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KRONERT003 continues the label’s mission: honest, floor-ready house music with depth and character. Warm low-end, rolling grooves and hazy chords shape an EP that feels tailor-made for late-night floors and after-hours rooms. Kronert delivers functional but emotional tools with his unmistakable touch. Subtle details, careful sound design and a strong sense of movement make each track both a DJ weapon and a story on its own, a modern house record that aims straight at the dancefloor without losing soul.

KRONERT003 continues the label’s mission: honest, floor-ready house music with depth and character. Warm low-end, rolling grooves and hazy chords shape an EP that feels tailor-made for late-night floors and after-hours rooms. Kronert delivers functional but emotional tools with his unmistakable touch. Subtle details, careful sound design and a strong sense of movement make each track both a DJ weapon and a story on its own, a modern house record that aims straight at the dancefloor without losing soul.

Chaos is fundamental for creating something powerful. It teaches us to be at ease with how things are, to listen to ourselves, and find our own order’. (Enrico Sangiuliano)

Pioneering, avant garde yet chart-storming sound designer/producer/live performer Enrico Sangiuliano drops EP ‘Order In Chaos’ as release #1 in his self-destructing countdown imprint ‘NINETOZERO’, out 20th November. The EP’s three tracks respectively represent a triptych of sound exploring tension, release, and dissolution, with violinist and composer Vito Gatto joining Italian techno/melodic maestro Sangiuliano for tracks 1 and 3. The EP blends electronic, classical and electro-acoustic genres, resulting in a fresh, unique product that defies typical techno expectation, as Sangiuliano and Gatto explore the concept of disorder as a creative playground.

‘With this chapter, we dive into chaos – something that can be uncomfortable, but is the place in which you can find unexpected or new ideas. Chaos is fundamental for creating something powerful. It teaches us to be at ease with how things are, to listen to ourselves, and find our own order’. (Sangiuliano)

The ‘Order In Chaos’ EP continues a momentous year for Enrico Sangiuliano, and heralds his upcoming all-night-long SOLO show at Nitsa in Barcelona (Nov 28th, tickets here). His highly acclaimed NINETOZERO label has also previously featured Charlotte de Witte, Antonio d’Africa, Mattia Saviolo, GMS, Alex Lentini, STOMP BOXX, Zimmz, Secret Cinema and About Sofiya.

Vito Gatto is a Milan-based violinist, composer and sound explorer. He is the founder of label/collective NeMu (‘Neutral Mutation’) producing Italian projects at the interface of electronic and organic sound. His self-description as ‘Making sounds, looking for silence’ makes him the perfect collab partner for ‘Order In Chaos’, which ‘embraces the paradox: chaos births order, and order dissolves back into chaos.’

‘Whilst classically trained, I have always been fascinated by the world of electronic music, in all its expressive forms’ Gatto says. ‘I use real instruments and natural sound sources processing them through electronics to enhance their unpredictability, always remembering that the core of music - whether classical or electronic - is communication and storytelling. This philosophy guided our creative synthesis on this release.’

The collaborative workflow combined remote and in-person studio work over roughly a year, culminating in these three key tracks reflecting different musical and conceptual layers.

‘Order In Chaos’ EP tracks:
Enrico Sangiuliano & Vito Gatto ‘Adaptation for Strings and 909’: A cinematic overture built from the raw intimacy of Vito Gatto’s violin, processed and layered with unquantized 909 drums. Out of grid, out of rules. Drama and turbulence surge until thunderous kicks strike like sudden storms. ‘This track symbolises both of us. Vito sent the strings, I added the iconic Roland 909. It has no structure and no grid, the arrangement is not precise, it’s a very pure track and a great example of disorder and freedom.’
Enrico Sangiuliano ‘Order in Chaos’: The title track is a pure techno weapon and dancefloor igniter: rolling, stripped, euphoric. A shape-shifting lead synth constantly mutates, flirting with disorder until the kick restores gravity. Chaos becomes dancefloor order.
Enrico Sangiuliano & Vito Gatto ‘Dissolution’: The closing moment. Strings and drums dissolve into a weightless drone. Beatless and infinite, it invites surrender into space. ‘This cinematic track slowly melts ‘Order in Chaos’, adding processed organic sounds and field recordings from the mountains.. coming back to nature, and silence.’ (Gatto).

Still #0 to go in the NINETOZERO countdown… And then what? With Sangiuliano, it’ll be something unexpected and brilliantly innovative.

Flug is back with a super deep 4 tracker on Andre Kronerts ODD EVEN. Flug, as his name suggests, allows his audience to take a trip back to their roots, back to their inner self and what it is to really feel techno. Do not miss this one!

Czartificial Intelligence debuted at #1 on Billboard’s Top New Artist Albums chart when it was released in November and was the #2 most-added at Hip-Hop That also makes it the #1 debut on the chart. The wins keep coming as the record also debuted on the genreless Top 200 chart, coming in the top half of all records and a top 10 debut for the week! The third full week of airplay for the LP saw 3s all around as it earned a third week on the Hip-Hop chart and another top 3 appearance! Over at NACC top 200, the record cracked into the Top 50, 40+ spots up to a new peak and one of the top 10 greatest gainers for the week! The album peaked at the NACC 200 in Week 4, just outside the Top 40! That week it also hit a peak at Earshot, topping that chart at #1! The album earned 5 weeks at #1 NACC Hip-Hop, the record so far for the 2024 NACC Hip-Hop Chart!

CZARFACE debuted with their self-titled album in 2013 though 7L, Esoteric and Inspectah Deck first worked together on the 12" single “Speaking Real Words” in 1999. The three continued to stay in touch, periodically working together and, in 2013, Esoteric approached Deck about a possible full-length project centered around a superhero character called “CZARFACE."

Two musicians, two different folk music traditions, two soundscapes hundreds of miles apart and one nightingale song. Nightingale melodies inspired this intoxicating folk album by Slovakian flautist Michaela Antalová and Norwegian double bassist Adrian Myhr. The Oslo-based duo’s album follows their meditative 2021 debut Zvony (Bells), which featured harmonium, field recordings of crickets and a Slovak male choir.

Sing Nightingale is a translation of ‘Zaspievaj Slavicku’, a traditional Slovakian song. The duo experiments with this theme of the songbird; exploring instrumentation from around the world and its rich tonal textures. On ‘Night Singing’, Michaela plays a Slovakian fujara, a tall, upright wooden bass flute originally played by shepherds. The fujara’s smooth, deep tones are laid over a recording of a nightingale by musicologist Tomáš Šenkyřík, with Michaela’s flute mimicking the bird’s nocturnal chirps and warbles to attract a mate. Michaela is carefully imitating the bird, who is in turn improvising his melody. In ‘Worm Moon’, named after the springtime full moon in March, when nightingales return from Africa where they have spent the cold winter, Adrian’s slow and resonant double bass is brightened by the sweet trills of a real nightingale and Michaela’s fujara.

The Norwegian Hardanger fiddle or hardingfele, features on two specially written songs; ‘Lament’ and ‘Rosenhave’ (rose garden) which bring together the nightingale’s symbolic associations with undying love, sacrifice, deep sorrow and loss. Celebrated Hardanger fiddle player Helga Myhr plays alongside Adrian’s double bass and Michaela’s seljefløyte or willow flute. Helga also plays on ‘Flagre’ (Flutter) and ‘Dance Nightingale’. The seljefløyte is very similar to the Slovak overtone flute koncovka. By using this Norwegian instrument, Adrian and Michaela’s new compositions are reminiscent of both countries’ folk traditions. Folk music often comes from unknown sources; the original writer may not be known and the melodies are typically passed down orally. Michaela and Adrian’s project merges the different folk musics from their respective countries, finding common ground in the sonic qualities of instruments and evolving a new hybrid folk style, authentic in its own right.

For the stunning adaptation of the traditional Slovakian fujara song ‘Dolu Ovce Dolinami’ (‘Sheep down the valleys’), Adrian’s friend Javid Afsari Rad plays the Iranian santur, similar to the traditional Slovak string instrument cimbalom. By coincidence, Iran’s national bird is the nightingale, making another unexpected connection to the symbolic bird. These 11 tracks are a beguiling fusion of traditional folk styles, approached by musicians from an avant-garde, improv and jazz background. The album pays tribute to a hugely expressive bird and finds a strange, soothing universality in the folk sounds of different countries.

Deey, a native of Futenma, Okinawa, is one of the most popular artists today, known for his collaboration with Leo Iwamura on "Deep Blue," and EVO, who has
made a name for himself with The Anthem, hosted by IMUHA BLACK, and is attracting attention. This LP features a remarkable album by three artists at the forefront
of Japan's underground hip-hop scene, all produced by MrRn, whose popularity is rapidly rising in the Kansai region.

"Working with these three artists, I was able to bring out the best in myself and express my passion for swaying, nodding, and communicating. "Sunshin" in particular
is a song I want everyone to listen to and feel for its vibe and message!" -- Deey

"The album title, 'Amon', literally means 'Gate of Asia.' When we listen to music, we're usually drawn to the sound and groove first, so we created a record that
will resonate worldwide, regardless of the current domestic scene. I'm not really into forming and organizing a crew, so I'd like to continue working with friends
who share Amon's concept, not just in music, but in other areas as well." -- EVO

"When you hear it, it'll hit you like lightning. Creating it with my friends, supporting each other, learning from each other, I've managed to express myself more

authentically than any other production I've ever done." – MrRn

In March 2025, "On the Love Beach" completed a highly successful solo concert in Shanghai and Beijing with Toushi Naoki.

In 2025, marking the 30th anniversary of their memorable debut album, "On the Love Beach," the band's first three albums will be reissued on CD and vinyl!
All three albums use the original master tapes, and each has been thoroughly remastered under the supervision of Shinji Shibayama for high-quality sound!

This is Nagisa Nite's second album and only live recording, released in 1998. Featuring an acoustic arrangement featuring acoustic guitar and djembe,
the band's imaginary concept is "A Tyrannosaurus Rex from Osaka." This is a realistic documentary of a solo performance held in a dilapidated wooden
apartment building in Tokyo during a scorching heat wave in July 1997, a space that was barely a free space. The band performed in the scorching heat
of July, with the venue lacking air conditioning, forcing them to play with the windows open. This resulted in "ambient music" that occasionally blended with
the sounds of the outside world and the barking of dogs. The band's determination to never perform in a place like that again led them to believe that this
unique and intriguing experience was what made this album so unique.

The environment forced the band members and the audience to remain unwavering, creating an undeniable tension in the small venue, creating a literally
"hot" groove despite the entire performance being acoustic. This experiential live album, the polar opposite of the '71 Nippon Genya Festival, is impossible
to recreate, even for the band members themselves, including the immersive recording.

The 1998 album was only available on CD, but this time, the album is available on vinyl for the first time on a 2LP!
Remastered using the original master DAT tape, it recreates the "hot" and "ambient music" atmosphere even more realistically. T
akeda's cover of Midori Mako's "Yasashii Nipponjin" is also a must-listen!

Alvorada is Montanha’s first long play: an ambient-leaning work, nocturnal in mood yet touched by electricity, tracing a journey from waking activity into dream logic. Recorded mostly in the late hours of the evening with windows open to the city, letting its air and sounds influence the music, it sometimes reached the early moments of sunrise. The title, meaning “dawn,” reflects both the liminal hours of its making and the band’s own renewal. These tracks are closer to drawings than songs: narratives written between instruments, moments of tension and release, fragments of memory and dream. The tracklist follows this nocturnal voyage with the patience of Eno, the disquiet of Uematsu, and the madness of Miles Davis’ Decoy, oscillating between streets and sleep, routine and reverie.

Montanha was formed in 2010 by André Azevedo, Nuno Oliveira, João Sarnadas, and Tito Silva, bonding over architecture school all-nighters on videogame soundtracks (Age of Empires, Super Mario). They began as a psychedelic rock combo and in 2013 released their self-titled EP which introduced a raw, improvised energy. But the album that was meant to follow was abandoned as the band entered hiatus. The four members turned their creative drive towards co-founding Favela Discos, where experimentation with media and form reshaped their ideas of music, and developed their taste, their way of playing, and a more personal sound that was more open and disconnected from a defined genre.

By 2017, Montanha had returned to the studio with new experience, no longer a rock band in the traditional sense but a project devoted to improvisation and electronic soundscapes. An ever gentrifying city forced them to abandon acoustic drums, and they embraced electronic beats instead, and became mobile; one guitar dissolved into full synths, leaving the other to converse with bass. Improvisation remained their compass. In improvisation there are no mistakes, only missed opportunities. Montanha found their opportunity in the routine of the studio to break routines of pop and experimental. The result is a body of nearly fifty hours of recordings, sculpted into an album.

Alvorada is not only Montanha’s first LP but also the dawn of their new phase. Improvised yet carefully sculpted, the record expands the territory of the song into nonlinear narratives, letting the language of night, dream, and city seep into its form.

Brand new album from global superstar duo LANY, 10 new tracks and follow-up to their latest release A Beautiful Blur in 2023. Maroon Color 1LP Vinyl with printed inner sleeve and 12x24 poster. LANY have quietly cracked the mainstream on their own terms as one of the most ubiquitous, unpredictable, and undeniable alternative rock bands of this era. Tallying billions of streams, selling out legendary arenas, and earning widespread critical acclaim, the platinum-certified Los Angeles group consistently deliver rafter-reaching anthems anchored by airtight songcraft and the outsized personality of enigmatic frontman and songwriter Paul Jason Klein. LANY will be releasing their brand new album ''Soft'' in October 2025. Thematically and visually ''Soft'' exists in tension - an intentional contrast of the hard and soft. Tangible, literal, physical hardness juxtaposed with metaphorical, relational (and, at times too, physical) softness. Sonically, the album explores these same tensions - much of the softness and vulnerability of lyric that has defined LANY's acclaimed career, now with a harder, braver edge to the production.

Soundtrack-LP mit Originalsongs aus den Staffeln 4, 5, 6 der erfolgreichen Netflix-Zeichentrick-Serie BIG MOUTH, geschrieben und komponiert von Mark Rivers. Das Album enthält Gesangsdarbietungen der angesehenen Besetzung, darunter Nick Kroll, Maya Rudolph, Andrew Rannells, John Mulaney, Crissy Guerrero, Jason Mantzoukas, Paul Pell, Jon Daly, Joe Wengert u.v.m. Rotes Vinyl.

This is the ultimate mini-album that can proudly be called LIP CREAM! “9 SHOCKS TERROR” has remained timeless since its original release in 1986, embodying incomparable speed and a level of perfection that defines Japanese hardcore. Opening with ‘TERROR,’ which goes straight into reverse audio and needle skips, the song structure charges forward relentlessly, shaking off the catchy, humorous, and approachable vibe that had previously defined LIP CREAM. Naoki's noisy yet melodic guitar, Pill's wild drums, Minoru's heavy yet high-speed bass, and JhaJha's intense shouts that still allow the lyrics to be clearly heard—all these elements fuse together to create powerful tracks that have reached an unprecedented sound. Recorded at Shinjuku JAM Studio, ‘9 SHOCKS TERROR’ was composed primarily by Minoru and Naoki, with lyrics and artwork by JhaJha. JhaJha's hand-drawn jacket illustration was a parody of THE FUZZTONES' album “Cinderella”. Additionally, an English translation of the lyrics is included for this RELAPSE release, helping English-speaking listeners understand the unique world of LIP CREAM. Interestingly, the title “9 SHOCKS TERROR” was revised to “9 SHOCKING TERROR” on the 2007 CD reissue by ONI Label. This revision was made after illustrator PUSHEAD, who has a long-standing relationship with LIP CREAM, pointed out a grammar error. However, the original title has been restored out of respect for the original work for this RELAPSE reissue. Following the release of this album, LIP CREAM launched their self-managed national tour “BLOODY SUMMER TOUR,” and fans who bought the album rushed to the gig. Additionally, during a show at Doshisha University in Kansai in the autumn of the same year, torches were brought onto the stage and Jha Jha set them ablaze, causing absolute chaos (footage of this incident can be viewed in the video “LIP CREAM ONLY”).

Für den Soundtrack von QUEER arbeiteten die Oscar- und Grammy-prämierten Komponisten Trent Reznor und Atticus Ross erneut mit Regisseur Luca Guadagnino zusammen. Dieser erscheint nun erstmals auf 180-Gramm transluzentem Kobaltblau-Vinyl. Diese spezielle Edition enthält ausgewählte Highlights aus Reznors und Ross' Originalkomposition sowie den Abspannsong "Vaster Than Empires", inspiriert von William S. Burroughs' letztem Tagebucheintrag und interpretiert von Caetano Veloso und Trent Reznor.

Athens based Aris Kokou debuts on Cataleya Music with a seriously deep EP. Think Ron Trent, Coflo or vintage Osunlade. Kokou is a seasoned producer, who released Drum&Bass on Good Looking and Tech grooves on Plastic City Suburbia with Bill Makris in the early 2000s. In recent times, he has been making the sort of Deep, Soulful and Afro influenced House we hear on Kalypso’s Island. The lead cut A Woman is a swinging hip shaker with grooving keys and thought provoking spoken vocals from SingTrece. The keys really fly on the Instrumental. Azymuth with Moulton Music regular Phaze Dee has the sort of jazzy vibe that you would expect. The EP finishes with the gorgeous flute and guitar driven Sacred Kalypso. This is one of the deepest and most spiritually aware EPs on Cataleya Music so far!

Spanish Love Songs return with a new EP, a reflective collection created mid-process while writing their next full-length. Since forming in 2013, the band has grown from DIY roots into one of modern punk’s most vital voices with albums like Schmaltz, Brave Faces Everyone, and No Joy. Vocalist Dylan Slocum calls these songs “imperfect snapshots,” built in real time with friends and collaborators — including Kevin Devine, Illuminati Hotties, Dan Campbell, and Tigers Jaw. The vinyl release will pair the new EP with their previous No Joy – Sessions and Doom and Gloom Sessions, offering fans a comprehensive physical collection.

On December 19, 2025, HAMMER KING will release a very special double edition, closing the circle of their band’s history while opening a new chapter. To mark the 10th anniversary of their debut album “Kingdom Of The Hammer King”, the album returns as a freshly remastered edition. The original artwork has received a modern twist, and thanks to Alexander Ecker’s brilliant remastering, the album now sounds warmer and more present than ever – without losing the charm and magic of the original. But that’s only half of the royal celebrations: with “Hammer King X – Alive In '25”, HAMMER KING release their very first live album! Recorded in the summer of 2025, it captures the raw energy and magic of their acclaimed shows – including performances at Summer Breeze, Bongert Open Air, Formosa Bierfest, and their traditional summer homecoming at the 7er Club Mannheim. Of course, the vinyl edition is also included: the anniversary edition is available as a double album on CD and vinyl, making it the perfect gift for all metalheads.

Buzzcocks - Total Pop 1977-80: Rare, Live And Great Diese Compilation vereint rare Studioaufnahmen und energiegeladene Live-Versionen aus der Hochphase der Buzzcocks und zeigt, warum die Band als Pioniere des britischen Punk gilt. Mit kompromisslosem Sound und scharfem Songwriting ist das Album ein authentisches Zeitdokument der späten 70er.

Long regarded as singular architects within European post-rock, EF have built a catalogue defined by dynamic patience, melodic clarity, and widescreen emotional reach. Across two decades of touring, the Gothenburg ensemble have carried that language to clubs and theatres at home and abroad, earning a reputation for meticulous, high-impact live shows and a body of work that has steadily gathered critical regard and a devoted international following. Reimagined and with expanded production including strings and brass, this edition is a considered re-engagement with the material that first crystallised EF's voice. The band returns to thesesongs with the benefit of twenty years' craft, presenting new arrangements that stretch time and deepen narrative, while retaining the quiet-to-catharsis arc that has always set their music apart. "Since it's our precious first born we wanted to give it the love it surely deserves. We felt we didn't want to celebrate its big 20th birthday by just remastering it and we surely didn't want to make the songs too modern and unrecognisable for the old fans. We wanted to give it a tighter, more dramatic and bombastic make over_ a gentle touch of today's EF." (Niklas Åström) Originally released in 2006, `Give Me Beauty_ or Give Me Death!' introduced EF's signature blend of cinematic guitars, patient dynamics and aching melody. For this new edition, along with an incredible cover illustration by Phillip Janta and brand-new bonus track `Noll', the band returned to the material with fresh ears and clear intentions: to open more space in the arrangements and to enrich the melodic lines with orchestral colour. `Give Me Beauty_ or Give Me Death!' (20th-Anniversary Edition) is a document of growth rendered with care: more instrumentation, more time, more consequence. The album is an act of stewardship_ both a homage and a forward-looking manifesto for EF and for discerning listeners everywhere. FOR FANS OF Explosions in the Sky, Mogwai, Caspian, Gospeed You! Black Emperor, Yndi Halda, Mono Black or White Double Vinyl, Digisleeve Single CD. Includes bonustrack Noll.

Long regarded as singular architects within European post-rock, EF have built a catalogue defined by dynamic patience, melodic clarity, and widescreen emotional reach. Across two decades of touring, the Gothenburg ensemble have carried that language to clubs and theatres at home and abroad, earning a reputation for meticulous, high-impact live shows and a body of work that has steadily gathered critical regard and a devoted international following. Reimagined and with expanded production including strings and brass, this edition is a considered re-engagement with the material that first crystallised EF's voice. The band returns to these songs with the benefit of twenty years' craft, presenting new arrangements that stretch time and deepen narrative, while retaining the quiet-to-catharsis arc that has always set their music apart. "Since it's our precious first born we wanted to give it the love it surely deserves. We felt we didn't want to celebrate its big 20th birthday by just remastering it and we surely didn't want to make the songs too modern and unrecognisable for the old fans. We wanted to give it a tighter, more dramatic and bombastic make over_ a gentle touch of today's EF." (Niklas Åström) Originally released in 2006, `Give Me Beauty_ or Give Me Death!' introduced EF's signature blend of cinematic guitars, patient dynamics and aching melody. For this new edition, along with an incredible cover illustration by Phillip Janta and brand-new bonus track `Noll', the band returned to the material with fresh ears and clear intentions: to open more space in the arrangements and to enrich the melodic lines with orchestral colour. `Give Me Beauty_ or Give Me Death!' (20th-Anniversary Edition) is a document of growth rendered with care: more instrumentation, more time, more consequence. The album is an act of stewardship_ both a homage and a forward-looking manifesto for EF and for discerning listeners everywhere. FOR FANS OF Explosions in the Sky, Mogwai, Caspian, Gospeed You! Black Emperor, Yndi Halda, Mono Black or White Double Vinyl, Digisleeve Single CD. Includes bonustrack Noll.