Schmer brought these two together to battle it out for Schmer019: Snazelle vs Loveland : Get this special 6 track maxi EP of pure techno and YOU will be the winner.
Brooklyn based techno producer and Snazzy Fx boss. Much of the hardware Dan uses in his productions and live sets was designed and built by him. His focus as an artist is on electronic music as a vehicle for achieving transcendent states. This comes out in his sets as a respect for both the funky and hypnotic aspects of dance music. As a DJ and live act, Dan has performed throughout Europe and is a regular fixture in NYC.
2018 saw Dan release the "Exposure to a Steady Stream Ep" on Jacktone records. Fact Magazine included the track " Broken Saucers" in their best of September round-up.
In early 2019 Nina Kraviz and Dan released their collaboration "u ludei est pravo"on the trip compilation "Happy New Year! We Wish You Happiness".
In August, Schmer released his newest EP, "Swarm Draze".
Jasen Loveland is a mercurial force about whom little is known with any certainty. Much of Loveland’s life and exploits are shrouded in an opaque and often contradictory mythology that includes many other characters who may or may not be Loveland himself. Born sometime around 1950, Loveland seems to have been operational within the dance music community for decades, allegedly interning for Giorgio Moroder in Munich after finishing a medical degree in the 1970s. It is rumored he was the individual who did the actual synth programming on “I Feel Love”, however this was never confirmed. Documentation of Loveland’s past was further obscured by a “studio fire” while operating out of Chicago in the mid-1990s that destroyed all of Loveland’s memorabilia from the past, except for a handful of lo-resolution, poorly-scanned photographs Loveland (an early user of Hyperreal.org and the #mw.raves listserv) had emailed to a friend. Fortunately, Loveland was able to save his two favorite synthesizers, a battered Roland TB-303 and it’s demented sibbling, the MC-202, but the rest of Loveland’s equipment, and the documentation of his past, was lost in the blaze, leaving Loveland homeless for several months. Regardless of the veracity of his tales, Loveland’s music speaks for itself; the intense, maniacial vibes that pervade the ouvre are undeniably suited for the most far-out, dancefloor head trips, thus making it only a matter of time before he joined the Interdimensional Transmissions family.
Most recently, Loveland has been presenting DJ-style musical performances under the name “Loveland & Friends”, which has become an umbrella term for all projects related to his work, including JL-303, DJ Curtis Chipp, Chip Curtis, MIDI Master, Remote Perception, The Limit, Acid Musik Department, The Gaze, Ace of Fades, East German Chemistry, The Universal Vision, Clonus, Gamma Polaris, R.O.M. and DJ Kline, and Da House Band. Many of these, such as the DJ Kline project (with Prof. Dr. Alice B. Kline, a self-described “unremarkable scientist” and researcher at CERN), seem to be collaborations or ghost productions, although even this is not clear. In fact, the only confirmed Loveland collaborations are LW Productions (with Clay Wilson) and Pervocet (with Patrick Russell), the latter presented as a 12” by Interdimensional Transmissions, Detroit.
Suche:resolution 2
Giancarlo Erra Returns With Spellbinding New Lp ‘Departure Tapes’ On
Kscope. Gatefold Oxblood Coloured Vinyl Edition.
UK based Italian composer, multi-instrumentalist and visual artist Giancarlo
Erra started his career in 2005 with one man studio project Nosound. In 2008
Erra signed with Kscope and released a string of albums under the Nosound
banner before recording the first album under his own name ‘Ends I-VII’ in
2019.
He now returns with a new album ‘Departure Tapes’, reflecting what has been
a difficult year with the loss of his father to cancer.
In Giancarlo’s own words “The end result is the most experimental (and darkest at times) material I ever wrote, without compromise or set plan. It contains
all the elements of my music in a very unconscious free flow way. It’s the first
album I wrote without knowing I was writing it, intrinsically linked to one of the
hardest and yet more healing parts of my life.”
‘Departure Tapes’ is an album of contemplative recordings, written while travelling between the UK and Italy. Most of these tracks have been recorded live
by Erra, so for the most part they are totally unique and hold a sincerity which
cannot be replicated.
Max Richter, Olafur Arnalds, Nils Frahm and the more electronic / ambient
recordings of Brian Eno may offer a reference point by which to enter Erra’s
world, but the depth within these recordings is truly original.
‘Departure Tapes’ is available in a gatefold sleeve on oxblood coloured vinyl and
The DVD-A/V includes high resolution stereo & 5.1 mix: DVD-V: stereo 24/48
LPCM lossless mixes, Dolby Digital 5.1 Surround, DTS 96/24 5.1 Surround DVDA: 5.1 Surround 24/48 LPCM lossless mixes
- A1: Megalobox
- A2: Megalobox (Sorrow)
- A3: Megalobox (Acoustic)
- A4: Megalobox (Emotional)
- A5: Beginning Of The Fight
- A6: Battlefield
- A7: The Theme Of Gansaku Nanbu
- A8: The Theme Of Gansaku Nanbu (Sorrow)
- A9: The Theme Of Gansaku Nanbu (Slow)
- A10: The Theme Of Gansaku Nanbu (Playful)
- B1: A Day In The Life
- B2: The Theme Of Sachio
- B3: The Theme Of Sachio (Sorrow)
- B4: The Slum City (Feat Coma-Chi)
- B5: The Slum
- B6: The Slum (Night)
- B7: The Theme Of Bangaichi
- B8: The Theme Of Bangaichi (Celebration)
- B9: Get Up
- C1: The Theme Of Yukiko Shirato
- C2: The Theme Of Yukiko Shirato (Slow)
- C3: The Theme Of Yukiko Shirato (Fanfare)
- C4: The Theme Of Fujimaki
- C5: The Theme Of Aragaki
- C8: The Theme Of Mikio Shirato
- C9: The Theme Of Mikio Shirato (Slow)
- C10: Lost In Grief (Deep)
- D1: The Theme Of Yuri
- D2: Resolution
- D3: Gearless Joe (Feat Coma-Chi)
- D4: Megalonia News Network
- D5: Enter The Arena
- D6: The Theme Of Glen Burroughs
- D7: The Theme Of Pepe Iglesias
- D8: We Are Bangaichi (Feat Sachio)
- D9: The Beast (Feat Coma-Chi)
- D10: Celebration
- D11: The Ending
- C6: The Theme Of Aragaki (Piano Version)
- C7: Heartwarming
This is the very first original soundtrack of our new Japanese Anime Collection!
MEGALOBOX is the tribute animation to the legendary Ashita no Joe, produced by TMS Entertainment and broadcasted worldwide since 2018 with a dazzling success.
MEGALOBOX Original Soundtrack is produced by mabanua (Manabu Yamaguchi) and features several renowned artists such as DJ TAKU, KOMA-CHI or Michael Kaneko. It was acclaimed by the critics for its unforgettable rhythm and melodies, inspired by a broad variety of genres such as hip hop, black music and rap.
This soundtrack is now entirely remastered for the sumptuous vinyl format!
The Megalobox Vinyl Edition features:
- The illustrated gatefold with Joe and Yuri
- 2xLP black color, housed in two illustrated sleeves
- A 12-page booklet with comments from the composer and the team (Yo Moriyama, Keiichirô Miyoshi) and the English translated lyrics from the songs
*2022 2LP Version *
Seven years after the classic ‘Theater of a Confused Mind’ (as Population One), Detroit techno phenomenon Terrence Dixon is back on Rush Hour with a new album, this time under his own name.
It would be a massive understatement to say we’re proud of this one. After all our whole operation was named after one of Dixon’s early tracks (‘Rush Hour’ originally appeared on a double EP called ‘Hippnotic Culture’ on fellow Detroit legend Claude Young’s Utensil Records in 1995) and ‘Reporting from Detroit’ again finds the maestro in outstanding form.
‘Reporting from Detroit’ is another prime example of the distinctly unique sound language Dixon has developed over the last three decades - defiant, forward-thinking afrofuturist techno that could only have been made in the Motor City.
But this is not just mere Detroit techno - it’s a sound language that’s unique to Dixon. An instantly recognizable high-octane sonic language fueled by frantic funk that’s constantly pushing the boundaries of machine music without ever losing the connection to the magic of the Detroit streets at night.
Squid announce their debut album, ‘Bright Green Field’, already one of 2021’s most highly anticipated releases.
Produced by Dan Carey, ‘Bright Green Field’ is an album of towering scope and ambition, it is deeply considered, paced and intricately constructed. With all band members playing such a vital and equal role, this album is very much the product of five heads operating as one.
Some bands might be tempted to include previous singles on their debut - and the band already released two more in 2020 via ‘Sludge’ and ‘Broadcaster’ - but instead ‘Bright Green Field’ is completely new. This sense of limitlessness and perpetual forward motion is one of the key ingredients that makes Squid so loved by fans and critics alike, from 6 Music, who have A-Listed previous singles ‘Houseplants’, ‘The Cleaner’ and ‘Match Bet’, to publications such as The Guardian, NME, The Face, The Quietus and countless others. The band was also on the longlist for the BBC Music Sound Of 2020 poll.
‘Bright Green Field’ features field recordings of ringing church bells, tooting bees, microphones swinging from the ceiling orbiting a room of guitar amps and a distorted choir of 30 voices, as well as a horn and string ensemble featuring the likes of Emma-Jean Thackray and Lewis Evans from Black Country, New Road.
Squid’s music - be it agitated and discordant or groove-locked and flowing - has often been a reflection of the tumultuous world we live in and this continues that to some extent. “This album has created an imaginary cityscape,” says Ollie Judge, who writes the majority of the lyrics and plays drums. “The tracks illustrate the places, events and architecture that exist within it. Previous projects were playful and concerned with characters, whereas this project is darker and more concerned with place - the emotional depth of the music has deepened.”
For all the innovative recording techniques, evolutionary leaps, lyrical
themes, ideas and narratives that underpin the album, it’s also a joyous and emphatic record. One that marries the uncertainties of the world with a curious sense of exploration as it endlessly twists and turns down unpredictable avenues.
Fresh off of their 2020 offering Adult Themes, El Michels Affair is back with a new full-length release. Titled Yeti Season, this newest album has everything we've come to expect from EMA's patented cinematic style of instrumental soul music. Where Adult Themes inspired a soundtrack to an imaginary film, Yeti Season brings us to a different place in time_with new inspirations. Taken with Turkish-styled funk and an almost Mumbai-esque take on soul, El Michels Affair offers us a different kind of drama and imagination with Yeti Season. If you've been following along, this shouldn't be viewed as too far a departure for El Michels Affair. The first single off of Yeti Season showed their hand back in 2018. A double-sided banger, that release brought the musical textures to the fore that dominate this record. The first song, titled "Unathi," is fully realized with the beautifully haunting-yet-hopeful vocals of Piya Malik, formally of 79.5_another Big Crown artist. Singing in Hindi, Piya's ethereal voice is telling us to work and strive together toward progress. Even if you don't understand her language, you can still hear the urgency of purpose, creating a lasting vibe that sits on top of it all. Leon Michels explains that Piya had a vital influence on this record: "When Piya started singing in Hindi, she had a different voice, a different tone. I knew we had to do something together." And so Piya appears on three other songs on Yeti Season: "Zaharila," "Murkit Gem," and "Dhuaan." Each providing particular signatures to the album. "Zaharila" is a building and changing love song punctuated by blaring trumpets, driving drums, and Piya's pleading lyrics. While the more upbeat "Murkit Gem" opens with a fuzzed out, Wu-Tang-esque baseline that buoys Piya's stylings. The psychedelic guitar and Piya's changing tones and textures singing about an all-consuming love are what pushed "Dhuaan" on to the second single from Yeti Season. There is also a vocal appearance from Shannon Wise of The Shacks, yet another Big Crown artist. Her song called "Sha Na Na," lies more in the familiar EMA vein: melodic, hypnotic, soulfully visual. But between Shannon's airy singing, the jumpy baseline, moody vibes, the active drum lines, it sounds like a pensive walk home after a strangely dramatic night. So what is Yeti Season? It could be more of a feeling than an actual place or time of year. It's a heavy album_as evidenced by the signature musicianship and dramatic vocal expressions. But it's also a hopeful record, with phrasings, textures, and chord changes that hint at something better_or fuller_coming our way. You hear it in songs like "Ala Vida," with its stabby, pulsing chords laying a bedrock for EMA's bright, atmospheric horn lines. Or even in "Fazed Out," which leaves you with a feeling of determination, a striving for resolution even though the driving, march-like song structure should accompany some conquering army. This persistence has to come from the fact that Leon Michels and company finished this record during the lockdown. It was a tough and troublesome time. But look at what has come of it: Yeti Season_a record of high and heavy drama, but also one of hope and promise. It may take a year like 2020 behind us to find hope in a winter big footed creature like a Yeti, but that's where we are.
- 01: Fallow (Live)
- 02: Zomp (Live)
- 03: Liberty (Live)
- 04: Hypno (Live)
- 05: Aero (Live)
- 06: Kobi (Live)
- 07: Solution Black (Live)
- 08: Ecru (Live)
- 09: Telemagenta (Live)
- 10: Calling James (Live)
- 11: Fallow
- 12: Goldenrod
- 13: Liberty, Pt.1
- 14: Catawba
- 15: Resolution Blue
- 16: Liberty, Pt.2
- 17: Aero
- 18: Kobi
- 19: Telemagenta
- 20: Nyanza
- 21: Firebrick
- 22: Dark Cyan
- 23: Heliotrope
- 01: Fallow (Live)
- 02: Zomp (Live)
- 03: Liberty (Live)
- 04: Hypno (Live)
- 05: Aero (Live)
- 06: Kobi (Live)
- 07: Solution Black (Live)
- 08: Ecru (Live)
- 09: Telemagenta (Live)
- 10: Calling James (Live)
- 11: Fallow
- 12: Goldenrod
- 13: Liberty, Pt.1
- 14: Catawba
- 15: Resolution Blue
- 16: Liberty, Pt.2
- 17: Aero
- 18: Kobi
- 19: Telemagenta
- 20: Nyanza
- 21: Firebrick
- 22: Dark Cyan
- 23: Heliotrope
LTD. CLEAR BLUE VINYL
Fresh off of their 2020 offering Adult Themes, El Michels Affair is back with a new full-length release. Titled Yeti Season, this newest album has everything we've come to expect from EMA's patented cinematic style of instrumental soul music. Where Adult Themes inspired a soundtrack to an imaginary film, Yeti Season brings us to a different place in time_with new inspirations. Taken with Turkish-styled funk and an almost Mumbai-esque take on soul, El Michels Affair offers us a different kind of drama and imagination with Yeti Season. If you've been following along, this shouldn't be viewed as too far a departure for El Michels Affair. The first single off of Yeti Season showed their hand back in 2018. A double-sided banger, that release brought the musical textures to the fore that dominate this record. The first song, titled "Unathi," is fully realized with the beautifully haunting-yet-hopeful vocals of Piya Malik, formally of 79.5_another Big Crown artist. Singing in Hindi, Piya's ethereal voice is telling us to work and strive together toward progress. Even if you don't understand her language, you can still hear the urgency of purpose, creating a lasting vibe that sits on top of it all. Leon Michels explains that Piya had a vital influence on this record: "When Piya started singing in Hindi, she had a different voice, a different tone. I knew we had to do something together." And so Piya appears on three other songs on Yeti Season: "Zaharila," "Murkit Gem," and "Dhuaan." Each providing particular signatures to the album. "Zaharila" is a building and changing love song punctuated by blaring trumpets, driving drums, and Piya's pleading lyrics. While the more upbeat "Murkit Gem" opens with a fuzzed out, Wu-Tang-esque baseline that buoys Piya's stylings. The psychedelic guitar and Piya's changing tones and textures singing about an all-consuming love are what pushed "Dhuaan" on to the second single from Yeti Season. There is also a vocal appearance from Shannon Wise of The Shacks, yet another Big Crown artist. Her song called "Sha Na Na," lies more in the familiar EMA vein: melodic, hypnotic, soulfully visual. But between Shannon's airy singing, the jumpy baseline, moody vibes, the active drum lines, it sounds like a pensive walk home after a strangely dramatic night. So what is Yeti Season? It could be more of a feeling than an actual place or time of year. It's a heavy album_as evidenced by the signature musicianship and dramatic vocal expressions. But it's also a hopeful record, with phrasings, textures, and chord changes that hint at something better_or fuller_coming our way. You hear it in songs like "Ala Vida," with its stabby, pulsing chords laying a bedrock for EMA's bright, atmospheric horn lines. Or even in "Fazed Out," which leaves you with a feeling of determination, a striving for resolution even though the driving, march-like song structure should accompany some conquering army. This persistence has to come from the fact that Leon Michels and company finished this record during the lockdown. It was a tough and troublesome time. But look at what has come of it: Yeti Season_a record of high and heavy drama, but also one of hope and promise. It may take a year like 2020 behind us to find hope in a winter big footed creature like a Yeti, but that's where we are.
On 28th August, Nirvana's self-titled 7 x platinum-selling posthumous collection Nirvana makes its debut on Deluxe 45rpm double LP on heavyweight 180-gram vinyl with a digital download card for 24-bit 96kHz HD audio, as well as a standard 33rpm single LP 180-gram heavyweight vinyl edition which will feature a download card for 320kbps MP4 audio. Nirvana will also be released as a Blu-Ray Pure Audio in high resolution 24-bit 96kHz in three stereo audio formats: PCM, DTS-HD Master Audio and Dolby TrueHD stereo.
Originally released in 2002, Nirvana features the rare and previously unreleased studio version of You Know You're Right', the last song the band ever recorded, available exclusively on this compilation. Also among the 14 classics on Nirvana: 1991's breakthrough Smells Like Teen Spirit', and fellow Nevermind singles Come As You Are', and In Bloom', In Utero singles Heart-Shaped Box' and Pennyroyal Tea', as well as deep cuts including About A Girl' from first album Bleach, Been A Son' from the Blew EP, the non-LP single Sliver', and live acoustic versions of All Apologies' and David Bowie's The Man Who Sold The World' from the GRAMMY® winning MTV Unplugged In New York.
Be assured that even dawning on sixty and with a career spanning more than 30 years, Popa Chubby continues to fight against the injustices of this world !
And the least we can say about 2020 and the COVID-19 pandemic is that it offered him the “magnificent” inspiration that fed into the creation of his new album “Tinfoil Hat”! As he writes himself, this record’s creation was self-evident from the beginning of the first lockdown in March.
Back at his base in the Hudson Valley and following his last show played in Florida, our man immediately wanted to send a message of empathy and support to his fans, and that’s how the song “Can I Call You My Friends?” was conceived. The reaction was so sudden, warm, and intense that he found there was enough material for continuing this “dialogue” by composing other songs that today form the framework for “Tinfoil Hat.”
The whole thing was entirely “homemade,” recorded and played by Popa Chubby with the extra Guts and Soul that great causes often bring to life. “Tinfoil Hat” and the 11 songs that make it up were born from a mixture of love, despair, fear, frustration, pain, joy, sorrow, resolution and the leap into the great unknown imposed by the coronavirus that has been with all of us all since last
March. The Trump administration’s chaotic and reckless management of the crisis provided Popa Chubby with the inspiration for uncompromising lyrics. Like those of the title song (supported by, to say the least, an explicit clip) or themes such as “You Ain’t Said Shit,” “No Justice, No Peace,” or “Another Day In Hell.”
Without forgetting to pass on messages of hope (“Someday Soon, Change Is Gonna Come”) or even for good behavior in the face of the virus with “Baby Put On Your Mask.” In the album notes, he writes, “Like all of you, this pandemic has pushed me to the very edge of my humanity. But the music, the sweet music, has put me back on the right path once again. So I offer this work with humility and the deep devotion I have for you!”. That says it all!
The Glass Passenger is the second album by American alternative rockers Jack’s Mannequin. It captures frontman Andrew McMahon during a darker period, after he was diagnosed with leukaemia. Some painful subjects are woven into the pop- rock and orchestral sounds. From the slow-burning “Spinning” to the razor sharp single “Swim”, it’s a versatile and colourful album.
Jack’s Mannequin is the side project of Andrew McMahon from pop punk band Something Corporate. They recorded three albums during their existence. McMahon crafted some incredible pop songs for the band.
The album, which also contains bonus track “Miss California”, is available as a limited edition of 2500 individually numbered copies on silver vinyl.
- A1: The Marsist
- A2: Men In Black
- A3: Punk Rock City
- A4: You Ain’t Me
- A5: Jesus Was Right
- A6: I Don’t Want To Hurt You (Every Single Time)
- B1: Mosh, Don’t Pass The Guy
- B2: Kicked In The Taco
- B3: The Creature Crawling
- B4: The Adventure And The Resolution
- B5: Dance War
- B6: The Cult Of Ray
- B7: The Last Stand Of Shazeb Andleeb
Demon Records is proud to present a new series of vinyl reissues from American singer-songwriter Black Francis / Frank Black
“Salutations from the Twilight Zone, and if you think I mean the 1960s sci fi television program you are correct;
I am quite literally inside of a 1960s sci fi television program. And in that context Demon have allowed
me to correct certain anachronisms in my published works and are releasing some for the first time on vinyl
(https://en.wikipedia.org/wiki/Polyvinyl_chloride).” - Black Francis
• First released in 1996, The Cult of Ray is Frank Black’s third studio album and includes the singles ‘Men In Black’, ‘The Marsist’
and ‘I Don’t Want To Hurt You (Every Single Time)’.
• Black Francis explains the Cult Of Ray “was the band that was also the band for the first Frank Black & The Catholics record. I
hadn't stumbled on to my live to 2 track obsession just yet, but I was quite enjoying the parameters of 16 track 2 inch. Fat and
warm, aided by my sweet as candy pal Lyle Workman on lead guitar. Lyle can be best described as a HOT DOG with a
telecaster in his large, supple hands. Super fun motorcycle ride.”
• Long out of print, this new vinyl reissue is pressed on 140g blue vinyl, housed in a printed inner sleeve.
- A1: Timo Lassy & Teppo Mäkynen - Zomp
- B1: Timo Lassy & Teppo Mäkynen - Dark Magenta
- C1: Koma Saxo - Port Koma
- D1: Koma Saxo - Fanfarum For Komarum
- E1: The Stance Brothers - Resolution Blue
- F1: The Stance Brothers - Where Is Resolution Blue?
- G1: Koma Saxo - Koma Mate
- H1: Koma Saxo - Jagd (Feat Jameszoo)
- I1: Oaagaada - Oag-Ada
- J1: Oaagaada - A Swimming Trip
Producer/drummer Teppo Mäkynen shares a new release with his celebrated alias The Stance Brothers. "On Top" is a solid gold Stance groover which appears on this We Jazz Records 7" vinyl single as two versions. On side A, the track is led by guitar and flute (the latter courtesy of Diamond T aka Timo Lassy) and the flip introduces a soul jazz scorcher with organ & vibes. Both cuts are ripe and ready to be enjoyed by DJs and home listeners alike.
"On Top" follows the remarkably successful Stance sides "Resolution Blue" and "Minor Minor", all part of the ongoing 7" series by the Helsinki-based We Jazz Records. The 7" comes with old school heat-pressed labels and a stylish generic brown sleeve.
- A1: Niels Landgren & Jan Lundgren - Blekinge
- A2: Gregoire Maret & Romain Collin & Bill Frisell - Wichita Lineman
- A3: Wolfgang Haffner - Tango Magnifique (Feat Ulf Wakenius & Christopher Dell)
- A4: Michael Wollny & Emile Parisien - White Blues
- B1: Paolo Fresu & Lars Danielsson - Darduso
- B2: Kadri Voorand & Mihkel Malgand - Ageing Child
- B3: Andreas Schaerer - Embraced By The Earth (Feat Vincent Peirani)
- B4: Joachim Kuhn & Mateusz Smoczynski - Epilog Der Hoffung
‘Hörtest-Edition IV - Visions of Jazz’ is a listening experience to be cherished. It offers a specially curated programme which can be compared across different media and in various formats. Enjoy an audiophile adventure in perfect sound quality: the 180gram LP, cut at half speed, has been subject to the most exacting demands during the pressing process, rendering the quality of a turntable audible. Compare the special features of vinyl with the strengths of a conventional audio CD, or alternatively feast your ears on the sound quality attainable in the hi-res world of 24-bit. For this listening experience, ACT has curated a selection from its current releases by renowned artists, all recorded and produced to the highest standards and with an uncompromising focus on sound quality. Test… compare… but above all, enjoy the music. Under the motto ‘Visions of Jazz’, ‘Hörtest-Edition IV’ presents a multi-faceted kaleidoscope of current jazz. This ‘Hörtest-Edition’ includes gatefold 180g LP, CD and 24Bit high resolution digital download files. Curated and compiled by Marco Ostrowski.
2017 release available again soon, first time through us, last copies. After numerous productions with Xatar, Haftbefehl, Plusmacher, Schwesta Ewa and many more, it was time for the solo debut of The Breed last year. The record entitled The Beauty & The Breed brought Westcoast Vibes into the German beat scene and provided the perfect soundtrack for the summer. Now the new album Sexbox follows up on this. The Breed brings the vibe for relaxed BBQ parties and sunny rides in a convertible. The inspiration for this continues to come from G-Funk and also the classic AON sound shines through again and again, but always stays up to date. The instrumentals are even more mature than on the predecessor and Breedy spins his movie logically further without repeating himself. But instead even more R'n'B influence, even more sex. No classic sample-flip-drum-ready loops, but rather songs that are repeatedly produced out of the box, which through the prominent use of talkbox, live instruments and vocal chops become more than just pure instrumentals. The Breed mixes all these ingredients in a well-considered and dosed way for the Sexbox Cocktail.
The powerful and bass-heavy produced beats make heads nod and spread a real feelgood vibe everywhere.
Matching the artwork Sexbox is released as pink coloured vinyl including a A2 poster for your living room and a mp3 download coupon.
- A1: Garou Densetsu Title (Neogeo)
- A2: Garou Densetsu Title (Mvs)
- A3: Fatal Fury Title (Neogeo)
- A4: Fatal Fury Title (Mvs) Ver.1
- A5: Three Heads Are Better Than One (Player Select)
- A6: Fight! (Battle Start)
- A7: The Hooligan Of Downtown (Duck King's Theme)
- A8: Haremar Faith Capoeira School - Song Of The Fight Believers Will Be Saved (Richard Meyer's Theme)
- A9: The Sea Knows (Michael Max's Theme)
- A10: Four Thousand Years Of Chinese History (Tung Fu Rue's Theme)
- A11: Results Are Everything (Battle Results)
- A12: Suspicious Guy (Interrim Demo)
- A13: The King Cobra Is Coming (Hwa Jai's Theme)
- A14: The Hero Raiden (Raiden's Theme)
- B1: Let's Start (Bonus Game Start)
- B2: Keep Going Until The Ends Of Hell (Bonus Game Main Bgm)
- B3: You Are Great! (Bonus Game Victory)
- B4: Failure Is The Key To Success (Bonus Game Defeat)
- B5: Hit By A Stick If You Walk Along The Bridge (Billy Kane's Theme)
- B6: Kidnapping (Geese's Subordinates Demo)
- B7: Desperate Awakening (Geese Appearance Demo)
- B8: A Kiss For Geese (Geese Howard's Theme)
- B9: Just A Little Smart Fighting Fellow (2P Battle Bgm)
- B12: I Won't Give Up! (Continue)
- B13: Beyond Despair (Game Over)
- B14: Enter Your Name (Battle Records Display)
- B15: Fatal Fury Title (Mvs) Ver. 2
- B16: The Hero Raiden -Rof Arrange Ver
- B10: In The Shadows Of Victory (Victory Demo)
- B11: If You Gaze At Reality (Ending)
SNK, Brave Wave Productions and Limited Run Games are proud to reveal their fifth collaboration, Generation Series 012: Fatal Fury for both CD and vinyl. Known as Garou Densetsu (餓狼伝説) in Japan and originally released for NEOGEO in 1991, Fatal Fury is one of SNK’s earliest, but also most popular 2D fighting games. The soundtrack, composed by TARKUN (Toshikazu Tanaka), features catchy and exciting tunes for each character in the iconic SNK fighters lineup.
This release marks the first time the soundtrack of Fatal Fury will be made available on vinyl. As with all Generation Series and other Brave Wave releases, this release will be remastered specially for vinyl, CD and digital (via a free download code included with the vinyl edition) and restored to the highest possible quality. The rest of the package will include our usual offerings, including high-resolution artwork and liner notes contained in a full-color booklet.
As a special bonus, Side B of the vinyl (the final track on the CD) will contain the track The Hero Raiden -ROF Arrange ver.-, which was originally featured in the 2015 mobile title The Rhythm of Fighters. The bonus track, an arrangement of the original song from Fatal Fury, was composed by TARKUN.
Tomotsugu Nakamura is a musician and graphic designer residing in Tokyo, Japan. His primary artistic practice is to compose music with some fragments of minimal acoustic and electronic tones and some field recordings. In Concert, he has played with various genre of musician such as "Musica Frontera Argentina". With previous releases on Kaico and Audiobulb Records, "Literature" is his 5th complete album.




















