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"Invisible Cities", the first collaboration between AIDAN BAKER (NADJA, B/B/S) and bass clarinetist GARETH DAVIS (OISEAUX-TEMPÊTE), offers finest ambient / chamber jazz / subtle drones of a highly meditative quality. Available as 180gr LP and download.

Be it solo, as member of the drone duo NADJA or B/B/S (his trio with ANDREA BELFI and ERIK SKODVIN / SVARTE GREINER) or in various collaborations with artists like TIM HECKER or THISQUIETARMY: the Berlin-based Canadian is one of the most productive and versatile artists when it's about postrock, drone or ambient and without doubt a true master on his instrument, the guitar. In recent years BAKER also starting exploring new grounds as a composer of contemporary / ensemble music - e.g. his composition "An Instance Of Rising" was commissioned by SPÓLDZIELNIA MUZYCZNA CONTEMPORARY ENSEMBLE and SACRUM PROFANUM FESTIVAL for their 2017 edition. "Invisible Cities" marks BAKER's first collaboration with GARETH DAVIS whose eclectic oeuvrespans contemporary classical, free improvisation and orchestral music through to rock, noise and electronica. The bass clarinetist is a steady member of the critically acclaimed post-rock formationOISEAUX-TEMPÊTE and A-SUN AMISSA, interpreted compositions by ALVIN LUCIER with MACHINEFABRIEK, worked with BERNHARD LANG and PETER ABLINGER, performed with musicians likeNY Downtown veteran Elliott Sharp, MERZBOW or ROBIN RIMBAUD (aka SCANNER) and realized multimedia work with artists including CHRISTIAN MARCLAY and PETER GREENAWAY.

Recorded in November 2016 at MUZIEKHUIS, Utrecht, the four tracks create a calm, even meditative atmosphere in their reduced manner that gives much room to the individual instruments / sounds, occasionally spiced up by field recordings that intensify the overall chamber jazz / ambient moods.

In the spirit of cultural pride, Rune Lindbaek provides the audio tour guide into the unexplored back streets of Norwegian Disco

His deep knowledge of Disco delicacies from the frozen north may be a revelation to those who've heard his more mediterranean outings,
however here we have an extended EP on untapped treats, leading with three hefty slabs of late seventies, matured Brunost on the A &
moving into more obscure territory on the flip, where the sought after I Dekning is followed by two more idiosyncratic jams, which possess the dancefloor heft of a well roasted reindeer shank

SUPER LIMITED !

World excluding FR. Blackstrobe Records under exclusive licence to Because Music . LP with Printed Inner Sleeves. House music broke through in 1987, at the same time when AIDS arrived in France with the first contamination peak in gay and drug addict circles. In 1989, the founders of Act-Up Paris knew that both the fight against AIDS and triumphant house music should be joined together.

House music broke through in 1987, at the same time when AIDS arrived in France with the first contamination peak in gay and drug addict circles. In 1989, the founders of Act-Up Paris knew that both the fight against AIDS and triumphant house music should be joined together. From 1992 to 1995, the period covered by '120 BPM", house reached its most beautiful plateau even though techno was becoming dominant. '120 BPM' is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one's friends, what we called 'the chosen family' at Act-Up. Boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. This is their activist recess. Arnaud Rebotini, composing the soundtrack of Robin Campillo's previous film, 'Eastern Boys", is a recognized DJ, a composer and a kind man, which is for me the most important quality. Here, his work is marked by restraint of his love for house and after techno. I believe he deliberately withdrew himself in relation to the film's power and the AIDS theme. He accompanies and supports the image on the screen and even his remix of Small Town Boy by Bronski Beat is in a process marked by respect and almost intimidation (even if I would have

AK1215 features the very first press of two previously unreleased versions written by Frank Hooker and produced by Cory Robbins. This Feelin' was first released in 1981 on Panorama Records, YD-12197 and sampled in 1988 by Motor City Drum Ensemble. This version of This Feelin' features choice guitar scatting, phat moog bass lines and funk disco breaks!

Rough and rugged Jahtari 7-floppy disc with a rudebwoy riddim by the rub-a-dub hacker team Art & Naram, well known in the community for their Red Robin productions. Epic drunkard's tale by the fast chat originator himself on the A-side - Peter King is heading down to the pub this time, returning from Maffi's Killah Tape EP' with even more story twists, odd rhyme meters and a recipe for disaster. Jammed straight to an 8-track cassette deck in the Jahtari studio, mixed by disrupt and coming with an high density dub on the flipside. LOAD...... Limited 500 copies edition!

The superb 'Forbidden Planet' is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. It's filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth.The Francisco Remix keeps the funk vibe but changes the groove to be a more Chicago house style cut. As such it has a rasping bassline, big drums and coarse percussion that make you want to jack.The masterful Ali Renault—a go-to disco and synth specialist who runs Cyber Dance Records, Human Shield Record Company and most recently his own Vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. It's a cinematic track with great analogue textures that goes back to the future.The last original is the excellent 'Stay With Me', a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. Italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.

Two years after ".... and The Casiotone Orchestra", Odessey & Oracle continue their speculative and colorful explorations through an adventurous sonic quest, mixing acoustic sonorities and classical instruments, using a pallet of analog specimens dating back to the 60s and 70s. Retro-futuristic music with sophisticated arrangements underlines unbridled songwriting with heterogenous influences (Brian Wilson, Caetano Veloso, White Noise, JS Bach, Moondog, Robert Wyatt...). The lyrics, in French, both surreal and utopian, serve as witness to the contradictions of our times and invite the listener to imagine a revolutionary love

"This release is individually 200 hand-numbered limited edition CASSETTE (100 PINK and 100 SMOKE TRANSPARENT) with a sort of 'greatest hits' of (almost) all Archeo releases (AR001-AR011) + an unreleased bonus track from Roberto Aglieri (Ticino parte 4 - Il merlo), celebrating 3 years of the label, from 2014 to 2017 - selected with love by Manu- Archeo (AR001C).

Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of predominantly Italian music but also all over the world of the 70s, 80s and 90s.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls."

"This release is individually 200 hand-numbered limited edition CASSETTE (100 PINK and 100 SMOKE TRANSPARENT) with a sort of 'greatest hits' of (almost) all Archeo releases (AR001-AR011) + an unreleased bonus track from Roberto Aglieri (Ticino parte 4 - Il merlo), celebrating 3 years of the label, from 2014 to 2017 - selected with love by Manu- Archeo (AR001C).

Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of predominantly Italian music but also all over the world of the 70s, 80s and 90s.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls."

MW present two classic Minimal Wave tracks which have been on heavy rotation for years now, Computer Bank' and Like I Am, Comme Je Suis' remixed by The Floor (Veronica Vasicka & Karl O'Connor).

Five Times Of Dust was formed in Bristol, U.K. in 1981 by Mark Phillips and Rob Lawrence. Mark had answered an advert that Rob had placed in a local record shop and later that year they went on to record and release their first tape, The Dadacomputer. A standout track from that tape, Computer Bank' is a seminal, proto-techno banger'. The Floor remixed it a while ago to DJ it out and since then have been receiving many requests about where it could be purchased.

The flip side features Unovidual & Tara Cross' Like I Am Comme Je Suis'. It appeared on our first compilation entitled V/A The Lost Tapes LP, in 2006. Unovidual was a Belgian producer involved with the Micrart Group (Autumn, Linear Movement, Twilight Ritual) and Tara Cross, a long lost girl from Brooklyn' who used to play in small NYC downlown clubs alongside Madonna during the early 1980s when she was still an unknown. Unovidual and Tara collaborated on several tracks through the mail during this time as well as in the studio. Like I Am Comme Je Suis' was recorded in a studio in Ghent, Belgium in 1985.

We find both of these tracks prime examples of innovative and pioneering synth wave tracks that work on and off the dance floor. And through these mixes, The Floor aim to stay true to the artists' original intentions whilst making the songs more dance floor oriented.

Featured alongside these remixes, are two unreleased tracks. Rob Lawrence's Armoured Car' which at one point was released on a compilation CD as Robert (not to be confused with Rob Doran from Hard Corps) and Unovidual's Imponative', a beautiful minimal synth track which has remained unreleased to this day.

The Five Times of Dust / Unovidual & Tara Cross EP is pressed on standard weight royal blue clear vinyl and housed in a hand stamped disco sleeve. Limited to 600 numbered copies.

Noplace is an improvised collaboration between Aidan Baker (Nadja / Caudal / B/B/S/), Simon Goff (Molecular, Bee & Flower) and Thor Harris (Swans, Shearwater, Thor & Friends).
Having known each other for a number of years and previously contributed to one another's recordings this trio finally came together as a whole on May 7th 2017 at Redrum Studios in Berlin. In a short, improvised session of just a few hours they set about laying down as much material as possible which was then subsequently edited and re-worked (without overdubs) to form this album.
The same evening the trio played together as part of a 9-piece Thor & Friends ensemble which also included Christopher Hefner (on musical saw) whose artwork graces the cover of the record and gave it its name.
Noplace is a hypnotic and deep listen. Kinetic rhythms pulsate throughout whilst the guitar and violin jostle and weave around the metronomic beats, creating a cathartic and all-encompassing experience. The very nature of the instrumental repetitions give it an immediate avant/krautrock feel but the whole record is coated in a wonderful psychedelic atmosphere that's both melodic, textured and innovative.
Without doubt a perfect marriage and the sum of its parts. You would be forgiven for thinking Noplace took years to craft but that's testament to three excellent musicians who have produced a real treat of a record. Broken down into seven pieces but very much best enjoyed as a thrilling whole, Noplace is a powerful and highly addictive album.

Russian producer Nocow debuts on Rekids with five murky tracks this December. Based in St. Petersburg, Nocow is undoubtedly one of Russian electronic music's
most remarkable protagonists having released on Clone, Figure, Fauxpas Musik, Gost Zvuk and Styrax. Recognised for maintaining consistency whilst traversing various sub-genres, Nocow is as comfortable producing intricate IDM and robust
techno as he is calm ambient and melancholic electronica.
In 'Soul Connection' a spoken word vocal mutters over metallic percussion and ominous stabs whilst a dense pad washes over everything. An undulating synth and ethereal effects make up 'Disappear' before moving onto syncopated drums
and shadowy atmospherics in 'Samaya Dolgaya Noch'. Next up, 'Stop' is comprised of mesmerising melodies, sturdy kicks and a looped vox until Nocow concludes the package with a short 2-step cut titled 'Aesthetic Mind'.

For release number 16 on De:tuned Stefan Robbers aka Terrace steps up to the plate. The veteran and well-respected Dutch producer from the city of Eindhoven unleashes four brand new techno tracks with a strong Detroit DNA for the discerning dancefloors. It's everything you'd expect from a Terrace release: a crisp and warm analogue sound with plenty of melody and groove, dubby undertones and fat chords. The icing on the cake is the optical themed artwork created by designer Openmind (aka Strictly Kev, DJ Food, Ninja Tune). As per usual Matt Colton from Alchemy Mastering reworked the source material to guarantee a flawless listening experience. This release will be available on 180 gr vinyl. A digital release will also be available from all the usual outlets. Stay tuned!

Killer release on Robsoul Jazz for J Dilla fans. Don't miss this out ! JFilt Live :

Formed in 1997, and inaugurated that year with a split 12' from new-comers and label founders, Solvent and Lowfish, this year Suction Records celebrates it's 20th anniversary with the re-introduction of their famed Snow Robots series of compilations. While originally started as a North American answer to UK electronix labels like Rephlex, Skam and Warp Records, a sound that is still a staple of the current Suction Records catalog, Suction's sound has also swerved into new territories, reflecting our love of dark '80s electronic music - synthpop, EBM, and beyond.... Snow Robots Volume 4 features an international array of artists, from Suction Records mainstays like Digital Poodle, June, Celldöd, and Ceramic Hello (with their much sought-after 1982 vocoder anthem), to label-favourites appearing on Suction Records for the first time: Beau Wanzer, Morah, and one of Skanfrom/Sleeparchive's lesser known aliases, Civil Defence Programme.

New release from Pash & Lips, who running story on Mulen with Livio & Roby & Sit. Now guys propose us very dark mood in minimal-brake sound, with three tracks. Atmosphere and breaking grooves. We always remember you, bro. Kolya Lips. Eternal Memory.

Forriner is Lee Forster and Oli Worriner.
I made music together with Lee for years (alongside Mick Rolfe) as Last Waltz.
He also worked as Lizards with James Hadfield (James released solo for Me Me Me 02),
Oli Worriner, is a talented young northerner who's already making a great name for his solo output, both under his own name and his Traela Alias, as well his label 'Tunnyl Recordings'
I'm really flattered that they've let me release their first full solo release, and I love how they've brought out each others deeper and more emotive sides in these 2 tracks.
Shit Robot is a hero of mine. I basically wore out the grooves on a bunch of his DFA stuff from just over 10 years ago, and I've avidly bought everything he's released since.
I met him this summer for the first time when we shared the bill at a festival, and was so happy to find that he's also lovely guy in real life.
They say you should never meet your heroes, but I don't subscribe to that as this meeting led to not one, but two fantastic remixes for Me Me Me 08.
The originals are a bright mix of melodically analogue left leaning house, while the remixes zero-in on a punchier dancefloor vibe, with an epic version Goodnight, as well a more heads down Disco Dub.
So yeah, links within links, and keeping it Northeastern again I guess.

It is a distinct honour and privilege to welcome the legendary musicianWally BadaroutoDiskotopiawithThe Unnamed Trilogy Vol.1, a collection of recent solo work presented for the first time as a limited-edition 12" and select digital EP,marking the first vinyl release of his solo music since 1989.The release has already gained a great deal of excitement following its announcement on FACT magazine, The Vinyl Factory, Resident Advisor and other media in early August.

Wally Badarou is a visionary musician who over the years has forged a history that is immensely storied, diverse and creatively rich. He has not only released timeless solo material such as the incredible Echoes LP in 1984 (part of which reached a new generation of music fans when the track Mambo was sampled for Massive Attack's Daydreaming), but has also recorded on classic albums with luminaries such as Grace Jones, Sly & Robbie, Mick Jagger, Fela Kuti, Robert Palmer, Jimmy Cliff, Black Uhuru and Talking Heads to name just a few. Both co-founders of Diskotopia have been huge fans of Mr. Badarou's work since before the label's inception and are elated to present The Unnamed Trilogy Vol.1 to the world at large.