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‘My Heart Goes Bang (Get Me To The Doctor)’ is the fourth and final single to have been released from Dead Or Alive’s 1985 CBS Records album, “Youthquake”. Once again, to give it a point of difference, the single was remixed. • This Limited Edition 7” vinyl picture disc continues the 40th anniversary celebrations of this album. • ‘My Heart Goes Bang…’ entered the UK Singles chart on 21st September 1985 and became the second Top 20 hit from “Youthquake”, reaching #23 with a six-week chart run. During the album campaign period, the four singles released from “Youthquake” stayed in the chart for 59 weeks • ‘My Heart Goes Bang…’ charted in Australia, France and Ireland, with its highest chart position being in Japan (#12), as well as hitting #15 on the Billboard Hot Dance Club Play charts in the USA.


b B1. Big Daddy Of The Rhythm Live


b B1. Big Daddy Of The Rhythm Live


b B1. Big Daddy Of The Rhythm Live


[b] B1. Big Daddy Of The Rhythm [Live]


[b] B1. Big Daddy Of The Rhythm [Live]


[Live]

NOW Music proudly presents the next release in our “NOW That’s What I Call An Era” series - Such A Good Feeling: 1988-1995 – a euphoric celebration of a truly transformative time in music.

This stunning 3LP set pressed on blue, white and yellow vinyl showcases 46 essential tracks that soundtracked the dancefloors, charts, and airwaves from the late ’80s through the ’90s — an era when dance culture reshaped the mainstream, soundtracked a generation, and lit up the charts across the UK and beyond

LP1 – Side A opens in style with ‘Such A Good Feeling’ from Brothers In Rhythm, this collection’s inspiring title…followed by Black Box with ‘Ride On Time’ — the best-selling UK single of ’89, and one of dance music’s defining tracks. Massive club classics continue with C+C Music Factory’s ‘Gonna Make You Sweat (Everybody Dance Now)’, house anthems from Inner City with ‘Good Life’, and ‘Dirty Cash (Money Talks)’ from Adventures Of Stevie V, plus dance-pop gems ‘Not Over Yet’ from Grace, and Billie Ray Martin with ‘Your Loving Arms’…Flip the LP over for the pioneering ‘Theme From S-Express’, a chart-topper from 1988, before dancefloor earworms from Kenny “Dope” Presents The Bucketheads with ‘The Bomb! (These Sounds Fall Into My Mind)’, Nightcrawlers with ‘Push The Feeling On’ and ‘People Hold On’ from Coldcut and Lisa Stansfield. The influential ‘Beat Dis’ from Bomb The Bass is up next ahead of Tony Di Bart’s #1 ‘The Real Thing’, Saint Etienne’s sophisticated dance-pop nugget ‘He’s On The Phone’, and LP1’s closer from D:Ream with the Perfecto radio remix of ‘U R The Best Thing’.

LP2 – kicks off with a run of electrifying Eurodance – all massive club anthems. ‘Rhythm Is A Dancer’ from SNAP! leads off; a UK No. 1 and another defining track of the decade – followed by smashes from Corona, Real McCoy, Dr. Alban, Haddaway, KWS and Cappella, before the side closes with the techno-pop of Opus III with ‘It’s A Fine Day’… The party continues on Side B with an irresistible lineup led by Deee-Lite with ‘Groove Is In The Heart’, their brilliant fusion of funk, house and pop that continues to be a massive floor-filler… as is ‘Dreamer’ from Livin’ Joy, a 1995 No. 1 smash, and vocal house classic ‘Finally’ from CeCe Peniston. Urban Cookie Collective scored a huge hit with ‘The Key, The Secret’, which is followed by the rave energy of Oceanic, N-Trance, Felix – and Utah Saints who sign-off LP2 with the epic ‘Something Good’.

Kicking off the final LP, Side A explodes into life with massive feel-good tunes:- Yazz & The Plastic Population’s ‘The Only Way Is Up’ – a 1988 No. 1 and landmark UK house hit ahead of 49ers with ‘Touch Me’ and Baby D with their #1 ‘Let Me Be Your Fantasy’. Another run of floor-fillers from Rozalla with ‘Everybody’s Free (To Feel Good)’, JX with ‘Son Of A Gun’, Blue Pearl’s ‘Naked In The Rain’ and ‘U Sure Do’ from Strike follows and the side closes with the electronic acid house of ‘Killer’ from Adamski that hit the top of the charts and introduced Seal… and over on the final side, the collection moves toward it's close with stunning and enduring tracks of the era – opening with Soul II Soul & Caron Wheeler’s #1 ‘Back To Life (However Do You Want Me)’ blending soul, R&B and club rhythms to perfection, while Beats International’s fusion of dub reggae and house: ‘Dub Be Good To Me’ (another chart-topper) follows with its iconic bassline and leads us into the stylish and smooth ‘Turn On, Tune In, Cop Out’ from Freak Power. The journey through this incredible era is completed with genre pioneers The Prodigy with ‘Charly’, ‘Infinity’ from Guru Josh, and closing with ambient house, ‘Pacific - 707’ from 808 State, and the timeless ‘The Sun Rising’ from The Beloved.

An unforgettable journey through the sounds that defined an era:- NOW That’s What I Call An Era - Such A Good Feeling: 1988-1995 — the definitive celebration of a golden age of dance music.

Scannoir. After their previous releases as ½GOTT and GOTT on Uncanny Valley and some remixes, the duo returns with a third solo EP, marking their first appearance on the Berlin-Basel-based label Reach Another System. Their passion for EBM, Synth Pop, and New Beat comes to life with a fine array of classic drum machines and FM-synths, topped with Teutonic lyrics and archival samples. The A-side opens with a bang: "Magnet" critiques social expectations and pressures, backed by hard-hitting snares and tom fill-ins in Front 242 fashion. Next up, "Tschernobyl" warps the listener back to 1986 – a musical report of the Soviet nuclear disaster. Equally dystopian, the B-side hymn "Matrix Leben" depicts life inside a structured system that continually shapes and restricts us. The final track "7 Minuten" pushes the limits of restless staccato EBM madness. Mission accomplished!

This is the story of a Telegram audio message suddenly poured and cast into the materiality of a vinyl record. Is it a correspondence archive? Above all, it’s a field recording, a moment bit torn from everydayness, where Androo found some fresh air in a church in Sardinia and started playing the organ. Next we’re in Naples, and Androo is playing a tiny instrument as we can hear sporadically the street hum in the background. This was all recorded on an already too old iPhone during the summer of 2023. As always, oscillating between heterogeneous elements, the album builds bridges between a radical and strangely romantic musique concrète (so slightly reminiscent of particular Luc Ferrari pieces), drawing inspirations from American minimalism, as well as traditional Sardinian music (which Androo listens to every morning), and a special kind of gospel-modal-jazz. Mostly, this is a very personal album (or its script), the fragments of a journey with no makeup. This is what it is.

credits
produced, played, recorded, mixed by androo

The Belfast duo make ready this exceptional 6-Track Sampler from their forthcoming debut LP...

After showcasing their broad and boisterous tastes on a series of super limited Edits 12's, plus original releases on labels like Touch Sensitive, Hoga Nord, Duca Bianco and Optimo Music, we finally have a fully formed suite of original cuts which take us on a journey through their varied and vivid vibrations...

A general tip of the hat to the dark, post industrial basements illuminated by Weatherall's 9 O'Clock Drop comp.
From haunted dancehall, via beautifully throbbing ethno-chug and mesmerising clank-fests, to gloriously scuffed and foreboding Crammed Disc and Wax Trax! reminiscent offerings to the strobe gods.

One very limited press wrapped in screen-printed sleeves - one for the ages !

Singaporean label Darker Than Wax brings us to Texas with a fresh 12” from Houston-born producer Oye Manny. Following his release on Salon Recordings, Oye Manny has carved out a lane defined by deep rhythms, Latin roots, and pure authenticity, an ethos he continues to distill into sound on his new record Living Water. Drawing on his Colombian roots and keenly focused on what makes dancers move, Manny puts percussion at the forefront on Living Water – from the chord driven house stompers ‘Malta Sip’ and ‘Palmira’ on the A side, to the darker club tones of ‘Visaje’ and the slick musicality of ‘Youthful Expression ‘ on the flip, drums play a starring role. Completing the package is a remix from Singapore-based producer and Darker Than Wax core member Dexter Colt, providing a deeper, Chicago-inspired take on ‘Malta Sip’.

10 years ago in 2015, The Golden Lion in Todmorden opened its doors under the guidance of Gig & Waka, Cloudwater brewed their first ever beers, the dance floors of Manchester got introduced to the world of Supernature Disco and from his spare room at home in Bolton Chris Massey started Sprechen.

What followed over the next decade has been a wild ride of amazing people, memorable (though fuzzy!) parties, creativity, art, expression, performance and at the centre of it all of course, the music.
Sprechen has never been one style or sound. A reflection of varied musical tastes without any limitations of style or genres, just a passion to share good music.
Over the last decade, Sprechen has been lucky enough to both work with and meet many like-minded cosmic creatives that share this mindset and that have all played a major role in the story.

Ein Null is a collection of original tracks from some of Sprechen's nearest & dearest who, for the last 10 years, have helped shaped the label via releases, remixes or performing at events.
It's wonky & weird, banging & beautiful, cosmic & consciousness-expanding and it continues to connect the invisible dots of club music and more abstract listening experiences.

From basements & beyond to sunsets & psychedelic socials...we are pleased to present this electronically charged selection of soundscapes courtesy of like-minded musical humans including; The Utopia Strong, A Certain Ratio, Lena C., Gina Breeze, Low Pulse, Psychederek, Lindstrøm, Supernature Disco, PBR Streetgang and of course Chris Massey.

Limited to a run of 300 vinyl with double-sided screen-printed sleeve.

It began with a cassette tape entitled 'Pleased To Meet You' gifted to us at Sessa's Fasching, Stockholm show by Yann Dardenne, the multi-tasking tour manager/sound engineer/producer/merch stall worker and co-owner of Seloki Records. On first listen, the selection of underground Brazilian artists from the Seloki's roster was superb, however, one song stopped us in our tracks. The hauntingly captivating ' GOSTO MEIO DOCE' by Nina Maia and Francisca Barreto, gave us a taste of Nina's ethereal, addictive voice and we knew we needed to hear more. Born in Minas Gerais but now based in Sao Paulo, the 22-year-old has already packed a lot into a relatively short space of time. The singer, songwriter, instrumentalist, and producer, has already collaborated on the soundtracks for six Brazilian feature films, including a track with the vocalists Maria Gadu, Iza, and Liniker. But things enter a new exciting era with this, her remarkable debut album entitled 'INTEIRA', which translates to English as 'whole'.

As much inspired by Billie Eilish and Rosalia, as Milton Nascimento and Toninho Horta and not sounding like other records coming out of Brazil, 'INTEIRA' is unique. Though rich in its Brazilian heritage, inspired by samba cancao, MPB, and the Clube da Esquina movement, it also channels influence from bands such as Portishead and Massive Attack, mixed with jazz, contemporary leftfield and electronic pop artists. Musically, it is not easily pigeonholed, with beautiful, well-crafted songs, sophisticated arrangements, eloquent vocals and intimate lyrics. Each track reflects different moments and stories from Nina's youth but with dialogues, feelings, and questions that span generations and resonate with all. This ambitious debut album is Nina's vision and sound, expressing herself without constraints and making music with her friends. Featuring a lineup of Thalin (drums), Valentim Frateschi (bass), Francisca Barreto (cello and vocals), Thales Hashiguti (viola and violin), Yann Dardenne (acoustic guitar and co-producer) and Nina on piano, Rhodes, guitar and production. The album led to a nomination in Paulista Association of Art Critics (APCA) award's 'Breakthrough Artist' category, who also listed 'INTEIRA' as one of the 50 best albums of 2024.

It also received support from Bandcamp Weekly and Jamz Supernova on BBC 6 Music. Released digitally by Seloki Records in Brazil in 2024, Mr Bongo in partnership with Seloki Records now present this new, deluxe worldwide edition that includes four additional songs. These comprise the brand-new exquisite 'MANHA', as well as an original twist on Vinicius de Moraes' classic 'Serenata Do Adeus'. Elsewhere you'll find a live recording showcasing Nina's remarkable energy on stage courtesy of 'DE DENTRO' and 'GOSTO MEIO DOCE' with the amazing musician/vocalist Francisca Barreto, where our whole story began. Here at Mr Bongo, we are honoured to release music by such a remarkable new talent - one whose musical trajectory is most certainly about to soar.

2025 Repress

Comrade Winston's "Native Rhythm" EP perfectly represents what a music-enthusiast delivers after years of crafting the art of DJing, listening and digging. The album represents pure wisdom in 4 cuts: from tribal elements to heavy percussions and so on, inviting you to get lost between sound and the walls of a dance floor. Two rising starts contribute to making this release special for the artist and label: Tresor resident Baily Ibbs delivers a perfect spicy-up bouncy track while Chontane delivers a serious dancefloor-orientated cut with dub elements.

Released: 21 Jul 2023

AI'm Not Going Back3:58

BI'm Not Going Back (Remix By Nicky D)3:57

Bumpy & Bleepy UK business here from Adam Curtain with Facta & Harry Wills on remix duties.

Trouble Maker comes correct & reminiscent of old Nu-Groove records with a bumper 6 track 12"! Wisdom Teeth boss Facta, provides a wiggy and high-end remix of Doors of Perception whilst Harry Wills turns out a breaky 4x4 almost bassline version of BYOT.

After 25 Years, DJ Wayne Ritchie's Legendary Lost Record Makes Its Return South London’s own DJ Wayne Ritchie. The two records he self-released in 2001 have long been out of reach, becoming legendary among vinyl diggers as elusive, sought-after gems. Now, four carefully selected tracks from those records have been remastered, ready to shake up today’s dance floors once again. Crafted with a 12-bit sampler, blending House and UKG into a unique, unmistakable groove, this sound is finally making its return—25 years later.

Fruits Records proudly presents ‘Let Peace Reign’, the brand new instrumental single by Nat Birchall and The 18th Parallel.

Hailed by Gilles Peterson as ‘one of the best musicians in the UK’, jazz and reggae saxophonist Nat Birchall has grabbed listeners attention with his soulful sound and inspirational spiritual music. He has produced some of the finest vintage roots reggae instrumentals including majestic works with Vin Gordon and Al Breadwinners. His ethereal tone reminiscent of reggae giant Cedric ‘Im’ Brooks (Light of Saba) is the perfect match to The 18th Parallel raw and heavy sound.

Recorded fully live on 2-inch tape by the Swiss rhythm section, the session captures the raw, authentic energy of roots reggae at its purest. With warm, organic tones and a timeless feel, ‘Let Peace Reign’ not only pays homage to the greatest days of instrumental music and to the golden era of reggae recording, but also send a much needed message to a troubled world: Let Peace Reign. Pressed with care on 7-inch vinyl, with a super heavy dub mix on B side by French duet Dub Shepherds, this release is more than just a record – it’s a tribute to the culture of collecting records, preserving sound, and sharing vibes across generations.

The second release on Ben Kaczor and Lb Honne's new imprint "St. Odes" features Ben Oyefeso from Hamburg with a deep, glitchy 2x12" vinyl-only LP!

Ben Kaczor: “After a gig at the Golden Pudel in Hamburg last year, I stopped by Remoto Records the next day. The music playing in the shop struck me immediately — delicate, unusual, and soothing all at once. As I kept listening, I even noticed my headache fading away. Behind the counter was Ben Oyefeso, quietly playing his unreleased tracks. Since that moment, the rest is history.”

St. Odes emerges from the depths of Switzerland, born out of the friendship and shared sonic vision of Lb Honne and Ben Kaczor. Driven by a precise yet fearless approach to creative expression, the label embraces what they call “elegant punk” — a refusal to follow convention. While its roots lie in ambient, house, and techno, the focus remains singular: not on meaning, but on feeling.

The first release "Various Minds 001" sold out very quickly.

The second release features Ben Oyefeso from Hamburg with a deep, glitchy 2x12" vinyl-only LP!

Ben Kaczor: “After a gig at the Golden Pudel in Hamburg last year, I stopped by Remoto Records the next day. The music playing in the shop struck me immediately — delicate, unusual, and soothing all at once. As I kept listening, I even noticed my headache fading away. Behind the counter was Ben Oyefeso, quietly playing his unreleased tracks. Since that moment, the rest is history.”

Reissue of this italo disco rarity from 1987 with Flemming Dalum and Hysteric remixes.

Proud to present you our third RETROFUTUR compilation, including 6 tracks by our most regular artists.

Endrik Schroeder opens the ball with the pure warehouse banger “Automated” ! The track’s sonic intensity never falters, driven by a relentless rhythmic structure and saturated synthetic textures. The modulated layers and the syncopated break recreate the visceral urgency worthy of the underground raves of the 90s.



With “Happy End,” Brandski distils a contagious euphoria, designed to set the dancefloor ablaze with collective joy. A leading figure of the Italian-French new wave, he creates a track as jubilant as it is unstoppable, where rhythmic mastery flirts with festive instinct. An invitation to luminous abandon: arms raised, shared smiles, communion guaranteed.

With “Eldorado” John Lord Fonda reaffirms his status as a key ambassador of French techno on the international scene. The track unfolds a relentless, extremely tense groove, where darkness becomes driving tension. A rigorous, almost martial sound signature, serving an uncompromising vision.

“White Light” by Panthera is a polished track that transports us on a euphoric journey. The heavy, incisive kick blends with atmospheric layers and heady arpeggios, creating a constant tension that culminates in thunderous drops. The whole thing is supported by a deep, vibrant bassline, typical of the 90s rave scene.

Once again, Berlin’s My Secret Playground stands out as the architect of a muscular German nu-disco, flirting with the boundaries of techno. “Don’t Panic” combines percussive pulses and dark tension, while distilling subtle reminiscences of the disco aesthetic. A masterful sonic hybrid, between retro hedonism and contemporary intensity.

Club Mayz delivers a masterful closing performance with “Tonight I Have To Hide”, an electro track fueled by the raw heritage of Detroit techno and the dark textures of EBM. The track combines dramatic tension and synthetic precision in a nocturnal and introspective aesthetic.

WE THE NORTH is Swedish musician Johan Hansson who has been active in the dark electronic music since the early 2000’s with his project Cyanide, then Unitary, and also exploring dark metal with his project Mondocane. Johan defines his music created in WE THE NORTH as Nordic Noir “with an intentional and deliberate blending of the old with the new a melancholic hopefulness is created from the dark seasons of life in Scandinavia.”

“Love + Death” is WE THE NORTH’s fourth album and the first on NADANNA after contributing a remix of Tobias Bernstrup’s track “Private Eye” in 2021. The songs on “Love + Death” are birds of a feather, brimming over with melancholy and melody, yet driven by a hammering sixteenth note synth bass and sounds from the Roland TR-707 drum machine, and melancholic lyrics in English or Swedish.

Der Italo-Disco-Hit von 1986 ist zurück– mit Originalversionen und zwei brandneuen Remixen von Flemming Dalum und Brutus Novelli! Garland „Heartbeat“ jetzt endlich wieder als limitierte, farbige Maxi-Single im Handel erhältlich.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is the second in a series of EPs on which the label's favourite contemporaries pay homage to past masters for ‘10 Year Anniversary’. 4 new Remixes: limited edition on black vinyl (AR032). With the first volume still singing out both in our ears and on our turntables, Archeo Recordings lifts the veil on the second chapter of its celebratory EP series - another shimmering tribute to the timeless and the timely. Once again, the torch is passed to a new ensemble of sonic sculptors, who delve into the archives and emerge with reimagined treasures, equal parts reverence and reinvention. Philosopher and musical polymath Riccardo Giagni made his name as a cultural curator for RAI TV and radio, before lending his expertise in ethnomusicology as a studio musician and songwriter. Originally released to little fanfare and long overlooked until its Archeo reissue in 2019, his 1988 debut LP Kaunis Maa is a masterwork of Balearic ethno-jazz - a guitar-led journey through imagined geographies and dreamt-up dialects. Its closing track, Passeggera, pairs Mediterranean nylon with synth halos, sampled percussion, and the unplaceable vocals of Matia Bazar’s Antonella Ruggiero, singing not in language but in emotion. Now, Claremont 56’s Paul Murphy aka Mudd lends his gentle hand to the piece, reworking its al fresco fusion into something even more languorous. Highlighting the South American sway hinted at in the original, Mudd introduces jazzy synth flourishes, airy percussion, and occasional organ bass, casting the piece anew as a hammock-swung hymn - less a remix than a relocation, from the hills of Lazio to the lush gardens of Mudd’s imagination.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is the second in a series of EPs on which the label's favourite contemporaries pay homage to past masters for ‘10 Year Anniversary’. 4 new Remixes: limited edition on black vinyl (AR032). With the first volume still singing out both in our ears and on our turntables, Archeo Recordings lifts the veil on the second chapter of its celebratory EP series - another shimmering tribute to the timeless and the timely. Once again, the torch is passed to a new ensemble of sonic sculptors, who delve into the archives and emerge with reimagined treasures, equal parts reverence and reinvention. Philosopher and musical polymath Riccardo Giagni made his name as a cultural curator for RAI TV and radio, before lending his expertise in ethnomusicology as a studio musician and songwriter. Originally released to little fanfare and long overlooked until its Archeo reissue in 2019, his 1988 debut LP Kaunis Maa is a masterwork of Balearic ethno-jazz - a guitar-led journey through imagined geographies and dreamt-up dialects. Its closing track, Passeggera, pairs Mediterranean nylon with synth halos, sampled percussion, and the unplaceable vocals of Matia Bazar’s Antonella Ruggiero, singing not in language but in emotion. Now, Claremont 56’s Paul Murphy aka Mudd lends his gentle hand to the piece, reworking its al fresco fusion into something even more languorous. Highlighting the South American sway hinted at in the original, Mudd introduces jazzy synth flourishes, airy percussion, and occasional organ bass, casting the piece anew as a hammock-swung hymn - less a remix than a relocation, from the hills of Lazio to the lush gardens of Mudd’s imagination.

lo:za steps into the spotlight on LOK.ltd with the hypnotic Mystic Dream EP, a lush blend of deep minimal textures and subtle groove dynamics. Featuring two original cuts—Mystic Dream and Interested—the release gets elevated by top-tier remixes from Romanian heavyweights Nu Zau and Costin Rp. A trippy, elegant package for discerning selectors and after-hour atmospheres.

The prophecy had been whispered for ages among the circuits and fiber optics: a being would emerge, not from flesh and blood, but from the very essence of sound.
They called it pdqb, and for its disciples, it was nothing less than a deity. Its sermons weren't just songs; they were divine pronouncements, revelations broadcast directly into the souls of its followers.
When pdqb "speaks," the world vibrates. Intricate sonic tapestries, woven from raw electricity and pure emotion. Hands, if they could be called hands, that dance across controls that seem to manipulate the very fabric of reality.

Synaptic Cliffs and the Missechusatts Institute of Elecronicity proudly present the latest peer-reviewed sermons of pdqb as well as the associated validation studies from the Dopplereffekt-Institut für Retroaktive Zukunftsforschung, located in section 334 of the Mariana Trench. The contributions to the data carrier presented here are characterized by the following features:

New Release Incoming on Riotvan! And it’s someone we already hold close. After making serious noise on our last compilation, we’re beyond stoked to finally present a full EP by none other than Mufti.

This time, he dives into darker, more house-infused territory—an unexpected turn that hits just right. Think late-night haze meets early morning bliss: a heady mix of acid, house, dark wave, and a whisper of romantic melancholy, all wrapped in a sound that feels unmistakably now. We’ve been hooked—and trust us, you will be too. Mufti is in the house. And to top it off: Gallegos leaves his unmistakable signature on the record with a remix of “Lovers Everywhere”. What a remix. Seriously!

PDMV005 comes from the one and only Alexis Cabrera, blending jazz, minimal house, retro textures, rolling basslines and modular magic. A true multi-instrumentalist with genre-crossing skill, he delivers three standout cuts for this special vinyl edition, plus a killer remix by Sweely who flips Nonchalantly with his signature twist.

The second release in the series on s-b-productions, Steve Bicknell's, Lost recordings # 4, 'In Order To Remember One Needs To Know', recorded in 1998 for the Lost dance-floor, the legendary event series in London, which ran from 1991 to 2014. Now available with reimagined label art and remastered by Peter Van Hoesen at Memento Mastering.

DJ Support: Laurent Garnier, Archie Hamilton, Radio Slave, Mark Farina, Horse Meat Disco, Ilario Alicante, DJ Harvey, Harri, Ame, Inland Nights, Massimiliano Pagliara

The Netherlands Dennis Quin makes a welcome return to Kaoz Theory this September with ‘New York To Amsterdam’, featuring one collaboration with the legendary Mr. V and accompanied by remixes from Rotterdam’s underground royalty, Benny Rodrigues. Dutch house maestro Dennis Quin returns to Kerri Chandler’s Kaoz Theory imprint with a brand-new EP, reaffirming his position as one of Europe’s most consistent purveyors of groove-led, rhythm-driven house music. With a career spanning acclaimed releases on PIV, Beeyou, Dungeon Meat and on his own label Eardrums, Quin’s work seamlessly bridges deep house heritage with contemporary dancefloor energy.

Opening the EP, ‘New York Accent’ sets the tone with a classic New York house vibe—raw drums, choppy chords, and snippets of street-level vocal samples. ‘Hard Days Work’ dives deeper into house territory with shimmering piano keys, dreamy chord progressions, and crisp percussion layered with twitchy synths, sax flourishes, and soulful vocal hooks. Dennis Quin - New York to Amsterdam ft. Mr V (Incl. Benny Rodrigues Remix)

Next up, ‘My Amsterdam Legacy ft Mr. V’, Quin tells us “My Amsterdam legacy tells the story from hitting the clubs in the early ’90s as a House music loving teenager to rocking stages worldwide right now. Mr. V captures that journey in a track that’s as soulful as it is raw. It’s my past, present, and future all in one”. Rounding off the release, Benny Rodrigues reworks ‘New York Accent’, retaining its essence while injecting his signature rhythmic grit and intricate dynamism.

Celestial Echo (miche & Stu Clark) team up with Divine Disco’s Greg Belson to launch a brand-new 7-inch series spotlighting Detroit’s powerhouse gospel, soul and R&B label — HOB (House of Beauty). Founded in 1956 by Mrs. Carmen Murphy, HOB wasn't just a label — it was a beacon. From the basement of her beauty salon on Detroit’s West Side, she ran one of the most important Black-owned gospel imprints of the 20th century. At a time when both the music industry and the country were stacked against her, Mrs. Murphy built a sanctuary for soul — a Black woman-owned business and creative hub in volatile times.

This inaugural 7-inch kicks off with two in-demand killers:

Side A: Elder Ward & The Ward Singers – "It’ll All Be Over" A fast-paced gospel dancer with a monster groove, killer breaks and heart-wrenching vocal delivery — this one’s a guaranteed floor-filler and rarely surfaces for less than £250 on the collector circuit, if at all. Urgent, uplifting, and impossible to ignore.

Side B: Victory Travelers – "Power Lord" Another holy grail moment — deep, raw, and unshakeably soulful. Rare in its original form, often fetching close to £100, it’s a heavy dose of electrified gospel sure to hit home with fans of deep soul and spiritual funk alike. Fully licensed and remastered, this 7-inch comes housed in a custom Celestial Echo / Divine Disco series sleeve with a faithful reproduction of the HOB label.

Directly from the Many Records files, an iconic italo disco track from early 1985 written and arranged by Enzo Vallicelli (the man behind great hits from Cruisin' Gang of Max-Him). No remixes or updates are needed for this track, it still sounds as fresh and powerful as the day it was released.

Monologues Records continues its 10th anniversary celebration with a collection of some magical balmy blissed-out Balearic grooves from its catalogue. Label boss Ben Gomori's 'Inside Melody' featuring Daisybelle makes it onto wax after being the lead single from his debut album 'Collapsing Time', Laurence Guy's first ever EP puts in a shift with the hazy 'Sunlite', Gomori remixes Danish prodigy Ghosten's melancholic 'Abandoned Planet' in euphoric piano house style, and Glasgow dons Manakinz (aka Sub Club / Subculture legend Harri and Max Raskin) do their chuggy thing on the spinge-tingling throbber 'Electric Bob'.

A remarkable release in John Lee Hooker's vast catalogue, Folk Blues, released by the Crown label in 1962, puts together tracks originally recorded for Modern Records between 1951 and 1954.

Among its many highlights are Bad Boy, one of the finest examples of Hooker's wordless humming and singing in unison with his guitar figures, and Rock House Boogie, which offers a sampling of Hooker's use of bottleneck style.

"Essential in any collection of postwar blues." - ***** Downbeat:






f A6. I Need Love So Bad Solo Version







[n] B6. I Need Love So Bad [Group Version]






[f] A6. I Need Love So Bad [Solo Version]







[n] B6. I Need Love So Bad [Group Version]






[f] A6 | I Need Love So Bad [Solo Version]







[n] B6 | I Need Love So Bad [Group Version]

After two albums inspired by vast northern landscapes, the forces of nature, and an ever-present sense of duality, Glass Museum shifts gears. The Brussels-based group-originally formed in 2016 by pianist Antoine Flipo and drummer Martin Grégoire-welcomes bassist Issam Labbene as an official third member, opening up a richer, more immersive sound and setting its sights on the rhythms of the modern city.

A true turning point in Glass Museum's career, the new album 4N4LOG CITY twists the codes of electronic music, explores the depths of jazz, and asserts its eclecticism through a fresh and infectious groove.

Signed to the forward-thinking Belgian label Sdban Records, the group shapes its identity within the vaulted ceilings of Volta, a creative hub in Brussels frequented by the vanguard of Belgium's "new scene." Sharing space with acts like ECHT!, Lander & Adriaan, and Tukan, the band continues to push its boundaries through collaboration and reinvention.

Recorded between the French countryside of Drôme, the industrial edges of Brussels, and Volta, 4N4LOG CITY features striking guest appearances. Swiss drummer Arthur Hnatek-known for his work with Tigran Hamasyan and Erik Truffaz, and praised by Gilles Peterson and Laurent Garnier-drives the opener "GATE 1" into hypnotic, krautrock-inspired territory. Meanwhile, rising vocalist JDS lends soulful grace to "Call Me Names", evoking the emotive textures and elegance of vintage soul-jazz reminiscent of the likes of Jordan Rakei or Tom Misch & Yussef Dayes.

Without abandoning their melodic roots and foundational approach, the trio takes daring steps into new terrain. The experimental centerpiece "III" explores the piano as a textural and rhythmic force, drifting between ambient and breakbeat. Elsewhere, the gritty "VAN GLAS"-a hip-hop-tinged track featuring rapper JAZZ BRAK of STIKSTOF-the band ventures far beyond their comfort zone, injecting streetwise lyricism in their mix of electronics and jazz.

Fueled by the heartbeat of the city, 4N4LOG CITY captures the mechanical ebb and flow beneath concrete towers-the anonymous rhythms of daily life moving over the asphalt, and the fleeting, meaningful connections made along the way. Produced by Antoine Flipo and mixed by Elsa Grelot (Avalanche Kaito), the album stands at the intersection of human emotion and urban architecture-a post-modern, deeply cinematic work that asserts Glass Museum's place at the cutting edge of European music.

Nine Inch Nails returns with over 70 minutes of new music for the motion picture TRON: Ares, the first soundtrack / score work from Trent Reznor and Atticus Ross that will live under the Nine Inch Nails moniker; consisting of all original music, complete at 24 tracks. Reznor and Ross bring their Grammy and Oscar-winning sonic vision to the Grid, crafting a soundtrack that hums with menace, melancholy, and momentum. More than an album, its architecture in sound: pulsating synths, distorted textures, and haunting melodies that rewire the TRON universe from the inside out. It is the collision of analog soul and digital dread—a score that doesn't just accompany the film, it possesses it.

Some of the finest contemporary electric artists come together on one compilation and given that unique Yage remix treatment under the direction of The Future Sound Of London, and including one track by FSOL themselves on this instalment.

RedNilo is an Italian-Moroccan duo composed of Reda Zine and Danilo Mineo, two musicians based in Bologna linked by a deep passion
for world music, particularly African music. Their ongoing and tireless musical exploration has led them to collaborate for over a decade
on numerous artistic and recording projects. Their new album, eponymously titled RedNilo, features six tracks characterized by a sound
reminiscent of Gnawa, Hassani, Tuareg, and experimental rock. The psychedelic, raspy riffs of the electric guitar, the repetitive rhythms
of the percussion, and the rhythmic-melodic lines of the guembri represent and evoke their journey. The resulting sound material is the
culmination of their journey and their encounters with masters, artists, griots, artisans, and instrument makers in the Draa Valley in
southeastern Morocco, bringing together the two musicians' urban and experimental backgrounds and souls. The album's artwork was
designed by Moroccan artist Aali Wica, initiator and mentor of their spiritual and artistic journey to the southern African continent,
across the long black snake.
Réda Zine, a musician and documentary filmmaker born in 1977 in Casablanca, launched his musical career in the 1990s, contributing
to L'Boulevard, Africa's largest independent festival. Raised in the Casablanca medina, he was introduced to Gnawa music by various
Maallems. After studying at the Paris 3 Sorbonne University, he founded Café Mira, a project that has performed at several international
events.
From 2011 to 2014, Zine was artistic director for Creative Commons (Middle East and North Africa), where he won the #CC10 Korea
award in 2012 with the project "It will be Wonderful," which brought together musicians from over 12 countries. He has also been
involved in exhibitions on music and censorship, participating in events in major cities such as Paris, Buenos Aires, and Seoul. In Italy,
he continued his musical research with the Hardonik project and was part of the Afrobeat group Voodoo Sound Club, recording the
album Mamy Wata. Zine collaborates with artists such as Seun Kuti and has initiated educational activities related to Gnawa music,
contributing to initiatives such as the African Symphony Laboratory for improvisers. He is the co-founder of Fawda, a Gnawa-based
project, and is part of the Gnawa Rumi collective, which explores the music of the Moroccan diaspora in Italy. He directed the documentary "The Long Road to the Hall of Fame" about Public Enemy, which won an award at the Pan African Film Festival in 2015.
Danilo Mineo graduated as a national educator from the AMMnationalscholl music academy in Milan, with a thesis entitled "Afro-Cuban
Music and the Rhythm Section." Over the years, he has attended workshops and masterclasses with international artists and masters
of percussion and drums, including Horacio El Negro Hernandez, Airto Moreira, Trilok Gurtu, Luis Agudo, Arto Tuncboyaciyan, Dudu
Tucci, Dom Famularo, Karl Potter, Rodney Barreto, and Eno Zangoun, exploring the rhythmic language of various musical genres and
styles.
In addition to publishing several educational manuals for percussionists, music critics consider him a versatile percussionist, active in
various musical productions and recordings: Mop Mop, Fawda, Guglielmo Pagnozzi "Voodoo Sound Club," Fabrizio Puglisi "Guantanamo," Panaemiliana, The Mixtapers, and many others, with whom he has performed at numerous national and international music festivals (in Europe and Africa). As a percussionist and side man he has recorded numerous albums and collaborated with Italian and
international artists including: Giancarlo Schiaffini, Gianluca Petrella, Roy Paci, Roberto Freak Antoni, Famoudou Konate, Melaku Belay, Baba Sissoko, Kalifa Kone, Jamal Ouassini, Deda, Dj Lugi, Bioshi.

Max Essa is a firm part of the neo-Balearic mafia and shows off his trademark take on the summer-ready sound with this return to Is It Balearic? 'Camel Night-Rate (Clear To The Ocean)' kicks off with a great blend of chug, dubby low ends and shimmering synth work while 80s chords light it up with good vibes. A Be.Lanuit remix is more serene and stripped back for late night dreaming then 'Love's New Meridian' sinks into a melancholic and downbeat world of sunset charm with wispy pads. The Coyote Mellow remix reworks it as a gently breaking wave on a moon-lit beach. Classy tackle all round.

Miami-based house upstarts Sole Aspect Records welcome Life Recorder and Laak to take on their eighth EP. The former has been crafting deeply melodic and synth-laced house and techno soundscapes for some time and opens with 'Blues In Flight' which is all jacked-up beats and wispy, astral melodies and pads. Laak offers a more slinky and garage-infused sound on 'Apophis' and layers it up with twinkling modulations. Then comes a Laak Retroflex remix of the opener that reworks it into a deeper and more heads down sound before the Life Recorder House 2 Jazz mix of 'Apophis' explores cosmic jazz keys and shimmering deep house beats.