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Second release on Infrequent and possibly the last vinyl to be out under the Dubtil moniker as the artist announced he is making a transition into his real name, Robert.

Vinyl only and limited to 300 copies.

Born out of a summer (and time) most sadly lost forever - this new release on Souvenirs From Imaginary Cities will break your skull open most tenderly, so it's fine particles of audio-dust can mingle with the last rays of sunshine and the bitter storm of this autumn. Track after track, this LP draws you in with a natural flow and a deep-felt pulse - reminiscent of classic slices of raw and sample- based ambient like Susumu Yakota's 'Sakura' and 'Everyone Alive Wants Answers' by Colleen. These tunes are heartfelt and channelling tons of real emotions and other melancholia.

It's a very personal and unique blend of almost nineties chill out zoning with a dubby undertone, rich textured loops, mixing a whole range of crazy acoustic and electronic flavours - stuff that shouldn't work together but are dancing all the way to heaven anyways - with slow burning dusty slabs of melody and yes those deep choral pads ( some Rachmaninov vesper magic in the air ), everything rough around the edges and low slung but so damn precise. A subtle mélange between abstract and more concrete sonic territories, but delivered in an upfront, improvised manner with great intuition and a quite ruff but poetic touch.

Name of this piece of swampy, chopped up but most nicely selected ambient work is La Ho, by Purpurny Dyadya aka Purple Uncle aka Sergey Demitriev, originally residing in St-Petersburg but living now for obvious reasons in Armenia. Sergey has been busy on labels like Echotourist, Hair Del, Nazlo and most recently with fellow traveler Nikita Chepurnoi as Amkarahoi on Patience/Impatience. Using a bunch of old tapes from his childhood times, filled with all kinds of sonic memories and Russian underground hip-hop as sample ground, he loaded up his MPC with magic dust and jammed out the basis of this LP during a summer fest near St-Petersburg before current hell broke loose.

It's the kind of a record that needs some time to really let loose his inherent power, give it some air, let it hop along a bit and those sounds will bloom wide open.

Is it really into the unknown? Lewis Fautzi is once again with us, in his own imprint, and everytime he is around we feel deeply appreciated. It means that, although there's a guide line that immediately identifies his work as his, he also opens a little bit more to us. Every EP is like a step further into his own mind, a breach to the deepness of his intrusive thoughts and ideas. All the words would be useless if we tried to describe this one. The tracks are self explainable and were meticulously created as that is part of his trademark. And regarding the first question we can only answer yes, it is really into the unknown. Or at least into something of his we have never experienced before. And perhaps after listening to it we'll be able to know him and understand his work a little bit better than before.

KNTXT, Charlotte de Witte’s label imprint, has the pleasure to introduce Alignment’s upcoming Time EP that will be released in April. After Monoloc’s “Left The Planet EP”, Alignment is the third artist to appear on the label aside Charlotte de Witte, that debuted with the Chris Liebing collaboration EP “Liquid Slow”.

“Alignment is easily one of the most promising artists that I’ve encountered in a long time, so it feels incredibly good to welcome him to the KNTXT family!” de Witte says. KNTXT has always aimed to be a breeding ground and safe haven for the unique talent’s that it loves and respects. With this upcoming Alignment release, we hope to further introduce the world to this unique talent and create a platform for his boundless creativity.

“Charlotte started supporting my music from very early on, so it feels great to be making my debut on KNTXT so early on.” Fancesco Pierfelici a.k.a Alignment says. “It took me some time to find the right spin on these tracks, but now I feel really confident about the result.”

“With the this EP I wanted to make recordings on the subject of time and space” Alignment explains. “I’m a firm supporter of Alignment’s unique ravey sound, flanked by deep bass lines and pumping kicks. We’re very eager to share this upcoming release with you all, feel like this is going to be a big one!” - Charlotte concludes

The Alarm 40th Anniversary release History Repeating is new Double CD and LP collection. The CD features 44 of The Alarm’s biggest singles and greatest songs and the double LP features 27.
Spanning all eras of The Alarm Timeline, History Repeating brings together all of the band’s ‘Crown Jewels’, including a brand new and previously unreleased recording of the title track.
History Repeating features all of the keynote tracks that have helped create The Alarm’s phenomenal and loyally dedicated following. The Double CD comes in a replica LP gatefold sleeve configuration and is the most comprehensive ‘Best Of’ ever released by the group since 1998’s Best of The Alarm and Mike Peters.
The Double LP comes in a gatefold configuration and is the first ‘Best Of’ compilation to appear on vinyl since 1990’s Standards. This is the record every single Alarm fan will want to own with its distinctive Red Poppy cover and beautiful depiction of The Alarm family across the inner gatefold.
Upon release, lead singer Mike Peters will be hosting a series of completely SOLD OUT Alarm Rock and Roll Staycations in the band’s hometown while telling the story of The Alarm through thealarms internet broadcast platform
The Big Night In, that will feature weekly shows dedicated to every single year of the band’s history.
In 2022, a major touring itinerary begins with the already SOLD OUT official 40th Anniversary Concert in St. David’s Hall, Cardiff Wales on January 21st 2022 followed by an international 40th Anniversary concert schedule all the way through to 2023.

The Tortured Poets Department: The Anthology Vinyl
35 Tracks including 4 acoustic bonus songs
Never-Before-Seen 12” x 12” Poster
4 Marbled Translucent vinyl discs

Depiction of this product is a digital rendering and for illustrative purposes only. Actual product detailing may vary. Please note due to the custom manufacture process, each vinyl unit may be slightly different in coloration.

Join El Maquinista Hypnotica on a sonic voyage to the bygone era of electronic dance music with his latest release, "Chakra EP". This 4-track collection encapsulates the spirit of the late 80's and early 90's, drawing inspiration from New Beat, Techno, and Acid House.

Infused with the universal energies and the golden ratio concept, each track corresponds to the seven chakras, tapping into the ancient wisdom woven into the fabric of our being.

Utilizing genuine vintage hardware, El Maquinista Hypnotica brings four unadulterated techno sounds, embracing the origins of sonic creation with these timeless and potent machines, delivering a raw energy that echoes the purity of the original techno movement.

Chakra's EP visual approach serve as a testament to the fusion of technology and art. P2T has created an immersive experience that reflects the 'trippy', otherworldly artwork of the era using Bryce 3D (version 2.0), a program that was first commercially available in 1995. This antiquated tool was brought back to life via emulation technology, creating a universe that both musically and visually symbolizes the seven chakras and realigns the human body with it's ideal golden ratio.

El Maquinista Hypnotica is not only a producer, he's a magician, who hypnotically manipulates frequencies to light up dance floors. Every song combines the cosmic with the physical in an audio journey that is an alchemical fusion of the past, present, and future.

Get ready to be enthralled and invigorated by the mystical power of El Maquinista Hypnotica and his Chakra EP.

DJ support: Chris Stussy, M-High, Prunk, Cinthie, Michel de Hey, Locklead, Dennis Quin

When Souls Collide - A soulful fusion of sound and spirit, this track invites listeners to experience a harmonious clash where emotions and rhythms intertwine.

Shy Time - Inspired by the vibrant energy of Chicago, this deep house gem brings a raw, underground vibe that captivates and moves the dance floor.

Feel Free - A high-octane heavy house anthem, 'Feel Free' is designed to electrify any dance floor with its cutting-edge beats and infectious energy. Prepare for some real damage!

Dexed Tek- The perfect B-side to complete the EP, 'Dexed Tek' features dubby chords layered over a powerful beat, creating a deep, immersive soundscape that resonates long after the last note fades.

You’re NEXUS 21, central to the dizzy zeitgeist of the 1991 adrenaline rammed UK House Music juggernaut, and you have just recorded a masterpiece of an album MIND MACHINES.

DON’T DO IT LIKE THAT - somehow even though your record label love the album it does not get released.
DO IT LIKE THIS - it finally gets issued now.

When Mark Archer and Chris Peat flew back from a seminal recording session at Kevin Saunderson’s KMS Studio in Detroit there was a palpable feel of excitement. Instead of merely paying homage to their Techno forerunners, they were now creating their own just as innovative waveforms.

In the can was a gem - DON’T DO IT LIKE THIS, DO IT LIKE THAT. Motor City songstress Donna Black had unconsciously seemed to add Ma to the start of her name and her recorded in the dark vocals helped conjure up an almost Madonna and a drum machine meets Techno hybrid. This it was agreed could be a huge breakthrough single which - preceded by strategically released set up tracks - would build up Nexus 21’s surely inevitable rise to glory. And the release of the MIND MACHINES album. But it never happened. Instead one day Mark and Chris burst into Network’s Birmingham office excitedly brandishing no less than 8 new recordings infused with a propulsive Rave energy flash compared to their more cerebral Nexus 21 work. The label agreed that the new tracks should be released under a new artist name and an initial suggestion. Alien 8 replaced by Altern 8. What was planned as temporary dalliance became a long term relationship. You all know the score - Altern 8 became surf riders supreme on the rave tsunami, not just music makers but myth creators. The plan has been to run Nexus 21 and Altern 8 parallel, a kind of schizophrenic experiment by two men, a drum machine and a mad for it record company. History shows that Altern 8 became too DOMIN 8 and the lovingly recorded Nexus 21 album was left on the proverbial shelf (actually a box in Birmingham)

So now MIND MACHINES finally meets the World. First thing that screams out that it hasn’t half aged well. Obviously it is a wet dream for the anoraks of electronica, that goes without saying. But above and beyond the history lesson of how 2 young UK techno mad kids got the dots from Detroit and deconstructed them to create something very British the music they created, sometimes naive but frequently knowledgeable, sounds .. well just great.

The four Detroit recordings - NEXODUS, TOGETHER, DON’T DO IT LIKE THAT, DO IT LIKE THIS and EVERYTHING (NO STATUES) - variously feature contributions from Motor City luminaries Marc Kinchen and Anthony Shakir.

Only two of the twelve recordings were properly released in 1990/1991 with two more making it on a withdrawn white label 12 inch at the time. Three of the tracks, including a live recording at London’s Brain Club that has been retrieved from a DAT that was thought to have disappeared, are previously unreleased. And as well as two previously unreleased much altered versions of Nexus 21 gems there is the legendary much tougher mix of the duo’s signature techno treasure Self Hypnosis.

NEXUS 21

LOST AND NOW FOUND

DLR drops his first album since starting Sofa Sound Bristol - ‘Money Till I Got None’.

The album is a tongue in cheek reflection on modern life, society, politics and of course MONEY. The never ending thirst and need for it; the stress and freedom it can bring; its power, its illusion and all its contradictions.

Drawing on life experiences from a relatively privileged position, but also from travelling and meeting many types of people across the UK and worldwide, the album explores different perspectives about money from varying sections of society.

In the 7 years since his last album, DLR has been through highs and lows, played big shows, struggled, released classic tracks and spent, spent, spent, spent. 'Money Till I Got None' is his journey of frustration and realisation and his first fully solo album in terms of production, but with a stellar lineup of vocalists and musicians to bring invaluable perspectives and experiences to the project.

Established poets, story tellers and MCs such as Fox, Rider Shafique, Jakes and Gusto bring unique insight, upcomers Freddy B & Kathryn Brenna add crucial flavours and we welcome Hal (Snazzback) on keys plus additional musical direction, with further instrumentation from Abbey Neave & Joe Bradford.

In our current perspective of dematerialization, where screens and chips have flooded the world, we find ourselves deprived of what makes us feel alive: physical connection.

Far from the ever intangible digital realm, people and records help us maintain this bond.

True to this philosophy, DiskCard was born and for the first release, Alich comes through with a perfectly matching aesthetic: five crunchy squashed and chippy infused tunes meticulously scraped out from small synths and pocket devices, giving his EP an undeniable character and setting the label's prime footprint.

For the music that matters, there is DiskCard.

Repress!

Charlotte de Witte​ marks the homecoming to her own imprint ​KNTXT​ with her brand new EP ‘​Return to Nowhere​’. The captivating record exists out of four long-awaited tracks called ‘Return to Nowhere, ‘Ensemble’, ‘Sgadi Li Mi’ and ‘What’s In The Past’.

Further exploring her sonic realm, the record features techno sound reminiscent of her ‘Selected’ EP, but switches out the acid stabs for haunting hymns. The result is a gripping dismal soundtrack that feels desolate yet hopeful. With this spellbinding EP which combines her iconic hard-punching techno with mesmerizing chants effortlessly, Charlotte proves once again why she remains at the forefront of the industry.

The release of ‘​Return to Nowhere​’ fits perfectly in these uncertain times. ​Charlotte​ says: “I made the EP before the current COVID-19 crisis. After being inspired by recordings of age-old traditional chants. So, I never intended it to be a “Corona record”. However, it did grow on me during this period of isolation.”

Adam’s Bite label manager Martinesuqe delivers his new EP ‘Curtain Call’ this November via the label, comprising two original compositions and one instrumental mix.

Basel, Switzerland’s Martinesque has been etching his mark into the underground over the past decade through releases on Adam’s Bite and as an integral part of the Swiss scene, heading up the bookings of the widely beloved Elysia club on his home turf up until 2023.

Here, Martinesque makes a welcome return to Adam’s Bite following on from his debut album ‘Think Outside The Box’ on the label in 2023.

‘Drama’ leads the EP and sees Martinesque lay down twitchy synth lines, squelchy acid bass tones and resonant flutters alongside spiralling dub echoes, murky vocals and crisp, shuffled drums.

The ‘(Instrumental)’ version of ‘The Final Hour’ follows next, shifting gears down to deeper realms courtesy of airy chord sequences, intricate off-kilter percussion and gritty bass notes all dynamically nuanced throughout. Lastly the ‘(Vocal)’ mix of ‘The Final Hour concludes the package, introducing a hypnotic spoken world vocal to the composition

Dutch electronic no-wave outfit Baby Berserk is making a thrilling return to Bongo Joe Records this Fall with their highly anticipated album, "Slightly Hysterical Girls WithPearls." Following the release of two compelling 7'' singles—"What I Mean/Sleepless"and "Toxic Kisses/Wartime"—and a real world tour, the band is back with a full-length record that pushes the boundaries of their eclectic sound.

Known for their seamless blend of music and fashion, Baby Berserk captures the essence of contemporary nightlife, balancing the raw energy of a live band with the infectious pulse of club music. Their latest work offers a refreshing and invigorating boost for the mind, body, and soul.

"Slightly Hysterical Girls With Pearls" isn’t just an album; it’s a statement. It’s about embracing who you are, kicking out the negativity, and finding power in the primal urge to live life on your own terms. With a sound that mixes slow, groovy beats with sharp, slithering synths and a relentless rhythm, Baby Berserk invites you to lose yourself in the music and emerge stronger, more vibrant, and unapologetically yourself.

“The music by Ludvig Forssell and El Michels Affair provides suitably thumping accompaniment.”
Soundtrack performed by El Michels Affair, an American cinematic soul group led by musician and producer Leon Michels.

* Leon has worked with a who’s who of talented musicians, including a brief spell as part of Wu-Tang’s touring band, he started making music under his own steam with the express intention that it be sampled by hip-hop producers. Jay Z, Beyoncé, Travis Scott and Don Toliver all used his work for their songs.
Bill Skarsgård stars as "Boy" who vows revenge after his family is murdered by Hilda Van Der Koy (Famke Janssen), the deranged matriarch of a corrupt post-apocalyptic dynasty that left the boy orphaned, deaf and voiceless. Driven by his inner voice, one which he co-opted from his favorite childhood video game, Boy trains with a mysterious shaman (Yayan Ruhian) to become an instrument of death and is set loose on the eve of the annual culling of dissidents. Bedlam ensues as Boy commits bloody martial arts mayhem, inciting a wrath of carnage and blood-letting. As he tries to get his bearings in this delirious realm, Boy soon falls in with a desperate resistance group, all the while bickering with the apparent ghost of his rebellious little sister.

Number One - ‘Il Locale dell’Impossibile’ presents
‘LA SALA 2’ - Limited Edition
Relive the music that made history in
‘Sala 2’ with this exclusive double vinyl!
Available starting Friday, December 13th, 2024, in
record stores and online, or grab your copy in
person at the Number One on Saturday, December
21st, 2024, during the epic celebration in Sala 2.

Atlanta's finest producer Byron The Aquarius returns to the source and on House Of Underground records with a breathtaking deep-house EP of 5 tracks coming out on 11th Of November 2024. ''Dark Black & Handsome'' for the lovers !

Rhythm Cult's unstoppable momentum continues after achieving consecutive

number-one positions across online and physical platforms. RCM019, their most

recent release, welcomes the incredibly gifted Chilian producer Dinky into the fold.

Dinky's hypnotic blend of deep house, strong techno, and precise minimalism has

earned her a residency at the famed Panorama Bar, in Berlin confirming her position

as a unique voice in the electronic industry.



The EP kicks off with the soulful and uplifting "Come Hold Me," a futuristic house

anthem that effortlessly fuses tribal rhythms with intricate stuttering synth patterns.



Dinky provides the unmistakable and irresistible vocal hook that suggest this will be

a summer anthem in the making. "She's Got Nowhere To Go" follows, riding on an

insistent one-note bass line and yet more addictive vocal snips, complemented by

disco stabs that complete the party vibe. Dinky's skilful use of stuttering glitches and

inventive sample manipulation showcases her love for minimal detail and angular

funk.



Finally, dOP turn in not one but two remixes of their unique and unconventional take

on house and techno. First, their reinterpretation of "Come Hold Me" takes us on a

journey to the deeper realms of house, riding on a low-slung acidic bass groove

while enveloping the listener in waves of lush synths, perfect material for warming up

dancefloors or setting the mood for the early hours. Then they wrap “She’s Got



Nowhere To Go’ around an elastic bass and dosed with warped synth lines to create

an irresistibly explosive dancefloor weapon.



The EP exudes sophistication, weaving intricate futuristic house sounds that are

imprinted with the influences of Balearic, acid, and deep house. These heaters are

undoubtedly set to light up dancefloors throughout the summer season. With this

exciting collaboration, Rhythm Cult further cements its position as one of the

industry's most cutting-edge labels, and Dinky's addition adds a distinctive

dimension to their roster.



Prepare to find yourself absorbed by this exceptional release from two forces

shaping the future of electronic music.

DINTE presents a cassette-only two-part Japanese post-punk, goth & new wave mixtape, the first in a tranche of regionally-focused mixes produced in partnership with Philadelphia's punk archivists World Gone Mad.

It is the year 1995 and it’s summer, the second extremely hot summer after 1994, and the asphalt on Gladbacher Straße in Cologne is glowing. Ravers in much too wide and much too colorful clothes doze off in the glaring midday heat. These are the last days of the legendary Delirium record store, a socio-cultural biotope that would later become KOMPAKT. In June 1995, the store moved deeper into the Belgian Quarter, to Brabanter Straße 42 near Friesenplatz.

Wolfgang Voigt liked to wear too-big sunglasses even back then, just as he already had the master plan for the next few years, the new store, the renaming to KOMPAKT, and the upcoming takeover of the musical world order by minimal techno in his head. On less sunny days, the musician Wolfgang Voigt was tinkering with his very own label Profan, a new sound, new pseudonyms and masquerades. His alter ego Mike Ink had grown tired, another self, one of many, was now pushing forward to become the next torch in the storm.

By early 1995, the first Grungerman EP, "Hout," had been released on Profan. A nucleus of ambient loops that already announced the sonic aesthetics of GAS, stoic rhythmic structures that would shape the coming decade of minimal house and techno, and an all-encompassing gloom and heaviness that didn't want to fit at all with the gaudy reality of the nineties between Loveparade, Mayday and VIVA House TV. This probably most hedonistic decade of the 20th century had celebrated, besides techno, above all a rough guitar music called Grunge, coined and immortalized by a depressive, hyperactive and narcoleptic young man with matted blond hair who had taken his own life a year before. In no other track has Wolfgang Voigt packed these inner and outer contradictions of his art as well as of the mid-nineties more ingeniously than in "In Tyrannis". From wall to wall there are four steps.

"Klang" by Wolfgang Voigt originally comes from the first and only GAS EP on Profan, "Modern", from the spring of 1995 and is one of the most beautiful exhibits of Voigt's sound of those years, which relentlessly runs its course somewhere between glistening sunrises on Ecstasy and bad drugs in the dark Liquid Sky Cologne. With "Hocker DJ 1" and "Hocker DJ 2" there are two more musical references to this myth-enshrouded place in Kyffhäuserstraße, where for a few years the entire, so-called Sound Of Cologne had literally settled down.


Wir schreiben das Jahr 1995. Es ist Sommer, der zweite extrem heiße Sommer nach 1994, und der Asphalt auf der Gladbacher Straße in Köln glüht. Raver in viel zu weiten und viel zu bunten Klamotten dösen ihren Rausch aus in der grellen Mittagshitze. Es sind die letzten Tage des legendären Delirium Plattenladens, eines soziokulturellen Biotops, aus dem später die Firma Kompakt hervorgehen sollte. Im Juni 1995 erfolgte der Umzug tiefer hinein ins Belgische Viertel, in die Brabanter Straße 42 in der Nähe des Friesenplatz.

Wolfgang Voigt trug schon damals gerne zu große Sonnenbrillen, so wie er bereits den Masterplan für die nächsten Jahre, den neuen Laden, die Umbenennung in KOMPAKT sowie die anstehende Übernahme der musikalischen Weltordnung durch Minimal Techno im Kopf hatte. An weniger sonnigen Tagen tüftelte der Musiker Wolfgang Voigt an seinem ureigenen Label Profan, an einem neuen Sound, neuen Pseudonymen und Maskeraden. Sein Alter Ego Mike Ink war müde geworden, ein anderes Ich, eines von vielen, drängte nun nach vorne, um die nächste Fackel im Sturm zu werden.

Anfang 1995 war die erste Grungerman EP “Hout” auf Profan erschienen. Ein Nukleus aus ambienten Loops, die bereits die klangliche Ästhetik von GAS ankündigten, stoischen rhythmischen Strukturen, die das kommende Jahrzehnt Minimal House und Techno prägen sollten, sowie einer allumfassenden Düsternis und Schwere, die so gar nicht zur knallbunten Realität der Neunziger Jahre zwischen Loveparade, Mayday und VIVA House TV passen wollte. Dieses wohl hedonistischste Jahrzehnt des 20. Jahrhunderts hatte neben Techno vor allem eine raue Gitarrenmusik namens Grunge gefeiert, geprägt und unsterblich gemacht von einem depressiven, hyperaktiven und an Narkolepsie leidenden jungen Mann mit verfilzten blonden Haaren, der sich ein Jahr zuvor das Leben genommen hatte. In keinem anderen Track hat Wolfgang Voigt diese inneren und äußeren Widersprüche seiner Kunst wie auch dieser Zeit Mitte der Neunziger genialistischer verpackt als in “In Tyrannis”. Von Wand zu Wand sind es vier Schritte.

“Klang” von Wolfgang Voigt stammt ursprünglich von der ersten und einzigen GAS EP auf Profan, “Modern”, aus dem Frühling 1995 und ist eines der schönsten Exponate des Voigtschen Sounds dieser Jahre; ein Track, der irgendwo zwischen gleisenden Sonnenaufgängen auf Ecstasy und schlechten Drogen im dunklen Liquid Sky Cologne unerbittlich seine Bahnen zieht. Mit “Hocker DJ 1” und “Hocker DJ 2” finden sich zwei weitere musikalische Referenzen an diesen mythenumrankten Ort in der Kyffhäuserstraße, an dem sich für einige Jahre der gesamte sogenannte Sound Of Cologne im wahrsten Sinne des Wortes niedergelassen hatte.