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Both Unhuman and Roberto Auser
should be names that ring a bell… Unhuman is from Greece but
residing in Berlin… with his music he is always bordering techno,
industrial and noise… for Enfant Terrible/Gooiland Elektro he crafted
two tracks which pay tribute to old school EBM and New Beat… slow
and dark beats… with a post-punk attitude and a decadent touch which
makes them perfect for the dance floor early in the morning… Roberto
Auser has built a name of his own but still stays something like a best
kept secret of the Dutch electronic music scene… this mainly due to his
output which is never to be pinned to one specific genre or style… For
this release he came up with two harsh pounding tracks with dark
beats and industrial sounds and a true rave spirit… see you on the
dance floor!

After a sabbatical period, Roberto Auser makes a comeback with his analogical machinery with the exquisite mini-album called “Chaos Never Dies”. In this record he explores a broad range of sounds from minimal-electro to acid with a touch of improvisation from his particular perspective based in roughness, rhythm and immediacy. Limited to 300 copies.

Robert Steenkamer is known as a purveyor of exquisite house music. Under his Roberto S guise, the Torontonian has released several landmark records. Besides this, he is known as a valued selector in his native Canada. The collaborative releases with Jex Opolis under their "Conga Radio" moniker have received worldwide praise throughout the house community. For his Pulp debut, Steenkamer has created a diverse body of music that touches different moods and genres.

On the A-side, the opening track "Inner Rhythm" is a orchestrated piece of work that uses an uplifting vocal cut and ethereal flute sounds to create a calm and positive dancefloor experience. Also on the A-side "Swizik" is a melody-heavy work where Steenkamer uses fun sequences, euphoric pads and well balanced drum patterns.

The title track is placed on the A3 position and is a genre-transcending cut. The tempo is is low and the beats are dragging along with the well-executed pads and synth riffs. On the B-side, the title track is being remixed by fellow Canadian "Florist". On this remix, Florist turns the slow vibe of the original into a soul touching dancefloor creeper that will definitely gain a lot of support in melodic circles. "Remember When" is a positive work with a snappy bassline and oozing synth sounds. Glass Road EP will be available from all specialized retailers in early 2019.

Italian sound designer and Soma alum Roberto Clementi steps up with a MOC-worthy release comprised of three original tracks with BNJMN on remix duties.

Standout track ' Plebiscite' makes a statement from the first bar with a pounding bassline. It's a clae peak time heavy-hitter that energizes with its shriek, alarm-like highs and understated yet powerful percussion.

Just off the stride of releasing his third studio album, BNJMN puts on his remixer hat to take on the leading track, adding an ethereal dimension through evocative pads and percussive rattles.

On the flipside, ' Evocate' skewes dark and minimalist with a simple lead and eerie-laden somber sequences. Simplicity proves itself just as compelling as more complex layering, rendering an overall dance-inducing atmosphere.

Acid-laced ' Cription' spells techno in a more experimental, non-kickdrum reliant manner. It's a refreshing take on the genre in a piece that is reminiscent of early rave days.

Roberto Clementi delivers his 'Cadmio' EP on Echocord sub-label Echo Echo this October, containing four original tracks from the Italy-based artist. Kenneth Christiansen's Echo Echo imprint, offers up its fifth release here, accurately reflecting his appetite for the more celestial, dubbed out side of techno. This release sees the return of Roberto Clementi to the Echo platform after three releases on the parent imprint, Echocord plus 10 years worth of released music to his name, notably a number of EP's and an album on Soma. The EP kicks off with a fresh dub induced charmer entitled 'Conte', which in Italian translates to 'with you', and stands as an accurate tag for this warm and intimate opener. 'Irradi' follows, a more upbeat and industrious dance track - with euphoric synth lines sitting harmoniously in between the more uniform percussion before stimulating crashing symbols are introduced in the latter stages. Title-track 'Cadmio' is up next, a more dropped-tempo, electro tinged number, with off-kilter drum patterns gracefully balancing amongst the alluringly sedative melody. The B2 and final track 'Blue Growth' then provides a close to the EP with a lo fi 4/4 drum pattern together with hardened snares and crashes contrasted by delicate dub swells providing feelings of symmetry - a theme that is consistent throughout the whole EP.

Bursting through the vapour trails of previous Solar Phenomena pilot Antonio Ruscito, London's Roberto is invited to the take the controls of the forward-thrusting new label's third adventure.

With turbine pads raising hairs at 20 paces, opening track 'Into The Blue' is an alluring statement. Adorned with breathing atmospherics and stately kicks, it builds perfectly on Roberto's previous work both on his own highly respected label Fossil Archives and other eminent imprints such as Emmanuel's Arts and Dehnert's Fachwerk as a fusion of contrasts and shades.

'DX Waves' takes us up a gear as it heads nose-first into a techno vortex. Relentless, driving and hypnotic, there's a pneumatic funk to the drums while the riff ripples and stimulates with a warmth and fluidity that instantly recalls the legacy of Motor City while remaining plotted to a path of its own.

This sense of unbridled drive and energy continues on Roberto's final original of the EP: 'Chord Recall'. Here the drums take more of a central position on the stage as the warped, melting tones and textures wrap themselves around the punctuated kicks and occasional deep-splash cymbals. Laced with a deep sense of space and a bewildering sensation of an unknown destination, it s another innovative voyage for Solar Phenomena that's brought home with an exciting revision conclusion from the one and only Peverelist.

A Bristol beat explorer who needs no introduction, Peverelist's take on 'Chord Recall' takes off where his recent album 'Tessellations' left us at the start of the summer. With his loose broken drum signature, Peverelist provides space for Roberto's original textured elements to take place at the centre of the stage and roam and evolve freely and hypnotically. A fitting end to another exceptional and innovative exploration, both Roberto's originals and Peverelist's remix set us up eagerly for the next Solar Phenomena chapter

First Installment from the Mexican new ONLY VINYL label ART IN U. TRACKS BY JAVIER CARBALLO, CUMSECADE aka VID, ROBERTO MARTIN & PABLO MARCO.

Fourth Installment Of The 12 Inch Series From Madrid Based Monoclap. Vinyl Only. Limited Copies. Including Tracks By Cumsecade aka Vid, Roberto Martin & Patraulea.

Italian Roberto Clementi has really struck a chord in the hearts of Northerners, with releases on Scottish Soma, Danish Echocord Colour and Swedish Kontra-Musik. Perhaps it's his ability to create evolving and often emotional melodic landscapes over raw, punchy beats that's especially appreciated north of The Wall. This is very much true for True Rotary Recordings, in any case, bringing Roberto Clementi in for the label's second release. 'To Balance a Tide' is perfectly set in the True Rotary Recordings universe, combining analogue warmth with genuine musicality. There's no question Roberto Clementi has soul and has willingly poured some of it into this release, the music has a considerable thickness to it that's very pleasing to the ear, yet it's still exceptionally artful. Clementi's soul seems to be an ancient one, given the timelessness of his tracks - old SVEK releases come to mind but with an added futuristic twist. This is music for dancing and music for dreaming, all in one package.
True Rotary Recordings is run by Joel Alter and Ena Cosovic. Stemming from a longstanding mutual appreciation for the combination raw techno with more seductive sounds, the label is a natural development of Joel's and Ena's musical and personal partnership. True Rotary Recordings represents their mutual musical vision and vibe that they love. Keeping it raw and genuine.

Soma's Italian connection, Roberto Clementi, makes a welcome return opening his 2016 account with the solid, Wall Of People. Including a top notch remix form Ilian Tape label heads, Marco & Dario Zenker. Robert has slowly been building his credentials in the Techno world with some fine releases and this driving number is another to add to increasing discography with Soma.

The Zenker Brothers remix opens the EP as the Munich based duo lend their deep and highly refined production talents to Wall Of People. Ruptured beats play havoc with a shimmering high end and rattling percussive elements all tied in with a pulsing, modulating synth hook that keep the track feeling fairly dark. Clementi's original shows a much harder edge to his previous work with big, sub heavy beats worked around a more pumped up rhythm and tearing synth line

Roberto Capuano has delivered Drumcode an immense 3 track EP that will blow out the cobwebs and see Roberto step back onto Drumcode with a bang. Lacing each track with pads and tantalising hook lines, Capuano's tracks fire on all cylinders with good use of vocals and drum rhythms.His tracks have a certain swagger that only Roberto can conjure.

A new exciting release on Ausland Records! The New Dimension goes into the darker corners of Electronic Jazz and beyond. A limited run of 300 records that are hand printed, hand numbered by artist. Roberto Auser and his collaborators deliver a cinematic, breathtaking atmosphere and ambiance!

Roberto Auser presents the second installment on his independent label. Auser and his team combine music, video, artwork and performance creating a mindbending experience. Disturbing, horrific and liberating at the same time ... touch your fear! A real Roberto Auser signature sound in a high quality. With previous releases on Viewlexx, Bearfunk and others, this one comes in a carefully designed, beautifully silkscreened and hand numbered artwork by the man himself. Check out the sickest blend of moog music and occultness!

Green Vinyl Pressing!
Here comes the second EP by our new artist on Echocord Colour, the super talented Roberto Clementi from Italy. Roberto is one of the most inventive and creative electronic music artists currently making his name known in the underground scene at the moment. Roberto is mostly known for his releases on Soma, eps + recently he released his rst album. He has also been releasing on Brendon Moeller's label Steadfast Records. The track Barrel is a super powerfull Techno track full of deepness, heavy staps and dubby elements.Traps is a slower heavy Dub-Techno trip also perfectly for the peaktime hour.This ep also comes with a heavy monster Norman Nodge Remix.

Proper Fachwerk style techno with vocals by Envoy. Comes with remixes by Mike Dehnert and Roman Lindau.

Following on from their seminal Light As A Feather LP, Outubro (October) was originally released in 1980 and began Azymuth's run of prolific output for Milestone Records throughout the decade. Typifying the consummate craftsmanship of the three members' performances - each with such distinct personality and together so perfectly balanced - their perfectionist attitude to sound is maintained across the production on the album, beautifully colouring the expressionist fusion of samba rhythm, jazz progression, funk attitude and psychedelic electronics.

The album hosts a wonderful mix of tempos and styles, from Alex Malheiros' earth-shaking slap-bass on 'Dear Limmertz', which was to become a hit on London's underground disco and jazz-dance club scenes alike, to the late maestro Jose Roberto Bertrami's genial melodic Rhodes excursions on the vocoder laden, samba-jazz masterpiece 'Un Amigo', while Ivan 'Mamao' Conti's signature swing on 'Maracana' exemplifies the root of Azymuth's 'samba doidoi' (crazy samba) philosophy.

The two cover versions on the album consist of the title track which was originally penned by Milton Nascimento and Chick Corea's '500 Miles High', both of which magically reimagine the originals and further demonstrate the immense virtuosity of this cult recording. This Far Out Recordings release is mixed and mastered from the original tapes and will be released on 180g vinyl and CD.

Warehouse find.

Indigenous travelers are Ron Trent and Jose Rico. They met at the Madrid Red Bull studios to pay homage to Jose Roberto Bertrami the brilliant leader and keyboardist of the Brazilian Jazz-funk trio, Azymuth. The result is "Paradise Ritmito Carnival", a hot, melodic and percussive house music with afro-brasilian influences. It is presented in a one-sided record with surprise in B side.

No one had been through those doors in years. Unchanged, seemingly untouched, just a Guard watching over it, one wondered whether the place would ever see the light of day again. Built in the 70s by Scotch, there were only twenty such places in the entire world. Twenty studios, all identical. Most had undergone a digital makeover in the 80s, but not this one; situated in Lomé, this studio had stayed true to its original form. Silent and uninhabited but waiting for one thing, and one thing only: for the sacred fire to be lit once again. That of the Togolese Recording Office, is studio OTODI for those in the know. Through thick layers of dust, the console was vibrating still, impatient to be turned on and spurt out the sound so unique to analog. That sound is what Peter Solo and his band Vaudou Game came to seek out.

The original vibrations of Lomé's sound, resonating within the studio space, an undercurrent pulsing within the walls, the floor, and the entire atmosphere. A presence at once electrical and mystical sourced through the amps that had never really gone cold, despite the deep sleep that they had been forced into. In taking over the studio's 3000 square feet, enough to house a full orchestra, Vaudou Game had the space necessary to conjure the spirits of voodoo, those very spirits who watch over men and nature, and with whom Peter converses every day.

For the most authentic of frequencies to fully imbibe this third album, Peter Solo entrusted the rhythmic section to a Togolese bass and drum duo, putting the groove in the expert hands of those versed in feeling and a type of musicianship that you can't learn in any school. This was also a way to put OTODI on the path of a more heavily hued funk sound, the backbone of which maintains flexibility and agility when moving over to highlife, straightens out when enhanced with frequent guest Roger Damawuzan's James Brown type screams, and softens when making the way for strings. Snaking and undulating when a chorus of Togolese women takes over, guiding it towards a slow, hypnotic trance. Up until now, Vaudou Game had maintained their connection to Togo from their base in France. This time, recording the entire album in Lomé at OTODI with local musicians, Peter Solo drew the voodoo fluid directly from the source, once again using only Togolese scales to make his guitar sing, his strings acting as channels between listeners and deities...