommy Four Seven,Slam, Mosca, Psyk, Paul Mac, NX1, Manni Dee, Progression, Scalameriya, Thomas Hessler, Juho Kusti, Ryuji Takeuchi, Mr Jones, ANFS, Dustin Zahn, Kyle Geiger, Joton, Paul Birken, Hector Oaks, Charlton, Dario Zenker, Kwartz, Dimi Angelis, Drvg Cvltvre, Stranger, Mikael Jonasson, Arnaud le Textier, Dax J, Jerome Hill, 3.14, Pfirter, Echologist, Darko Esser, Tripeo, Endlec, Stenny, Clouds, I/Y, Rivet, Henning Baer, Dave Tarrida, Rolf Mulder, W.I.R.E, SHDW, Pacou, Patrick DSP, Ansome, Sebastian Krenzlin, Rebekah, Gareth Wild, Domenico Crisci, Perc, Setaoc Mass, J.Tijn, Radial, Aiken, The Black Dog, Ness, Developer, Exium, Sawf, Joseph Capriati, Svreca, Shards, Truss, Truncate, Myler, Inigo Kennedy, Advanced Human, Operator

classy, full range, pulsating Techno/Ambient/Ambient-Techno EP

Mindcut presents the first solo ep with no one else than London based producer Ansome.
4 heavy techno tracks with industrial influences including massive Manni Dee remix.

Early Support by: Randomer, Perc, Truss, J.Tijn, Paul Birken, Rebekah, Paul Birken, Clouds, Dave Tarrida, Kamikaze Space Programme, Myler, Wire, Interferon, Forest People. Keepsakes, Luke Creed, G-23, Axel Sohns

For our first release Power Up, we've decided not to pull any punches. It features a groovin pair of tunes from Muffin Man, which stand on their own to cover a delectable range of dance music. Making the release even more epic is the appearance of guest chef Charles Webster. Tip!

Mentalic's follow-up to "Highway Man" contains 4 tracks ranging from freak out slapstick Techno to more melodious pieces.
Played & supported by Stephan Bodzin, Paco Osuna, Style of Eye, Lexy, Marc DePulse, Max Cooper, Roland M. Dill and many more !!!

after midi010 the label will now also spotlight on their outstanding artists - starting with the probably best techno-producer in town: fin phranklin !!! his debut solo-ep ranges from rampaging off-beat techno like t.raumschmiere to some more electronic easy-listening vocoder techno - just a pure pleasure to listen to

The Spinning Plates imprint returns this October with Club Winston’s ‘Guzzle’ EP, comprised of four gritty club workouts from the London artist.

The UK’s Club Winston has been steadily unveiling a series of tripped-out club ready cuts via his own UKGEORGE label over the past few years along with remixes from the likes of D.Tiffany and Tim Reaper. Here though we see him join the roster of Spinning Plates with his latest collection of works, an imprint that’s played host to material from the likes of SHKN, Neksha, Andy Rantzen, DJ Spider and Bruno Schmidt since its inception in 2015.

Title-track ‘Guzzle’ leads, laid out across five minutes with a menacing arpeggio bass lead, howling atmospherics and crunchy analogue drums. ‘Hell’ follows and tips the focus over to heavy doses of sub bass, intricately dynamic, modulating drums and intense swells of processed synths throughout.

Opening the flip-side is ‘Chart’, upping the energy levels with a pacey 4/4 drum groove while twitchy resonant synth lines, low-end pulsations and cavernous reverberations ebb and flow throughout. ‘Partook’ then rounds out the release, a cinematic ambient composition which lays focus on swirling, textural pads, glitched out resonant bleeps and fluttering low end hits.

Comprised of double bassist Julian Tjon Sack Kie, drummer/percussionist Mill Voyance, and harpist Ranie Ribeiro, this marks their debut 7" release as Sons of Jumira. Recorded live at NOIIS in Zurich, Switzerland. Taking inspiration from the West African Mandinka concept of Jaliya, the practice and art form of the Jali (griot), as well as the Mandinka tuning Tomora. These elements converge in a sound rooted in storytelling and musical expression.

Tim Wright is a musician, composer and video artist based in York. He is perhaps best known as a producer of unusual electronic dance music released under his own name and the pseudonym Tube Jerk. His music has been released by some of the key labels in the field including Tresor, Mute/Novamute, Sativae and GPR. Remix credits range from scorn through Cristian Yogel to Laurent Garnier and Goldfrapp.

Tim also works for the Japanese choreographer Saburo Teshigawara as a composer and sound designer. his compositions for Teshigawara include the original music for metamorphosis (2014), a commission for Goteborgsoperans Danskompani, Sweden; darkness is hiding black horses (2013) for the ballet de l'opera de paris, France; and compositions for installations at the Yokohama Triennale 2008, the Shanghai Zendai museum of modern art and the ikon gallery in Birmingham.

Belgian-based guys of Lemakuhlar are back on Goldmin Music with their first vinyl release: Lauper.
More subtle and abstract than anything we've put out yet, this 3-tracker record definitely demonstrates full
range of their talent with "Sigulha" a more than 12 minutes epic deep minimal track starting with an eternal
organic groove leaning towards this absolutely unusual break that you're not going to forget. Nevertheless, B
SIDE "Night comes soon" & "Lauper" keep the same intriguing and damn rare quirky imperfection, brought in part
by tape recordings, studio noise recordings and of course artists' huge creativity.