quête:remix

The interstellar cosmonauts of Staatseinde create a theatrical mix of pulsing electro with nostalgic hopeful synthlines, all performed live with synthesizers, a sequencer and tantalizing vocals. From Wave to EBM, from NDW to Punk and everything else in and out of the box. It is like walking into a club meeting Kraftwerk on speed and The Sex Pistols on acid.

Their new release “De Nieuwe Golf” is characterized by dystopian prospects and hopeful sounds, confirming Staatseinde’s name as the founder of the “Neue Niederländische Welle”, in other words the New Dutch Wave.

The uplifting italo rifs in opening track “Grauw” take you on a journey through a gray world in which color cannot be taken for granted. Minimal wave track “Einzelganger” makes you feel like an outsider who can’t keep up with society. “Geef Me De Tijd” sounds like a schizophrenic dreamer swinging casually, but ending as a hard hitting track. Dystopian doom and pessimism is captured in EBM/techno floor filler “Doembeelden”. The raw West Coast Sound of Holland infused “La Haya” is a tribute to the city of The Hague which calls out on everybody to get wasted. The epic ode to space travel “Ruimtevaart Vooruit (2022 Refix)” is back in a rendition inspired by Rude66’s 2010 remix version. “Isla Inutile” is a dark and tropical delirium. In the hopeful “Alles is Weg”, Staatseinde takes you from the downfall on the way to…?

Staatseinde’s “De Nieuwe Golf” holds up a mirror to humanity…progress has not helped us any further. There is hope…but will this new wave be on time? Or is it already too late?

The third release of the Resurrection Label is a fact!!!

Established in 2016, Little Giant Records is the Brooklyn-born label founded by Anna Cavazos that specializes in the kind of deep house sounds that belong in the dark and sweaty basements of underground clubs. Anna is a DJ, producer, and vocalist who has played out across the globe for over 15 years mixing and blending the deep house sounds of Chicago, New York, and Berlin. . Her discography includes original compositions, remixes, and collaborations with the likes of Satoshi Tomiie and Eli Escobar.

The EP kicks off with the original of ‘Love Interlude’ - melancholic and piano-heavy with an ultra-deep baseline embellished with warm pads and soulful drums. Anna’s soulful vocal floats above the melody creating an emotional and moving interlude. Next up Matthias Vogt delivers a deep-house masterpiece adding extra keys, drum accents, and a well-placed baseline that is weaved neatly into the vocal hook while Vogt delivers the warm, jazz-flecked vibrations he is well known for.

Up next Rick Wade weighs in with some ever so classy house laced with flashes from the Motor City of Detroit. Warm electro piano, glowing synths, and vocal parts contrast with the deep sub baseline. Closing out this EP Rissa Garcia draws heavily on her New York house inspirations. Organ riffs and a funk-inspired bass line lead the charge dropping in and out between vocal harmonies and subtle synth work. Percussive accents bring it all home making this closing cut one dancefloor destroying, peak-time bomb.

The Chilean label and record store 5 Universos Records present the third release of their vinyl only series where music and creativity speaks for itself.


On Side A, label owner 5UNIVERSOS, delivers two captivating hypnotic tracks, approaching to micro house. "NEK” immerses us in a funky roller with deep bass and acid touches, guided by an Asian voice. “TOKO” leads to an enigmatic dream voyage across the Atlantic incorporating Koto, the national instrument of Japan.



On Side B, the versatile Chilean artist Claudio Solis introduced us with "ABHASA", an enveloping track with dub-techno airs and a solid groove at 132 BPM.
For closing Side B, Denis Kaznacheev, Russian master of minimalism, presents a happy remix of "Abhasa", infusing a healing atmosphere and his distinctive sensitive and hypnotic groove.

This third pressing is an exceptional compendium on vinyl not to be missed; only 300 copies, no repress, soooooo grab this one to your collection !!!


#Chileansareplaying



Mastered by Claudio Solis

Influenced heavily by the metallic and industrial sounds that surround
him at his day job, Veldt (HANDS, Industrial Detroit) channels those
sounds into a rhythmic chamber, filled with electronics that hint to
influences from the Rhythmic Noise, Industrial, and Techno strata.
While residing in Detroit, Michigan, Veldt works closely and in
partnership with Industrial Detroit. Interrupting new circuits with a
purpose

2lanes is proud to announce the next single, TINCTURE/ MY SIMULACRA, from his recently minted label AUTO SHOP. The two-tracker finds the artist both deepening his expansive sound and honing it to weave seamlessly into any DJ set. “TINCTURE / MY SIMULACRA” solidifies the cinematic textures and rusty low-end percussive drive of 2lanes’ earlier releases this year, “Diamond Rain EP'' & “Sid Ranger Redux EP.” Spending much of this past year on the road, 2lanes dove headfirst into the contemporary electronic music world, meeting an array of new and exciting producers, some of which are featured remixers on this release.

On the A side, take a dose of TINCTURE and see just how far the rabbit hole goes. Inspired by raving all night with friends, 2lanes linked with Detroit-based singer AKILLACO for a wild talking track like none other. We all know those moments at the party when both nothing and everything makes sense. You want to be prophetic but you just make everyone laugh. You think about the past, future, & present all at once. This is the ultimate message of TINCTURE, which AKILLACO emphatically points out. The long-winded musing is underlined by a heavy swung style beat that 2lanes fans have come to know well. Frequent 2lanes collaborator Salar Ansari joins the fun for the steamy, guitar-laden Howling Diablo remix that could as easily be played at a forest rave as a sleazy dive bar a la Coyote Ugly. Purelink’s MILLIA reduces the solution to an even dubbier chill out mix that begs to be played in the early mornings.

On the B side, we have the bass-heavy vision quest MY SIMULACRA. Ancient percussion meets modern sub bass–and together, they transport you to a new plane of being. This track also features performances from a few regular 2lanes sonic cohorts. Detroit keyboard prodigy Ian Fink (Scott Grooves Ensemble, Omar S) evokes celestial moments with a memotron solo, and Jonah Baseball (Overtone Series) provides a stargate-sounding break beat. MY SIMULACRA features two amazing remixes. The First is from Baltimore-based club aficionado JIALING and the second is a prime cut of rough and ready machine phunk from Los Angele’s 1morning.

Initially recorded at 2lanes’ home studio over Halloween in 2021, TINCTURE has since evolved to its final form that we see now. The tune has even shown up in sets from electric selectors like Scott Zacharias and Livwutang. The record label features beautiful artistic renditions by Norway-based Sverre Brand, whose work can be found on releases by Priori and Dust E-1.

For the third release of FanFar’on, we are travelling into another dimension, more on a Romanian & deep techno vibe from the works of Ciril & Cavale.
Both emerging for the electronic scene of Brusells and close to the Zodiak Crew, Ciril & Cavale brought their vibe with two tracks called « Dracula » & « Marchand de Sable » Definitely spiritual & atmospherics, the music is esthetic & mysterious, the Belgium producers are travelling to some ambient landscapes and experimental textures. To finish the ep ,we will have a completely destructured and almost jazzy remix from the famous Romanian producer : Dragutesku! As we say three is the « magic number » ,welcome to Ciril & Cavale for the third edition of FanFar’on,and let the FanFare begin!

Lilas Records Unleashes Third Installment, Featuring Pioneering Talent: Tarek Charbonnier and Krif — Lilas Records, the vanguard of underground house music, proudly announces the release of its highly anticipated third project. The brainchild of label founders and revered "Into the Woods" residents, Tarek Charbonnier and Krif, this latest offering transports listeners on a sonic journey echoing the vibrant essence of their signature London sets. Their distinctive soundscapes have thrived within the enigmatic embrace of warehouses and clandestine party spots.


Hailing from the heart of London but now firmly rooted in Montpellier, Lilas Records' latest release is a testament to the duo's unwavering commitment to shaping the future of electronic music. Drawing inspiration from their illustrious careers, Charbonnier and Krif's original productions are set to captivate audiences, uniting diverse elements into an immersive auditory experience.


In an electrifying collaboration, Lilas Records enlists Romanian DJ luminaries Cristi Cons and Nu Zau to reimagine these cutting-edge compositions. With an illustrious history in shaping the electronic music landscape, these maestros bring their distinctive flair to the table, ensuring a riveting reimagining of Charbonnier and Krif's groundbreaking work.


Limited to an exclusive run of 300 copies, this release has already garnered fervent support from a distinguished roster of industry heavyweights including Raresh, Reiss, Ramona Yacef, NTFO, Enzo Siraguza, Silat Beksi, and more. Lilas Records' third offering stands poised to make an indelible mark on the global underground music scene.

K S R introduces this pulsating collection features Lee Holman's EP, showcasing his mastery of the genre. Don't miss the mind-blowing remix by "Kaiser", the label owner. Brace yourself for an exceptional auditory adventure. #KSR011

Keith Farrugia aka The Maltese Magician aka Sound Synthesis has been changing the face of the electro/techno community for many years now with his deep audioscapes. Taking you on a musical journey that’s deeper than Atlantis!


With previous releases on Ralph Lawson’s 20/20 Vision, Nocta Numerica, Gated Recordings, Planet 17 and Exalt to name but a few, Keith is a producer in high demand and we are grateful that he graced AmenTec with two incredible tunes that take the listener on a journey of musical imagination.


On the flipside, Amen Brother supplies the remixers for this release. Firstly, we have Cridge & Powder, two Bristol old school dons and royalty of the hardcore and jungle scene. Cridge is a member of the Bristol band Up, Bustle & Out and label boss of Tribe Recordings. Powder is part of the old skool hardcore group Fruit & Veg, who have been repressing their music on Vinyl Fanatiks recently. The guys turn in a rolling hardcore joint.


Next up on the remix are the Moving Shadow legends that are Tone Def, straight outta Bournemouth Town. The guys ease of the BPM a little and add an addictive vocal hook to their mix, showcasing the broad spectrum of the hardcore rave community. Rog from Tone Def is also the owner and creator of the Void soundsystems!
An EP with many layers!



c b1. Electrical Synapses Cridge & Powder 'Fruit & Veg' Mix
Tone Def Remix

Gingerblack is a dynamic House Music DJ duo better known as Lilly & Kazan. With classic Chicago House beats Gingerblack are bringing sexy grooves back to the dancefloor while their original Lilly & Kazan moniker stands for trippy dj-sets & productions pushing Cosmic Disco and Indie Techno.

The duo has been enchanting dancefloors at renowned clubs and festivals across Europe while co-founding clubs like “Kasette” in Istanbul, “Christa Kupfer” in Berlin and the beach festival “Bloom” on the Mediterranean Sea.

Lilly's promoter expertise and Kazan's two decades of experience in the electronic music scene as a DJ, producer, and promoter make them a multi-discipline force to be reckoned with. The duo is known for spreading unique joy and passion on stage.

Through one of their club nights Lilly & Kazan made friends with „All That Jelly“ label boss Mr. Fonk who became a resident at their club. In „Christa Kupfer“ they also hosted House music legend Robert Owens, playing unforgettable nights with them. It was a match made in heaven!

Now all four of them have collaborated for this 12“ of the purest oldschool House Music, brought to perfection by the flamboyant prince of Vocal House and remixed by Wareika member Jakob Seidensticker and his producing partner MELINA.

Diffuse Reality presents their first full-print boxed LP.

Nine original Darqhorse tracks that will plunge you to the bottom of the ocean with its Electro sound and powerful basses to move the dance floor.

Includes a Wicked by Squaric and a powerful remix by LectrO cOd_E.

Limited edition, which goes directly to your collection.

Dan Andrei remixes Orli

Supported by Roger Gerressen, Andrey Pushkavev, E.Wan, Hermanez, youANDme, Philipp Priebe, Ohm, Jason Kendig, Barbara Preisinger

French Berlin-based producer and DJ Anthony Georges Patrice returns to his own Ausblick imprint this October with 5NRG accompanied by a remix from the much loved Playhouse artist LoSoul.
Throughout the past decade France's Anthony Georges Patrice has been steadily unveiling his productions on the likes of Berlin's Lossless, Ghetto Rhythms Records and of course his own Ausblick where he returns here, all the while honing his skills as a DJ through regular appearances on his adopted home turf of Berlin and further afield to Amsterdam, Paris and beyond.
Here, Anthony makes awelcome return to Ausblick with a new 12" release and leading the way is on the a-side is the original mix of ‘X5NRG’, a DJ tool like clubcut fuelled by trippy vocal loops, murky atmospherics, a throbbing bass groove and resonant synth sweeps all underpinned by a crisp4/4 rhythm.
On the flip-side Germany's groove maestro LoSoul flips the original with his own unique twist, laying down a near twelveminutes of subtly unfurlinghypnotisminhis signature fashion. Fragments of the originals atmospherics and vocals are dubbed out while LoSoul's raw, skippy rhythmic style and unfaltering drive keeps listeners locked in
throughout.

After a long hiatus Klaus Benedek comes back on his own mothership Fortunea Records with a brand-new production. ‚Tombstone’ heralds the autumn. You can feel the melancholy that brings the end of the warm and bright days with it. Although the subject matter is dark and eerie, the track wanders with its epic instrumentation through pensive optimism. The remarkable chopped hookline and the concise and soft bassline are casted in a flowing deep sounded carpet full of hope. An epic excursion that you definitely should give a try.

A considerable move into a different sound sphere goes Berlin-based artist and Tieffrequent-founder Siggatunez. He has had an outstanding array of vital productions this year and with his remix he lets you „feel the unknown“. In a very detailed way he made a serious dancefloor intended track, in the signature style of his current output, where beats and groove take the lead, but keeping the soul of the
original with the use of its pads, strings and bass.

Tombstone will come out on limited 200 copy vinyl and in its digital form onstreaming services and download stores on the 27th of october. There will be no repress!ö

Kamai Music’s 26th release comes from the Electronic producer duo and live act Kon Faber.

A1: “Ambiguity” is a bouncy, groove- and percussion-heavy collaboration between established producer Iorie,
including a vocal duet.

A2: “Cheer” is an emotional, atmospheric track with a mesmerizing interplay of synth lines and jazzy melodic
licks from professional jazz saxophone player Marius Dick.

A3: “Weberwiese” is a large space with choirs and wide synth pads. The track opens up through a virtuous,
acoustic lead guitar embedded into a hypnotic and bouncy groove.

B1: South African producer Fka Mash gives a deep Afro House twist including a rich bass lead synth.

B2: Kamai’s own Jacob Groening shows a simplistic interpretation of “Cheer” and adds a new depth through a
non-metrically played lead synth.

B3: “Weberwiese” is remixed by Joep Mencke, who adds trance-like melodies and creates a melodic house
spin for the big stage.

Memento Records’ boss Idriss D goes back to his more experimental side on this release, pushing the boundaries like he did on his first Lunatic EP, coming up once again with another Jungle-infused mesmerizing piece of Electronica that mixes breakbeat influences with melodic soulful vibes.

A very welcome follow up, aptly titled “Lunatic 2”, this tune is fiercely uptempo and energetic: the psychedelic melody swirls inside, outside and around your mind, while the fluid bass line counterparts the schizophrenic rhythm. On top of this, powerful emotional vocals take you into another dimension.

The prestigious remix comes courtesy of Gilb’R, founder of Versatile Records and one half of Chateau Flight: a slower downtempo piece with an infectious, almost improvisational synth melody, with vocals taking center stage here, full of atmospheric sounds all over that land into a deep dreamy break.

As the days becoming shorter and the sun keeps its rotation Norwegian label Soria announces the second release.

Artificial Drm are back with their distinctive psyche aesthetics followed by a majestic remix from Ness.

Undoubtedly one of the finest disco songs ever created, “Dance Reaction” emerged as a sensation from Holland, representing a true ‘one-hit wonder.’ The distinguished ‘Siamese’ label in the US and Carrere in Europe both recognized its potential and took it under their wings. This track, clearly inspired by dan Hartman’s “Vertigo”, swiftly climbed the charts across the continent in the spring of 1982.

On the A-Side, listeners are treated to the captivating and sensuous sounds of the Martin Boer version. This interpretation unequivocally showcases Martin’s innate connection with disco, evident in his captivating electro-disco masterpiece. Notably, Martin Boer holds the distinction of being a founding member of “2 Brothers on the 4th Floor,” a Eurodance phenomenon that dominated the 90s, amassing millions of record sales globally. Intriguingly, this release marks his return to remixing records, after a 15-year hiatus; incidentally, Martin embarked on his journey with High Fashion Music in 1990.

Flipping over to the AA-side, Croatian legendary DJ Pucko presents a remix that encapsulates the unique essence of the former Eastern bloc sound. This rendition exudes a raw and forceful energy, characteristic of that regional style. At the behest of High Fashion, the components of his mix were extracted and meticulously reworked and refined through the mastering process. The objective was to preserve the core while polishing the rough edges, culminating in an essential vinyl record that retro and disco DJs alike must acquire to elevate their dance floors.

With the elements in Hip-Hop divided, Pawz One & Preed One return to their grafitti roots with the new collaboration album "Murals & Mayhem". Pawz approaches each song as verbal graff piece that covers Preed One's soulful and gritty background production. The duo bring the color out of topics such as tainted love, friendships, the culture of Hip-Hop and surviving the mayhem of the Los Angeles streets. Adding more to the mural are guests like Guilty Simpson, Copywrite and Ruste Juxx. Blended together each song creates a larger piece that covers the mind walls from top to bottom.

CHIWAX welcomes DJ Soch to the artist family!
We are very happy to present you this great DJ & Producer from Italy on our 39th edition. 'Keep On keep On' is a fantastic Disco House release with an outstanding remix byTurbo Jazz.

Kay-Dee Records is coming at you with a 45 double-hitter, presenting Bert Hector’s ‘The Phoenix’ and ‘The Kraken’ with Kenny Dope on remix duties.

On the first record, we’re treated to ‘The Phoenix’: a sure-fire funk gem with a super warm sound. The beat is as cool as it gets, with a laid-back and funky attitude, sitting beneath a joyous intermingling of sitar, flute, brass and guitar - all performed at expert levels.

‘The Kraken’ has a killer groove, struttin’ along at 85 bpm with a real old-school sound on the beat. Joining the breaks is a huge brass section which pumps loud, while flute solos and funky Wah-wah guitar chops take things up a notch. This is a pure, unadulterated groove.

Kompakt unveils the third volume of Jörg Burger’s Velvet Desert Music compilation series, dedicated to music that hits the sweet spot between the cinematic, the (pop) ambient, and the psychedelic. With Velvet Desert Music Vol. 3, Burger and his friends wander afar, taking trips away from, or adjacent to, the dancefloor that’s acted so long as the crucible for the Kompakt aesthetic. Like its predecessors, it’s a gorgeous, lambent collection of late-night mood music.

Because it’s such a broad church, Velvet Desert Music admits all kinds of new experiences, as well, with Burger looking for music that "leads out of the desert into the velvet universe". Indeed, of all the volumes in the series, this third instalment feels closest to an album made by a true collective. The roster has changed, with new contributors Flug 8 and Seb Martel, both with his trio Las Ondas Marteles and with Chocolate Genius and Zsela as La Finca, joining regulars The Novotones, Mount Obsidian, The Golden Bug, Paulor and Sascha Funke.

Burger himself reappears, too, alongside Fritz Ackermann (of The Novotones), Max Würden and Thore Pfeiffer, in The Velvet Circle. Their contributions are pure lush life electronica: “Our Tribe” hitches a ride with a low-slung groove, flickering psychedelic reels of acoustic guitar traipsing across moody bass and taffeta layers of drone; their opening remix of Flug 8’s “Puerto Rico” gently introduces the album with softly tangling electronic tones, while guitars, drenched in reverb, pirouette in the background. A Mount Obsidian remix of “Sacrosanct” by Burger’s The Black Frame -project is a swirling treat for the ears.

La Finca’s electronics and voice miniature, “What Clouds Say”, is a masterclass in poetic restraint; Martel’s “Dark Mambo”, remixed by Burger, is one of the collection’s big surprises, for it indeed does what the title says, a drifting, surrealist take on the mambo form, full of pensive chords, rich with unrequited longing, a breathy saxophone whispering under the song’s sly rhythmic carriage.

Elsewhere, The Novotones chime in with a slyly propulsive, Krautrock-esque charmer, “Liberty Bell”, and the guitar-led tone-drift of “Valley of Oblivion”; Paulor’s “The Last Coke in the Desert” is a chiming, lilting dreamscape; Mount Obsidian are joined by vocalist Charlotte Jestaedt for two modern takes on early-hours art song, “Marole” and “Fade”; Sascha Funke’s “Mathias Rust” is a lavish dancefloor dream, vocal samples drifting through the song as it slowly envelops the listener in its opulent radiance.

This is just a taste of the rich pleasures of Velvet Desert Music Vol. 3, a triumph of a compilation that takes the psychedelic visions of its predecessors and looks for the desert within, a dusty kiss, a road-movie hallucination flickering on the listener’s eyelids, a cinematic projection from deep inside the mind.

Chad Andrew makes his return on Personality Disorder Music, delivering a set of four vibrant tracks, accompanied by two fantastic remixes by Kolter.

The EP is a blend of infectious minimal house beats, rolling basslines, and captivating rhythms. Kolter's remixes of the standout track "Invisible Pass" inject a burst of fresh energy with lively breakbeats and an irresistible swinging groove.

After his successful collaboration on 'Notice' with Dout last year, De Yan is back on Pirka with his debut solo vinyl. The A side features two original tracks, delivering deep and housey grooves perfect for the clubs. On the flipside, Varhat's remix of 'Dream Team' adds a fresh perspective, making this record a must-have for DJs and house music enthusiasts alike.

FullTime Production is honored to presents Kano "I'm Ready" featuring remixes by Mousse T. and FrescoEdits!

"I'm Ready" published in 1980 on FullTime Production, among the first
success, also peaked at #21 on the R&B and hip hop songs in the United States and at 8# on the most popular songs being played in nightclubs across the United States.

Kano combining elements of 1970s disco, funk and R&B while extensively using synthesizers and percussive handclaps as well as raw-processed and vocoderized vocals inspired by United States and European disco, from Chic and Giorgio Moroder.

The great producer Mousse T. gave us his great musical experience, he wanted to make the song a real hit in the house music and disco music genres.

The piano, the voice and harmony were transformed into something softer and less computerized and metallic. Mousse T. made us glimpse the immensity behind a remix and the most diverse musical facets that only an excellent producer can astound and leave the listener speechless.

The musical break of the "extended club remix" at minute 03:24 makes us raise our arms to the sky and clap our hands!

FrescoEdits introduced his more afro side to the remix by expertly
marking the percussion and resulting in a funk and tribal remix.
FrescoEdits is an artistic project that has based its success from the
love and art of sampling big hits as well as a label and a community, is
among the most highly regarded artists in the disco edits.

Tom Hooker is one of the world's leading artists of the Italo Disco
genre that marked the 1980s.

A talented singer and songwriter, he has performed on television
programs and music festivals around the world, and his many productions have topped the charts in the United States and England.

FullTime Production is honored to present the remastered 1986 debut
album "Only One" and in addition to the original tracks "Talk With Your Body", "Come Back Home", "Love Attack", "Only One", "Indian Girl" and it will also contain remixe of "Falling Into Love" by artist Jago already featured other releases on FullTime Production.
Track "Talk With Your Body" is among the most special and important
productions of 1982.

The title is the best explanation of the track.
Talking with your body, listening to the vibrations of every muscle that
can feel these slow and romantic but with a disco rhythm sounds that we can imagine in a hot summer of 1982 among those lights, colors and fashions.

The song still continues to communicate with the body to all generations today and to make us dance.

Michal Wolski is known for his esoteric, tripped-out and planetary style of techno and the Unfolding EP on Naarm-based label Southern Lights does not disappoint, with ‘Unfolding’ and ‘Elastic’ delivering a heady blend of modular synth reverberations and striking drum patterns.

Remix collaborators Polygonia and Rrose both deliver first-class interpretations of the original tracks, revealing two diverse talents that are at the height of their sonic powers.

Mastered & Cut by Tim Xavier at Manmade Mastering, Berlin

Artwork by Craig McWhinney

Serge Devant returns to Crosstown Rebels with his mesmerising new single ‘A Little Bit Of Love’, complete with a remix from Art Department & MDL Child. Thanks to his fresh house sound, New York resident Serge Devant has turned the heads of tastemakers like Jamie Jones and Damian Lazarus for several years. A regular on Crosstown Rebels dating back to his label debut in 2015, dropping a string of EPs on the label since, he arrives in fine form once again as he unveils his latest single.

His brilliant ‘A Little Bit Of Love’ is an inventive rhythm that soon sweeps you up with its wavy beats and slick hits. Gorgeous chords are draped over it next to steamy vocals to ensure a truly emotive dance floor trip, while the dub version strips out the lead vocal to lay the focus on the remaining musical elements. The remix comes from Jonny White, aka pioneering underground artist and No. 19 Music boss Art Department, and fellow Canadian talent MDL Child. They flip the production into seven minutes of emotionally intense house music with muted acid lines undulating throughout the mix, while immense percussive energy and lush cosmic keys make for a fulsome dancefloor rush.

Grammy nominated DJ and production mastermind Paul Woolford steps up to deliver a timeless house reworking of Gabriels 'Angels & Queens'.

The title track from the trio's debut album (part 1) that took 2022 by storm. Endeared by the masses and critically acclaimed Gabriels set out a refreshing new take on soul that the world was subconsciously crying out for - an antidote to over produced pop - providing a deeper, more meaningful and heartfelt cause at its centre.

Tantalising from the outset, Woolford steps up to the plate with a hard-hitting remix that drives in straight to your centre. Punchy TR-909 drums combine with thundering bass tones and his archetypal, rising piano hooks. A combination that brings Jacob Lusk's inimitable vocals to new heights.

After a feverish reception to Paul's Instagram tease of the track, we've been itching to release this remix into the wild. It's a big one, don't miss it!

'Three supremely talented artists simply excelling at what they do' - Paul Woolford

Gerd Janson - 'Gabriels!!! - Total madness at Panorama Bar. Like it was made for the room'

DJ Feedback:

Prins Thomas – I’m melting….Amazing

Groove Armada – Love this!

Gorgon City - yessss

Fred P - Dope!!!!

Marco Faraone - Super remix!!!

Sasha – Quality

Bakermat – tasty

Mano Le Tough – Ace

Hector Romero - Gabriels have quickly become my fav new artist. Paul!! You nailed it. Great collaboration.

Horse Meat Disco – Pretty big remix!

Gerd Janson – MEGA

Mekanika Recordings from Sofia, Bulgaria is a techno label ran by Stevo Kurt aka DJ Steven the main resident of Metropolis events that have featured the likes of Sven Vath, Ben Klock, Len Faki and Ellen Allien amongst others and and Svilen Dzhonev - Ziggy - A & R of the label.

MKNK002V is the second of a limited vinyl series consisting of 100 copies.

Spas Tzvetkov aka Asymmetrik is a fellow Bulgarian who returns to the label for a four-track EP following remixes of Stevo Kurt on MKNK002. As a producer, Asymmetrik has an album on Steve Parker's MUTED rec in Portugal, Bulgaria's Hivemind, and Spain's Subsist, among others.

Asymmetrik is unbalanced. Asymmetrik is unconventional.
Asymmetrik is unsettlin

Tibi Dabo returns with ‘Overture’, a from his forthcoming Crosstown Rebels album, with remixes from Map.ache and Aline Umber.

A label favourite having dropped his ‘Isla’ EP on Crosstown Rebels back in 2022, ahead of his much-anticipated debut LP comes this third superb taster from it. The superb ‘Overture’ is an eight-minute gem with super smooth percussion and elastic grooves, with wispy sci-fi chords and gentle synth modulations. It’s full of future feels and catchy drum funk that is sophisticated and smartly detailed with chopped-up vocal fragments.

First to remix is Liepzig’s Map.ache, co-founder of Kann Records and half of Manamana. His take builds with fatter drums that are just as infectious, while rippling synth loops weave in and out as flashy basslines cut loose, and balmy pads add extra cosmic absence to a hypnotic mix of the heady and the physical.

Aline Umber, a collaborative live project from French composers, producers and DJs Aline Brooklyn and Aman Umber, are second to remix. They run the Airfunk label and are no stranger to playing cult spots like Rex Club in Paris. Their ‘23% Eventide’ mix is a blissed-out and synth-laced trip with subtle, smeared chords and starry-eyed keys that have you gazing off into the distance as you get lost in the warm drums.

Italian legend Walter Del Vecchio aka Quiroga pays tribute to the acid house era on Hell Yeah with a new package that comes with two originals, an ambient mix and a remix from cult hero DMX Krew.

Quiroga released his last sublime album Passages on this label and it came as the latest entry into a discography filled with beauty and detail. He is a talented musician from Naples who has his own left-of-centre take on the Mediterranean sounds of the city, as he shows once again here with a house-leaning outing.

Quiroga has teamed up with cult musician Dario Bassolino and called upon Whodamanny's mixing skills for these new tracks. First is 'Once Again', a punchy and chunky house cut with skewed bass spraying about the mix. Its rough analogue edges are lit up by searing acid lines that never quit and will turn any party into a cauldron of intensity. The Ambient Version is a full-flavour downtempo workout that keeps the wild acid lines, adds in some FX, old-school piano chords and a yelping female vocal next to a blissful breakdown. 'Once Again' (DMX Krew Remix) is then a bumping acid-electro monster with fat drums and the manic 303 offset by serene chord work to make for a perfectly emotional dance floor delight.

'Freak The Funk' is a second original cut, as rides of crisp snares and snapping drum breaks blend with a warm bassline and smeared cosmic chords up top. It's a classy peak-time house cut with magical pixelated synth melodies.

Alongside superb artwork from PlanetLuke, this is another essential package from Hell Yeah.


DJ Support:

Sean Johnston (ALFOS), Kristian (AME), Fango, Front De Cadeaux, Sinchi Collective, Phat Phil Cooper, Balearic Gabba Sound System

Charles D unveils his debut Drumcode EP, following three excellent releases on the label.

Ever since the New Yorker shared his remix of ‘Your Mind’ with Adam Beyer, which would go on to become only the second officially released remixes of the legendary track, we knew we were onto a special talent. A strong single on A-Sides Vol.11 ‘Traction’ was to follow, proceeded by another superb remix, this time of Mike Macaluso’s ‘Final Chapter’, reinforcing his skilled studio touch.

Now a year on from his first appearance on Beyer’s label, he steps up for a richly deserved debut EP, ‘Don’t Stop’, which encapsulates all the stylistic facets of his productions. The title track is fun and driving, brimming with ‘90s rave stabs and peak-time fizz. ‘No Escape’ is a pulsating stomper fusing together percussive techno and melodic elements to form a track that will work in a variety of environments. ‘Choir’s Palace’ is a dreamy tool and perfect for shifting the momentum during a peak-time set.

Amine Edge & DANCE bring their soulful sound to Hot Creations with their uplifting new release ‘It Was’ featuring Pershard Owens backed by a remix from Shermanology. Maintaining a constant presence at the top of the charts, with an impressive catalogue boasting releases on esteemed labels such as Defected, Nervous Records and their very own CUFF imprint, French duo Amine Edge & DANCE have solidified themselves as frontrunners when it comes to the modern house landscape. Up next, their partnership takes them to Jamie Jones and Lee Foss' Hot Creations imprint for the first time with their latest single 'It Was' featuring Pershard Owens, with brother-sister duo Shermanology on hand on remix duties to bring the heat.

‘It Was’ opens with rich piano chords, led by luscious melodies, Pershard’s tender vocals and bright keys crafting a delightful serving of summer house grooves before Shermanology flips the track shifting the focus onto pulsing drum hits and playful rhythms full of energy, perfectly crafted for open-air dance floors.

At times where technology inexorably infuses into humankind, Ammar808’s next adventures lays within the realms of Stambeli’s invisible creatures, an old genuine Tunisian tradition that has roots spreading out within the depths of the African continent.

Stambeli is a Tunisian musical therapeutic ritual that was implanted by afro-descendant communities. During the ceremonies, music, dance and chants are blended so as for some participants to reach the alternate state of trance while they are possessed by super natural entities. It is a syncretism between Islam and animist Yorisha religion’s voodoo beliefs, that has been disseminated during slave trade by Yoruba populations originating from current Benin’s gulf. Stambeli is a precious legacy the symbolizes the outstanding diversity and complexity of the North-African identity.

Using drum machines and analog synthesizers, he summons super natural creatures to visit our material world and taste human incarnations, form the audience’s collective experience. The album features vocals and gumbri from Bellassan Mihoub, who inherited his father’s knowledge and mastery, and currently embodies the avant-guarde of Stambeli’s revival. Two additional choristers round off the stage band, also playing the krekebs: these are pairs of large castagnet-like instruments oscillating in the limbo between binary and ternary rhythmic patterns. They breathe life and motion into this pagan communion, blessed by VJ Sia original visuals synchronized to the thundering music.

Super Stambeli is a contemporary interpretation of the Stambeli traditional repertoire, processed through a time-travel washing-machine, a parallel-dimension earthquake portal, that aims to echoes ancestral ceremonies through sub-harmonic speakers. It’s a dialogue between the wailing of the gombri, known to call for the spirits to descend into the bodies of the participants, but this time AMMAR808 directs them straight into the digital circuits of his clockwork-crafted machineries.

The legendary Zed Bias is stepping out with a new label I Feel Good Records and intends for it to spread good vibes only through a diverse roster of talent and sounds that span house, bass and beyond. He has more than a quarter of a century of experience in the game and of eyeing new talents and helping them to shine and has always had a collaborative approach to music that will continue to define this label's MO. Zed is minting the label with a new single alongside award-winning d&b MC Inja.

'You Should Dance' pairs his warming tones with infectious garage drums and smeared, soothing chords that radiant heat. It will, indeed, make you feel good. D&b mainstay Bladerunner serves up a remix that has been doing the rounds for a while now and never fails to make an impact.

Heavenly Recordings release the next two volumes in their series of remixed classics and unreleased versions. ‘Heavenly Remixes 7 & 8’ sees the label going back into the archive, as well as picking off some more recent remixes, and both albums primarily feature either previously unreleased versions or re-workings available for the first time on vinyl and CD.

Heavenly have always seen immense value in the remix, a value way beyond what it might bring commercially. Since their first release in 1990 (where Andrew Weatherall overhauled a one-off single by club kids Sly and Lovechild) Heavenly remixes have been carefully curated and treated as a key part of the A&R process. It’s an opportunity to view an artist through a different prism, to play out a musical ‘what if’ scenario. It’s the kind of exploration that’s happened consistently through the thirty plus years the label has released music.



The ‘Heavenly remixes’ series continues to showcase the very best remixes, versions, meditations, re-rubs and dubs from all around the world of artists right across the roster of the country’s most exciting record label. In most cases, the albums offer the first physical release for a remix, elevating them from streaming playlists to their rightful, spiritual home on super heavy vinyl (or shiny, super-packed compact disc).



‘Heavenly remixes 7’ heads to Belfast, where David Holmes - a producer who first appeared on Heavenly in 1994 amping up the acid on Saint Etienne’s ‘Like A Motorway’ - appears as solo artist and as one third of Unloved, who get a lift right to the heart of a Vauxhall sweatbox by Horse Meat Disco. It draws a line between Amsterdam and Frankfurt as Ludwig A.F. amps up the electronics on Pip Blom’s ‘Keep It Together’. It stops off in a south London studio where super producer Dan Carey plays the desk with Toy, then relocates LA psych rock band Fever The Ghost to an Ibizan shoreline as the sun sets on the horizon. It cements Sheffield’s reputation as the home of modern British techno with the return of true originators Forgemasters. And it pitches up in front of a renegade soundsystem late night at Glastonbury as Erol Alkan’s mighty rework of Con Man gets its third rewind of the night.



‘Heavenly remixes 8’ opens with Space Afrika’s lush, ambient reimagining of the Orielles’ ‘BEAM/S’ before Justin Robertson stretches Amber Arcades’ ‘Turning Light’ into eight minutes of electronic dub. Elsewhere, Baxter Dury’s peerless ‘Miami’ becomes a string-laden electro skank in the hands of French producer Pilooski; Edinburgh’s bedroom techno genius Eyes of Others’ ‘Safehouse’ turns into an East End bathhouse courtesy of disco deviants Decius; Ashley Beedle’s Black Science Orchestra turns Unloved’s heartworn torch song into seven minutes of glimmering dreamlike percussive house and Katy J. Pearson’s freak flag is flown high thanks to The Umlauts’ throbbing filtered electro mix. It ends similarly to how it began as TONE takes

Fran Lobo’s ‘All I Want’ on a gorgeous slow motion spacewalk.

Colored Repress!

'DEEP TRAX VOLUME ONE' is a fine selection of 4 edited, remixed and previously unreleased Trax from the 90s.

The EP starts with a re-dub of the classic 'I Need A Rhythm' and gets you flying with warm 808 beats and minimal jazzy riffs.

The second track on the A-side “Reign Of Swing” comes with a deep, warm bass, dope keys and lots of shuffle!

B1 kicks out the subwoofers with 'All I've Got' and makes the crowd scream - Uuhhhh!

The E.P. ends with 'Swing Ting', a brilliant track that takes you into other dimensions with a flying jazzy flute solo!

Acen returns once again with a box set to celebrate Close Your Eyes and Window In The Sky. 2 years in the making, but so worth the wait. All the original versions of the tracks are beautifully remastered from the original DAT’s but it also meant that Acen could sprinkle his magic dust once again on these classics for a new auditory explosion of authentic early 90’s Acen.

To round out the box set, we had some remixes done by some of the hottest names in the old skool resurgence, Jonny L, New Decade, Nookie, Ray Keith, Austin Reynolds, along with Kniteforce’s very own Ant To Be and The BradderCase but Alex from Hyper-On Experience pulled a rabbit right out of the bag and had the beautiful vocal talent that is Ella Sopp resing the iconic Window In The Sky vocal, and that is the icing on the cake for sure!

Limited Edition Pink Vinyl Version - 500 Units Only

Berlin-based, DJ, label owner and record store head honcho, Cinthie, provides a sublime remix of Frankie Knuckles ‘The Whistle Song’ for Frankie Knuckles Day via SoSure Music, alongside the ‘Re-Directed’ Director's Cut version of the track.

Known and loved as ‘The Godfather Of House’, Frankie Knuckles’ pioneering sound inspired a movement of love across dancefloors of the Chicago warehouse and beyond. In retrospect of a career that spanned over four decades, there are moments that were pivotal to the movement of House Music and ultimately changed the course dance music forever. Frankie’s 1991 studio album ‘Beyond The Mix’ on Virgin Records, featured one particular moment that would remain in the hearts and minds of generations to come…

‘The Whistle Song’ went on to earn Frankie’s first US Dance Chart number one and has become one of house music’s most iconic and recognisable productions. More recently, the track has been ‘Re-Directed’ under the Director's Cut project that Frankie worked on with Eric Kupper; his long-time studio collaborator and close friend. With Frankie Knuckles Day approaching on 25th August, Cinthie now delivers a brand-new remix on this stone-cold classic.

Berlin based DJ and producer, label owner 803 Crystal Grooves and its sub-label Collective Cuts, we_r house, the Elevate record store and proud parent, Cinthie has grown to become one of the most revered and respected figures in contemporary electronic music in recent years. Her unfaltering drive and dedication to all things House alongside her wide spectrum of some of the most noteworthy vintage drum machines and synthesizers in existence, pinned her as an ideal candidate for a remix of this piece of dance music history.

Living up to exactly that, Cinthie’s remix is a divine update of the original, holding the iconic whistle sample at the forefront whilst including dreamy electronic blends that allow the track to be heard from all angles; peak time club moments, sunrise sets, garden raves, festivals and airwaves…. just in time for the positive times that are ahead.

London Records and Central Station Records join forces for a spectacular array of new music releases. As the first offering, David Penn takes on the Sex-O-Sonique classic from 1997, which samples the Herbie Hancock anthem 'I Thought It Was You'. David Penn, a master of his craft, has earned critical acclaim for his innovative approach to house music and his ability to create infectious grooves that resonate with audiences worldwide.

Full Intention aka Sex-O-Sonique also deliver their own updated version for 2023.

DJ support:

Bob Sinclar, Eliza Rose, Jamie Jones, Oliver Heldens, Mark Knight, Mousse T, Anton Powers, Just Kiddin, Roger Sanchez, Bakermat, Westend, Sgt Slick, Kokiri, Hector Romero, Horse Meat Disco, Kevin McKay, Michael Gray, Superlover, Watermat, Russell Small (Freemasons), Sugarstarr, Dario D'Attis

2024 Repress

What if Kraftwerk's "Computer World" had a more dystopian message? Then you would get this album: "Control Paradox" by T/Error. This double 12 inch vinyl is filled with Kraftworkian moments, but is more updated to our current times. Today computers, smart phones, AI and algorithms have taken over our daily lives. This release features 9 original tunes and 3 remixes by none other than: Cygnol, Lloyd Stellar and Heinrich Dressel. The track "Cheerleaders Are Eating Flesh" is a homage to the legendary maestro I-F and his cult hit: "Space Invaders Are Smoking Grass".

Beyond Paradise returns with a sumptuous slice of tripped out business from the mind of Richard Hardcastle aka Solid State, complete with two stunning remixes from Richard Sen and The Veteran Delinquents.

Over 35 years in the game, as a club DJ, radio presenter and producer since the late ‘80s, Richard Hardcastle is a true veteran of the scene and certainly knows a thing or two about what works on the dancefloor. ‘Seven More Minutes Of Funk’ delves into the psychedelic side of his production with a club-ready cosmic stomper complete with twisted guitars, hypnotic synths and wall shaking bassline.

‘Rhodes To Nowhere’ is more beachside than basement, a funked up retro electro cut with dazzling keys, ‘80s snares and a serious shot of feel-good flare.

On the flip, the title track gets the remix treatment from Richard Sen and The Veteran Delinquents, the former warping the original into an EBM powerhouse whilst the later turns into an end of the night, electro-infused chugger.

Subsdance welcomes Unisson for its debut release, featuring a remix by one of our favourite artists, Vincentiulian!

180g Vinyl Only
No digital promotion

Crucial Toronto rapper / producer / DJ myst milano. returns with thrilling new album Beyond the Uncanny Valley, an exhilarating ride through hedonistic experimental hip-hop and house music that reinterprets the breadth of Black electronic music with addictive singular energy.

“I offer Beyond the Uncanny Valley as a working anthology of Black electronic music across generational, geographical and genre lines,” myst milano. writes. “I thought a lot about staples of Black art across the world that can be traced back to Africa, and that link the diaspora regardless of where our people end up and throughout all eras.”

A mighty example of this omnivorous and multifaceted awareness of Black creativity, Beyond the Uncanny Valley is a tidal wave, swallowing up Canadian House, Detroit Electro, Chicago Footwork, UK Jungle and Dubstep, Jersey / Baltimore / Philly Club, Southern Hip-Hop and West Coast Funk into the trail of euphoric destruction left by myst milano.’s trademark grimy, sweaty, lusty neo-R&B take on contemporary hip-hop.

Opening with “Thirteen”, the album hits with punch and immediacy. The track’s thumping kick and swirling, haunted synthesis represent myst milano.’s keen ability to nurture perfect symbiosis between production, arrangement and lyrical theme. It is equal parts dreamy, provocative, sexy and powerful, and, together, entirely unique to myst’s creative voice. As with Beyond the Uncanny Valley as a whole, it is evocatively storytelling, mixing vivid imagery with slick wordplay. We are introduced to myst’s groupie (formerly “a hater”), as their crew “causes damage you can’t afford”, while witty threats and erudite posturing flow out over a steadily expanding instrumentation that mimics myst’s breathless, sweatbox DJ sets.

“Ring Ring” is another key track. Glitching nuclear alarms give way to a bulldozing kick drum and in-the-red distortion on myst’s voice. The vocals hit at breakneck speed while the production retains a dirty, dirging stomp. It is formidable, intense, fun, and intimidating in all the right ways.

Underpinning the album is a mechanised female voice that has possessed the record like a replicant ghost. “When we go beyond the uncanny valley, we reach a state of perfect harmony where the robot has mimicked the human to the point of being indistinguishable,” myst says. “Who are we when we become perfect imitations of what the world wants instead of who we really are, which is imperfect and flawed and a little uncanny, anyway?” While the music of Beyond the Uncanny Valley is human, with real emotion and expression, it occasionally flirts with the beyond, reaching into a near future where reality and technology bleed into one.

Beyond the Uncanny Valley is myst milano.’s second full length, following 2021’s rapturously received debut Shapeshyfter, and a monstrously successful accompanying house remix on the UK’s legendary Defected Records.

Seminal early '90s UK business right here from Frontier Man, remastered and reissued with brand new remixes from Monstergetdown and Fantastic Man.

Landing on the mighty Hooj Choons in 1992, 'Express It Thru The Dance' is a real snapshot into the landscape of club culture in the UK at the time. The Skank Mix blends elements of rave, breakbeat and progressive house with that rough and ready, heavyweight low-end. Ramping up the levels, the Techno mix is a furiously paced, acid laced powerhouse.

On remix duties, Monstergetdown hits hard with a rave inspired, techy groove interpretation, whilst Fantastic Man heads down the wormhole with a trademark, trance-leaning techno take on this classic.

Three certified anthems get brand new drum and bass reimaginations as Aussie superstar Luude teams up with Bru-C, Mattafix and Issey Cross respectively to give fresh flavour to these mega hits.

Up first, Kevin Lyttle’s early 2000’s, R&B singalong heater ‘Turn Me On’ gets an explosive, sub heavy DnB remake complete with slick new bars from Nottingham rapper Bru-C. Hot property Borai and Denham then stamp their signature sound on the track as they step up on remix duties.

On the flip, Mattafix’s infectious 2005 classic ‘Big City Life’ gets a trademark Luude reworking before Moby’s ‘Porcelain’ is weaved into an amen-infused, drum and bass banger ‘Oh My’ with UK singer Issey Cross providing the vocals.

Duality Trax first opened its books in 2020 with an EP featuring Radiant Love regular Fio Fa and a remix of the year contender coming from Lisbon’s Violet. Since then the label has become known for its acute attention to detail, giving each release the shine it deserves while avoiding disposable practices and challenging the industry through its dedication to duality and balance, whether that be sonically or surrounding gender identity. It’s really no surprise that one of house music's leading label ¦gures Tywi was destined to make an appearance. Having started the Haŵs imprint in his home city of Cardiff, the label’s wide-spread popularity began to gain the attention from some of the industry’s most respected heads and became a breeding ground for new artists to emerge. A shared love of music resulted in tracks being shared over time and eventually DUALITY6 was born. In what will be his ¦rst full length EP, Tywi continues to join
the dots between 90’s house, prog, breaks and trance, with a huge remix coming from Frankfurt-based artist Maruwa. Title track ‘Reality Checkpoint’ connects various styles with a modern take on progressive trance. Sonics feel as if they’ve been projected from space in a kaleidoscopic mind-warping ride, coupled with the producer's impressive ear for world building soundscapes. A child of the ‘90s, Maruwa combines her classically trained ear with the nostalgia of her upbringing in the remix; channeling early trance records and deep, chugging rhythms into a wave of euphoria ¦t for peaktime. It’s the ¦rst time the label has also delved head ¦rst intofull trance territory, turning the intensity levels up while paying homage to both label owner and artist’s early musical in§uences. The B side opens up with ‘Spellbound’ which feels like a guided tour around the cosmos, sat beside trusted travelers and embraced by everything-will-be-alright energy . The track’s interior is built around synths that feel both effortless and light as our tour guide brings us towards our ¦nal destination. The EP comes to a close with ‘Laws Of Motion’, building slowly with shades of leafy greens and deep oceanic blues as it gently brings us back down to earth.

The new EP on It’s a Pleasure imprint is conceived as a kaleidoscope of Jaisiel’s previous releases where pop and house converge in a seamless embrace.

A side is all about the infectious radio hit “Nada Que Ver” and its mesmerizing Remix by Lipelis who made its magic to turn the original track into a super fun and dynamic certified dance floor journey, where thick bass frequencies and classic M1 organ bass sounds will take you on a trip alongside Jaisiel’s hypnotic voice.

In the B side we entry into the dreamy realms of a UK rave in the 90’s with the pulsating energy of “El Amanecer” (Tenerife ’89 Mix), a synesthesia feeling where you can almost see the sun rising in your imagination while listening to it.

Following and closing the EP, an intimate and groovy acid tune “Sobre Cien” that invites you to chill and re-connect with your inner nostalgia, lyrics are about a big theme nowadays after Covid times, which is escape the noise of big cities and remember the value of your hometown, family and all time friends.

An Italo Disco rarity from 1987 now available again on colored
12“ Maxi Single

After shaking up the dice across global festivals and club dancefloors last summer, Albion Collective reinvigorates Yoofee’s instant classic, Seek & Move, in a brand-new remix EP featuring Mystic State, Molokai and K-lone.

Mystic State fires up the engine with his remix of Seek & Move, alchemising Yoofee’s rapid kinetic energy into pure steamrolling pressure. The intro mischievously echoes the original, imbuing the drop with a strike of surprise when Mystic State’s stripped back, sub-loaded weapon fires in place of the classic.

Molokai keeps the motor revving with powerful, in-your-face sound design built for the heavy steppers. Zapping, buzzing, and fizzing robotic delights spark and pop throughout Molokai’s grungy yet groovy retwist of Yoofee’s Seek & Move.

K-lone serves up a signature sweet ‘n’ tasty edit of Make You Believe, realigning the original B-side’s focus from its organic soulful keys to its endlessly elevating electronic arpeggiation. What was once bathed in reverb, serving as a glimmering skyline to the gorgeous memory palace of Make You Believe, becomes the unblurred protagonist bleeping and blooping its way through a high-rise city of slick trap rhythmics.

Albion Collective is proud to welcome these fantastic artists to the label and present their brand-new viewpoints on Yoofee’s Seek & Move Remixes EP.

Diffuse Reality presents Wonch like Woo by QphoriQ, includes remix from The Exaltics.

Five original tracks by QphoriQ a perfect blend between drums, jungle, bass, breaks and electro stuf!

Featuring a trademark remix by The Exaltics to rock any dance floor.

After a long hiatus, the vinyl imprint "Endless Rotation" emerges once again with "You Name It EP." This time, label owner Fred Brune teams up with Willi Schumacher, also known as WIRED. The result is a collaborative A-side that takes listeners on a spacey minimal journey, accompanied by a captivating looped pad phrase reminiscent of the early 2000s German minimal sound. Fred Brune contributes an additional lively percussive groover, showcasing a prominent dirty saw-tooth bassline. On the flipside, Paul Walter, a highly acclaimed artist from Vienna, delivers a mesmerizing 14-minute minimal remix of "You Name It", skillfully reimagining the acoustic drums with an innovative twist.

BOO WILLIAMS returns to Chicago's NOBLE SQUARE with 4 deeply spiritual bangers. Includes a special remix of the highly sought after 90s classic FRUITS OF THE SPIRIT that should not be missed. Act quickly, this future classic EP captures why BOO is a Chitown legend and will sell out fast.

A 6 track EP/mini-album featuring some slammin' remixes/reworks of old new wave and rock tracks given brand new life from the prolific Swede/the man of many aliases (BEATFANATIC, BEATCONDUCTOR, THE MIGHTY SWEDE). Limited pressing.

Fresh takes on 90’s jungle and atmospheric drum & bass by Finland’s ODJ Pirkka. Starting track ‘OMG’ combines soulful R&B vibes with blunt basslines, radical samples programming and hard hitting beats. DJ Sofa remixes ‘OMG’ into a dope Bristol style roller with infectious bassline and some hi-energy buildups and cuts. Flipside ‘Bookworm’ is an atmospheric roller with memorable sunrise synths and a sneaky dark section in the middle that slams you with a crazy reese bassline and some red hot amens. Lastly Msymiakos from Norway uses the supplied atmospherics to remix ‘Bookworm’ into an intricate and brooding drum workout.

Introducing 'Feel It': A long-awaited release by Rossi., with a remix by Garret David.

After captivating audiences with its irresistible energy and infectious hook during special moments of summer 2021 & 2022, Rossi.’s highly sought-after track 'Feel It' is finally set for release. Created in his infamous garden shed studio in 2020, this long-awaited track embodies raw authenticity and artistic brilliance.

On the B SIDE we have an instrumental version, plus an extra layer of flavour as Chicago-based hero Garret David brings his raw house & garage sound, completing the package with a bumpy remix.


DJ Feedback:

Mason Maynard - really like the remix.
Harrison BDP - Sick ep! Its the garrett david remix for me :)
Scott Diaz - Garrett’s mix is sweet, which obviously is not a surprise at all. Got a real old UK garage vibe to it, kind of quirky like a Confetti record.
Make A Dance - Wicked stuff original is the one for me.
NIKS / BAD / Rinse FM - Garrett David remix :)
Nogla - Garret David remix is wicked
Thabo / Home Again - Liking the remix a lot.
Nicolas Duque - Wicked work from Garret in there, nice vibes, shuffley and still with his chicago vibes, tbf I prefer this one to the og but both are good :)

We have 50 copies from the 100 copies pressed. Special edition limited to 100 copies including black vinyl Featuring 2 remixes from NX1 and Geistform.

Another vinyl and another electric debut as we introduce France's Casual Treatment to EarToGround. New to the label but an extremely well versed, well known prolific producer and DJ to our scene.

This powerful Extended Player effortfully delivers four bright cuts of razor sharp Techno. The two originals from Casual express a somewhat soulful experience of his production range with the use of immersive chords and shimmering female vocals backed by obsessive grooves and perfectly executed percussion.

To fully augment the experience exponentially two Portuguese leading lights of the movement deliver their own input to the release via two separate remixes. Vil enterers in with his unique rolling attitude to bring you a true peak time performance and completing the release Cravo lets rip with an intense, sharp, fast paced rework with his dark undertones.

A true essential 12".

Introducing CROWD002: Join us for an thrilling techno experience crafted by the talented Argentinian DJ and producer Sol Ortega, featuring a remix by FJAAK.

This EP delivers a carefully curated collection of effective dancefloor bangers that showcase the genre's timeless allure and the artist's exceptional artistry. Immerse yourself in the enchanting beats and harmonies of each track, igniting a desire for more.

To Celebrate their 3rd anniversary Berlin’s Pure Hate Trax hand the
reigns to resident artist Slave To Society. Andrew Bowen aka Slave To
Society provided the debut EP on the label with his now infamous ‘Path Of Self Destruction EP’ which also featured a remix from UK Techno pioneer Perc. Since then Andrew has gone onto release on some key labels including PI Electronics, Scuderia, Natural Selection, PRSPCT & his own self titled Slave To Society imprint. This time on remix duty Birmingham born Berlin based Rebekah steps up to remix lead track
Thrown To The Wolves. As one of the most respected figures in the
world of hard-edged Techno, Rebekah has carved out an infallible
reputation as a consummate artist and has established herself as one
of the leading UK exponents of the sound currently operating on the
global circuit. With 3 Experimental, Industrial, Breakcore originals
packed full of Esoteric Noise, Distortion and Breaks with a straight up
Hard Techno/Hardcore floor focused remix, Pure Hate Trax stamp their
intent as they move into the next chapter. PH006 is available in stores
from 23rd August 2023, distributed by Ready Made Distribution, Berlin.
Mastered by Joe Farr. Artwork by Slave To Society.



c B1. Thrown To The Wolves Rebekah Remix

Repress!

Steppin up, steppin in. Darius Syrossian’s Moxy Muzik lets loose another bomb, this time in the form of Eskuche ‘Feelings’. The NYC producer delivers a house cut drenched in deep flavours and deft disco touches all the while maintaining a peak time dance floor energy.

On the flip Andrew Kay’s remix is definitely the one that has been turning heads the most – not least because Darius unleashed it at Forbidden Forrest festival and a subsequent online video led to a flood of ID requests. It’s a 130bpm, slamming yet minimal track with monstrous breakdown and dark in your face baseline.

Closing out proceedings, James Dexter remix is a lovely minimal interpretation doused in glitching synthlines and hypnotic rhythms to lock in a dancefloor.