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• “Hearts For Sale” is the fifth and latest in our series of 12-inch vinyl albums spotlighting the US girl group sound of the 1960s. The collection opens with ‘Street Dance’ by Bonnie Jean, a little-known must-have for collectors of the genre, with Darlene Love and the Blossoms clearly audible on background vocals. Issued on Lew Bedell’s Doré label, this exciting faux-live deck in the style of Shirley Ellis’ ‘The Nitty Gritty’ was written by Guy Hemric and Jerry Styner, a hip team known for supplying songs for the soundtracks of B movies such as Muscle Beach Party and Thunder Alley.

• The Hollywood-based Doré imprint is also the source of ‘You Really Never Know Till It’s Over’ by the Vel-Vetts (which shares a backing track with the Superbs’ ‘I Was Born When You Kissed Me’), ‘One Way Street’ by the Swans, a soulful update of the Teddy Bears’ ‘To Know Him Is To Love Him’ by the Darlings and – featuring lead vocals by Sheilah Page, a former member of groups such as the Bermudas, Becky & the Lollipops, the Majorettes, Joanne & the Triangles and Beverly & the Motor Scooters – ‘He’s Groovy’ by the Front Page & Her.

• Other highlights include the Sweethearts’ Supremes-influenced ‘No More Tears’, the sophisticated slowie ‘Lonely Girl’ by the Lovettes (that’s them on the front sleeve), ‘My Heart Tells Me So’ by the Del-Phis (an early incarnation of Martha & the Vandellas) and the Fran-Cettes’ terrific recording of ‘Heart For Sale’. As with the earlier volumes in the series, the album comes with a fully-illustrated inner bag featuring a 2,500-word track commentary by compiler Mick Patrick.

Demon Records presents a brand new original story, part of the Doom’s Day story arc presented on
Translucent Purple and Blue Vinyl.
Hired assassin Doom is on a mission to save her own life before Death catches up with her. If she can find
the Doctor they might be able to help her – but where in Space and Time are they?
These four missions - The Steel Cascade, The Martian Dilemma, An Ood Halloween and Dark Space - take
Doom to a Mediterranean cruise ship in 1966, the planet Mars in the distant past, San Francisco in 1999,
and finally a desolate planet in a dying solar system.
Along the way she meets former TARDIS travellers Ian and Barbara, the mighty Ice Warriors, and Brian the
Ood. But when a mysterious stranger with silver hair and sunglasses turns up, will he be Doom’s salvation?
Written by Darren Jones and read by Sooz Kempner, Jaye Griffiths and Silas Carson, these four original
adventures form part of the multi-platform Doom's Day adventure to celebrate Doctor Who’s 60th
anniversary.
2 x 140g Translucent Purple & Blue vinyl LPs, in fully illustrated inner bags, are presented in an attractive
‘Doom-laden’ wide-spine outer sleeve.

The latest EP from Drab Majesty marks the start of a stirring new chapter in the band's majestic legacy. Written during a 2021 retreat to the remote coastal Oregon town of Yachats, Deb Demure leaned into the neo- psychedelic resonance of a uniquely bowl - shaped 12 -string Ovation acoustic/electric guitar. After early morning hikes in the rain, Deb would record ambient guitar experiments the rest of the day, tapping into "flow states," letting the sound lead the way. These sessions were then refined or recreated, and later elevated further with key collaborations by Rachel Goswell (Slowdive), Justin Meldal Johnson (Beck, M83, Air), and Ben Greenberg (Uniform, Circular Ruin Studio). An Object In Motion is true to its title, capturing the chrysalis moment of an artist evolving, reborn and untet hered, silhouetted against an open horizon. "Cape Perpetua" kicks off the collection's divergent palette: sparkling acoustic fingerpicking refracted through delay, equal parts raga and reverie. Melodies and moods congeal and dissipate, at the threshold of rustic American primitivism, brooding neo-folk, and pastoral melancholia. "The Skin And The Glove" deploys jangle to different effect baggy, soaring, grey skied kaleidoscopic pop in the spirit of Stone Roses, Primal Scream, and The Glove. Rachel Goswell lends her iconic freefall voice to The Cure - esque ballad, "Vanity," infusing poetic gravity to the doomed refrain: "If the valve breaks / then the earth quakes / and history finds a way / to put you in your place." "Yield To Force", the closing track of the EP, may be the most anomalous offering of the set. A 15 minute instrumental odyssey of cyclical strings, ominous slide guitar, and simmering synthesizer, the piece sways and spirals like a long zoom into distant storm clouds. Demure finesses the guitar with a restless but regal grandeur, unfolding a panorama of peaks, shadows, and plateaus. It's music both intuitive and prophetic, tracing the slow swing of pendulums across an endless plain. Taken as a whole, An Object In Motion presents a showcase of potential futures from Drab's evolving domain, their sound poised to bloom at the precipice of transformation.

Coke Bottle Clear Vinyl. High Vis were formed in 2016 from the ashes of some of the UK's best hardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics about life in working class Britain were familiar to fans of Tremors' full-throttle thrash, but alongside his former bandmate Edward `Ski' Harper and veterans of Dirty Money, DiE and The Smear, High Vis sought to transform that energy and intensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely source material from classic doo-wop or Micromoon have by combining everything from psychedelia and metal into their high potency mix, High Vis' 2019 debut album, No Sense No Feeling showed the band were never going to be constrained by any sense of genre rules or regulations. Its claustrophobic rattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Four lurking in the shadows. 2020's synth-driven EP, Society Exists, was further evidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider than ever before. Alongside longstanding favourites such as Fugazi and Echo and The Bunnymen; Ride and even Flock Of Seagulls were shared reference points as the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track's psychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' sound blossoming into something with an unlimited richness. The hazy drift of "Shame" or the melodic jangle of "Trauma Bonds" may take them until uncharted waters, but they still have all the power and bite that made No Sense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly about poverty, class politics, and the challenges of everyday life, Sayle's lyrics have always addressed the downtrodden and discarded communities across Britain slipping below the waterline. This time around, Sayle's lost not of that social consciousness, but he's looked at himself and his own emotional landscape, and in the process created something that feels more universal, that reaches a hand-out to people and ultimately gives a message of hope."To me, the lyrics are less selfish," reflects Sayle. "In the past, I couldn't see past whatever was going on with me. It's about accepting things and being open to conversations and learning to talk to people rather than just thinking that we're all doomed."The song "Talk for Hours" is a prime example of that. Born out of an afternoon meeting up with an old group of mates "repeating the same thing and not actually learning anything about each other" it offers to actually break the cycle and to listen and speak frankly about shared feelings and experiences. "Trauma Bonds", meanwhile, traces the broken lines of those living in lost communities, but ultimately realises that despite our shared scars, there's still hope to move on to a better future."The message of the album is you're not who you're told you are," Sayle summarises. "You're not your class background. Whatever it is, you're not that. Don't resign yourself to thinking you can't be this and you can't be that."It's a vitally important message right now, and one that could be the motto for not only Blending, but for High Vis themselves.

Back with their first original music since since 2020, this is the start of a new era. Each single will be presented with an official music video and full global marketing campaign at the start of a brand-new cycle. The album is produced by Colin Pastore.

A new perspective is coming from the beaches of Acapulco bay.

Colourful shirts and sensual moves in the shade of palm trees. Presenting the new extravaganza duo “Acapulco Heat”. Comprised of none other than Felipe Valenzuela and new wonder boy, Ossios. 3 tracks to embody different moments and occasions for a set full of mindfulness and unique vibes. Serious but not so serious, futuristic but present, “Intellectuelle EP” will make you surf your inner self. Direct hit for the body with an innovative consistency. Undeniably timeless music to keep in your mind and in your record bag. Extra bonus remix by american producer Titonton Duvante.

Four full-cast radio episodes based on the hit series, adapted by David Renwick from his TV scripts.
Having been made redundant from his job by an electronic box, crabby Victor Meldrew is faced with the
prospect of finding his feet in an increasingly frustrating world. In these four episodes – Alive and Buried,
Timeless Time, In Luton Airport No-one Can Hear You Scream and The Beast in the Cage – things hilariously
go from bad to worse for Victor and his long-suffering wife, Margaret.
Written by David Renwick, and starring Richard Wilson as Victor and Annette Crosbie as Margaret, these
highly entertaining BBC Radio 2 adaptations also feature a supporting cast including Doreen Mantle, Owen
Brenman, Sally Grace, Jeffrey Holland, Jon Glover and Michael Fenton-Stevens.
Presented in full-colour inner bags, depicting the everyday trappings of Victor’s life, two burgundy 140g
vinyl LPs are housed in an illustrated wide-spine outer sleeve -complete with coffee-spilled rear. You simply
won’t believe it!

- 25th Anniversary Album Edition
- Drei limitierte Auflagen Vinyl Versions:
- Lemon/Cobalt Splatter
- Silver Cobalt
- Lemonade /Olive Green
- 180g Vinyl
- Auflage auf 200 Exemplare limitiert
- Remastered / Neues Artwork
- The Art of Self Defense ist das Debüt-Studioalbum von High on Fire, das ursprünglich bei Man's Ruin Records erschien.

- 25th Anniversary Album Edition
- Drei limitierte Auflagen Vinyl Versions:
- Lemon/Cobalt Splatter
- Silver Cobalt
- Lemonade /Olive Green
- 180g Vinyl
- Auflage auf 200 Exemplare limitiert
- Remastered / Neues Artwork
- The Art of Self Defense ist das Debüt-Studioalbum von High on Fire, das ursprünglich bei Man's Ruin Records erschien.

- 25th Anniversary Album Edition
- Drei limitierte Auflagen Vinyl Versions:
- Lemon/Cobalt Splatter
- Silver Cobalt
- Lemonade /Olive Green
- 180g Vinyl
- Auflage auf 200 Exemplare limitiert
- Remastered / Neues Artwork
- The Art of Self Defense ist das Debüt-Studioalbum von High on Fire, das ursprünglich bei Man's Ruin Records erschien.

Invasion of Privacy is the debut studio album by American rapper Cardi B. It was released on April 6, 2018, by Atlantic Records. Primarily a hip hop record, Invasion of Privacy also includes trap, Latin trap and R&B.

The third record from the friends for the bag. A mix of kicks returning two familiar foes and adding two new friends to the scene. Extended instant release for this one.

From the opening strains of the politico title-track to the countrified pedal steel guitar on "Man With A Mission," from the anti-establishment anthem "American Jesus," to the heart rending ballad "Struck A Nerve," Bad Religion"s Recipe For Hate is by far their most eclectic album, and one that never ceases to stir up controversy among fans. Graffin, a seething combination of perfect pitch and skeptical emotion, reaffirms his place as one of the best punk rock vocalists on this record. Guest appearances abound, from Eddie Vedder (of Pearl Jam fame) harmonizing on "American Jesus" and "Watch it Die," to Concrete Blonde"s Johnette Napolitano"s stunning vocals on "Struck A Nerve," to Claw Hammer"s John Wahl and Chris Bagarozzi"s searing guitar leads on "Kerosene." As the songwriting team of Graffin/Gurewitz pull back from their more introspective writing that appeared on some of the previous albums, they focus ever more keenly on the events of the day. Recipe For Hate is a scathing commentary on the state of the nation, a social criticism addressing alcoholism, abortion and homelessness. Reissued on limited edition Red w/ black smoke vinyl to celebrate the album"s 30th anniversary!

Wenn es ein einziges Wort gibt, um Saint Agnes zu beschreiben, dann ist es " Hingabe". Die vierköpfige Band aus dem Vereinigten Königreich steht für ehrliche Texte, raue Gesangsdarbietungen (von Frontfrau Kitty A. Austen) und wutentbrannte Musik, die denjenigen eine Stimme geben soll, die eher am Rande als in der Mitte stehen. Mehr Gang als Band, wollen Saint Agnes (römische Märtyrerin, Schutzpatronin für eine Reihe von Dingen, darunter auch Mädchen) diejenigen ermutigen, die geschlagen und verletzt wurden, sich aber weigern, sich niederzulegen, und das ist ein roter Faden, der sich durch "Bloodsuckers" zieht - das zweite Studioalbum von SA und ihr erstes für Spinefarm. Anfangend mit dem Titeltrack, ist dies ein genreübergreifendes Werk, das Elemente aus Metal, Punk, Industrial und Grunge aufnimmt, ohne an einen bestimmten Stil gebunden zu sein; die 11 Tracks kommen direkt von der Quelle, größtenteils selbst produziert und abgemischt (NIN-Kollaborateur Sean Bevan leiht seine Mixing-Fähigkeiten der zukünftigen Single / Video, 'Follow You'), und dieser in sich geschlossene Ansatz sorgt für ein zusätzliches emotionales Gewicht, mit Kerrang!-Coverstar Mimi Barks, die das Chaos auf dem kurzen, scharfen Schock, der 'Body Bag' ist, weiter anheizt.

ENG 'Behavioural Sink Delirium' is the new studio album from MADMADMAD. Powered by their wild live parties and rooted in the sounds of mutant disco, post-punk and experimental electronics, the London-based trio's third LP is due out July 21 via Bad Vibrations. Arriving following 2019's 'Proper Music' and 2020's 'More More More', 'Behavioural Sink Delirium' was recorded and produced by Eddie Stevens (Zero7, Moloko, Róisín Murphy) in his Fulham studio. "We locked ourselves away for ten days and recorded 30 hours of music, all played live in one room, and only edited to create arrangements", MADMADMAD recall. The result of those sessions is nine unhinged techno-dystopian freak-outs that mark the trio out as a truly singular group. 'Behavioural Sink Delirium' takes its name and inspiration from the 1968-70 'Universe 25' experiment by American ethologist John B. Calhoun, looking at the behavioural effects of population growth in a 'rodent utopia'. During the studies, a perfect space was built for a colony of 3,000 mice to thrive in, with constant food and water supplies, cosy apartments and no outside threats or predators. Starting with 4 females and 4 males, the population grew rapidly before capping at a number of 2,200. At this point, a living nightmare ensued, filled with antisocial and violent mice as the utopic conditions began to collapse. The mice formed violent cliques and social hierarchies, cannibalism started becoming common practice and the population started plummeting to eventual extinction. Calhoun coined this tipping-point the "behavioural sink" effect, and it's this state of societal breakdown that the trio tap into on the record. "You can easily see the link with our species in terms of overpopulation, but also with the Internet medium or 'metaverse' and its overproduction of data, causing tremendous societal, mental and environmental shifts. What was supposed to cater for most of our needs has also turned on us. Delirium kinda states the air of it all, and the folly of the music." Pressing Info: 180g red vinyl, standard sleeve, printed inner-sleeve, download card included!

How To Train Your Dragon 2 is the sequel to the massively successful 2010 animated feature film How To Train Your Dragon, and the second film in the trilogy by DreamWorks Animation. The story takes place five years after Hiccup and Toothless united the dragons and Vikings of Berk. While investigating a burnt forest, the pair discover a secret cave that houses hundreds of wild dragons and a mysterious Dragon Rider. The two find themselves at the center of a battle to protect the peace.

Composer John Powell, who earned his first Academy Award-nomination for his music in the original How To Train Your Dragon movie, returned to score the sequel. It was conducted by Gavin Greenaway and recorded at Abbey Road Studios in London with a 120-piece orchestra, a 100-voice choir, and a wide array of ethnic instruments, including Celtic harp, uilleann pipes, tin whistle, bodhrán, and bagpipes.

Sigur Rós-lead vocalist, Jónsi, who wrote and performed the song "Sticks and Stones" for the original movie, provided two new original songs for the sequel in collaboration with Powell. The track "Where No One Goes" that is featured on this release, is not only written, but also performed by Jónsi and Powell. Belarusian-Norwegian artist and Eurovision Song Contest winner Alexander Rybak, who voices Hiccup in Norwegian, also wrote and performs on the song "Into a Fantasy".

How To Train Your Dragon 2 is available as a limited edition of 750 individually numbered copies on flaming coloured vinyl and includes an insert.

In the debut EP 'We Are The Ones/Fire/Forever', Chicago DJ legend Rahaan collaborates with an incredibly talented group of musicians, including Marcus J. Austin on lead vocals, Nancy Clayton on backing vocals, Carnell C. Newbill (also known as Spike Rebel) on keyboards and backing vocals, Todd Swope on guitar, and Lou Terry on bass. Together, they create a 3-track EP that perfectly showcases Rahaan's production skills and the musical talents of the entire group. Rahaan's experience and expertise as a DJ and producer are evident in each track, with grooves that are sure to keep the dancefloor moving. The title track, 'We Are The Ones', is a story of adventure and return, with a twist. Created by Rahaan and The Ones while under the influence, the track was lost for years as it was unnamed on his computer. However, Rahaan's determination to find it paid off, and with the help of Ohio Players' Kenny Anderson on the horns, he built upon the elusive skeleton track. With Marcus J. Austin on lead vocals and Nancy Clayton on backing vocals, 'We Are The Ones' delivers a soulful, 4-to-the-floor anthem that showcases the vocal talents of the group. And in 'Fire', Todd Swope's guitar skills shine through, creating an epic production that draws spiritual inspiration from traditional AfroBeat rhythms. It's worth noting that The Ones features some truly talented musicians, including Carnell C. Newbill (Spike Rebel) on keyboards and backing vocals. Spike Rebel is a well-known producer and musician in his own right. With his soulful vocals taking center stage, Carnell Newbill leads the charge on "Forever," he also superbly delivers on bass, keys, percussion, and guitar. Expertly mixed by Rahaan, this track is sure to become a dance floor anthem. In summary, 'The Ones' EP is an impressive collaboration between some of the most talented musicians in the Chicago underground House and Disco scene. With Rahaan at the helm, this project is sure to be a hit with anyone who loves to dance. Mastered with Love by the Grammy nominated The Carvery Studios, this is one for any worthwhile DJ’s record bag.

No More Sound, Sad Park’s third full-length, begins with an ending. More specifically, with its own ending. Because the short, just-over-a-minute-long “No More Songs” is kind of a stripped-down reprise of the title track that closes this record. In one way, it means this album—the band’s first for Pure Noise—travels back in time over its 38 or so minutes, but in another it’s also traveling forwards. Because while “No More Sound” is a more fleshed-out version of “No More Songs”, it also contains melodic and lyrical throwbacks to the eleven songs that sit between them. Perhaps more importantly, as everything comes full circle on the record, it offers something that the opener doesn’t. Recorded across ten days at Balboa Studios in Los Angeles, No More Sound is, in fact, the sound of a band really coming into their own.

No More Sound, Sad Park’s third full-length, begins with an ending. More specifically, with its own ending. Because the short, just-over-a-minute-long “No More Songs” is kind of a stripped-down reprise of the title track that closes this record. In one way, it means this album—the band’s first for Pure Noise—travels back in time over its 38 or so minutes, but in another it’s also traveling forwards. Because while “No More Sound” is a more fleshed-out version of “No More Songs”, it also contains melodic and lyrical throwbacks to the eleven songs that sit between them. Perhaps more importantly, as everything comes full circle on the record, it offers something that the opener doesn’t. Recorded across ten days at Balboa Studios in Los Angeles, No More Sound is, in fact, the sound of a band really coming into their own.

William Caycedo returns after his succesful "Bag Of Boom" release in 2018 to RAWAX this Summer. "Cuban Linx" is a powerful bass/house tracker not to be missed!