TAMIRAS001 presents Miller with 3 original tracks bringing forward the deeper side of his unique artistic vision, each cut surprises us with immersive grooves ready for the dancefloor. Crihan joins him with a masterful remix to complete the release.
Limited pressing, grab one of the only 200 copies available.
Mannequin Records is proud to present the official reissue of Caroline K's outstanding 1987 album, "Now Wait For Last Year."
This haunting, wistful work of post-industrial synthesizer music sees the late Nocturnal Emissions co-founder only solo record, which has accrued a fervent cult following over the past 40 years, and copies of the original pressing are today extremely rare and sought-after.
The music on "Now Wait For Last Year" seems to exist firmly outside of it. Tags like industrial, minimal synth or proto-techno can't really do justice to the richly cinematic sound-world that Caroline K describes: from the sustained ambient tension of sidelong opener "The Happening World" to the future-primitive rhythms and stately piano flourishes "Animal Lattice", and the melancholic, deep-frozen synth sequences of "Cheart".
For fans of Throbbing Gristle, Chris Carter, Nocturnal Emissions and even early Detroit techno lovers should pay special attention to it.
All selections composed, arranged and played by Caroline K
Recorded and produced by Caroline K
Photograph by Jake Kirkwood
Original design by Nigel Ayers
The first five tracks of Now Wait For Last Year were originally released as a vinyl LP by Earthly Delights in 1987
Released in 1984, Steps In Time by British new wave band King was a slow starter. After the release of three singles with minor success, “Love & Pride” was re-released in 1985 and went far beyond the #84 it had reached the year before. The track became a worldwide phenomenon, reaching the top 10 in Australia, the UK, Germany, and the Netherlands.
The album Steps In Time became a classic among pop fans, but despite its success the band split up in 1987.
This year marks the 40th anniversary of the album, which we are celebrating with the first new vinyl release since the 1980s. Steps In Time is available as a 40th anniversary edition of 1000 individually numbered copies on translucent blue coloured vinyl.
"Trauma and the shock effect of it - the leftover residue of harsh reality so impactful that it shapes the way you imagine, envision and calculate your position in regard to everything and everyone around you.
A new type of psychological radius evolves. Boundaries are reinforced. Relationships are recessed. A damaged brief system float aimlessly. Vulnerable to and for anything reminiscent of a worthy cause. The truth about facts became satirical monologue, dead end expressions that have no critical arrangement. We all know someone that either has been or will be"
- Jeff Mills
The Eyewitness reveals a habitual pattern in the way it symbolizes a mirror reflection of mankind in our most vulnerable moments. It is the forthcoming album of Jeff Mills and it is composed from the perspective of an unknowingly complicit bystander and it is at the very least, psychologically pathological in nature. What this release is essentially proposing is an admission to the diagnosis that no one is immune to shock and trauma. Not the accuser or the accused. And this abnormality s culturally and generally transmittable - handed down and passed over to one another disguised as righteous theatre.
As an artist, what Mills is notoriously known for is the perspectives and paths he chooses to approach hefty, complex, and sometimes, awkward subjects. The best way to recognize the narratives of his mostrecent album works such as "The Clairvoyant", an eerie transcending album that plays through like a Seance for creating a bridge to reach another dimension or "Mind Power Mind Control", a cautionary warning about the consequences of supporting deceit, mind control and mass mental persuasion is to start by first taking a moment to look at yourself in a mirror. He's suggesting sound as a reflection and what we might be able to see in ourselves. Proposing that we might be the problem and a solution. In the same vicinity of his recent solo albums, the direction, scope or target of The Eyewitness is first about us, then about it.
More than the few previous albums he's released lately, this one has a unique relationship in terms of imagery and visual treatments that represent the concept. The front cover shows Mills, neatly dressed in a black suit that appears to be caught in the act of doing something methodically as he cohorts to supportwith a bright white type of surgical light towards the viewer. Stark and in the act of.......something offensive - it could be some type of hypnotic machine at work. Other photos show him in darkened spaces. Remote and deep in thought.
Other clues are the titles of the tracks such as "Sacred Iridescent Mirror (The Pledge)": this refers to the act of installing value and credit to something ambiguous and "Menticide" which means the systematic effort to undermine and destroy a person's values and beliefs. In the opening track, "in A Traumatized World" we hear the narration spoken by Mills. In a language he specifically created for this album. It's a dialect that is designed to be undistinguishable, but spoken with a compassion that it could be sympathized with. In the latter part of the track, it reaches a climatic point. Meaning, "it" has happened. And the album is the evidence.
On extra note:
In this day and age,it's comforting to see a musician like Jeff Mills administer music conceptually without any conditions attached. The artistry and craft of using sound and rhythm to bring forth a concern, a warning or the result of a diagnosis to the listener.
NIX is back with 'My Friend Was Eaten by a Modular Rack', a fresh release from Ocirala. Hailed for his hugely popular release ‘I Want To Lick Your Brains’, Ocirala now returns with a four tracker that veers away from his earlier vocal-driven work while maintaining his naughty style.
'My Friend Was Eaten by a Modular Rack', a year in the making, captures a collection of those odd yet perfectly cohesive tracks. The A-side delivers high-energy, club-ready tunes, while the B-side, though perfect for after-hours, retains the power to electrify any big system setup, all confirming Ocirala's talent for impeccable sound design. Wild synths, haunting atmospheres, driving drums and twitchy kicks, there is something for everyone.
LIMITED Quantity. Deep dive into the realm of electro music. Hypnotic multi-layered baselines, unpredicted drops and bursting beats would make precise, nevertheless not full definition of this EP. Following the
debut of the sequel with an exhibition showcasing artwork’s creation and conceptualization, we face SEQ002: False Destination, a new chapter where the story continues in an unexpected way. It holds the question, to which unknown territory did the agent headed from his collapsed dimention? – Side A takes you on a journey that echoes the spirit of interdimensional travel, a recurring theme in electro music. Impact One throws you into a captivating sonic environment, grabbing your attention with distinct sonic events, all layered over a foundation of subtly shifting rhythmic patterns. A2 is another mention of wrong dimention, hard alterations on early 90s Rave revivalism with peculiar artifacts and touch of blue note with breakbeat burst out conclusion. –
On the flip, a couple of heavyweights. Thick kicks jumping from 4 tothe-floor to broken beat, uncertain breakdowns and unexpected amen breaks driving audience on the edge. Hypnotic bassline for B1 was characterized as Giorgio Moroder on steroids. Last track is a calm blend in ending on a hybrid cosmic breaks combined with Yamaha DX7. – ABOUT ARTWORK This time comic-like backside artwork has an insert accompaniment to immerse within the world created by the artist behind the record. AI has been used to create artwork, generating imagery as a way to bring ideas to life. It offers a cryptic clue, a fragmented piece of the puzzle that complements the music to tell the story
Guangzhou-based producer and DJ COLA REN released her debut LP, 'Hailu' in June 2023, a ful-some ambient, balearic, and downtempo brew with a gorgeous sense of melody and spirituality that offers a soothing escape.
To celebrate the release, we have invited 8 talented musicians to the enchanting realm of ‘Hailu'. This remix compilation serves as a metaphorical exploration akin to the "Chakras," symbolizing the diverse energy centers within the human body. Through the collective reinterpretation of Hailu's original composition by 8 musicians, each imbuing it with unique hues and symbols, the remix re-flects varied spiritual essences and elemental qualities.
2024 repress on pink vinyl
Boston is not exactly worldwide known for its coldwave or synth pop artists. Most of us know the Capital of Massachusetts because of its hardcore legacy that still continues today.
And yet, just like flowers in a rugged land, here comes House Of Harm, a post-punk trio whose new approach to the genre was showcased on their two tape EPs, earning them a cult international following as well as an imposing line up of supporting gigs opening for Editors, She Past Away, Lust For Youth, and The Cure’s Reeves Gabrels. Due on September 4 is their debut full-length Vicious Pastimes out on vinyl LP and digital format.
Nine songs where timeless melodies of Kiss Me Kiss Me Kiss Me-era Cure perfectly match French coldwave moodiness, enhanced by Cocteau Twins ethereal airiness and Creation Records seminal shoegaze sounds. Just enough light reaches House Of Harm’s base layer, giving life to infectious hooks and unforgettable mantras. The gritted core of every song makes expansive moments of release cathartic, always tethered by commanding drums.
Check out the very first single they wrote Isolator and its melancholic synth pop refrain, or Against The Night whose darkwave is as claustrophobic as One Hundred Years. Catch sounds almost like a Sarah Records hit, while the title-track hurls us back into the bleak realms of the Sisterhood. Different influences but everything is just in its place simply because House Of Harm are the rare band where you can feel every individual member’s devotion to each song’s world.
RIYL: The Cure, Depeche Mode, A Flock Of Seagulls, For Against, Drab Majesty.
'Matriarchy' is a rebirth for the celebrated, multi- faceted artist, as girli further explores her sound and takes the reins with full creative control, truly cementing her place as a cult figure and ambassador for the next gen of LGBTQIA+ music.
girli's passions have always migrated beyond music and she continues to use her platform to ignite conversations around feminism, sexuality, identity and mental health, opening up topics that most have always shied away from. Representation matters more so now than ever, and girli is ready to rewrite the rules.
Our eighth chapter of Small Great Things is introduced by our resident, David Silver. The limited vinyl and digital release, titled the 'My Japanese Friend EP,' features four exquisite original tracks. This EP seamlessly blends deep and classic house vibes with contemporary beats, ensuring a refreshing dance floor experience.
Starting with the A1 side, 'Trademark' initiates the journey with a solid house groove complemented by stabs and a robust bassline. Transitioning to the A2 track, the title piece 'My Japanese Friend' assumes center stage with its infectious groovy bassline, piano chords, and captivating drums, enveloped by ambient jazzy melodies.
Turning over to the B side, we encounter two more enticing house compositions. On B1, David's 'U Move' delivers a fresh, dance floor-ready cut, featuring vocals and guitars. B2 takes the spotlight with 'Peace & Low,' a finely crafted deep house gem.
If we think about italo disco the first hits we remember are “Charlie -
Spacer Woman”, all the productions of “International Music System”,
“Nexus - Stand Up”, italo disco classics released on Mr. Disc
Organization and now the producer Maurizio Cavalieri gave us a new
single, a romantic but powerful song with this voice reminiscent of the
80's “Ready To Believe” is added to the great catalog “International
Music System”!
The vinyl to be released on June 20th is the conjunction of past and
future, the most famous tracks “Nonline”, “Dancing Therapy” and “An
English '93” from International Music System have been remixed by three
great producers and deejays of the current scene “Fabrizio Mammarella”,
“Italo Deviance” and “Franz Scala”!
No need to add more, a powerful club vinyl!
After the last vinyl “Put Your Dancin' Shoes On” “Tony Black” returns on FullTime Production with a new single “Sexy Lady”!
The track is a multi-genre of sounds between disco, funk and house
music, you only need to listen to it once to remember the beat!
The participation of the great singer and our friend “Nadyne Rush” with “Jacob A” give the final touch to a great production.
The remixes of this track was taken care of by a talented Italian
producer “Da Lukas” who gave us two powerful remix versions, a
particular groove of great quality for a club and our friend “Souls
Groove” which marked the most funk and soul part of the song with his musical experience.
The vinyl will be released on June 28th ready for this hot summer!
Turntable section
Type
Direct Drive Manual Turntable
Turntable Speeds
33-1/3, 45 rpm (with switch 78 rpm)
Starting Torque
0.18 N・m / 1.8 kg･cm
Build-up Characteristics
0.7 s. from standstill to 33 1/3 rpm
Wow And Flutter
0.025 % W.R.M.S.
Turntable Platter
Aluminium diecast
Diameter : 332 mm
Weight : Approx. 1.8 kg (Including slipmat and slipsheet)
Tonearm Section
Type
Universal Static Balance
Effective Length
230 mm
Overhang
15 mm
Tracking Error Angle
Within 2° 32' (at the outer groove of 30 cm record)
Within 0° 32' (at the inner groove of 30 cm record)
Offset Angle
22°
Arm-height Adjustment Range
0 - 6 mm
Stylus Pressure Adjustment Range
0 - 4 g (Direct Reading)
Head Shell Weight
Approx. 7.6 g
Applicable Cartridge Weight Range
(without auxiliary weight)
5.6 - 12.0 g
14.3 - 20.7 g (including head shell)
Head Shell Terminal Lug
1.2 mmφ 4-pin terminal lug
Terminals
Audio Output
PHONO (Pin Jack) x 1, EARTH TERMINAL x 1
General
Power Supply
AC 110 - 240 V, 50 / 60 Hz
Power Consumption
8 W
Approx. 0.2 W (Standby)
Dimensions (W x H x D)
453 x 169 x 353 mm
Weight
Approx. 9.6 kg
Accessories
Turntable, Slipmat, Slipsheet, Dust cover, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Owner's Manual
Mit dem SL-1200MK7 erweitert Technics sein erfolgreiches Sortiment an DJ-Plattenspielern nun um ein Modell in Silber. Der neue SL-1200MK7 verfügt über die gleichen technischen Merkmale und den gleichen Bedienkomfort wie der SL-1210MK7, der sich seit Verkaufsstart im Januar 2019 zum Liebling der Vinyl-DJ-Community weltweit entwickelt hat.
„In den letzten Jahren wurde von DJs, internationalen Musikveranstaltern und unseren Vertriebspartnern vermehrt der Wunsch an uns herangetragen, das Technics Plattenspieler-Line-up zu erweitern und weiterzuentwickeln. Auch eine Silberversion des DJ-Plattenspielers, der für so viele Anwender auf der ganzen Welt die erste Wahl ist, stand auf der Wunschliste ganz oben“, sagt Frank Balzuweit, Produkt-Manager von Technics Europa. „Diesem Wunsch sind wir gerne nachgekommen und bieten mit dem SL-1200MK7 jetzt allen Interessenten ihr geliebtes Arbeitsgerät in der Optik ihrer Wahl an“, so Balzuweit.
Der SL-1200MK7 in Silber verfügt über dieselben technologischen und funktionalen Merkmale wie der SL-1210MK7 in Schwarz:
- Eisenkernloser Direktantriebsmotor mit leistungsstarkem Drehmoment und einer stabilen Rotation
- Präziser und robuster Tonarm, der die Musikinformationen der Schallplatte präzise wiedergibt
- Zweilagiges Chassis mit verbesserter Schwingungsdämpfung
- Stabiles Gehäuse und schalldämpfende Isolationsfüße zur Eliminierung von Vibrationen, auch unter erschwerten Bedingungen
- Anlaufdrehmoment / Bremsgeschwindigkeit-Einstellfunktion
- Pitch-Regler-Funktion für genaue und stabile Pitch-Anpassung
- Reverse-Play-Funktion erweitert die Flexibilität von DJ-Stilen
- Stylus Illuminator mit hoher Helligkeit und langlebigen LED-Leuchten
CEP Records is ready to release its first various artists compilation. This collection features six tracks with a wide range of groovy, funky and driving techno.
On the A-side, Alec Dienaar kicks things off with a gripping atmospheric tune, introducing top-notch groove elements and catchy vocal shots. Cult’s track ‘Big Pimpin‘’ displays his signature, featuring snappy filter cuts, driving drums, and a dogged energy. Closing out the A-side, KAIPE takes a funkier side with a leading bassline and a memorable melody that exacts attention. Next up, Marcos Fagoagas delivers ‘Surreal Awake’, a track with a uniquely structured low-end and self-sung vocals that retain the rhythm organic. ‘Feel So Alive’ by SOURCE CODE embodies a full-on summer vibe with infectious vocals and tuneful high-pitched stab elements. Bringing this release to a close is THD+N's dub techno gem ‘Voicemail’, characterized by a winding synth line and timeless vocals that captivate throughout.
-"Change of Heart" is Change's 4th album, released in 1984. This album marks a significant turning point with the production of Jimmy Jam and Terry Lewis, both well known for their great effort with artists such as Janet Jackson. With their distinctive touch, Jam and Lewis brought a more sophisticated and contemporary sound, integrating elements of funk, R&B and pop. The record contains remarkable and unforgettable songs like "Change of Heart," "Say You Love Me Again" and "You Are My Melody," which deeply helped to define the '80s musical era. Deborah Cooper and Rick Brennan give powerful vocals that pretty enrich the olistic sophisticated melodies. The album received a very positive reception from both critics and fans, strengthening Change's reputation as innovators in the music landscape. Although it did not reach the mainstream sphere of previous works, it has maintained a solid following among fans of the genre. "Change of Heart" remains a cornerstone of the band's discography, reflecting the evolution of their style and the lasting influence of producers Jam and Lewis. -
When all you want to do is be the fire part of fire… say it to yourself and then say it again. Repeat it like a mantra. It’s what UTO did.
Anyone familiar with the UTO’s lauded 2022 debut Touch The Lock, which Pitchfork praised for its “prismatic synth pop”, will be aware of the variegated nature of what they do. This album is just as colourful, with Neysa’s vocalwork sparking similarities to Kim Gordon’s off-kilter vocals, which they both ceremoniously jets through a post-electronica blender mixing stylized indie sleaze productions with 90s breakbeats.
While they might appear as a singular entity to others, UTO wrote large sections of this album apart, converging by the fireside to discuss the day’s work before coming together to hone and finish the songs. 2023 was, by their own admission, a difficult year, and that’s reflected in the Dantean themes expressed in songs such as the lead single ‘Zombie’, which arrived at the end of November as a taster for the new record; the latter’s dark heart is belied by the skittering beats, glitchy electronics and pummeling sequencers that elevate it from the void.
From fire, early man’s discovery, to AI, humanity’s next great adventure - with all of the wonders and complexities of human relationships in between - When all you want to do is be the fire part of fire really is about life, the universe and everything. Just remember, be the flame, not the moth.
Frankie from Atlanta has released an EP showcasing two tracks characterized by deeply profound synths and the elegant signature style typical of this producer. “The Operator” radiates energy and mysticism, propelled by a solid bassline that imbues the track with dynamism and virtuosity. In the remix, Detroit legend Gari Romalis lends his genuine touch, emblematic of his artistry. This release seamlessly merges the finest elements of both musical realms, expertly capturing the essence of each producer. It’s a testament to their skill and creativity, delivering an immersive musical experience.
DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche
Next up on our new Toolroom Trax vinyl series, we kick things off with a fresh new banger from Italian talent Nausica who with another deep club cut 'Se Pone Loca'. Featuring rolling percussion, a hooky lead vocal with expertly placed chops, 'Se Pone Loca' is looking to lay carnage on the dancefloor. Nausica's mastered her infectious minimal, percussive sound that has seen the likes of AAA talent support her music from John Summit, to Jamie Jones, MK to Solardo proving Nausica's a name many acts are reaching for in their sets! D.Ramirez returns to Toolroom Trax with his highly anticipated remake of Bodyrox's anthemic 'Yeah Yeah'. Firmly rooted within Toolroom's foundations, releasing genre defining dance music for nearly two decades with hits such as 'Downpipe' in collaboration with label boss Mark Knight and UK pioneers Underworld, 'Colombian Soul' and many more. D.Ramirez doubles up as not only a genius in the studio, but as one of the talented Toolroom Academy tutors, teaching a new generation of producer's fundamental skills in dance music production. Remaking the Bodyrox Electro House classic 'Yeah Yeah'; an era defining masterpiece with an unforgettable synth line, D.Ramirez gives us an essential update for today's dancefloors. Label favourites, Sllash & Doppe return to Trax next with their unique style of uplifting, feel good house music. Their music is regularly found in the sets of artists like Fatboy Slim, Solomun, Bedouin, Blond:ish, Martin Solveig, Roger Sanchez and more, and the playful cousins are now conquering the world, from deck to deck, with an energetic and exuberant style that has won them favour on the dancefloors.
Closing out the sampler is Saison with their signature house sound. The London based duo have been solidly in the game for the best part of a decade perfecting their unparalleled sound of raw, feel-good house music at it's very best. With numerous releases on revered labels including Defected, Nervous, Big Love and of course their own imprint, No Fuss.
Countless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio
