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If you could ever stop thinking about... you know... for just a moment, you might hear something else...

Foehn & Jerome return to Perfumed Freedom for the label's first release of 2026. Three refined minimal house tracks, balancing groove, restraint and dancefloor energy. Understated, hypnotic and exactly where the duo's sound feels most at home.

A1 More Than Money
B1 Las Yolo
B2 Hammerfest

Sindh presents the Vagali EP, a striking continuation of his tunnelling, futuristic take on techno. Growling synths, driving basslines, alien atmospherics and finely tuned percussion define a sound that feels unmistakably his own.
Following his Komudo series — which has built a devoted following since its debut in 2024 — this latest release leans further into his signature sound design, pairing hypnotic sequences and menacing synth lines which feel right

Things To Do E.p is the fourth release of Boiling Pot.
Four Traxx Between House and Acid.
Chopped Samples on A1 and B1.
303 swirlings and Raw Drums on A2 and B2.

Recorded Arranged Mixed
Somewhere On Ligurian West Coast

The "La Musica Habla EP Purple Splattered Vinyl Edition" by 5universos is released as a 12" and focuses on stripped-back club sounds that move between minimal house and tech house. Striking bass sequences, pinpoint percussion, and sparingly placed melodic fragments create room for subtle tension; Balearic-tinged textures and dub elements stand out as stylistic markers, giving the tracks an airy spaciousness and allowing DJs to craft clear transitions in the mix.

The project is headed by Cristian Cosignani, who releases his own productions under the name 5UNIVERSOS and also runs the label of the same name. 5 Universos simultaneously serves as a vinyl store and a platform for curated releases, enabling the label to maintain a close connection to the club and DJ scene while keeping its program firmly focused on physical editions.

Sonically, the release relies on clear arrangements and a DJ-friendly structure: long, hypnotic sections, subtle filter work, and a focused low-end range invite creative mixing. The Purple Splattered Vinyl Edition underscores its collectible nature without placing the musical intention to front and center; the result is a matter-of-fact, dance-oriented EP that puts the characteristic style of 5universos in the spotlight.

Cover changed

With his Periodical EP, Isaiah delivers a six-tracker rooted in the foundations of early techno, built around percussion, groove, and stripped-back functionality. As a driving force in the underground scene, both as a DJ and the founder of the Frenzy and Vulged collectives, Isaiah meticulously designed this EP for selectors and club settings.

Opening with 'Monthly', the EP sets the tone with a punchy kick, crisp high-end percussion and a driving bassline, while smeared textures and subtle effects create depth within a minimal framework. 'Yearly' intensifies the approach, with sharper hi-hats and layered mid percussion pushing the energy forward, maintaining a hypnotic yet no-frills momentum.'Hourly' keeps the focus on rhythm, pairing dense percussion work with a bouncing bassline that locks into a steady groove, while occasional pad accents add flashes of brightness.

On the second half, 'Real' strips things back, centering around a rolling bassline and sparse percussion, with shimmering synth touches guiding the track into deeper territory. 'Everlasting' reintroduces a tougher edge, driven by a hard-hitting kick and a bouncing low end, while eerie synth elements add a darker tone. Closing the EP, Beau Didier, a rising force in the Techno scene and fellow Frenzy collective member, reshapes 'Everlasting' into a smoother, more low-end focused roller. Known for his heavy basslines and powerful rhythms, Didier brings the bassline to the forefront, softens the percussion and introduces vocal chops that expand the atmosphere.

On his debut EP on Regal's Backspin Records, the 8th release of the newborn imprint, Isaiahpresents a focused collection of percussive techno tools built for diverse sets, offering tracks for every moment while maintaining a consistent, groove-driven identity throughout.

2026 Repress

If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”.

Yes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”.

This is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music.

The rest of the record is hardly filler though. Opener “Oh, Love” is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing. It’s sensational. A rollerskating jam named “Rollalong Songs” is an ultra-swish piece of dance floor dynamite. Its slick drums, staccato piano and neck snapping claps underscore Dayo’s buoyant vocals. It’s essentially “Bounce, Rock, Skate, Roll Part II”.

The flip begins with “Party On The Corner”. Smoother than silk vocals, day-glo synths, a bubbling bassline and guitar licks that surely received the Prince seal of approval. It’s another example of how Vaughan Mason and Butch Dayo flirt with perfection so routinely. The most majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater “You Can Do It” is a proto-rap groover that truly smokes.

This prized LP is a stone cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, this fresh Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should.

2026 Repress

With Moving Pressure 02, Rene Wise allows us to dip into a psychedelic undercurrent, yet maintaining a very grounded mentality. Its an effortlessly rolling type of minimalism, but lets be clear; its a type of minimalistic spirit backed up by a rich, kaleidoscopic sound design. MP02 is an immersive batch of mystical dance floor journeys which, in four steps, navigates the realms of gaseous sound design to more subaquatic dynamics, working with a palette of serpentine rhythms that pull us into his distinctive, subtly hypnotic world.

A1 Silo Cybin opens the release with the artists unmistakable kick drum pattern, the heartbeat of his sound. Theres a trippy, swampy energy here, enhanced by robotic vocals and broken claps that weave polyrhythms into the track. The minimalist core pulses with playful energy, while detailed textural elements softly emerge like a waves bubbling foam. Up next we have Complicated, which offers a more minimalist composition, yet injected with rich rhythmic structures. Small circular modulations swirl in the background, filling the air with a delicate yet persistent energy, while his signature vocal snippets further enhance the groove. On the B side, Rough Escorts taps into a brighter psychedelic dimension, conjuring the ethos and trademark of Moving Pressure as a whole. Listen closely a fine connection to Wises previous work on MP01 shines through, maintaining the sonic coherence of the project while pushing further into a lush space. B2 Bleep Police, dives into dystopian bleep territory. Here, the artist strips techno down to its essence, intertwining bleeps with percussion into a hyper rhythmic whole.

A living organism composed of intricately layered sonic structures. A variegated interplay of texture and rhythm. Multi dimensional sound. Welcome to Moving Pressure 02.

Step back into 1998 with this studio rehearsal of Pleiadians Live. Recorded as a safety for our global tours. It captures a legendary time when we carried our entire studio across the world to bring you raw, live remixed versions of our tracks! Get ready for the ultimate travel experience!" Because Pleiadians is simply the best of the best, this Live set from 1998 deserved a proper full release! Now available on Limited 2-LP at the Suntrip Records label in collaboration with the Flatlife Records Labelgroup.

As Selofan's fifth studio album, Vitrioli, from 2018, is a testament to the tragedy of life. The Greek duo, Joanna Pavlidou and Dimitris Pavlidis, who recorded the album in the Fabrika Records home studio, continue on in their poetic, but heartbreaking, music set to a dance beat. Between languages (Greek, English, German, and Spanish), Selofan feels on the brink of mania with Vitroli. However, the madness is controlled, the songs are restrained hysterics that culminate into the alchemic perfection of the band's specific moody sound.
From synthpop to synthpunk elements, the twelve-track LP leads listeners through dark corridors and into haunted, empty beds. There is a resignation to a doomed destiny with Vitroli—a trait that connects all Selofan releases—as a bitter pain and loneliness that cannot, or will not, subside.

The album begins with "Give Me a Reason" whose lyrics feel universal in this day and age: Give me a reason, to get out of bed / I could just watch the ceiling instead. Its heartbreak is profound as bells and voice pads echo under Joanna's voice. The adjacent music video for the song was directed by Dimitris Chaz Lee, and the band describes the video as "depicting the fragile nature, conflicts, emotional demands, and vulnerability of each person in a relationship."
"Billie Was a Vampire" is a story about an undead creature who works at a nightclub followed by the urgency of "Black Box." Brass sounds moan against the fast beat and suggest a frenzied need to escape.

"I'm Addicted" became the second single for the LP. I am addicted, you are mine, Joanna demands of the lover. The music video, also directed by Dimitris Chaz Lee, depicts a clean, white photoshoot primed for the most beautiful creatures of the Athenian wave scene. Alex Macharias, from the legendary Greek band In Trance 95, acts as the photographer for the session, as the models pose and flail under the bright bulbs. The director states: "Addiction is a mental state, something inside all of us. It altered our perception and created a parallel world of avant-garde beings and flashy lights making us part of this everlasting bond."

Crypt of the Wizard is proud to make available two legendary underground albums by Slutet on vinyl and digital formats.
Slutet originated in Uppsala well over a decade ago, first emerging as a loose idea around 2010. The original cluster of strangely like minded individuals - Dingir, Ryttersson, J.P., Sviatopolk, were equally set on starting a cult as they were a band, the former emerging as a loose collective known as The End Commune, while the latter eventually began rehearsing together as Slutet on September 1, 2013.
From this constellation three notorious demo tapes sprung which were self-released in very limited numbers, and only available by trading bodily fluids, blood, and/or hair for the cassettes. “A very loose guess but we made probably around 20-30 hand-drawn/custom demo tapes of the first three releases. We got blood and hair from many places, actually the very first offering was from INDONESIA. Slovakia, Germany, USA, Argentina, Norway, Canada, Finland followed.... if my memory serves..... hazy years indeed”
J.P. left early 2015. Later that year, after trying the band as a bass-drum-vocals outfit for a while, Fjalar joined on guitar. This is the classic constellation. Dingir, Ryttersson, Fjalar, Sviatopolk. The same troupe playing to this very day.
Following on from the compilation Slutet began work on their next offering entitled Jihad. While the departure of J.P. left them temporarily without a guitarist, a chance meeting with Fjalar at a rave ushered in a new era for the band. “I met the drummer and the bass player at a psytrance rave in the forest. I didn’t have any band and I wanted to play music and I saw this fucking weirdo with long dreads and a Hellhammer shirt and I just went up to talk to him”.
After Fjalar joined the rather chaotic fray, songwriting duties were spread out more broadly and Jihad was rehearsed and recorded in a haze. First released as a cassette by Manifest Of Hate Creations, and later on vinyl in an edition of 100 by Goatowarex the release quickly sold out and became as legendary, and as incredibly difficult to obtain as the previous releases. “It has got some psychedelic improvs, some very unorthodox and quite genius vocal work, some electronic undertones, some noisy ambience, a message of existentialism; all this wrapped up in some sloppy but very authentic and intense black metal-ish music.”
“After the vinyl compilation was out (early 2015) we felt probably a bit directionless, and, having parted ways with a befriended and talented guitar player, we felt maybe a bit morally weakened to continue. First, for a year almost, we toiled on without the 6-strings and rehearsed quite lengthy material for a proposed upcoming LP. However, that material never surfaced. Then we got a new guitar player (Fjalar) and created and recorded this mess”.
It is with great pride that we make these albums available to a general audience and in a wider pressing without need for bloodshed.

Futuristica is 20!
This independent imprint has been producing and releasing music for friends and family for 20 years, so what better way to celebrate than by releasing a 2xLP limited edition 20 track compilation of rare and never before released on vinyl recordings exclusively selected by label manager Simon Skolfield.
This is a beautifully varied selection of deep soul, jazz and hip-hop music from a group of like-minded independent artists creating their own brand of soulful gems. From the early electro soul of Electric Conversation, the multi layered jazz samples of Kira Neris to the lush vocal harmonies of Deborah Jordan, production and remix class from Marc Rapson and the contemporary spiritual soundtracks of The Peter Franks Group.
Over the years there has been generous support from Gilles Peterson, Tony Minvielle, Marc Mac, Patrick Forge, Kev Beadle and so many more worldwide. Artists like As Valet, Emanative, LaNote and Georgie Sweet have gone on to produce fine work with several different independent labels with our artists garnering fine remixes and production work from the likes of DJ Spinna, Nostalgia 77, Kev Bown, Mr Beatnick, Nicolay, Kaidi Tatham, Atjazz, Simbad, K15, Domu, Mecca:83 and so many others. And all of this organically grown since the release of Low Budget Soul, the label’s debut project back in 2006.

UK born, Fremantle-based producer Jon E. makes his return to Natural Element, after his sell-out debut release ‘Smoke’ in 2025 captured the attention of DJs and dancefloors around the world.
Here sees the first of a two-part series of EPs that displays the fruits of a deeply creative phase following an injury that had him bed bound for months. The sonic progression from his debut is tangible across all four tracks, with an enhanced palette and clear versatility. The EP is a deeper expression of his production skills and unique, authentic sound. Natural sounds of the city make for an organic touch throughout, giving tracks an atmosphere that makes them feel alive. ‘One More Time’ sets the pace with an irresistible groove that is both bold and refined, steeped in jazzy tones and calling to mind summer day parties. ‘We Can Make It’ is a blissful and uplifting jam that goes on a journey of its own, leaving a lasting impression with the delicate, distinct vocals of Roxanne forming a perfect match. On the flip, ‘Raise Them Up’ takes things a little deeper with a moody roller inspired by Moodymann, and ‘Day n Night’ rounds off the record in style with a more lo-fi groover exhibiting loose drums, intricate percussion and floating brassy licks.

Machine Affairs is an expansive dance record informed by classic hardware and deep studio collaboration, with the soulful side of Detroit’s dance music legacy serving as a key inspiration. Crafted by long-time friends Willem Mulder and Grover Duvall over an intensive two-week studio session, the project represents a new generation of artists interpreting dance music heritage with a fresh perspective.
Willem Mulder works from the raw functionality of house and pulls warmth from electronics across eras. With releases on Apron Records and Salon Recordings, he’s steadily been building a name with his soul-infused productions. Grover Duvall is a new name, but not a new story, with years spent deep in the craft of sound. Together, the two bring their distinct worlds into a shared space, united by a love of analogue hardware, dancefloor energy, and the kind of music that lives somewhere between feel and function.

Alpha’s Trip continues its vinyl journey with the Day Tripper EP from French producer - Framboisier. The title track sets the tone with rolling rhythms, E-MU basslines, and subtle UK garage inflections, while ‘Body Double’ leans into deeper territory through understated grooves. ‘Kessel Drive’ pushes forward with late-night energy, blending progressive and tech house influences into a stripped-back but effective club tool.

Throughout the EP, nostalgic vocal fragments and warm pads meet punchy low-end pressure, creating a sound that feels both timeless and contemporary. Designed for intimate dancefloors and peak-time moments alike, Day Tripper showcases Framboisier’s ability to fuse character and functionality. Closing the release, Alpha’s Trip founder A for Alpha delivers an exclusive remix, reshaping the original around a driving, seductive bassline and her signature atmospheric pads, while maintaining the groove-focused energy that runs throughout the EP. A versatile package that moves effortlessly between warm-up sets, intimate dancefloors, and late night moments, Day Tripper is a record built for selectors who value depth, movement, and timeless house music.

2026 Repress

Brighton-based producer Rene Wise is next to land on Setaoc Mass' SK11_X offshoot, coming off the back of a batch of releases on Luke Slater's respected Mote Evolver imprint and a recent collaboration with Rodhad, with his own purist take on groovy yet hypnotic, minimal techno. Wise offers four variations of precision-drilled rolling club-tools, first with the static-charged, tribal calls of "Pleasure Note", to the bouncier, groove-laced "Swamp Dancer". On the flip side, "Hollow" focuses the intensity, whilst "Changa" completes the home-straight with its boundless energy and delirium inducing synth parts.

"BIG PINK- A pink house seated in the sun of Overlook Mountain in West Saugerties, New York. Big Pink bore this music and these songs along its way. It's the first witness of this album that's been thought and composed right there in its walls."

Originally released in 2004, Because Of My Dream is a quietly overlooked gem from the early-2000s Dutch underground. Produced by Amsterdam DJ and producer Angelo D’Onorio, a longtime presence in the city’s club circuit including Mazzo, Roxy and Paradiso, the record blends rolling House rhythms with analog synth textures to create a deep, late-night atmosphere.

Though it circulated among a small circle of DJs at the time, the release never reached the wider audience it deserved. Its patient grooves and dreamy progression reflect D’Onorio’s hardware-driven approach to production and the understated emotional pull of Dutch House from that era.

Two decades later, Anacalypto Records brings Because Of My Dream back into circulation, rediscovering and reintroducing this forgotten dancefloor moment for a new generation of DJs, dancers and selectors.

Two years after Introducing, this 1977 release—the second installment in Toshiba EMI’s acclaimed “Pro Use Series”—returns on clear green vinyl.

Joining the returning rhythm section of Shuichi “Ponta” Murakami (drums) and Ray Ohara (bass), percussionist Nobu Saito and others further strengthen the album’s rhythmic foundation. Highlights include the classic “Left Handed Woman”, where Jun Fukamachi explores new possibilities for the analog synthesizer while engaging in electrifying solo exchanges with the song’s composer, Kenji Ohmura, as well as “Take It Easy Mr King Kong”, which makes inventive use of a talk box.

More accessible, more thrilling, and even more refined than its predecessor, this album stands as a superb showcase of Fukamachi’s evolving musical vision.

A pioneering keyboardist of crossover music in Japan, Jun Fukamachi recorded and released this hidden masterpiece of the early Japanese fusion era in 1975 as part of Toshiba EMI’s audiophile-oriented high-fidelity analog “Pro Use Series”.


Now, it returns on clear red vinyl.

Backed by a powerhouse rhythm section consisting of drummer Shuichi “Ponta” Murakami and bassist Ray Ohara, Fukamachi showcases a rich palette of analog synthesizer sounds, while Kenji Ohmura delivers breathtakingly intense and fluid guitar solos.


The centerpiece of the album is the approximately 14-minute jazz-funk epic “Bamboo Bongo”, a standout track that perfectly captures the virtuosity and adventurous spirit of this landmark recording.

The saxophone, thunderous as a peal of lightning, burns the listener’s body and shakes the soul. Out Of Chaos captures a new frontier reached by Kosuke Mine beyond the depths of chaos.

Having attracted widespread attention through his work with the Masafumi Kikuchi Group and the consecutive release of three albums under his own name in 1970, Kosuke Mine was one of the most talked-about figures in Japanese jazz. Following the breakup of the Kikuchi Group, he released the masterpiece Daguri in 1973, followed by the recording of Out Of Chaos.

From the hard-driving Recollection to the beautiful ballad Little Abi, Mine’s playing—said to have been influenced by John Coltrane during this period—displays both sharp inspiration and a grand sense of scale, blowing with a power that seems to break through every barrier.

Backing him is the trio that helped propel Mine to the center of the jazz scene. Their performance, completely united and burning with intensity, is nothing short of breath-taking.

RAWAX proudly welcomes Mr. Carl Finlow to the artist Family!
We are delighted to announce three releases by this legendary producer as part on his own TRILOGY series!

2x12" 180g black vinyl
Gatefold
2x printed Innersleeves
Dl-Card
D1 "Running" exclusive track - only available via album vinyl

Monolink's second full-length musical opus, which follows on from the critically lauded release of his debut LP Amniotic back in April 2018, Under Darkening Skies features twelve exquisite new vocal-led compositions, including his internationally celebrated hit singles, Otherside and The Prey.
Speaking about the album: "Under Darkening Skies is an album that's connecting different dots in my life, representing phases or moments I went through. I wanted to go back to writing actual songs again instead of adding vocals to a beat, which gave me the freedom to express more musical facets of myself. Eventually it became the most diverse record I have made so far, influenced by a time of global social and economic uncertainty at an ever-increasing tempo of change, like a dark cloud approaching. "

Celebrate 10 years of Shawn Mendes’ Illuminate with this special 10th Anniversary Edition 2LP.

Pressed on translucent aqua vinyl, this anniversary release features the original album housed in updated Illuminate packaging, plus a booklet featuring photography and lyrics from the album .

Originally released in 2006, John Acquaviva presents Swen Weber's ‘First Stroke’ returns on Secret Weapon Records with a
brand new remix from Luca Lozano. A defining Electro House record of its era, built around its instantly recognizable synth
theme, now gets a sharp 2026 update as Lozano moves the hook onto a break-driven groove, adding playful bass movement
and a futuristic vocal touch.
The remastered original is included on the flip, preserving one of the standout club records from the mid-2000s Electro House
boom.

Victoryland is the Brooklyn-based project of musician Julian McCamman and Dan Howard.. Their 2026 album, My Heart Is A Room With No Cameras In It, is a triumphant, despondent, and ultimately fun experimental pop-rock album. A year on, the record receives the deluxe treatment from new label home Dead Oceans. My Heart Is A Room With No Cameras In It (Deluxe) arrives December


11th 2026, on exclusive crystal clear vinyl, complete with new song “The Ugliest Girl On The Beach” and a new music video for album standout “I got god.” The sound of the album, recorded between Julian’s Bed-Stuy basement and Dan’s Williamsburg studio, is that of a bright and beaming collaboration. Blending lo-fi and hi-fi production, the songs have the glossiness of a radio-friendly hit mixed with the distortion and rough edges of a home demo. Every song keeps at least one element of the initial recording, while building around the loops and half-songs Julian scraped together. The lyrics on the record span from humorous self-aware popisms (“‘you and I’ will soon be, used to be ‘us’”) to crushing realities of bitterness (“i’ll never forgive you, that’s how I keep you close”) and abstract imagery (“mothers wave from doorways, in ostinato”), all delivered with such an immediacy and fervor that in the middle of singing along, you wonder if this guy slept much last night. Much to their surprise, My Heart’s release ushered Victoryland into a whirlwind of a year. Pitchfork praised the album’s “bright, madcap approach reminiscent of the New Pornographers’ Twin Cinema or Clap Your Hands Say Yeah’s Some Loud Thunder.” Stereogum named it their Album of the Week and proclaimed it “a surprisingly cohesive scrapbook of sounds from seemingly every corner of the indie pop umbrella.” The album also received support from Steve Lamacq at BBC 6 Music and Sian Eleri at Radio 1. After a string of sold-out shows in NYC, Victoryland later joined LCD Soundsystem on their North American tour and performed at Pitchfork London, Pitchfork Paris, among other festivals across Europe

Echoes from Mozambique 1993-2005 is the first time Ghorwane's most cherished recordings have been pressed on vinyl, drawing from three landmark albums spanning the arc of their career. The tracks chosen represent the band at their best: soaring with musicality, punching with feeling, and lifting the spirit.

Remastered by Frank Merritt at The Carvery in London and pressed as a premium double LP by Merchant Records, this is an essential document of one of Africa's great bands, finally given the format their music deserves. Following a celebrated UK and European tour in 2026, Ghorwane remain as vital and active as ever.

For the first time in their celebrated history, legendary Mozambican band Ghorwane are released on vinyl.

Founded in Maputo in 1983, Ghorwane’s unique sound blends traditional rhythms with Afropop, soulful horns and politically charged lyrics that made them simultaneously heroes of the people and a headache for those in positions of power.

As Mozambique’s longest-running band, they have survived the tragic murder of two of their most influential members and institutional censorship, going on to become one of Mozambique's most respected bands and inspiring a generation of artists.

How time flies when we’re talking truly classic House Music.

Incredibly it is 35 years since the epic BREAK OF DAWN was released. Track creator Geoff Hibbert had released the much loved A PLACE CALLED BLISS by CYCLONE on Network before coming up with the stunning BOD.
It was decided that a change of artist I/D away from Techno/Bleep influenced Cyclone was required and RHYTHM ON THE LOOSE was born.

Network came up with an initial limited edition 12” press on their One After D label to tie in with the Rave zeitgeist of 1991, to help kickstart a buzz on the track. Once this was ignited the “ suitcase at the door “ gem was properly released on the main Network label.

Acclaimed as an instant classic both in the UK and USA - where Network label mate Kevin Saunderson was an enthusiastic early advocate - BREAK OF DAWN is one of the tracks that truly shaped and defined the House Music explosion. Since then it has matured like fine wine.

To celebrate the 35th anniversary Network invited M.A.S.C (Mark Archer and Shadow Child) to come up with a remix that befits the as good as it gets status of the mighty BOD. They duly obliged..it’s a gem.

First copies of the remix are on a unique ADVANCE DJ COPY label with the track on both a and b sides.

An instant do you know the score collectors item …1991 to 2026 35th Anniversary Remix 12.

2026 Repress
The first Noisia release since the 'Imperial' EP release in May 2012. For this 12" Noisia locked horns with Calyx & TeeBee on the haunting, punchy roller 'Hyenas', and Evol Intent on 'The Liquid', an epic, breakbeat rave-up.

BOY Records was founded by Michael Zosel back in 1987 but it was after a few releases that he started to work with producer Arno Müller. “Brian” by Absurd was the first techno release on the label and a great success in the German techno scene. The cooperation continued with singles by Hypnopedia and New Scene that worked very well and put the name of BOY Records in the charts and clubs all around Germany and abroad. In 1990 another massive success came with the single “Kennedy” by Deep Thought and since there the label did not stop to release hit after hit by lot of names like Time Modem, “O”, Cybex Factor, Sonic System, Moskwa TV, MCL and lot more.

“Timeless Technology 1988-1991” compiles some of the best singles released on label’s most fruitful years. A selection of 24 classic tekkno traxx. Four records with printed inner sleeves packed on a silk-screened transparent Pet-Gag box. Limited edition of 500 copies.

A collection of hit songs released at the time of the TV anime "Dragon Ball", including rare insert songs, has been reissued on clear orange vinyl. This is a truly one-star ball (Yishinchu) disc!

A collection of hit songs that also includes the opening theme song "Makafushigi Adventure!" and ending theme song "Romantic Ageruyo" released in 1986. The "Son Goku Song" is sung by Masako Nozawa, the voice actor for Son Goku, the main character of Dragon Ball, and the "Wolf Hurricane" is sung by Toru Furuya, Yamcha's voice actor, Hyuma Hoshi from Star of the Giants, and Amuro Ray from Mobile Suit Gundam. Contains a total of 10 songs, including "Mutenroushi no Oshie" song by Kohei Miyauchi, the voice actor of Master Roshi! A must-have for Dragon Ball fans!

“Passion” is back! The new track from producer/DJ Beltran and The Flirts (including some “Native Love” by Divine) has quickly become a fan favorite in his sets and online, with 500k+ views already. Now available as a special 12″ vinyl release, featuring an exclusive Ben Liebrand 12″ vinyl version made especially for this edition and only available on the 12″.

The release is shaping up to be Beltran’s biggest since his breakout club hit “Smack Yo’”, supported by Michael Bibi, Mochakk, John Summit, Pete Tong, Dom Dolla and more, and now boasting 100M+ streams. It follows a huge year for Beltran, including tours across the US, UK, Europe, Australia and South America, with standout appearances at Coachella, CircoLoco Ibiza and KOKO London. Expected shipping: 2nd week July.

‘Perfect We Are Not’ the latest track from Soulwax, emerges directly from the band’s recent Abbey Road After Hours project - a unique collaboration with the iconic London studio that saw Soulwax take over the building for a series of recording sessions and a landmark live event.

Working across Abbey Road’s historic spaces - from Studio Three, to Studio Two, to Studio One - the band used all three rooms as a continuous creative environment, moving fluidly between them in pursuit of new material. It was within these sessions that ‘Perfect We Are Not’ was written and recorded with their full live band (including three drummers).

The track was cut using the studio’s vast array of analogue equipment before being pressed direct to vinyl and played as the opening moment of their 2manydjs set inside Studio One

Now released as a standalone single, ‘Perfect We Are Not’ carries that immediacy forward — a driving, full-bodied track that reflects the band’s instinctive, performance-led approach in the studio, and will also be released as a limited edition 12” via DEEWEE.

Following the release of Haunted House Party, Bradley Thomas Turner was contacted by the Cryptozoological Society of New York City to create music for their museum’s holiday exhibitions. As enigmatic as they are controversial, the secretive society gave the composer free rein to create music that celebrated their profane (and, according to their critics, pseudoscientific) explorations of the darker side of yuletide folklore. The endeavour was denounced by religious groups, the scientific community and even parts of the cryptozoological community as “blasphemous,” “irresponsible”, and “a dangerous topic to make light of” respectively. Not much is known about the pandemonium that broke out on the night of the opening reception, but one journalist (who has been granted anonymity by request) infiltrated the event and captured the recordings that follow. Death cult ritual? Mishandling of cursed artifacts? Elaborate practical joke? Publicity stunt? No one can (or will) say for sure as no person in attendance has been willing to speak on record. Therefore, we present these recordings so the general public can decide for themselves.

Limited run repress of Nomine’s 2015 “Blind Man EP”, released via Tempa.

For the 27th instalment of Big Trouble Records, Cryme steps in with a hypnotic overload of house holiness. Thumping, breakbeat-influenced drum patterns attach to Detroit synths, stabs, and pads.

Ziegelstr. is home to the studio and former headquarters of Berlin-based label Seven, run by Cryme and ultimately the meeting point between Cryme and Big Trouble’s head honcho Andre Zimmer, culminating in Cryme’s release on the label. Throughout its length, The EP nods to Detroit and early UK house whilst planting itself firmly in the core of what Berlin stands for today.

pressure control’s second release comes from the hands of Shift label-head Phase O’Matic.

Following seismic hits on Libertine, Exarde, EYA, New Fair Tracks and Chandelle, our boy wonder crashes into the pressure control spotlight with a deadly five-tracker primed for the floor.

Touching all corners of what we know and love – you can run, but you can’t hide.

Available for pre-order now via One Eye Witness.

All music by Jules Von Daniken
Pressing and distribution by One Eye Witness
Design by Al Robertson
Mastering by Marco Pellegrino

New York’s Ma Sha brings wigged-out rhythms to Nerve Collect with an explosive, future-facing new EP. The six tracks prove she is bound by no rules but knows exactly how to energise the club.

Ma Sha deals in sounds that operate outside the usual boundaries and demand full-bodied, physical reactions. She has become a driving force in the New York underground with Kindergarten, which is both a much-loved party and a much hyped label. Though built on global techno foundations, Sha’s grooves range from peak-time brain melters to more twisted and rugged, always at high tempo and with plenty of invention on labels like Steel City Dance Discs and Rhythm Section International.

‘Salpa’ opens with a clipped rhythm drenched in neon and psychedelic swirls as oversized bass cocoons from below with glitchy vocal fragments and hard but bouncy techno momentum. ‘Gillz’ swallows you in waves of bass and rubber kicks while screwy synths spray across the mix while a syncopated broken beat brings irresistible funk to a post-human world. ‘Shots’, a collab track with Hodge, works in overdrive with rising tones and liquid metal textures that trap you in a hall of mirrors. Intense club pressure builds with pristine percussion and hyperreal vocals.

‘Spinmachine’ is a freaky sound world of fuzzy synths, cantering drums and static electricity that is full of threat and never lets go. ‘Total Energy’ locks into rolling drums and hyping swing with descending leads and a sense of future rave chaos designed for sheer dance floor release.

Ma Sha’s sound designs feel beamed back from the future to rewire familiar rhythms that tickle the brain as they make their way through your entire body.

"Al Festa's musical genius was revealed at the age of 14 when was released ''Starway to Escher'' with the Italian prog rock band Bauhaus (1974). His talent continued with "Miss Manhattan" by Metropole Al Festa, Francesco Puccioni (aka Mike Francis), Claudio Giorgi, Sharon Russell vocalist), his very first disco-music song in 1981. Over his career - a dozen movie soundtracks and hundreds music videos - his involvement in the Italo-Disco scene of the early 1980s is noteworthy. Undoubtedly, his contribution to Kristal (himself Al Festa, with Anne Dattner and Max Liofredi) remains most memorable. "Ete Super" was written with Helene Chauvin, a close friend of the now legendary Jeanne Mas. Helene attempted success as Abilene with "Tout Tout Tout Mais Pas Ca" arranged by another Italo-disco legend, Pierluigi Giombini (1987). Returning to Kristal, what convinced Claudio Casalini - one of Al Festa's best friends - to create this vinyl reissue was not only the memory of this talented artist, who passed away prematurely, but also the track "Fallin'" on the B-side, which embodies all the composer's post-Romanticism, a song rich of emotional and sensitivity, with intimate and often dramatic tones. When you are about to purchase Kristal, keep this excellent B-side in mind. You will not regret the choice."

The ultimate soundtrack of the summer is here: Mixatissimo, a 10-track vinyl-only mixed dance compilation bridging nostalgic ’80s sunshine vibes with modern Italo and indie-dance energy.

In Italy, during the 1980s, there was an absolute ritual that marked the beginning of summer: the release of those mixed dance compilations with glittering, futuristic covers. They weren’t just records; they were the very definition of sun, sea and tan lines. It was precisely holding one of those vinyls in his hands – the first one he ever bought – that sparked the musical passion of Italian DJ and producer Hey Cabrera!

Today, that perfect circle closes with Mixatissimo, a project that takes that nostalgic inspiration and transports it straight into the modern era.

Released as an exclusive vinyl-only edition by Universo Segundo and powered by Bordello A Parigi, the compilation packs 10 bangers oscillating between modern Italo, indie-dance and electronics, featuring some of the hottest names on the contemporary scene.

Exclusive special edits have been crafted for every single track, locking the groove into a fixed BPM for each side: 122 BPM on Side A and 125 BPM on Side B. Thanks to smooth transitions featuring drums-only sections, the record flows as a continuous stream for the listener, while simultaneously serving as the perfect tool for DJs who want to mix the individual tracks.

A meticulously calibrated selection, designed as much to make the dancefloor explode late at night as to keep the rhythm high in the most sophisticated listening bars.

The soundtrack to your summer is ready.
What are you waiting for?