- A1: Davide Ghidoni Resonance Emergence Of Shadow 5 16
- A2: Eric Framond Ghetto 6 13
- A3: Hidden Cost Bo Did It 3 40
- B1: Richard Evans Dealing With The Hard Times 3 14
- B2: Chain Reaction Feat Dave Collins Hogtied 6.11
- B3: The Supremes Come Into My Life 6 07
- C1: Dennis Mobley & Fresh Taste Superstition 7 50
- C2: Notations Superpeople 3 53
- C3: Gene Boyd Tought Of You Today 5 21
- D1: Black Sugar Pussy Cat 4 45
- D2: Johnny Lytle Babo 5 43
- D3: Jean Claude Pierric / Daniel Janin Black Night 3 11
- D4: Bobby Humphrey Jasper Country Man 5 16
quête:ri
Izil Recordings returns with its second statement of intent, bridging continents and sounds with Moroccan visionary Mr. ID at the controls. The IDK EP unfolds as a ritual of rhythm, hypnotic, tribal, and deeply human - where North African heritage meets the pulse of the modern club. The original track, “IDK,” is a driving blend of raw percussion, ancient chants, and forward-thinking groove design. It’s music that feels both ancestral and futuristic, a sonic journey through heat, dust, and night. Remix duties come from Floyd Lavine, who injects his signature Afro-tech elegance, expanding the horizon with rolling basslines and fluid tension. Amine K and Dilby then reimagine IDK for late-night dancefloors, weaving melody and groove into a transcendent neo-trance narrative.
A powerful record that connects roots and movement - Morocco to the world.
- A1: Happy Christmas (Extended Noel Mix)
- A2: Happy Christmas (Radio Noel Edit
- B1: Zombie Lady (A P. Mono Extended Monster Mix)
- B2: Zombie Lady (A P. Mono Monster Radio Edit)
Stylóo celebrates Christmas 2025 with the new single "Happy Christmas" and an exclusive surprise on the
B-side.
Following the sensa%onal success of "Sweat," which was awarded Italo Disco Record of the Year 2025 and
sold out completely, Stylóo returns to surprise the audience with a special gi, dedicated to all their fans.
For Christmas 2025, Stylóo presents "Happy Christmas," a fes%ve single conceived as a sincere tribute to
their fans and a wish for light, hope, and energy for the new year that is fast approaching. The track merges
the ar%st's melodic sensi%vity with their unmistakable musical elegance, accompanying the holiday
atmosphere with a unique and recognizable touch.
Despite being a Christmas song, "Happy Christmas" maintains all the energy and dance imprint that have
always characterized Stylóo's produc%ons, combining rhythm, melody, and sophis%ca%on in a unique
balance.
The release is already accompanied by an elegant Christmas cover and its physical version, pressed on a
completely black vinyl, a refined and symbolic choice to wish a Merry Christmas and Happy Holidays 2026
through a sober and high-class aesthe%c.
Making this special vinyl even more exclusive is the surprise on the B-side: the unprecedented remixed
version of "Zombie Lady," signed by A.P. Mono, an interna%onally renowned DJ and producer. A,er producing one of the most appreciated versions of "Sweat" and recently contribu%ng an excep%onal remix
to Savage's latest produc%on, A.P. Mono gives "Zombie Lady" a unique and irresis%ble touch, making the
vinyl a true collector's item.
With "Happy Christmas," Stylóo officially opens the doors to a prolific, crea%ve, and even richer 2026,
confirming the special bond with their audience.
Merry Christmas and Happy Holidays 2026 from Stylóo.
Dimelow label boss Bony Fly steps forward with a seven-track cassette + digital release for Equiknoxx Music, marking a heavyweight link-up that’s been years in the making. No stranger to the Equiknoxx universe, Bony Fly has long been part of the extended family—hosting the crew in Geneva and premiering “Rivers Odyssey” on the collective’s NTS show back in April 2020. Since then, plans for a larger project have been quietly taking shape.
Now, in 2025, the vision arrives fully formed: seven Dancehall-meets-Reggaeton scorchers, built for sound systems, clubs, and global dance floors. Bony Fly’s long-time undisputed sparring partner Androo steps in on Dancehall Science to close off the project with style and elegance. A true cross-continental connection—Guatemala City meets Kingston City in fine style, delivered through Bony Fly’s unmistakable global-club energy.
During the 35 years of making music, Dave Lee has constantly been searching for new singers and writers to work with. A search that’s ended up with many fantastic collaborations and releases with the likes of Thelma Houston, Taka Boom, Dianne Charlemagne and Seal. More recently this quest led him to Maurissa Rose and the creation of their album ‘London / Detroit’. After hearing Maurissa's voice on a Theo Parrish record Dave reached out to her and after a few long phone conversations and mp3 swaps they both agreed a visit to London would be much more fun than trying to work together remotely. Maurissa made the journey from her home in Detroit to write and record an album with Dave at his studio in March 2022 - as they both feel that creating music together in the same room is always better. The fruits of their labour yielded 11 brand new songs (and 1 cover) tapping into their collective love of Soul, Disco and R&B, with a sprinkle of Soulful House. This album is a special one for Dave Lee as it’s the first time in his career he’s recorded an entire album with same singer on every track.
In the album’s liner notes Dave talks of how Maurissa is a naturally creative person, full of ideas, warm & unpretentious which is reflected in her vocal performances throughout ‘London / Detroit’. Dave’s expertly crafted music is backed up with a deeply passionate yet effortless delivery from the Detroiter, a marker of someone who has honed and perfected their art. When it comes to the music side of this LP, Dave Lee is once again proving he’s still at the top of his game and shows no sign of relenting. Drawing from his encyclopaedic knowledge of all things Soul/Funk/Disco, we are treated to a range of styles, BPMs and influences from 95bpm street soul to more uptempo disco and boogie flavours. Be it the rippling synth voyage opener of ‘You Decide’, taking the Johnnie Taylor classic ‘What About My Love’ into a modern Boogie realm, upping the tempo on the soulful houser ‘I Feel the Sun” or bringing the tempo back down to the bassy acidic chug of ‘You’re Giving Me Life’. Mr Lee is truly adept at creating a modern disco soul sound without the usage of samples.
London and Detroit might be two very different cities on opposite sides of the Atlantic but this album is proof that creative synergy knows no distance.
Out everywhere on Feb 28th on Gatefold Vinyl, CD and Digital/Streaming.
Limited Edition Eric Kupper Mix Of This Lost Classic From The Vaults Of America, Fully Licensed 100 Demos Only
The musical cream of the crop (MFSB / The Salsoul Orchestra) behind the soulful Sound of Philadelphia - Earl Young (drums), Ron Baker (bass), Norman Harris (guitar), Lenny Pakula (organ), Larry Washington (percussion), Vince Montana, Jr. (vibes) - joined forces with powerhouse vocalists David Simmons, Joe Freeman, Ron Tyson and Bobby Love at Philadelphia's historic Virtue Studios in 1982 to record some of the genre's biggest hits. This small, but sensational set of lush recordings, which were mixed at Alpha Studios - ensuring that every note and nuance was captured with the highest fidelity, recently caught the attention of the famed producer and remixer Eric Kupper. Kupper cut his teeth working as a keyboardist and guitarist for such producer/remixers as David Morales, Frankie Knuckles, Arthur Baker, Peter auhofer, and Richie Jones to name a few. Since 1986, he has performed on, remixed, and/or produced over 1400 records for artists spanning all contemporary musical genres. Presented here is "The Love I Lost"
DJ Subaru returns to Palms Trax’s CWPT with ‘Dog’, showcasing three tracks of offbeat dancefloor material that encompasses throbbing italo, sticky indie dancefloors and snarling, timeless punk.
Following on from their 2024 EP ‘Lots of Love’, the short time since has seen the DJ and producer rising on their own terms, scoring Tune of The Week from BBC 6Music’s ‘Introducing’, playing multiple gigs at Berghain/Panorama Bar and elsewhere around Europe, always returning to hone their cultishly adored Pleasuremaxxx party in their home city of Leeds.
Title track ‘Dog’ reunites DJ Subaru with regular vocal collaborator Chopper Johnson, delivering a gratifying sermon of canine defiance to suit Subaru’s razor-sharp motorik disco, whose pumping bassline and angular guitar licks prove irresistible to dancers seeking independent energy in the lineage of CBGBs or Trash.
Meanwhile, 'Rush' channels the same philosophy into a pogoing pleasure palace, raising the tempo and masterfully dividing its impulses between the cosmic elegance of Norwegian nu-disco and Pete Waterman’s poppers-fuelled strobe light fantasies. The result is an international anthem in memory of all local discotheques.
Finally, ‘Swoon’ steps back from the fizzier attitude of its tougher siblings for Subaru’s most disciplined attempt yet at a “proper club track”; the result succeeds entirely on its own terms, destined to transfix revelers with blissful analogue chords and slinky drums, while never skipping a beat on Subaru’s unique sonic character. From Leeds, with love.
- Limited edition Cool Grey 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Will heralded a disarming, groove-based return to deep house. A wild melange of bumping beats, freestyle samples and esoteric goodness. Recorded over the same period as Grinning Cat this anomaly within the Skintone catalogue was seen as a way to circumvent the swirling politics of his club-oriented releases elsewhere. In itself Will was a reminder of Yokota’s ability to deliver a complex array of sounds within a more recognisable format.
- A1: Mauri & Dark Vektor - Somos Incomprendidos
- A2: Uranio Empobrecido - Sawtooth Rain
- A3: Spectrums Data Forces - Future Is Here
- B1: Spammerheads - Cold Dead Hands
- B2: Cuentoscuro - Escalextric
- C1: Siarem - Vectors
- C2: Uhf - Those Dark Whims
- D1: Promisingyoungster - Deep In My Soul
- D2: Robot City - Sos L'horta Sud
- D3: The Bandit - Feelings
We Are The Robots Vol. 01 – Hypnotica Colectiva 25
Hypnotica Colectiva drops a fresh wax cut: We Are The Robots Vol. 01 — a heavyweight double vinyl release that channels the raw energy of the crew’s legendary club nights and distills 15 years of sonic exploration across electro, broken beats, and IDM textures.
Marking catalogue number HCR025, the Valencia-based imprint doubles down on its underground ethos, curating a ten-track lineup from artists deeply connected to the collective’s orbit. Each contributor brings a distinct flavor of robotic sound design.
Every track has been handpicked for its club impact, conceptual depth, and ability to resonate with the aesthetic of We Are The Robots — a party series that’s been pushing uncompromising electro since 2010. Expect a full-spectrum journey: from cerebral synth workouts to gritty analog pressure, industrial atmospheres, shadowy breaks, and raw minimalism.
Artwork come courtesy of Dani Requeni, keeping the HC Records design language sharp and functional. Steve Voidloss handles mastering duties, ensuring each groove hits with precision.
Mastered by Voidloss at Black Monolith Studio, London.
Artwork, Label art & Designs by Dani Requeni.
All rights reserved.
HC RECORDS
València, 2025.
Fresh from annihilating EU/UK audiences with his steppas tropicalia on the Bokeh Dekalog tour, Felinto presents a crazed vision of Sao Paulo party punk - industrial scuzz, dub squelch, grinding guitars and riot-ready vocals.
Festa Punk is a call to rage, to ritual, to celebration — as forms of resistance against the grim, creeping global fascism. It’s a shout to bend time, to create moments that shake off erased identities and flip the script on a world that treats violence like gospel.
It's also a homage to Brazilian hxc heroes, Os Replicantes, whose classic 'Fest Punk' appeared on the '87 LP Histórias De Sexo E Violência.
Pat Orburn serves up a wicked nine-track offering for Cassette Blair — a project built from pure resourcefulness and raw imagination. His vocals glide over synth-driven textures crafted from all around, including a battered Yamaha psr 175 keyboard that his flatmate rescued off the street. Pat leans into the beauty of imperfection, shaping found sounds through analog tools, tape warmth, and gritty modulation.
“good” marks the second release on Cassette Blair — a label founded by Gavsborg, dedicated to uplifting his extended global family of artists. True to its mission, the record feels communal, handmade, and deeply personal: a celebration of creativity that thrives outside of traditional studios, born instead from curiosity, friendship, and the joy of sound exploration.
“Good news. Good it’s out, good of Gav to help, all round completely good!"
- Pat Orburn
Digi- Cover art & Design by Pat Orburn (London, UK)
Cassette- Cover art & Design by Gavsborg, Sherice Bromfield & Pat Orburn (Kingston Jamaica & London, UK).
Mixed by Pat Orburn (London, UK).
Mastered by Mario “Syantis” Lawerence (Kingston, Jamaica).
- 01: First Impression
- 02: The Ocean Waves
- 03: A Seaside Street
- 04: A Girl's Thoughts
- 05: Alone Late At Night
- 06: On A Sunny Day
- 07: A Cheerful Drunk
- 08: A Tree-Lined Boulevard In The Wind
- 09: When A Heart Sets Out For A Journey
- 10: If I Could Be The Sea (Ending)
The highly popular Studio Ghibli vinyl series now includes 1993's "Ocean Waves," 2002's "The Cat Returns," and "Ghiblies Episode 2"! The albums feature new jacket designs and comprehensive liner notes, making them a luxurious addition.
Enjoy the beautiful jacket designs and the rich sound quality only possible with vinyl.
Total 10 Tracks Includes the music that enriched this coming-of-age story by Saeko Himuro and director Tomomitsu Mochizuki. Also included is the theme song "If I Could Become the Sea" sung by Yoko Sakamoto, the voice actress for Rikako.
- 01: Opening
- 02: Haru Are You Awake?
- 03: The Encounter With Lune
- 04: Talking With Cats
- 05: The Cat King's Parade
- 06: The Cat Returns
- 07: Feeling Down After School
- 08: The Mysterious Voice
- 09: At The Crossroads
- 10: Following Muta
- 11: Welcome To The Cat Business Office
- 12: Kidnapped To Be The Prince's Bride
- 13: Is This The Kingdom Of Cats?
- 14: To The Cat King's Palace
- 15: Am I A Cat?
- 16: The Cat Juggler's Rumba
- 17: The Stomach Artist's Polka
- 18: Waltz "Katzen Blut
- 19: I Am Humbert Von Gikkingen
- 20: Why Do I Have To Be The Bait!
- 21: Escape From The Maze
- 22: Lune And Yuki
- 23: Escape
- 24: I'm Home!
- 27: Haru's Boogie-Woogie
- 28: Pastorale
- 29: Haru's Memories
- 25: The Baron
- 26: The Cat King
The highly popular Studio Ghibli vinyl series now includes 1993's "Ocean Waves" and 2002's "The Cat Returns" and "Ghiblies Episode 2"! The albums feature new jacket designs and comprehensive liner notes, making them a truly luxurious experience.
Enjoy the beautiful jacket design and the rich sound that only vinyl can offer.
*2-disc double jacket set (music tracks on Sides A, B, and C; the reverse of Side C features laser-etched character designs).
Yuji Nomi, the composer behind "Whisper of the Heart," has once again composed the music. Includes the theme song "Become the Wind" by Ayano Tsuji, as well as five bonus tracks.
- Mobali Nakobala (Nico – Ngoma J 5127, © Sukisa) Rumba Lingala
- Nalingi Yo Na Motema (Nico, Chantal – Ngoma J 5130 © Sukisa) Kiri-Kiri
- Mokili Makambo (Nico – Sukisa 93) Kiri-Kiri
- Ata Osali (Chantal – Ngoma Dnj 5214, © Sukisa) Rumba Lingala
- 1: Er Boeing (Kwamy – Air Congo) Merengue
- Hommage A Lumumba Patrice (Sukisa 44) Mabanga
- Bougie Ya Motema (Nico – Sukisa 47) Rumba Lingala
- Okosambuisa Ngai (Mizele – Sukisa 66) Rumba Lingala
- Sule (Nico – Sukisa 50) Rumba Lingala
- Okosuka Wapi ? (Josky – Sukisa 110) Danse Kono
- Kamungaziko (Lessa Lassan – Sukisa 114) Danse Kono
- Mokili Matata (Nico – Tcheza 10.001; © Sukisa) Rumba-Kono Lingala
- Baoulé (Lassan – Sukisa 99) Kiri-Kiri
- Beauté (Nico – Sukisa 101) Rumba Lingala
- Mansanga (Nico – Sukisa 131) Rumba Lingala
- Souzi (Sangana – Sukisa 117) Rumba Lingala
- Naboyi Koswana (Sangana – Sukisa 120) Rumba Cha Cha
- July (Julie – Sukisa 120) Madre Rumba
- Runeme Mama (Nico – Sukisa 47) Cha Cha Cha
- A Morow (Arr. Nico – Sukisa 66) Cha Cha Cha
- Apôtre Del Si Boney (Apôtre – Sukisa 73) Charanga
- A La Savana (Arr. Nico – Sukisa 62) Pachanga
- Alto Songo (Arr. Nico – Ngoma J5126, © Sukisa) Rumba Espagnol
- Para Bailar (Nico – Sukisa 50) Pachanga
- Meta Fua Mudia (Kaba – Sukisa 118) Rumba Lingala
- Exhibition Show (Nico – Sukisa 135) Instrumental
- Exhibition Dechaud (Dechaud – Sukisa 71) Instrumental
- Bolala - Ayando (Nico – Sukisa 132) Extrait Show Kasanda
- Excitation - Makwandungu - Ngombele (Nico – Sukisa 132) Extrait Show Kasanda
- Kamulangu
'In collaboration with the children of Nico Kasanda, better known as Docteur Nico, Planet Ilunga proudly presents an anthology dedicated to African Fiesta Sukisa, available as a 3LP set and a digital release with bonus songs. This release is the result of many years of preparations and was realized in close partnership with Liliane Kasanda, Nico’s eldest daughter. Marking forty years since his passing, we felt that the year 2025 was the right time to honor Docteur Nico’s legacy with this original collection.
'Almost all of the African Fiesta Sukisa songs were released on Nico’s Sukisa label which translates in Lingala for “the final accomplishment”. The music on Sukisa, crafted by Nico and legendary vocalists such as Chantal, Sangana, Apôtre, Mizele, Lessa Lassan and Josky, embodies the essence of that powerful phrase with genius, class and depth. The label ran between 1966 and 1975 and released approximately 280 songs. Ngoma also issued the group between 1967 and 1971 and, in addition, reissued material from the Sukisa label. Many of these songs have become part of the collective memory of Congolese society and are still heard, discussed, and analyzed daily across digital platforms worldwide, as well as on numerous Congolese radio and TV stations.
'The album we put together features some of Nico’s signature songs alongside never before reissued tracks from the Sukisa catalog. It furthermore contains a large booklet with song commentary, testimonial interviews from well-known musicians, journalists, fans and Nico’s entourage, besides never before published photography about his personal and musical life.
'Alastair Johnston, author of the book ‘A Discography of Docteur Nico’ and longstanding Planet Ilunga collaborator, designed a stylish booklet and cover using all our collected material. Audifax Bemba, longtime admirer, compiler and connoisseur of Nico’s music, and the author of most of the song commentary in our accompanying booklet, offers his portrait of Docteur Nico:
“After displaying technical virtuosity with African Jazz, expert and accomplished guitar with African Fiesta, which musicologist Sylvain Bemba described as a dream guitar, Nico Kasanda was consecrated ‘dieu de la guitare’ by the public in the late sixties. With his band African Fiesta Sukisa, Docteur Nico displays his wide palette of unusual sounds. While exploring the Hawaiian guitar with its clear, airy, plangent, psychedelic effluvia, he continues to replicate the piano comping technique, and adds two missing strings to his bow: a simulation of the sanza (likembé or thumb piano), whose sounds he reproduces right down to the noisemakers of the tiny tin rings, on the one hand, and the sounds of the Luba balafon on the other. The right note, in the right place, at the right time, is the triptych on which Nico Kasanda’s playing is based, a note dressed in the perfect sound. A guitar of pure emotion. With African Fiesta Sukisa, his playing takes a ‘Chopin-esque’ turn, sending out more notes in a sublime adagio. The true artist is the one who simplifies everything. Docteur Nico is a genius of our time, whose style makes him the supreme exponent of the most important guitar school in Congolese music. He is recognized by his peers as the greatest African solo guitarist of all time. Sculpting sound in a tireless quest for beauty, Nico Kasanda has sublimated the guitar throughout his career.”
[xd] Kamulangu [Outro] (Dr. Kasanda – Sukisa 135) Folklore Baluba
- 1: Ukudlala
- 2: The Sum Of Our Tears
- 3: Heart Of A Lonely Woman
- 4: Nyaeba (The Griot)
- 5: Kalagala Ebwembe
- 6: Sowetoeira
- 7: Turiyasangitananda
- 8: The Kingdom Of Heaven Is Within
Rich Brown bought his first six-string bass in 1999, "Everyone made fun of me" he recalls with a characteristically warm smile - since then he"s established a reputation as first-call player for the leaders of an impressive variety of adventurous projects, from Steve Coleman to Rudresh Mahanthappa to James "Blood" Ulmer. Over the past two years, whenever time allows, he"s been paying regular visits to the studio of his friend, the guitarist and producer Elmer Ferrer. Away from the pressures of the commercial industry, Rich seized the opportunity to explore and expand the vocabulary of his instrument. "NYAEBA" took shape: written and performed entirely on the bass guitar, it"s the story of an imagined griot who journeys around the world and returns to relate his tales in song.
- A1: Audrey Hepburn – Moon River
- A2: Audrey Hepburn – How Long Has This Been Going On
- A3: Audrey Hepburn, Fred Astaire, Kay Thompson – Bonjour, Paris!
- A4: Audrey Hepburn, Kay Thompson – On How To Be Lovely
- A5: Audrey Hepburn, Fred Astaire – ’S Wonderful
- A6: Audrey Hepburn – La Vie En Rose (Taken From “Sabrina”)
- B1: Henry Mancini And His Orchestra & Chorus – Moon River (Breakfast At Tiffany’s)
- B2: Fred Astaire, George & Ira Gershwin – He Loves, She Loves (Funny Face)
- B3: Nino Rota – Natasha's Waltz (War And Peace)
- B4: Georges Auric – Main Title (Roman Holiday)
- B5: Friedrich Hollaender – Sabrina (Main Title)
- B6: Henry Mancini And His Orchestra & Chorus – Moon River Cha Cha (Breakfast At Tiffany’s)
- A1: Gentleman Heat Of The Night Feat Richie Stephans & Mighty Tolga 3 40
- A2: Gentleman With Meli Tek Time Fi Grow 5 00
- A3: Gentlemanjah Jah Never Fail Feat Terry Linen 3 20
- A4: Gentleman Fade Away 4 11
- B1: Gentleman Lion Feat Mighty Tolga4 17
- B2: Gentleman Outa Space 3 10
- B3: Gentleman War & Crime With Jack Radics 4 31
- B4: Gentleman Human Being 3 06
- C1: Gentleman True Love With Brooke Russell 4 57
- C2: Gentleman A Who Dem Want Blame 3 48
- C3: Gentleman No Competition 3 34
- C4: Gentleman Right Side Of Life 3 51
- D1: Gentleman Allstar Jam With Max Herre, Afrob 4 08
- D2: Gentleman Trodin On With Sékou, Max Herre 4 05
- D3: Gentleman Weed Haffe Bun With Mighty Tolga 4 05
- D4: Gentleman Heat Of The Night Feat Richie Stephans & Mighty Tolga 3 50
- 1: The Weed (.5)
- 2: Carnaval De Barranquilla (7.0)
- 3: Archie Et John Feat Archie Shepp (4.26)
- 4: The Movie Critic (3.2)
- 5: La Naissance De La Comédie (2.4)
- 6: Wonderful World Leaders (.03)
- 7: Pacifiques Biches (5.25)
- 8: Only Fan Feat Iggy Pop ( 2.10)
- 9: Où C’est ? Qui Sait ?Feat Djeuhdjoah ( 5.55)
Wild by nature, the Does of the Florian Pellissier Quintet could never be contained in a creative pen that would have forced them never to cross potential geographical limits. Travelers, spending their energy without restraint to let the hard bop of their jazz wander and export itself wherever the groove guided them, they went as far as Africa or South America, from the Cape of Good Hope to Rio. Rio, precisely where, for their last appearance, exposure to a brief electric current had carried them into outer space. A revelation.
Furious strides, exhausting gambols, the Does had done so much that they could not escape the obvious call of calm and serenity. Freed from distances, and after a stop in Colombia to mingle with the crowd at the Barranquilla carnival, it was California and its Pacific coast they reached, to rest before the peaceful immensity of the ocean.
One hundred sixty-five million square kilometers, an infinite expanse to contemplate in order to fling wide open the gates to an even vaster space. A spiritual domain conducive to the search for new sounds. That of the open sea, where measuring miles is neither relevant nor meaningful, and where the only compass becomes the musical tracks the Does follow.
Beneath their coppery hooves, to the crystalline sound of the Fender Rhodes and the sweep of electric layers, the path to take revealed itself in this meditative and abstract realm they had never before explored. Invited to join the purely organic textures, the synthetic notes distilled a few aromas of sweetness into an album of ten tracks, where the FPQ abandoned written scores on some pieces in order to be guided only by the inspiration born of a newfound freedom.
Blue when they began their journey five albums ago, their coat has now taken on the colors that illuminate the Pacific coast. That moment when, as you gaze at the horizon swallowing the sun, only glowing shades filter through—reddish, orange, violet.
Departing without haste or frenzy from one of the shores bordering the ocean, the voices of Archie Shepp, Iggy Pop, and DjeuhDjoah still resonating in their antlers, the Does may now be on the opposite shore. Carried all the way to the Japanese coast by Hokusai’s wave…




















