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Even the name is mysterious-Black Honey Cult evokes a sense of intrigue and the otherworldly, a fitting moniker for a band born out of deep roots in Los Angeles' storied underground music scene. The story begins in the early '90s, when Johnny DeVilla and Jake Cavaliere first crossed paths, performing in various bands at the legendary JabberJaw, a hub for raw talent and boundary-pushing sound. Fast forward to 2003, when Spencer Robinson joined forces with Jake and Johnny in The Lords of Altamont, solidifying a creative bond that has endured for decades. Over the years, this trio found themselves collaborating time and again, refining their chemistry and exploring new sonic landscapes. It wasn't until 2010 that Black Honey Cult began to take shape, though the journey to a definitive lineup was a winding road. After several incarnations, the band finally coalesced into its current form with the addition of Garey Snider on drums, and Travis Petersen on guitar, whose contributions completed the puzzle. Jake and Garey, longtime conspirators with a shared desire to work together, brought their vision to fruition, creating a group that feels both destined and uniquely fresh. Drawing inspiration from pioneers like The Velvet Underground and psychedelic icons, The 13th Floor Elevators, Black Honey Cult infuses their sound with shades of early goth, post-punk, and krautrock. The result? A hypnotic, genre-defying blend of dark, atmospheric psychedelia that transports listeners to another plane - like dropping LSD on Mars. The band's sound was brought to life by the legendary Paul Roessler (of Screamers and 45 Grave fame) at Kitten Robot Studios, a perfect match for their haunting and transportive vision. Black Honey Cult stands as a testament to years of collaboration, creativity, and perseverance, offering an immersive experience for those ready to step into their enigmatic world. Prepare to follow the cult and lose yourself in the spellbinding sounds of Black Honey Cult.

Gold nugget vinyl, limited to 350 copies. Even the name is mysterious-Black Honey Cult evokes a sense of intrigue and the otherworldly, a fitting moniker for a band born out of deep roots in Los Angeles' storied underground music scene. The story begins in the early '90s, when Johnny DeVilla and Jake Cavaliere first crossed paths, performing in various bands at the legendary JabberJaw, a hub for raw talent and boundary-pushing sound. Fast forward to 2003, when Spencer Robinson joined forces with Jake and Johnny in The Lords of Altamont, solidifying a creative bond that has endured for decades. Over the years, this trio found themselves collaborating time and again, refining their chemistry and exploring new sonic landscapes. It wasn't until 2010 that Black Honey Cult began to take shape, though the journey to a definitive lineup was a winding road. After several incarnations, the band finally coalesced into its current form with the addition of Garey Snider on drums, and Travis Petersen on guitar, whose contributions completed the puzzle. Jake and Garey, longtime conspirators with a shared desire to work together, brought their vision to fruition, creating a group that feels both destined and uniquely fresh. Drawing inspiration from pioneers like The Velvet Underground and psychedelic icons, The 13th Floor Elevators, Black Honey Cult infuses their sound with shades of early goth, post-punk, and krautrock. The result? A hypnotic, genre-defying blend of dark, atmospheric psychedelia that transports listeners to another plane - like dropping LSD on Mars. The band's sound was brought to life by the legendary Paul Roessler (of Screamers and 45 Grave fame) at Kitten Robot Studios, a perfect match for their haunting and transportive vision. Black Honey Cult stands as a testament to years of collaboration, creativity, and perseverance, offering an immersive experience for those ready to step into their enigmatic world. Prepare to follow the cult and lose yourself in the spellbinding sounds of Black Honey Cult.

Lucas und Arthur Jussen gehören zu den gefragtesten Klavierduos unserer Zeit. Die niederländischen Geschwister gelten dank ihrer internationalen Karriere mittlerweile zu den großen Aushängeschildern der Klassik in ihrem Heimatland. Ihr neues Projekt Cantus/Rêve ist nun die Kulmination ihrer Arbeit der letzten Jahre: es vereint die beiden bislang nur digital veröffentlichten Alben ”Cantus” - mit Kompositionen von Brahms, Bach und Arvo Pärt - und ”Rêve” - mit Stücken von Debussy, Hahn und Koechlin - erstmals im physischen Format. Die wunderschöne Gatefold-LP mit sechs Tracks pro Seite zieren Schwarz-Weiß Fotos des Geschwisterduos. „Diese Musik strahlt so viel Vertrauen und Frieden aus, und wir hoffen, ihr schätzt sie genauso wie wir“, sagen Lucas und Arthur. Zu den Höhepunkten ihres gefüllten Konzertkalenders 2024/25 gehören Auftritte mit dem Konzerthausorchester Berlin, Bamberger Symphoniker, Dresdner Philharmonie, sowie eine anschließende Europatournee mit dem Gewandhausorchester. ”Die beiden Niederländer sind großartige Klangerzähler, sie schlagen mit ihrem Sinn für Licht-und-SchattenWirkungen die Zuhörer in ihren Bann. ” - Der Tagesspiegel

With his second album, 'All The Others', the award-winning German trumpeter
and composer Jakob Bansch cements his status as one of the most
promising musicians of the young jazz generation
Building on the success of his critically acclaimed debut 'Opening', the artist from
Pforzheim, Southern Germany presents himself as even more mature and versatile on
his sophomore release. 'All The Others' blends influences from classical music, jazz,
and film scores into a musical work that tells personal stories and resonates deeply.
Bansch's approach to this album is remarkable: "I wanted to musically portray
characters and themes that have personally inspired me - whether from literature,
films, and series, or from the real world," he explains. Alongside his impressive
trumpet playing, it is above all the narrative depth of his compositions that defines the
album. Highlights include the epic opener "Ouverture", inspired by classical
composers such as Maurice Ravel and Olivier Messiaen, as well as the rhythmically
driving "Mephisto", which showcases Bansch's extraordinary technique and his
penchant for complex structures. The album features nods to Avatar: The Last
Airbender, Ahsoka Tano - the Jedi Knight from Star Wars: The Clone Wars and Maeve
from the series Sex Education. The music reaches a particularly poignant depth in
pieces like "Vasudeva", a homage to Hermann Hesse's Siddhartha, where Bansch
conveys warmth and tranquility through the gentle tones of his flugelhorn.
His working band - pianist Niklas Roever, bassist Jakob Obleser, and drummer Leo
Asal - returns for this album, displaying an almost telepathic musical chemistry. The
ensemble is further enriched by Latvian guitarist Ella Zirina and vocalist Zuza
Jasinska, who add additional sonic nuances to the work. A standout moment is
Roever's composition "Kauai'o'o", which musically processes the tragic story of an
extinct bird, powerfully highlighting the importance of conservation.
With 'All The Others', Jakob Bansch delivers a remarkable second album that
demonstrates his artistic growth. It is not only a continuation of his journey but also a
bold step into new musical dimensions - a work that takes its listeners on an
emotionally moving journey.

Stass is the perfect German/Swedish collaboration in the old school death metal scene.

Old school 90’s death metal, where the guitars have a fat sawing sound.

Brutal vocals by Crematory-singer Felix Stass.

Together again with his Swedish buddy master-guitarist Rogga Johansson, and new Dutch bass-player Alwin Roes (Dead End, Stygian Dark), this album brings Stass to the next level!

“New Dead World Order” is the 3th full-album by Stass, after “The Darkside” (2017) and “Songs Of Flesh And Decay” (2021).

For fans of: Carnage, Dismember, Lik, Unleashed, Paganizer, Crematory, Entombed & Entrails.

Stass is the perfect German/Swedish collaboration in the old school death metal scene.

Old school 90’s death metal, where the guitars have a fat sawing sound.

Brutal vocals by Crematory-singer Felix Stass.

Together again with his Swedish buddy master-guitarist Rogga Johansson, and new Dutch bass-player Alwin Roes (Dead End, Stygian Dark), this album brings Stass to the next level!

“New Dead World Order” is the 3th full-album by Stass, after “The Darkside” (2017) and “Songs Of Flesh And Decay” (2021).

For fans of: Carnage, Dismember, Lik, Unleashed, Paganizer, Crematory, Entombed & Entrails.

Stass is the perfect German/Swedish collaboration in the old school death metal scene.

Old school 90’s death metal, where the guitars have a fat sawing sound.

Brutal vocals by Crematory-singer Felix Stass.

Together again with his Swedish buddy master-guitarist Rogga Johansson, and new Dutch bass-player Alwin Roes (Dead End, Stygian Dark), this album brings Stass to the next level!

“New Dead World Order” is the 3th full-album by Stass, after “The Darkside” (2017) and “Songs Of Flesh And Decay” (2021).

For fans of: Carnage, Dismember, Lik, Unleashed, Paganizer, Crematory, Entombed & Entrails.

WHO IS ULTAN O’BRIEN? Ultan O’Brien is a fiddle player and composer from the wilds of County Clare in the West of Ireland. Ultan is a performer as well as a regular at sessions all of Ireland and can be found by chance in any pub in Dublin, Cork or some remote village on the edge of nowhere, flying jigs and reels around the room. Ultan was reared in the rich tradition of Irish music which is so commonly found and heard in Co Clare, but he also delves deep into sound art and experimental music. He has often been heard in the back of a car after a few pints quoting lines from Alvin Lucier or speaking at length about improvisation and its place in modern Irish music. Ultan O’Brien is a fresh and vital player who has much to offer with his unique approach and technique to a tradition so old and ever ready for a subtle change every 100 years or so. Ultan has played and recorded with people and bands such as Skipper’s Alley, Eoghan Ó Ceannabháin, John Francis Flynn, Slow Moving Clouds, Cuar, Laura Jurd, Martin Green, Natalia Beylis, Paul Roe and Nic Gareiss. ‘in its Ultan’s fiddle playing sincerity of tone it reminds me somewhat of those great caoineadh which were played with such elusive grandeur by Denis Murphy and Pádraig O’Keefe’ Adrian Scahill ‘lets the heart brighten and the feet tap’ Richard Hollingum -KlofMag


ABOUT THIS WONDERFUL ALBUM: ‘This album, Dancing the Line, is my first solo album of music played on an alternatively-tune alto fiddle. I found that the resonance and growl of this lower tuned instrument sat me perfectly into the sound-world I wanted to be in, giving vibrancy to my own compositions and nestling into the traditional music I grew up with.’

A lost paradise, a lost innocence, and a lost culture; these are the dominant themes presented in Nicolas Roeg's 1971 masterpiece Walkabout, a survival story of two children lost in the scorched Australian wilderness. Together with other seminal Australian surrealistic outback films, (e.g. Wake In Fright) Walkabout was a film that reshaped the Australian film industry and defined the country's New Wave. On the cusp of the film's 45t h anniversary it is pertinent to observe that for decades the film's original soundtrack has also been considered lost. Composed and conducted by the acclaimed British film composer John Barry, the score is a hallucinogenic mix of exotic romanticism, children's nursery rhyme and potent psychedelic experimentation. For decades, the consensus among soundtrack circles was that the master tapes were officially missing with little chance that the music would ever see a legitimate release, but The Roundtable is pleased to announce that this is no longer the case. The complete soundtrack to one of cinema history's most visually spellbinding films has now finally been re-discovered, sourced from the original stereo master tapes and prepared to the guidelines of the original ill-fated 1970s LP release.


The premiere soundtrack release to Nicolas Roeg's 1971 New Wave Masterpiece.
Lost hallucinogenic orchestral score from acclaimed film composer John Barry.
12-track LP re-mastered from the original stereo master tapes.
180g vinyl and deluxe packaging including archival film stills and original press material.
6 Panel digipack CD.

Brilliant Hard En Geslepen is a one-off project by hip-hop group Osdorp Posse and metal band Nembrionic.

The groups sometimes played together during live performances in the past, but this usually degenerated into complete chaos. After recording two songs as an experiment, the idea arose to record a complete album. The result is a unique combination of metal and Dutch hiphop. Brilliant Hard En Geslepen is now available on vinyl for the first time!

Brilliant Hard En Geslepen is a one-off project by hip-hop group Osdorp Posse and metal band Nembrionic.

The groups sometimes played together during live performances in the past, but this usually degenerated into complete chaos. After recording two songs as an experiment, the idea arose to record a complete album. The result is a unique combination of metal and Dutch hiphop. Brilliant Hard En Geslepen is now available on vinyl for the first time!

Hawksmoor’s new album ‘Oneironautic’ on Soul Jazz Records follows on from last year’s critically acclaimed ‘Telepathic Heights’, as well as a re-release of his album ‘Saturnalia’ on the Library of the Occult label earlier this year.
James McKeown, AKA Hawksmoor, continues his fascination with the sounds and sensibilities of 70s/80s German electronic groups – think early CLUSTER, HARMONIA, CAN, NEU!, HANS-JOACHIM ROEDELIUS and MICHAEL ROTHER.
On this new album ‘Oneironautic’, he successfully combines these pulsating ripples of Germanic electronica with a number of decidedly English references: the soaring, hypnotic and pastoral qualities of BRIAN ENO, circa ‘Another Green World’; the long, sustained lines of ROBERT FRIPP’S FRIPPERTONICS; and the poetic feel of early DURUTTI COLUMN.
McKeown combines all of these elements while also remaining with one foot firmly in the British melodic hauntological modular synth aesthetic of hauntology – Ghost Box, Mount Vernon Arts Lab, Focus Group et al.
Once again using strictly modular synths, electronic drum rhythms, and guitars, Hawksmoor has created an electronic landscaped music world that is both new and old, immediately identifiable and yet utterly unique.

DE MANNEN BROEDERS ist die erste Zusammenarbeit feat. Colin van Eeckhout und der flämischen Folk-Ikone Tonnie 'Broeder' Dieleman aus Zeeuws.
Ersterer ist der Frontmann der belgischen Post-Metaller AMENRA, einer Band, die für ihre überwältigende Härte in Sound und Gefühl bekannt ist.
Letzterer ist ein holländischer Folksänger, dessen Musik von der Kultur seiner seeländischen Heimat inspiriert ist und der bereits mit Baby Dee und
Bonnie Prince Billy zusammengearbeitet hat. Als die beiden sich trafen, spürten sie sofort eine Verbindung.
Das Ergebnis ist das 9-Track-Album Sober Maal (was übersetzt 'nüchternes Mahl' heißt und sich auf die Praxis bezieht, eine einfache Mahlzeit zu
essen, um Dankbarkeit zu üben), das unter dem Namen DE MANNEN BROEDERS veröffentlicht wird. Es wurde in weniger als fünf Tagen in der
Doopsgezinde Kerk aus dem 18. Jahrhundert in Middelburg in den Niederlanden geschrieben und aufgenommen.
Klanglich ist Sober Maal eine eindringliche, emotionsgeladene Reise, die sich in einer vergangenen Welt verwurzelt fühlt, aber dennoch völlig
eigenständig klingt und eine melancholische, aber dennoch hoffnungsvolle Note hat. Der Gesang von Colin und Tonnie verschmilzt mit dem Chor und
einer sparsamen Auswahl an Instrumenten, darunter ein Banjo, ein Klavier, eine Drehleier und die mächtige Zentralorgel - alles vermischt mit den
Klängen und dem Echo der Kirche.

DE MANNEN BROEDERS ist die erste Zusammenarbeit feat. Colin van Eeckhout und der flämischen Folk-Ikone Tonnie 'Broeder' Dieleman aus Zeeuws.
Ersterer ist der Frontmann der belgischen Post-Metaller AMENRA, einer Band, die für ihre überwältigende Härte in Sound und Gefühl bekannt ist.
Letzterer ist ein holländischer Folksänger, dessen Musik von der Kultur seiner seeländischen Heimat inspiriert ist und der bereits mit Baby Dee und
Bonnie Prince Billy zusammengearbeitet hat. Als die beiden sich trafen, spürten sie sofort eine Verbindung.
Das Ergebnis ist das 9-Track-Album Sober Maal (was übersetzt 'nüchternes Mahl' heißt und sich auf die Praxis bezieht, eine einfache Mahlzeit zu
essen, um Dankbarkeit zu üben), das unter dem Namen DE MANNEN BROEDERS veröffentlicht wird. Es wurde in weniger als fünf Tagen in der
Doopsgezinde Kerk aus dem 18. Jahrhundert in Middelburg in den Niederlanden geschrieben und aufgenommen.
Klanglich ist Sober Maal eine eindringliche, emotionsgeladene Reise, die sich in einer vergangenen Welt verwurzelt fühlt, aber dennoch völlig
eigenständig klingt und eine melancholische, aber dennoch hoffnungsvolle Note hat. Der Gesang von Colin und Tonnie verschmilzt mit dem Chor und
einer sparsamen Auswahl an Instrumenten, darunter ein Banjo, ein Klavier, eine Drehleier und die mächtige Zentralorgel - alles vermischt mit den
Klängen und dem Echo der Kirche.

Twelve (plus one hidden bonustrack) irresistible and completely stubborn punk rock gems:
melodic and furious but also idiosyncratic and full of swagger and bravado. Plus the anthem
'Altied Kwoad' with Heideroosjes singer Marco Roelofs.

Twelve (plus one hidden bonustrack) irresistible and completely stubborn punk rock gems:
melodic and furious but also idiosyncratic and full of swagger and bravado. Plus the anthem
'Altied Kwoad' with Heideroosjes singer Marco Roelofs.

ROEL SPANJERS presents: BIRDCATCHER II. With the release of his new solo album
Birdcatcher II, keyboardist/singer Roel Spanjers fulfills a long-awaited promise: the
successor to the obscure masterpiece Birdcatcher (2006).
Pianist and soulful Hammond player Spanjers is a sought-after live and studio (session)
musician in the European rhythm & blues, soul and roots/Americana scene. He toured
with such diverse artists as Luther Allison, Terry Evans, Normal, Frédérique Spigt, JW
Roy, Dayna Kurtz, Curtis Salgado, Smokey Wilson, Roscoe Chenier and many others.
Birdcatcher II will be released in September 2024 by Suburban Records and contains
ten new 'roots noir' songs. Recorded with guitarist/multi-instrumentalist Eric van
Dijsseldonk, drummer/producer Gabriel Peeters and some guests, including soul singer
Malford Milligan from Texas. The album was mastered by Kevin Reeves in Nashville.
Wander through a rich musical landscape that sounds familiar but fortunately leaves a
lot to the imagination. You hear echoes of Bobby Charles, Hi Records Soul from
Memphis, Americana à la The Band and the New Orleans of Allen Toussaint.
Truly an album full of varied songs that are strongly connected musically, thematically
and atmospherically and in which tradition is honored in a fresh and personal way.

ROEL SPANJERS presents: BIRDCATCHER II. With the release of his new solo album
Birdcatcher II, keyboardist/singer Roel Spanjers fulfills a long-awaited promise: the
successor to the obscure masterpiece Birdcatcher (2006).
Pianist and soulful Hammond player Spanjers is a sought-after live and studio (session)
musician in the European rhythm & blues, soul and roots/Americana scene. He toured
with such diverse artists as Luther Allison, Terry Evans, Normal, Frédérique Spigt, JW
Roy, Dayna Kurtz, Curtis Salgado, Smokey Wilson, Roscoe Chenier and many others.
Birdcatcher II will be released in September 2024 by Suburban Records and contains
ten new 'roots noir' songs. Recorded with guitarist/multi-instrumentalist Eric van
Dijsseldonk, drummer/producer Gabriel Peeters and some guests, including soul singer
Malford Milligan from Texas. The album was mastered by Kevin Reeves in Nashville.
Wander through a rich musical landscape that sounds familiar but fortunately leaves a
lot to the imagination. You hear echoes of Bobby Charles, Hi Records Soul from
Memphis, Americana à la The Band and the New Orleans of Allen Toussaint.
Truly an album full of varied songs that are strongly connected musically, thematically
and atmospherically and in which tradition is honored in a fresh and personal way.

2 kraut tinged side long epics, one with a tip of the hat to Cluster | Roedelius & Moebius, the other way more lo-fi, kinda dirtier more Throbbing Gristle, Sheffield electronic scene etc....