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Rubber Band Gun - Cashes Out

Kevin Basko released more albums in 2019 than most artists do in their
entire career - The New Jersey indie rocker released handfuls of records
in the first seven years under the moniker Rubber Band Gun -- not to
mention producing, engineering, and performing with everyone from Eric
Slick to the Lemon Twigs
But when Basko's friend and collaborator Jonathan Rado of Foxygen quipped that
he should release 25 albums in a single year, the Rubber Band Gun 25 sprang to
life. And at the heart of that diverse collection of records is Cashes Out (out now
via Earth Libraries), a record that not only stands as the first vinyl release for the
project, but also showcases the dazzling and dizzying heights that Rubber Band
Gun psych-tinged bedroom rock can reach.

pre-order now31.05.2023

expected to be published on 31.05.2023

24,79 €
Various - Glam Rock Collected LP 2x12"
pre-order now26.05.2023

expected to be published on 26.05.2023

41,39 €
Matchbox Twenty - Where The Light Goes LP
  • 1: Friends
  • 2: Wild Dogs (Running in a Slow Dream)
  • 3: Rebels
  • 4: One Hit Love
  • 5: Warm Blood
  • 6: Queen of New York City
  • 7: Where the Light Goes
  • 8: Hang on Every Word
  • 9: Don't Get Me Wrong
  • 10: I Know Better
  • 11: No Other Love (feat. Amanda Shires)
  • 12: Selling Faith

Mit "Where The Light Goes" erscheint am 26. Mai 2023 das erste neue Album seit über einem Jahrzehnt.

Die mehrfach mit Platin ausgezeichneten US-Pop-Rocker Matchbox Twenty meldeten sich zuletzt mit ihrer neuen Single "Wild Dogs (Running In A Slow Dream)" zurück und veröffentlichen damit ihre erste neue Musik seit über einem Jahrzehnt.
Der Song erscheint zeitgleich mit der Ankündigung des kommenden fünften Studioalbums "Where The Light Goes" , das am 26. Mai 2023 über Atlantic Records erscheinen wird.

Produziert von Gregg Wattenberg mit Paul Doucette und Kyle Cook, bietet die kommende Platte authentische, relevante und glaubwürdige Songs voller Energie.

2023 klingt die Band auf ihrem kommenden Album "Where The Light Goes" erfrischt wie eh und je und profitiert dabei auch von den jeweiligen Solo-Reisen der Musiker. Rob Thomas hat sich als einer der
angesehensten Künstler der letzten Jahre erwiesen. Er veröffentlichte fünf Soloalben und erhielt drei GRAMMY Awards, 11 BMI Awards, den allerersten Songwriters Hall of Fame Hal David Starlight Award, zwei Billboard "Songwriter of the Year"-Auszeichnungen und eine Top-5-Platzierung in den Billboard Top 20 Hot 100 Songwriters (2000-2011).

pre-order now26.05.2023

expected to be published on 26.05.2023

33,57 €
Jacob Miller - Jacob Miller Lives On LP

LP from 1980 re-release in the Reggae Rewind/17th North Parade series - the one and only album for producer Joe Gibbs that Jacob Miller (r.i.p. 23.03.1980) did.

He got known in 1974 as the main Augustus Pablo protegee, and became the lead singer for Inner Circle in their best times, he is also starring in the Reggae cult movie 'Rockers'.

out of Stock

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Last In: 3 years ago
21,43 €
Tetrack - Let's Get Started

Tetrack

Let's Get Started

12inchGREL121
Greensleeves
02.05.2023

Das Originalalbum des Harmoniegesang-Trio Tetrack (Carlton Hines, Paul Mangaroo und Dave Harvey) aus dem Jahre 1978. Die zehn Tracks erhabener Gesangseinlagen und schwergewichtigen Riddims wurden von Augustus Pablo produziert und von seinem Musikerkollektiv Rockers International in den Channel One, Harry J und Black Ark Studios aufgenommen, Sylvan Morris war der Toningenieur. Der Longplayer wurde von Kevin Metcalfe re-mastered und wird dieser Tage mit dem Gütesiegel Greensleeves neu aufgelegt!

out of Stock

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Last In: 3 years ago
21,81 €
Augustus Pablo - Africa Must Be Free By 1983 Dub

2023 Repress

Dub companion to the 'five star' 1978 release, 'Africa Must Be Free By 1983,' this album underscores the relationship between producer Augustus Pablo and performer Hugh Mundell. Pablo's dub productions, mixed by King Jammy form the perfect compliment to these classic rhythms and melodies. Re-mastered for release in celebration of the 40th anniversary of the Greensleeves label, the album is example of why Augustus Pablo continues to inspire reggae music fans and musicians these
Pablo's Rockers International productions in dub, in their original packaging. Re-mastered for the 40th Anniversary of Greensleeves label.

out of Stock

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21,89 €
Satan Takes A Holiday - Satanism (Ltd. Glow In The Dark LP Gatefold)

Satan Takes A Holiday gingen zusammen mit Johan Gustafson (The Hives, Randy) und Alexander Idfalk ins Studio, um das Feuer hinter ihrer Mischung aus Rock'n'Roll, 60er Garage und zeitgenössischem Dark-Pop neu zu entfachen. 'Satanismus' ist das bislang dringlichste Album der schwedischen Alternative-Rocker, die sich in ihrer reinsten Form präsentieren und einen verdammt guten Soundtrack abliefern, bei dem Künstler wie Emmon, (Patrik) Von Arfve, Andreas Hourdakis und David Park kräftig mitmischen.

- Formate: Digipack CD / Limitierte LP-Auflage auf phosphorierendem Vinyl im Gatefold

pre-order now28.04.2023

expected to be published on 28.04.2023

26,85 €
Erdling - Bestia LP

Erdling

Bestia LP

12inchOUT1271
Out of Line Music
28.04.2023

Erdling lassen die Bestie von der Leine! Nur ein gutes Jahr haben die Deutsch-Rocker gebraucht, die erneuten Lockdown-Repressionen zu überwinden und mit ihrem neuen Album „Bestia“ zurück ins Rampenlicht zu stürmen. Eine Hymne wie die Single „Freiheit“ kommt in Anbetracht der vergangen drei Jahre natürlich nicht von ungefähr und wird vielen aus der Seele sprechen. Episch, emotionsgeladen, mitten auf die Zwölf rockt sich das Quintett um Erdling-Frontmann Neill Freiwald durch zehn brandneue Lieder und lässt neben dem regulären Album noch einige zusätzliche Bestien aus dem Zwinger.

pre-order now28.04.2023

expected to be published on 28.04.2023

24,58 €
Strandhase - Stadtkind LP

Bis es hell wird - Strandhase erzählen auf Stadtkind von lauen Sommernächten und der Leichtigkeit des Seins in schweren Zeiten.

Fast so was wär nix gewesen tauchen die 4 Jungs der Indie Rocker Strandhase die Songs ihres zweiten, von Paul Galister (Wanda) produzierten, Albums 'Stadtkind' in Großstadt- und große Gefühle, Sehnsucht, Nostalgie, aber auch Zuneigung und Optimismus. Der Album Closer 'Tourist' bringt auf den Punkt, wie sich das Leben als Stadtkind anfühlt: Wie ein Tourist ohne Navigationssystem / blieb ich zwischen zwei Straßen steh'n / und ging dabei verlor'n.

pre-order now28.04.2023

expected to be published on 28.04.2023

23,07 €
Various - Hidden Waters:Strange & SublimeSounds Of Rio De Janeiro 2x12"
 
22

The popularity of Brazilian music from the 60s, 70s and 80s has experienced quite the renaissance; artists such as Gal Costa, Gilberto Gil, Arthur Verocai, Joyce et al, have become household names to an international audience passionate about global sounds. However, even for die-hard fans and collectors of Brazilian music of the past, discovering contemporary Brazilian artists is not always easy, nor accessible. But, if you know where to look, you will see that there is a resurgence well underway that can be epitomised by an exciting new wave of Brazilian artists beginning to break through and gather momentum overseas. It’s with thanks to Sound and Colours, a website devoted to promoting Latin American music and culture, that we can help shine a light on one particular collective, bursting with creativity and camaraderie.

‘Hidden Waters: Strange and Sublime Sounds of Rio de Janeiro’ is compiled by Joe Osborne (founder of specialist Brazilian music platform Brazilian Wax) and Russ Slater (editor at large of Sounds and Colours). Focusing solely on the 'Rio Scene', rather than taking on the mammoth task of tackling Brazil as a whole, this collection presents 20-plus ground-breaking artists selected from Rio’s resurgent music scene. By presenting a snapshot into the pulse of the city and the vibrant musicians that live in it, ‘Hidden Waters’ collates tracks from a wide spectrum of musical genres from the avant-garde edge to bossa nova, samba, Candomblé, lo-fi rock, jazz and funk.

‘Hidden Waters’ showcases musicians such as iconic Rio mainstays Negro Leo & Ava Rocha, Brazilian jazz upstart Antônio Neves, critically lauded Avant-pop trailblazer Thiago Nassif, breakthrough artists Ana Frango Elétrico and Letrux, lo-fi psych rocker Lê Almeida, plus the Latin Grammy-winning Bala Desejo who are set to explode onto the world stage. The music featured on ‘Hidden Waters’ is unequivocally Brazilian, swelling with samba, bossa nova, funk, and jazz. But it’s within the album's blend; from sunny psychedelia to dusky synth-pop via experimental electronics, that marks the compilation as the sound of modern, multicultural Rio.

This comprehensive compilation comes with album artwork designed by Rio music’s leading album artwork designer, Caio Paiva. It features essays by professor and music critic Bernardo Oliveira and music journalist Leonardo Lichote, plus extensive notes on each track by the artists themselves.

out of Stock

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Last In: 3 years ago
27,52 €
Saint Deamon - League Of The Serpent LP

Die schwedisch/norwegische Melodic Power Metal-Band SAINT DEAMON meldet sich gut dreieinhalb Jahre nach ihrem quasi-"Comeback"-Album "Ghost" wieder mit einem neuen Longplayer zurück: "League Of The Serpent". Dass SAINT DEAMON für qualitativ hochwertigen Sound und eine (im Power Metal-Genre oft schwer zu findende) individuelle Note stehen, dürfte sich herumgesprochen haben. Auch "League Of The Serpent" zeigt sich deutlich die große Qualität von Sangeswunder Jan-Thore Grefstad, Gitarrist Toya Johansson und Bassist Nobby Noberg (ex-Dionysus), sowie Neu-Drummer Alfred Fridhagen (Gaia Epicus) auf. Tracks wie die beschwingte erste Single "At Break Of Dawn", das extrem eingängige "Load Your Cannons" oder der ohrenschmeichelnde Melodic Rocker "The Final Fight" sind typische SAINT DEAMON-Kompositionen, dazu verwebt die Band geschickt progressive Anklänge.

pre-order now21.04.2023

expected to be published on 21.04.2023

29,37 €
Axel Rudi Pell - The Ballads VI LP

FÜR FANS VON: Whitesnake, Deep Purple, Rainbow, Scorpions, MSG, Gillan, Dio, Heaven & Hell
Balladen spielen in der Geschichte der Rockmusik eine ganz besondere Rolle. Einerseits dokumentieren sie die emotionale Seite des Genres und
zeigen, dass hinter (fast) jeder harten Rockerbrust ein weiches Herz schlägt. Zudem werden ruhigere Nummern auch in weniger Rock-affinen
Radiosendern gespielt – und von den Hörern für ihren gefühlsbetonten Tiefgang geliebt. Und drittens: Balladen sind in einer zunehmend hektischer
werdenden Welt oftmals kurze Momente des Innehaltens, des sich Besinnens auf die wesentlichen Dinge des Lebens. Kein Wunder also, dass die
Balladen-Compilations der Axel Rudi Pell Band ein absolutes Erfolgsmodell sind. Allein von ‚The Ballads I‘ (1993) bis ‚The Ballads V‘ (2017) sind weit
mehr als 250.000 Exemplare über den Ladentisch gegangen. Unter den aktuellen Top-10 der über Spotify meist gestreamten Pell-Songs befinden sich
allein neun (!) Balladen! Die Beweislast ist also erdrückend, wenn Fans des Bochumer Gitarristen und Songschreibers regelmäßig auf eine Fortsetzung
dieser Veröffentlichungsreihe drängen. Mit Erfolg: Am 21. April 2023 erscheint ‚The Ballads VI‘ als CD, Doppel-Vinyl-LP und digitaler Download, wie
gewohnt über Steamhammer/SPV und wie nicht anders zu erwarten mit kleinen Überraschungen. ‚The Ballads VI‘ ist somit nicht nur die neueste
Ausgabe der beliebten ARP-‚The Ballads‘-Serie, sondern auch der direkte Nachfolger des Studioalbums ‚Lost XXIII‘, das sich im April 2022 auf Platz 2
der deutschen Verkaufs-Charts platzieren konnte.

pre-order now21.04.2023

expected to be published on 21.04.2023

26,01 €
Sam Himself - Never Let Me Go LP

The ten-track LP marks the latest collaboration of "Swiss born Gotham bred" (SPIN) indie rocker Sam Koechlin with his longtime producer / "Second Beatle" Daniel Schlett (Iggy Pop; The War on Drugs) and mastering engineer Greg Calbi and features Chris Egan (Solange; Blood Orange) on drums and Josh "JD" Werner (Ghostface Killah; CocoRosie) on bass.

Singles Golden Days (Sept 16) and Never Let Me Go (July 22), the album's title track, offer a taste of what to expect from the "King Of Tears’" (Radiotélévision Suisse) sophomore effort: a soundtrack for the first day after what looked like the last, fueled by the madness of a rapidly accelerating career trajectory, the thrill of touring with his band again, and the promise of a reopening world whose studios, stages and dance floors we get to share again at long last. In 2021, Sam released his debut album Power Ballads, a largely home-recorded yet “well-crafted set of atmospheric post-punk” (KEXP) to international acclaim.

pre-order now14.04.2023

expected to be published on 14.04.2023

25,17 €
Augustus Pablo - Presents Rockers International Vol.1

Der LP-Klassiker aus dem Jahre 1980 jetzt als Wiederveröffentlichung, re-mastered und mit neuem Vinylschnitt von Kevin Metcalfe (Soundmasters, London). Hier finden sich "Melodica masterpieces, deep dubs and classic vocal sides" - von und mit Augustus Pablo, Delroy Williams, Earl Sixteen, Te-Track, Jah Iny, Norris Reid, Jah Bull und den Rockers All Stars. Am Mischpult des Channel One und Harry J Studio saßen Stanley "Barnabas" Bryan und Sylvan Morris.

pre-order now31.03.2023

expected to be published on 31.03.2023

21,81 €
Gregory Isaacs - Mr. Isaacs (Remastered)

Als "Mr. Isaacs" 1977 erstmals als LP-Vinyl erschien, war der Grundstein für die internationale Karriere zum Superstar des Reggae gelegt. Unter der Federführung von Produzent Ossie Hibbert und seinen Musikerkollegen von den Revolutionaries wurde der Interpret Gregory Isaacs zum Markenzeichen im Albumformat! - Mit einigen seiner größten Songs wie "Set The Captives Free", "Slave Master" (im Kultfilm "Rockers" prominent vertreten), "Storm" (der Riddim kommt in über 75 Versionen zum Einsatz), "Smile", "Get Ready" (Reggae-Cover des Rare Earth Hits), kommt der Longplayer dieser Tage als Kevin Metcalfe Remaster als 9-Track Originalalbum in einer Fan-Edition mit Sleeve Notes und bedruckter Innenhülle inklusive großformatiger Fotos.

Among the most important full-length album works from one of reggae’s greatest singers, "Mr. Isaacs" shows the great Gregory Isaacs in the prime of his career in 1976/1977. Better known for his love songs, Isaacs was equally adept at cultural themes. The tracks "Set The Captives Free" and "Slave Master" are among the most popular in his catalogue, the latter immortalized on film in the movie 'Rockers'. The track "Storm" became an early favourite in the dancehall, its rhythm track (aka the Storm riddim) is re-imagined no fewer than 75 times over the last 40 years. Gregory Isaacs love of Rocksteady shines in his cover of the Silvertones’ "Smile", and his soulful side comes through on a cover of The Temptations’ "Get Ready". The breadth of material on "Mr. Isaacs" is the hallmark of a reggae classic!

Further facts and collector's info:
- The album was one of the first titles ever distributed by VP Records, "Mr. Isaacs" reissue coincides with the label’s 40th anniversary celebrations.
- This pressing features the earliest known cover art and producer Ossie Hibbert’s original Earthquake labels, as found on the pre-release edition.
- "Mr. Isaacs (Remastered)" comes with a printed inner sleeve featuring extended liner notes by Harry Hawke plus a great artist photo on the other side

pre-order now31.03.2023

expected to be published on 31.03.2023

21,81 €
Last In Line - Jericho 2x12"

Last In Line

Jericho 2x12"

2x12inch0218354EMU
Edel Records
31.03.2023

Ein Muss für alle Hard Rocker! Last in Line - die Band um die Original Dio-Mitglieder - veröffentlichen ihr drittes Album:
Auf „Jericho“ liefert Campbell seinen charakteristischen, flamboyanten Gitarrenstil, Appice und Soussan erschüttern mit ihren unverwechselbaren Grooves die Grundfeste, und Freemans Gesang gehört zu den besten seiner Generation.

Die 12 Tracks bestechen durch fette Gitarrenriffs und Soli, sie sind eingängig und voller Energie!

— Exzellenter Hard Rock eines All-Star Line-Ups

— Vivian Campbell (Def Leppard, ex-Dio), Vinny Appice (ex-Black Sabbath, ex-Dio), Phil Soussan (ex-Ozzy Os bourne), Andrew Freeman (ex-Lynch Mob)

pre-order now31.03.2023

expected to be published on 31.03.2023

33,57 €
Various - SCRAP METAL VOL 2

Various

SCRAP METAL VOL 2

12inchEZRDR143
Riding Easy
31.03.2023

If you were smart enough to get your grubby paws on the first Scrap Metal compilation, you probably have a pretty good idea of what you’re in for with our second installment. Featuring long-lost gems from ultra-rare 45s and private press singles—plus one previously unreleased banger—Scrap Metal 2 maintains a steady NWOBHM course. Packed with infectious outliers and supremely talented one-and-done metal warriors from the crucial British movement of the late ’70s and early ’80s (and some killer American obscurities inspired by them), this collection delivers all the fist-pumping, riff-mongering and flashy solos of heavy metal’s golden age. As always, every track has been officially licensed and every artist gets paid. As a late entry into the NWOBHM sweepstakes, JJ’s Powerhouse was formed in Merseyside, England, by guitarist Jon “J.J.” Cox with members of his previous band, Quad. Much like the opener to the original Scrap Metal comp, you can hear early Metallica coursing through this legendary ripper. Coincidentally, this ultra-rare 45 was released in ’83, the same year as Kill ’Em All. Taking their name from a 1978 sci-fi novel by Marion Zimmer Bradley, Welsh super troopers Storm Queen reveled in animal-print clothing and flying Vs. The Motörhead-meets-Priest anthem “Raising the Roof” is the flipside to their only single, which the band self-released in 1982. Led by guitarist Dave Morse, Storm Queen’s earliest lineup included bassist Bryn Merrick (RIP), who would go on to join The Damned. Roaring out of Birmingham, England, in 1975, Jameson Raid palled around with fellow Brummies Black Sabbath and named themselves after a failed 19th century attack that helped kick off South Africa’s Second Boer War. Their three-song 1979 debut featured the infectious “It’s a Crime,” which comes across like a deadly hard-glam version of Budgie. Still fronted by vocalist Terry Dark, they’re going strong as of 2022. A.R.C., a punky proto-metal group from the UK, released the boozy single “Home Made Wine” b/w “The Chase” in 1979 and—as far as we know—were never heard from again. They’re not to be confused with a gang of Tolkien enthusiasts also called A.R.C., who released two NWOBHM singles in the early ’80s and actually were heard from again. Nonetheless, the A.R.C. we have here was led by a thirsty lad named Klaus Brunnenkant, who liked to rock n’ roll all night and party every day. Both sides of Metropolis’ sole single bear the legend, “Unauthorized duplication shall result in getting your ass beat.” This San Jose metal squad released their only single in 1986 and dedicated it to Metallica bassist Cliff Burton, who had recently been killed in a bus accident. “The Raven” is the serpentine NWOBHM- and Edgar Allan Poe-influenced flipside to “Time Heals Everything,” and yeah, you can hear the guitars going out of tune on the solo, but that’s part of the charm. Of the two dozen or so metal bands that have called themselves Prowler over the years, we’re pretty sure this particular Prowler is the only one from San Diego. These dudes take a thrashier approach than most of the bands here on Scrap Metal 2: “Temporary Insanity” strikes a deft balance between early Anthrax and early Testament, with just enough hard rock swing to keep it from getting overly staccato. Self-released in ’86 as the band’s only single, the song is the flip to “I Love It.” Not much is known about Christian Steel beyond this: They put out their only single in 1983, which boasted “Need Your Love” as the flip to “I Don’t Want To.” The former, included here, sounds kinda like a dizzy, more metallic version of ’70s Jersey rockers Starz, who famously influenced the likes of Mötley Crüe, Poison and Twisted Sister. Ohio guitarist/vocalist Marty Soski’s career dates back to at least 1969 with the Inside Experience track “Be On My Way,” which we unearthed for our own Brown Acid: The Third Trip. This time, we’ve got a monster Soski cut that he recorded under the name Black Rose. Released in 1982, the absolutely smokin’ “Sidewinder” was the A-side on the band’s sole single. The main riff isn’t far off from Y&T’s major-label banger “Mean Streak,” which was released the following year. When Dark Age titled their 1987 album The Youngest Metal Band in the World, they weren’t even sort of kidding. Legend has it that “Star Trippin’,” which was released as a single a year earlier, was written by guitarist CJ Rininger when he was just 12 years old. His brother Dave, the vocalist, was two years younger. Old photos of the band—complete with pineapple haircuts—seem to bear this story out. Either way, the song is pure flash metal, conjuring Sunset Strip sleaze all the way from Ohio. By now, all you heads know Los Angeles magic men Sorcery from their storied appearance in—and soundtrack for—the death-defying Ozploitation flick Stunt Rock. What we have here in “Whales” is a previously unreleased track from the same 1978 recording sessions. It’s a little bit Zeppelin, a little bit prog, and a whole lotta thundering riffage. Why this languished in the vaults for so long is anyone’s guess. Better late than never!

pre-order now31.03.2023

expected to be published on 31.03.2023

31,51 €
Various - SCRAP METAL VOL 2

Various

SCRAP METAL VOL 2

12inchEZRDR143B
Riding Easy
31.03.2023

If you were smart enough to get your grubby paws on the first Scrap Metal compilation, you probably have a pretty good idea of what you’re in for with our second installment. Featuring long-lost gems from ultra-rare 45s and private press singles—plus one previously unreleased banger—Scrap Metal 2 maintains a steady NWOBHM course. Packed with infectious outliers and supremely talented one-and-done metal warriors from the crucial British movement of the late ’70s and early ’80s (and some killer American obscurities inspired by them), this collection delivers all the fist-pumping, riff-mongering and flashy solos of heavy metal’s golden age. As always, every track has been officially licensed and every artist gets paid. As a late entry into the NWOBHM sweepstakes, JJ’s Powerhouse was formed in Merseyside, England, by guitarist Jon “J.J.” Cox with members of his previous band, Quad. Much like the opener to the original Scrap Metal comp, you can hear early Metallica coursing through this legendary ripper. Coincidentally, this ultra-rare 45 was released in ’83, the same year as Kill ’Em All. Taking their name from a 1978 sci-fi novel by Marion Zimmer Bradley, Welsh super troopers Storm Queen reveled in animal-print clothing and flying Vs. The Motörhead-meets-Priest anthem “Raising the Roof” is the flipside to their only single, which the band self-released in 1982. Led by guitarist Dave Morse, Storm Queen’s earliest lineup included bassist Bryn Merrick (RIP), who would go on to join The Damned. Roaring out of Birmingham, England, in 1975, Jameson Raid palled around with fellow Brummies Black Sabbath and named themselves after a failed 19th century attack that helped kick off South Africa’s Second Boer War. Their three-song 1979 debut featured the infectious “It’s a Crime,” which comes across like a deadly hard-glam version of Budgie. Still fronted by vocalist Terry Dark, they’re going strong as of 2022. A.R.C., a punky proto-metal group from the UK, released the boozy single “Home Made Wine” b/w “The Chase” in 1979 and—as far as we know—were never heard from again. They’re not to be confused with a gang of Tolkien enthusiasts also called A.R.C., who released two NWOBHM singles in the early ’80s and actually were heard from again. Nonetheless, the A.R.C. we have here was led by a thirsty lad named Klaus Brunnenkant, who liked to rock n’ roll all night and party every day. Both sides of Metropolis’ sole single bear the legend, “Unauthorized duplication shall result in getting your ass beat.” This San Jose metal squad released their only single in 1986 and dedicated it to Metallica bassist Cliff Burton, who had recently been killed in a bus accident. “The Raven” is the serpentine NWOBHM- and Edgar Allan Poe-influenced flipside to “Time Heals Everything,” and yeah, you can hear the guitars going out of tune on the solo, but that’s part of the charm. Of the two dozen or so metal bands that have called themselves Prowler over the years, we’re pretty sure this particular Prowler is the only one from San Diego. These dudes take a thrashier approach than most of the bands here on Scrap Metal 2: “Temporary Insanity” strikes a deft balance between early Anthrax and early Testament, with just enough hard rock swing to keep it from getting overly staccato. Self-released in ’86 as the band’s only single, the song is the flip to “I Love It.” Not much is known about Christian Steel beyond this: They put out their only single in 1983, which boasted “Need Your Love” as the flip to “I Don’t Want To.” The former, included here, sounds kinda like a dizzy, more metallic version of ’70s Jersey rockers Starz, who famously influenced the likes of Mötley Crüe, Poison and Twisted Sister. Ohio guitarist/vocalist Marty Soski’s career dates back to at least 1969 with the Inside Experience track “Be On My Way,” which we unearthed for our own Brown Acid: The Third Trip. This time, we’ve got a monster Soski cut that he recorded under the name Black Rose. Released in 1982, the absolutely smokin’ “Sidewinder” was the A-side on the band’s sole single. The main riff isn’t far off from Y&T’s major-label banger “Mean Streak,” which was released the following year. When Dark Age titled their 1987 album The Youngest Metal Band in the World, they weren’t even sort of kidding. Legend has it that “Star Trippin’,” which was released as a single a year earlier, was written by guitarist CJ Rininger when he was just 12 years old. His brother Dave, the vocalist, was two years younger. Old photos of the band—complete with pineapple haircuts—seem to bear this story out. Either way, the song is pure flash metal, conjuring Sunset Strip sleaze all the way from Ohio. By now, all you heads know Los Angeles magic men Sorcery from their storied appearance in—and soundtrack for—the death-defying Ozploitation flick Stunt Rock. What we have here in “Whales” is a previously unreleased track from the same 1978 recording sessions. It’s a little bit Zeppelin, a little bit prog, and a whole lotta thundering riffage. Why this languished in the vaults for so long is anyone’s guess. Better late than never!

pre-order now31.03.2023

expected to be published on 31.03.2023

31,51 €
Fire From The Gods - Soul Revolution LP

This new album by Austin-based rockers Fire From the Gods was produced, engineered and mixed by Erik Ron (Godsmack, Motionless In White, Panic! At The Disco) and masterfully blends inspiration and aggression with soul-searching. For some artists, making music isn't a choice, but is fuelled by something bigger than themselves. This is undoubtedly true of Fire From The Gods, whose brand mantra sees them adopting the tagline 'In Us We Trust', meaning that 'We the People' are responsible for change; a unifying statement in order to try to prevent society from succumbing to the growing malaise brought on by soul-sucking technology, divisive politics and environmental destruction.

pre-order now31.03.2023

expected to be published on 31.03.2023

26,01 €
Fire From The Gods - Soul Revolution

Soul Revolution, das neueste Album der Rocker von Fire From The Gods aus Austin, wurde von Erik Ron (Godsmack, Motionless In White, Panic! At The Disco) produziert und gemischt. Die CD und die Vinyl-Veröffentlichung in mehreren Varianten vereinen meisterhaft die Gefühle von Inspiration und Aggression mit dem Gefühl der Seelensuche. Für manche Künstler ist das Musikmachen keine Wahl, es wird von etwas angetrieben, das größer ist als sie selbst. Dies trifft zweifellos auf Fire From The Gods zu, die sich den Slogan "In Us We Trust" auf die Fahne geschrieben haben, was bedeutet, dass "wir, das Volk", für den Wandel verantwortlich sind; ein vereinigendes Statement, um zu verhindern, dass die Gesellschaft dem wachsenden Unbehagen erliegt, das durch seelenraubende Technologie, spaltende Politik und Umweltzerstörung hervorgerufen wird.

pre-order now24.03.2023

expected to be published on 24.03.2023

25,00 €
TALKING DRUMS - VOL.6

TALKING DRUMS

VOL.6

12inchTD006
TALKING DRUMS
20.03.2023

Riding high on the inexplicable Tech-house adoption of their last release, Talking Drums return with hit number six.
This desert island disc finds the family bagging a last minute flight to sunnier climes, where the cocktails are strong and the seas are calm.

On 'Air Ecosse', the crew provide an engine overhaul to a middling slice of Scotch boogie, squeezing maximum thrust out of the new beat-y intro before a bubbling bassline and chiming chords provide some serious uplift. The captain takes the comms for a late deadpan vocal, hinting at a little Pet Shop Boys karaoke prior to touchdown in paradise.

The percussion pals kick off the Birkies on the B side, boarding the bateau with a pair of proper harbour heaters. 'Too Yacht To Handle' bubbles along like Mick'n'Keef in disco mode, oozing grooves under a swooning vocal a la Nicolette Larson. A hazy arrangement lets the music play, indulging the instrumental breaks, soaring synths and subtle delays in true 12" Extended Mix stylee, perfect for peak-time at poolside or la playa.

Dropping the tempo to a sunset strut, 'AORwaves' provides the perfect cool-down, as TD cut back the fat on a forgotten soft-rocker to create a cosmic yacht bomb. Low slung, sleazy and spaced out, this is gonna rock a bar set and beyond.

Limited Press - Numbered Insert - Drum Fun Guaranteed.

out of Stock

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Last In: 11 months ago
13,24 €
VARIOUS - SCHNITZELBEAT VOL.3 - READY FOR TAKE OFF

The Schnitzelbeat goes on ..... und wir finden uns am Übergang zweier Jahrzehnte wieder. Woodstock hat gerade das offizielle Ende des Summer Of Love besiegelt, die Beatles befinden sich im Stadium des Zerfalls und The Stooges läuten mit unbarmherzigem Lärm ein neues Zeitalter ein. Zurück in Österreich ... die Stadt Wien dämmert weiterhin selig im bornierten Mief der Nachkriegszeit. Gelegentlich weht der Wind den Klang einer Ziehharmonika und eines Jodlers vom Land in Richtung Stephansdom. Die eingeweihten Hörer der Schnitzelbeat-Serie ahnen es allerdings bereits: da war noch etwas Anderes, etwas Wildes, Ungutes, ein dröhnender Faustschlag in die hornbebrillten Gesichter der Spießbürger. Doch wer hätte gedacht, dass die gelungenste Annäherung an den Proto-Punk der Blue Cheer oder MC5 ausgerechnet auf dem Volksmusiklabel Alpenton erscheint? (Albatross, "I am dead"). Da fährt schon ein Aufschrei des Entsetzens aus der Lederhose. Und ein Lächeln puren Glücks in die Gesichter aufgeklärter Fans obskurer Rockmusik. Auch The Seals erweisen sich 1969 als würdige Kämpfer im Krieg der Generationen: "You know nothing about the new generation / because you live in the U-Bahn-Station" stellen die Psychedelic-Punks aus Wien interessanterweise in ihrer Nummer "Stop this War" fest. Und auch sonst ist der Krieg ein geläufiges Thema: der 2. Weltkrieg (The Cop Stigh, "War History"); der Vietnamkrieg (Maybe Hair, "War"); der Krieg der Geschlechter (Young Society, "It's War"). Doch was wäre die Zeit der Hippies und Kommunarden ohne freie Liebe, Blumenarrangements und von allerlei Substanzen unterstützte Ausnahmezustände? "Nicht auf die Blumen in dem Haar, auf euer Herz kommt es an / denn Liebe nur allein alles ändern kann" singt die Casting-Boyband The Wallflowers, aufs trefflichste begleitet von einem Kinderchor, der leider nicht immer ganz textsicher ist. Die Aussage an sich würden aber sicher auch The V-Rangers unterschreiben ("Make Love"). Oder Hannes, Erich, Peter und Arno von der Salzburger Beatband Les Marquis, die einen Westcoast-Liebestraum an den Stränden des Salzkammerguts lebendig werden lassen ("Sand on the Shore"). Zur Halbzeit von Schnitzelbeat Vol. 3 wird ein unvergesslicher Höhepunkt gereicht. 1973 veröffentlicht Rocky F. Holicke die ultimative psychedelische Hymne aus heimischer Produktion: "Ready for Take Off" ist ein unbeschreibliches Monument eines Songs, eine wahrhaft überirdische Erfahrung musikalischer Transzendenz. Wenn es schon über die Wolken geht, dann bitte so, Herr Reinhard Mey. Und natürlich auf Holickes eigenem Label, Aero-Sound. Wo sonst? Während Hide & Seek auf den Spuren von Cream wandeln und ebenfalls von jeder Flugangst befreit durch den Orbit segeln ("I can fly"), blasen aus den Triebwerken von Karl Ratzers Gitarre längst sengend heiße "White Flames". Der legendäre Musiker und Frontmann der Charles Ryders Corporation ist nicht nur einer der besten Jazzgitarristen die Österreich je hatte - er nimmt es auch mit James Marshall Hendrix auf, wenn alle Effektpedale bis zum Bühnenboden durchgedrückt sind. Etwa zur selben Zeit findet sich eine oberösterreichische Ministrantenband - heimlich, nächtens - am Wochenende im Musikzimmer einer Mühlviertler Volksschule ein. Und nimmt dort eine brandgefährliche Granate hochexplosiven, psychedelischen Garagenpunks auf. Mit mehr Fuzz, Wah-Wah, Echo und Farfisa-Orgel als selbst der Leibhaftige persönlich erlaubt hat (The Hush, "Giny"). Und dies ist nicht die einzige weithin unbekannte Super-Rarität, die der Archivar, Subkulturforscher und Rare-Track-DJ Al Bird Sputnik und sein Team von den Trash Rock Archives zusammengetragen haben: die verschollene erste Single von Novaks Kapelle erscheint hier erstmals in einer komplett restaurierten Version, ohne Nadelhüpfen und mit relativ wenigen lästigen Nebengeräuschen ("Garbage Man"). Von den lediglich 10 angefertigten Exemplaren der einzigen Platte der Austrian Brothers ("Brother") konnte die einzige Kopie ohne Pressfehler aufgetrieben werden. Und um endlich der 7" von The Cop Stigh habhaft zu werden, musste sogar jemand sein letztes Hemd verkaufen und die Hose bis zu den Knöcheln runterlassen. Aber "All right", um es mit den Worten der steirischen Acid-Rocker Generation 2000 zu sagen: es hat sich ausgezahlt. Schnitzelbeat Vol. 3 fügt der vergessenen Frühgeschichte der österreichischen Rockmusik wieder zahlreiche faszinierende Kapitel hinzu. Begeben Sie sich mit Al Bird Sputnik und den Labels Konkord und Digatone auf eine weitere Reise in die Tiefen wohlsortierter Plattenkisten und pilgern Sie vor einem Himmel voller Schwedenbomben und Mannerschnitten über Gebirge verzerrter Gitarren in die entlegensten Regionen der österreichischen Popkultur. NOVAK

pre-order now17.03.2023

expected to be published on 17.03.2023

38,45 €
THE ATOMIC BITCHWAX - LIVE AT FREAK VALLEY

The Atomic Bitchwax - Live At Freak Valley Fest is the brand new album of the US rockerz The Atomic Bitchwax. Recorded live at the mighty festival FREAK VALLEY in Germany in June 2022. A psychedelic heavy rock'n'roll and stoner trip - a must have!

pre-order now10.03.2023

expected to be published on 10.03.2023

19,96 €
THE ATOMIC BITCHWAX - LIVE AT FREAK VALLEY

The Atomic Bitchwax - Live At Freak Valley Fest is the brand new album of the US rockerz The Atomic Bitchwax. Recorded live at the mighty festival FREAK VALLEY in Germany in June 2022. A psychedelic heavy rock'n'roll and stoner trip - a must have!

pre-order now10.03.2023

expected to be published on 10.03.2023

24,16 €
Tanukichan - GIZMO

Tanukichan

GIZMO

12inchCHI18LP
Company Records
03.03.2023

When the pandemic hit, Hannah van Loon adopted a dog named Gizmo, who became a much-needed companion while the Bay Area musician wrote her second album as Tanukichan. Aptly Named after her new four-legged friend, GIZMO is an exercise in release, whether from situational hindrances—a forced lockdown, for one—or from self-imposed hedonistic coping mechanisms.“ A theme I always had floating around was escape,” van Loon explains of her follow-up to 2018’s Sundays. “Escaping from myself, my problems, sadness and cycles.”

To channel the more uplifting spirit she wanted for GIZMO, van Loon turned to the radio pop-rock of her childhood: “I was struck by the in-your-face positivity of the lyrics,” she adds,referencing artists like 311, The Cranberries, and Tom Petty. “I wanted to bring that positivity while writing about the sad and helpless emotions I’d been grappling with.” But GIZMO’s lightheartedness doesn’t make it shallow: “I think that I could let it go, as beautiful as snow,” she murmurs on “Don’t Give Up,” a nu metal-meets-Cocteau Twins groove about the sudden awareness that all the relationships you depend on could vanish instantaneously. Van Loon’s main collaborator on GIZMO was Toro y Moi’s Chaz Bear, and the jangly pop earworm “Take Care” showcases the heavily distorted, in-your-face guitar work reminiscent of Bear’s own psych joints What For? And Mahal. On the hypnotic, wall-of-sound-rocker “Thin Air” featuring Enumclaw, van Loon channels the triumphant grit of The Smashing Pumpkins as she ponders the impermanence of even the most impactful relationships: “I’ll always have the memories/Of how you used to make me see/Until they fell in the ocean/They’re not swimming/They’re not floating.”

Existentialism aside, GIZMO also sees van Loon break out of her sonic comfort zone. “One ofthe main changes of how I’m approaching music now is that I want to have more fun in the process,” she says, and she walks the line between melodrama and whimsy gracefully: “I can learn something because I’ve been here before,” she sings on the soaring, bittersweet “Been Here Before.” Deftones-inspired thrash drums and screeching electric guitars are gracefully contrasted with van Loon’s hypnotic, almost deadpan vocal style and a crystal clear acoustic guitar she describes as “cute.” Gizmo the dog suddenly passed away right as van Loon finished the album, but he’s immortalised with his photo on the cover—a fitting emblem of this new era of Tanukichan.

pre-order now03.03.2023

expected to be published on 03.03.2023

24,16 €
BLACK HELIUM - Um

Black Helium

Um

12inchREPOSELP117
Riot Season
03.03.2023

Following on from their well received albums ‘Primitve Fuck (2018) and ‘The Wholly Other’ (2020), London based psych rockers Black Helium release their third album ‘Um’ via Riot Season Records on March 3rd, and take things even further…

Here we find psychedelic defiance at its most incendiary and joyous!

Returning to record at Bear Bites Horse studios with Wayne Adams, Beck Harvey, Diogo Gomes and Stuart Gray deep dive into lysergic rock primitivism sparking sprawling stream-of-thought explorations to bring about an album that is as fried as it is alive.

Black Helium are a psychedelic power trio, based in London. Never afraid to stray from the beaten path, they traverse aural hallucinatory soundscapes; from detuned Neanderthal rock to deep oceans of introspective blissed out psychedelia.

BLACK HELIUM are

Stuart Gray (vocals, guitar) Beck Harvey (bass, vocals) Diogo Gomes (drums)

pre-order now03.03.2023

expected to be published on 03.03.2023

19,12 €
Villagers of Ioannina Ci - Through Space And Time LP

Die Stoner Psychedelic Rockers von VILLAGERS OF IOANNIA CITY betören Athen!

VILLIGERS OF IOANNIA CITY wagen einen nostalgischen Blick auf die große Bühne Athens und liefert mit ihrer einzigartigen Mischung aus psychedelischen Hard Rock und klassischen Folk Instrumenten eine
explosive Bühnenshow ab. Inspiriert von der griechischen Natur und ihren kosmischen Phänomenen hat die Band seit ihrer Gründung in 2007 zwei packende Studio Alben und eine EP veröffentlicht.

Seit ihrem ersten Albums, Riza (2014), haben VILLAGERS OF IOANNIA CITY auf den größten Rock Festivals gespielt und sorgten für ausverkaufte Hallen bei den größten Shows der griechischen Musikszene.
Nach vielen großartigen Auftritten wagt die Band nun den nächsten Schritt und präsentiert ihr erstes Live Album! Basierend
auf ihrer Live Erfahrung und der kurzen aber beeindruckenden Diskographie, erscheint das Album Through Space and Time (Alive in Athens 2020) am 03. März 2023 via Napalm Records.

Die Show baut auf den Songs ihres letzten Albums, Age of Aquarius (2019), auf und wird mit weiteren Songs ihres Debut Albums und der vorherigen EP durchmischt.Through Space and Time (Alive in
Athens 2020) zeigt die unglaubliche Detailverliebtheit der Band, die sich durch die fantastische Produktion und ihre unvergleichbare Live Präsenz zeigt. Mit Gewissheit werden VILLAGERS OF IOANNIA CITY auch mit zukünftigen Shows ihren Platz im Rock Olymp sichern und ihrem musikalischen Können jedes Mal aufs Neue überzeugen.

pre-order now03.03.2023

expected to be published on 03.03.2023

40,29 €
Run DMC - Tougher Than Leather

Run Dmc

Tougher Than Leather

12inchGET51320LPC
GET ON DOWN
03.02.2023

Repressed On translucent blue vinyl! Too many people sleep on Tougher Than Leather, Run-DMC’s fourth album. But hear us out as we plead the case for this amazing LP. By 1988 there was a lot more competition in the rap game – Public Enemy, Boogie Down Productions, Eric B. & Rakim, Ice-T and many more had given Hollis, Queens’ prodigal sons lots of competition. But Joe, Darryl and Jay were still at the top of their game, and hip-hop fans should never let this classic – chiefly produced by their Queens neighbor, DJ and multi-instrumentalist Davy DMX – get lost in their crates. For starters, the album’s first single, “Run’s House” b/w “Beats To The Rhyme” is arguably the most powerful one-two punch of the trio’s career, showing contenders to the rap throne that they could still destroy a beat, tag-teaming with power at any speed. Not to be lost in the shuffle, fans were also reminded on both sides that Jam-Master Jay remained one of the world’s best DJs, flexing the pinnacle of what would be called “turntablism” a decade later. Both songs show a musical telepathy between all three that has rarely been equaled. The second single, “Mary, Mary,” driven by an infectious Monkees sample, took a different approach, shrewdly ensuring that pop fans who jumped on the Raising Hell bandwagon had something to chew on. But, like “Walk This Way,” the song wasn’t just bubblegum – there was an edge to it, and the lyrical gymnastics were very real. It wasn’t selling out, it was allowing fans to buy in. “Papa Crazy,” driven in concept and by a sample from the Temptations’ “Papa Was A Rolling Stone,” followed a similar pop-leaning path. Overall, the lyrical content on the album was a step up from the group’s first three LPs. It’s easy to infer, looking back, that they were feeling the heat from their younger competitors in the rap game. The genre was changing fast, and they were up to the challenge. On cuts like “Radio Station” they bring substance to the grooves, by attacking Black Radio for its continual denigration of rap. “Tougher Than Leather” reminds the world that they were still the Kings of Rock, with hard guitars to drive the point home. And “They Call Us Run-DMC” and “Soul To Rock And Roll” both bring things back to their early days, with sure-fire park jam rhymes and killer cuts. Tougher Than Leather, which went platinum up against a lot of competition, perfectly bookends the ‘80s output of one of the decade’s most important groups. It encompasses the full range of the trio’s capabilities, and reminds us that Run-DMC should never be forgotten as both pioneers and party-rockers. And so, we say, long live Joe, Darryl and Jay! A1. Run's House A2. Mary, Mary A3. They Call Us Run DMC A4. Beats To The Rhyme A5. Radio Station A6. Papa Crazy B1. Tougher Than Leather B2. I'm Not Going Out Like That B3. How'd Ya Do It Dee B4. Miss Elaine B5. Soul To Rock And Roll B6. Ragtime

pre-order now03.02.2023

expected to be published on 03.02.2023

27,69 €
BABILBON - BABILBON - 10 BEATS AND RIDDIMS BASQUE LABEL

BABILBON is the fusion between Babylon and Bilbo. A collective of musicians with experience in other bands from Bilbao with the idea of bringing a modern twist to the old Jamaican rhythms, fusing them with dancehall and hip-hop rhythms without any pretension of sounding purist, and also lending the microphone to 10 artists from Bilbo and "surroundings": Bite Akatz, Suprah, Mad Muasel, Xatiro, Belardi Rockers, Gatom, Ras Reguilón & Daka, Fundación de Raperos Atípicos de Cádiz, Inés Pardo and Priteo. Their eponymous debut album (called 10 Beats and Riddims Basque Label) was recorded at Mamba Beltza studios in the Iturralde neighborhood of Bilbao, with the aim of thundering in all the sound-systems of the great Babylon. For the purpose, the band gives the microphone to 10 vocalists from Bilbo and "surroundings" to the delight of locals and strangers. The selection is of bells and whistles, but behind the rhythmic recitation of rhymes, puns, breaks and Jamaican riddims, there is a solid and versatile band that, adapting to the guests, builds a homogeneous sound around the Babylonian assortment of languages, dialects, accents, textures, styles, personalities, moods, cultures and subcultures.

pre-order now27.01.2023

expected to be published on 27.01.2023

24,16 €
Uriah Heep - Chaos & Colour

Uriah Heep

Chaos & Colour

12inch0190296103711
Atomic Fire
27.01.2023

Chaos & Colour, the energetic and triumphant 25th studio album from British hard rock legends and progenators Uriah Heep, bristles with explosive classic rock guitars, supreme harmonies, and Heep’s famously generous keyboard foundation.

Led by founding member Mick Box, it is no surprise that themes of light, love and, ultimately, positivity are constant through the eleven tracks. Opener “Save Me Tonight” shows the band’s weighty yet blistering chops, whilst “One Nation, One Sun” is a journey of soaring balladic contemplation.

“Fly Like An Eagle” emanates magic and mystery in a way that the late, great Ronnie James Dio would have heartily approved, and “Closer To Your Dreams” is a battle cry for all rockers to get out there and do it, with Shaw imploring that “So many have tried but slipped away/Now it’s time for you to have your say.” Throughout the album, Bernie Shaw’s timeless vocals are expertly supported by keyboardist Phil Lanzon, bassist Dave Rimmer and Box, with Russell Gilbrook on drums rounding out exceptional performances throughout.

Produced at Chapel Studios by Jay Ruston, and engineered by Pieter Rietkirk, Chaos & Colour is a superb album of quality hard rock from the pioneers of the genre who continue to create top class material. Old fans will be reinvigorated whilst new fans will surely find Chaos & Colour an exceptional discovery.

Chaos & Colour will be available to pre-order from November 4, in Black and Coloured Vinyl configurations, as a standard CD Digipak, a Deluxe CD packaged in a hardcover book with Uriah Heep’s Chaos & Colour signature patch and in digital formats.

pre-order now27.01.2023

expected to be published on 27.01.2023

31,05 €
J.T. IV - The Future

J.t. Iv

The Future

12inchDC842
DRAG CITY
20.01.2023

Barely heard in his lifetime (1961-2002) but hailed as an outsider hero of ur-punk since 2009’s ‘Cosmic Lightning’ compilation, J.T. IV strikes back!

15 unheard-of tracks found on an obscure cassette tape make the schizo split in his music - rabid rock & roll fantasy and cold-eyed acoustic introspection - an epic. ‘The Future’ is J.T. IV’s mad magnum opus.

The 2009 comp LP, ‘Cosmic Lightning’, cast his tragic silhouette up on the big screen
for all to see: the lost boy, alone in the world, standing before the mic and releasing
his inner star with glee and vengeance, his antisocial visions flying high atop a raging
funnel of distorted guitars and blunt rhythms. Or couched, childlike, within a heart
breaking billow of acoustic guitars - a schizophrenic split that only magnifies the
display of his deep emotions.
‘The Future’ goes even further, excavating fifteen recordings from a previously
unheard-of cassette entitled ‘The Best Of Johnny Zhivago Retrospective 1979–1993’,
and adding four more uncollected tracks from his slim (and impossible to find
anyway) discography.
Of these nineteen tracks, eight are covers - and J.T. IV’s picks, from Velvets to Mott
the Hoople, Roxy Music, Lee Hazlewood, The Kinks, Eno and Stephen Sondheim,
sharpen our image of the misfit adrift; on the outside looking in, but maybe just a few
steps away from his goal.
‘The Future’ unfolds like an epic, as both sides of J.T.’s persona - the street-smart,
damaged rocker and the heart struck poet of the scene - live on together in the best
performances of his short career.
A punk of the old order, John Henry Timmis IV was born in 1961 into a dysfunctional,
abusive and eventually broken family. By the mid-70s, he was desperate to get out,
running away from his mother’s home several times while still a teenager living in the
greater Chicagoland area. At wit’s end, she had him committed to the Menninger
Clinic for a year or so. Released on his own reconnaissance, he began his meteoric
ascent to the mythic level of self-aggrandizement in which he appears here. Inspired
by the underground, proto-punk sounds in the air (the likes of which any sharp-eyed
young thing might chance upon in the back pages of Creem, Crawdaddy, Trouser
Press, etc.) and desperate to be heard himself, J.T. presented like the scabby
younger brother of Bangs and Laughner: born only to rock, his musical conception a
rabid personality crisis of proselyte elitism and nihilist excess.
Now, 20 years on from his passing, ‘The Future’ is ever farther away from the world
in which he struggled so mightily - but his stinging iconoclasm, whether screamed
from Marshall amps or mic-ed up close, feels ever more powerfully infused with his
unique breadth of illness and essence.
These songs represent the two sides of J.T. - and while they emanate from the 80s,
they find themselves potently renewed in the polarized world of today, making ‘The
Future’ a worthwhile destination for everyone who ever had a heart touched by the
transgression and freedom promised by rock & roll.

pre-order now20.01.2023

expected to be published on 20.01.2023

26,34 €
Lazerbeak - Lava Bangers II LP 2x12"

Aaron Mader, known professionally as Lazerbeak, is a Minneapolis-based artist and producer. Over the past decade he has collaborated with everyone from reigning pop queen Lizzo (producing her entire debut album), Doja Cat, Dessa, bluegrass heavyweights Trampled By Turtles, indie supergroup GAYNGS, and the Grammy-winning Minnesota Orchestra, all while continuing to build and create with life-long comrades from his own Doomtree artist collective and notching production credits on everything from Lin-Manuel Miranda’s Hamilton Mixtape to the dark electro-pop of Banks’ critically acclaimed III album. Aside from being a founding member of the Doomtree collective, he is also the CEO and General Manager of Doomtree Records, handling the day-to-day operations, management, and inner workings of the crew and label. His latest solo album Lava Bangers II, the second in an on-going instrumental beat tape series, is being released in two-song monthly installments throughout all of 2022, culminating in a 20 song limited edition 2xLP physical release in January 2023.

pre-order now20.01.2023

expected to be published on 20.01.2023

38,61 €
Mal-One - It’s All Punk Rock

Mal-One

It’s All Punk Rock

12inchMAL-ONELP001
Punk Art Records
18.01.2023

Includes one-sided 7” ('It's All Punk (Full version)”, signed and blind stamped limited edition print, fly poster (20cm x 30cm), 20 page 12” x 12” booklet with lyrics and photos laid out in style of newspaper.

The ‘It’s All Punk Rock’ album was initially inspired by various artworks Punk Artist Mal-One had completed and titled. These titles usually turned into Punk Poetry / Lyrics and finally into songs. The idea would lead to grouping these songs together and to add the additional difficult cherry on the top. The songs would also include the word ‘Punk’ in each of their titles. Creating what we called the first Punk Art Concept Album. The title of the album as well as summing up the contents, grew from a term Mal-One had used for years when asked what had inspired a certain work or what was the meaning behind something …”It’s All Punk Rock”’ would be the quick reply.

Each song tells the story or relates the ideas behind a work, whether that be 430 King’s Road (where Punk meets Rock ’N’ Roll) the story of the various guises that Malcolm McLaren and Vivienne Westwood would conceive for their shop from LET IT ROCK, TOO FAST TO LIVE TOO YOUNG TO DIE, SEX, SEDTIONARIES. Anarchy Tour After Grundy (Punks out on Parole) the story of the `Anarchy Tour’ and what happened after the infamous appearance by the Sex Pistols on the ‘Today’ show with Bill Grundy. Punk Rock Jubilee 77, the Silver Jubilee celebrations of 1977 and its punk overtones. The Punk Rockers Gig Prayer, a Punk poem for the various venues that bands played back in those heady times. The Last Punk on Portobello Road (Ode to Joe), a lament to Mr Joe Strummer an inspiration to us all. Yes, every picture as they say tells a story, in this case never a truer word spoken.

Hope you enjoy the ride sonically and visually.

out of Stock

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Last In: 3 years ago
17,61 €
David J - Quelle Tristesse

David J

Quelle Tristesse

7"-VinylGLAMS003
GLASS MODERN
13.01.2023

David J, of Bauhaus/Love & Rockers, pays tribute to his old friend Pat Fish (AKA The Jazz Butcher), who sadly passed away in October 2021. Featuring musical contributions from Dave Morgan (Weather Prophets/Jazz Butcher), Rolo McGinty (Woodentops), Max Eider (Jazz Butcher), Kevin Haskins (Bauhaus/Love & Rockets), Owen Jones (Jazz Butcher). Colin Henney (Jazz Butcher) and Raoul. The B Side is 'Vienna Song', a Jazz Butcher song, featuring Paul Wallfisch (Swans) on piano, Wolfgang Tschegg and Tony Green. Random Colour Vinyl. Quelle Tristesse Writing this song was my immediate emotional response to hearing about the untimely passing of my dear friend, Pat Fish. This is how I process these things. It is both personal therapy and heart felt tribute. The song simply poured out of me and when it was done I knew that I had to involve various stellar musicians all of whom had collaborated with Pat in the past. Also present and correct, Pat’s beloved familiar, Raoul the black cat. The title came from a comment that someone made online when the shocking news was announced. 'Quelle Tristesse'. How sad. Indeed. RIP old pal. David J. In Loving Memory Patrick Huntrods (AKA Pat Fish AKA The Jazz Butcher) (20 December 1957 - 5 October 2021) Tracklist Side A Quelle Tristesse Side B Vienna Song

pre-order now13.01.2023

expected to be published on 13.01.2023

11,56 €
Jail Job Eve - Wildfire

Jail Job Eve

Wildfire

12inchMIG70171
Made in Germany
13.01.2023

Since 2013 Jail Job Eve has become an indispensable part of the German
rockstages - Whether festival stage, live club or rustic rockmusic venue -
for more than eight years now the five musicians from Osnabrueck,
Germany, have been playing their way across the country
After their first release "Bird of Passage" in 2015, the band signed a contract with
MiG - music in 2018, the label that, among other things, distributes the legendary
"Rockpalast" recordings of the German TV- and radio-station WDR and with bands
such as Siena Root, Br selmaschine and Wucan, the label has signed in the field
of retro rock under contract.Jail Job Eve's album "The Misson" received
recommended reviews in the music press throughout Europe, and the band thus
earned the reputation: "the hope of the national blues rock scene" (eclipsed
Magazine, Germany).With their upcoming release "Wildfire", Jail Job Eve is once
again setting new standards. The album, recorded entirely live, confirms the band
as a finely balanced rock machinery. The music is much harder, more
experimental and coarser, while the lyrics deal offensively and aggressively with
the most important ideological issues of our time, such as climate change,
sexism, LGBTQ + rights or the responsibility of art and culture as a mirror of
society and an instrument of peaceful protest. For example, the first single "Lost"
is a song about female empowerment and therefore an energetic, feminist
statement to sing along to.The band's audible role models include Rival Sons,
Blues Pills, Greta Van Fleet, but also the classic rockers of Deep Purple or the
omnipresent ubiquitous instance Led Zeppelin. The clearest fist in the face of the
listeners still is Victoria Semel, who virtuously puts her heart and soul into her
singing. Benedikt Schlereth, who plays his way through the album with his
distinctive guitar sound coined by the grand repertoire of rock history, Jens
Niemann, who lets his Hammond wobble sonorously and suffer shriekingly, as
well as Tim Beckers on bass and Josef R hner on drums, who create fulminant,
cast-iron floors under their bandmates

pre-order now13.01.2023

expected to be published on 13.01.2023

23,32 €
Dogeyed - Hot For The Moon

‘Hot For The Moon' is the long awaited second (and final) EP from Bristol slacker rockers Dogeyed, recorded & mixed straight to tape in one day back in Autumn 2020. These four snappy little numbers see the pups at their poppiest, heaviest and spookiest. Fans of indiscriminate whammy bar will not be disappointed, a band at their peak, just before their demise. Dogeyed is dead. Long live Dogeyed. Recorded & Mixed by Pete Miles at Middle Farm 14th October 2020 / Mastered by Ian Farmer at The Metal Shop 2021 / Black vinyl in a risograph foldover sleeve limited to 500 copies

pre-order now10.01.2023

expected to be published on 10.01.2023

8,61 €
Feuerschwanz - Todsünden

Um Spaß zu haben, muss man sündigen! Nach dem chartstürmenden #1-Album Memento Mori sind die
deutschen Mittelalter Folk Rocker FEUERSCHWANZ mit einer besonderen Überraschung zurück, die in
keiner Fan-Kollektion fehlen darf! Am 30.12.2022 erscheint die Cover-Sammlung Todsünden über Napalm
Records. Nachdem einige Titel bereits auf den Bonus Alben von Memento Mori und Das Elfte Gebot
auftauchten, haben die Franken nun beschlossen, diesen jetzt noch mehr Aufmerksamkeit zu schenken und
zelebrieren, inklusive zweier weiterer Bonustracks, voller Stolz ihre musikalischen Todsünden. Von Pop über
Punkrock bis hin zu Metal-Hymnen gelingt es FEUERSCHWANZ mühelos, verschiedene Genre zu kombinieren
und jedem einzelnen Song eine neue Interpretation zu verpassen, ohne dabei die eigenen Trademarks zu
verlieren.
Mit Todsünden liefern FEUERSCHWANZ haufenweise Spaß und musikalische Raffinesse sowie exzellenten
Sound gleichermaßen. Ein Frevel, wer dieser aufregenden, musikalischen Reise nicht beitritt!

pre-order now30.12.2022

expected to be published on 30.12.2022

19,29 €
Dreadsquad - Satisfaction / Toast

Dreadsquad

Satisfaction / Toast

7"-VinylULR008
Uluru
23.12.2022

Get ready for the 2023 dancehall bomb!

We're honored to welcome to the Uluru Family, all the way from Poland, legendary party rocker and reggae mash up king Dreadsquad!

The A side is an excellent reggae ska cover of Satisfaction, with the help of a full band, a bit of electro twist, and Kasia Malenda & Jman on the vocals.
On the B side the polish producer takes us to heaven with his ska remix of iconic Toast!

Pull up guaranteed!

out of Stock

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Last In: 4 months ago
11,56 €
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