Bloodshot celebrates the 10th anniversary of No-Hit Wonder with this Barrel Select edition!
Barrel Select exists to highlight the best of Bloodshot’s cask-strength catalog and there’s no doubt that the No-Hit Wonder sits proudly on the top shelf.
“Your favorite songwriter’s favorite songwriter” according to Vice Magazine, Cory Branan, with songs covered by Frank Turner and Dashboard Confessional and a circle of friends and collaborators that includes Jason Isbell and the Hold Steady’s Craig Finn (who also grace this album’s credits as guest vocalists).
When it came out in 2014, all the people whose taste are worth a damn were raving about it, with Rolling Stone putting it on their list of that year’s best country albums.
With ten more years of aging, it’s only gotten better. It hasn’t mellowed, but it makes more sense now that the country mainstream has started to catch up to the level of outlaw cowpunk soul Cory was packing.
Our Branan-approved, Barrel Select edition stamps the sound onto Bloodshot Red vinyl and includes a full-size reproduction of the album’s 2014 promo poster with full lyrics and a new note from Cory on its backside.
Drink it in. It packs a punch.
Featuring appearances from Jason Isbell, Caitlin Rose, Craig Finn, and Tim Easton
10th Anniversary Barrel Select edition on Bloodshot Red vinyl
Includes a reproduction of the original promo poster, full lyrics
“Cory Branan is your favorite songwriter’s favorite songwriter” —Chicago Tribune
“He radiates talent” —Vice
“If you’re gazing slunk shouldered at your Jason Isbell and Sturgill Simpson records as so loved that you’re tired of listening to them, The No-Hit Wonder may just be the project to point your nose toward next. . . This is old school country rock at its finest” —Saving Country Music-
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I Want Blood is the new solo album from Alice In Chains guitarist and vocalist Jerry Cantrell. Co-produced by Joe Barresi (Tool, Queens of the Stone Age), the album has an energy that rivals any of Cantrell’s previous work – powerful, nuanced, and electric. It features Duff McKagan (GUNS N' ROSES), Robert Trujillo (METALLICA), Gil Sharone (TEAM SLEEP, STOLEN BABIES), Mike Bordin (FAITH NO MORE) and backing vocals from Lola Colette and Greg Puciato (BETTER LOVERS, ex-THE DILLINGER ESCAPE PLAN). Available on CD, LP
Matt Filippini is an Italian guitar player, rock songwriter and producer. After working with some local bands, he started to take it seriously when in 2001 he started to play some gigs in Italy during a masterclass tour of the legendary drummer Ian Paice (Deep Purple founder and current member since 1968 but also with Paul McCartney, Gary Moore and Whitesnake). One year later, in 2003, after writing a bunch of rocking songs and recording a demo in his home studio, Matt gave a cd with the tracks to listen to Mr. Paice who liked the stuff and agreed to record the drum tracks for the songs. So after Ian Paice recorded three of the tracks, Matt asked Glenn Hughes (Deep Purple, Black Sabbath, ...) to record vocals for two of the songs. Those became Rose In Hell and Where Do You Hide The Blues You've Got, two of the most appreciated songs from the first Matt's studio album, MOONSTONE PROJECT Time To Take A stand, released April 2006 on Majestic Rock Records. The album features other rock and roll gods like Carmine Appice, Steve Walsh of Kansas, Eric Bloom of Blue Oyster Cult, Graham Bonnet of Rainbow and many more! The album, produced and written by Filippini himself, has been acclaimed by the music press with some great reviews and adored by thousands of classic rock fans from all over the World. In 2010 Matt toured Spain and Italy with Carmine Appice., in September 2010 Matt he played a festival in Sardinia along with Roger Glover (Deep Purple), Bobby Kimball and Steve Lukather of Toto and Vinny Appice (Black Sabbath and Ronnie Dio).In 2011, Through the next few years he played with Deep Purple, Doogie White (Rainbow and Malmsteen) and Neil Murray (Whitesnake and brian May Band), as well as several gigs with Hughes and Paice. He has certainly been active these last few years! the Moonstone Project title “New Life” the full album has been completely remixed and remastered by Fredrik Folkare, featuring on the album the Rock legends Glenn Hughes, Graham Bonnet, Eric Bloom, James Christian, Andrew Freeman, Ian Paice, Ken Hensley, Carmine Appice etc.
Caroline Says' haunting new album, The Lucky One, is a poignant exploration of how the ghosts of past relationships linger, sometimes holding more sway over our hearts and minds than our current connections. We revisit these ghosts through evocative landscapes of our memories - hometown bars, road trips, and late-night swims. Through a series of fractured and persistent memories these songs capture the bittersweet realization that the past, though imperfect, can sometimes be a more comforting and meaningful companion than the present. Opening track, "The Lucky One," confronts death's role in shaping our memories head-on, as it ponders the way death freezes a person in time, forcing us to confront the complexities of grief and its lasting impact on our relationship with the one we lost. Other tracks delve into the complexities of relationships that naturally grow apart as life takes us in different directions. For example, "Faded and Golden" reflects on the bittersweet nature of reunions with old friends, where the idealized memories of youth can clash with the realities of the present. Then, "Actors" takes this a step further, acknowledging the influence of perception and desire in friendships, and the idea that in many ways "all friendships are imaginary friendships," as it confronts the disappointment of inauthentic connections, and the facades we sometimes put on in relationships. "Roses" began when Caroline was looking through her grandma's collection of commemorative Kentucky Derby glasses, each one etched with the name of a winner. The song delves into the story of "Sunday Silence," the horse that won the year Caroline was born. Researching the horse's journey from near-Triple Crown glory to retirement in Japan sparked a metaphor - a pressured being (the horse) desperately trying to please but ultimately disappointing. The owners eventually selling the horse becomes a relatable symbol of unmet expectations, and the sting of falling short despite our best efforts. Album closer, "Something Good," revisits Caroline's Alabama childhood. Lost on a recent trip to Birmingham, unable to find the familiar path to a riverside hangout, the experience becomes a powerful metaphor; we can't always retrace the paths in our memories, but those memories, however unreliable, continue to shape us. In the end, The Lucky One celebrates this enduring power, acknowledging how past relationships and experiences, even those lost to the haze of time, continue to inform the stories we tell ourselves, and the way we navigate the present.
- A1: Oasis - Live Forever
- A2: Manic Street Preachers - A Design For Life
- A3: Ash - Goldfinger
- A4: Ocean Colour Scene - The Day We Caught The Train
- A5: The La's - There She Goes
- A6: The Boo Radleys - Wake Up Boo!
- A7: Supergrass - Alright
- A8: Sleeper - Sale Of The Century
- B1: New Order - Regret
- B2: Mcalmont & Butter - Yes
- B3: Suede - Beautiful Ones
- B4: The Cure - High
- B5: The Cardigans - Erase/Rewind
- B6: Babybird - You're Gorgeous
- B7: The Bluetones - Slight Return
- B8: Stereophonics - Local Boy In The Photograph
- C1: The Clash - Should I Stay Or Should I Go
- C2: Iggy Pop - Lust For Life
- C3: Kula Shaker - Hey Dude
- C4: Paul Weller - Peacock Suit
- C5: Happy Mondays - Step On
- C6: The Soup Dragons - I'm Free
- C7: The Lightning Seeds - The Life Of Riley
- C8: The Fram - All Together Now
- D1: The Stone Roses - Fools Gold
- D2: Primal Scream - Rocks
- D3: Leftfield - Release The Pressure
- D4: The Chemical Brothers - Setting Sun
- D5: Faithless - God Is A Dj
- D6: Electronic - Getting Away With It
- D7: The Wannadies - You & Me Song
- D8: Chumbawamba - Tubthumping
"Loaded – The Collection highlights a stellar selection of 32 tracks from the genres that defined the 90s alternative music across a 2LP.
A monumental music and cultural movement celebrated in this album includes ‘Britpop’, demonstrated in songs featuring the amazing artists Oasis, Suede, The Stone Roses, The La’s and Supergrass. Defining 90s Indie rock and pop is featured on this album from bands including Stereophonics, The Boo Radleys, New Order, The Wannadies, Sleeper, The Cardigans, Ocean Colour Scene and many more. Plus, we celebrate the electronic/club scene of the 90s, showcased by dance hits from The Chemical Brothers, Faithless, Primal Scream, Happy Mondays and Leftfield. For your nostalgic trip through the alternative 90s music scene… we are proud to present Loaded.
Loaded – The Alternative Album is the must have 3CD that combines 62 tracks from multiple music genres that defined the alternative music of the 90s.
"
- A1: . 81Summer
- A2: . Climbed Mountain
- A3: . One Dream
- B1: . Nightwood
- B2: . Waltz For Life Will Born
- B3: . Ribbon In The Sea
- C1: . Port51(Interlude)
- C2: . Carbon Rose
- C3: . Vision Eyes Featuring Golden Boy
- C4: . Fly Love Song Featuring Pase Rock
- D1: . Last Transit(Interlude)
- D2: . Stratus
- D3: . Walk In The Sunset
- D4: . Color Of Jade
Uyama Hiroto, one of the most important artists behind Nujabes works, released his debut album 'a son of the sun' on 2LP after 12 years.
Uyama Hiroto provided "Letter From Yokosuka" for Nujabes "metaphorical music" released in 2003 and was featured on the title track of "modal soul" released in 2005.
A son of the sun" was released in 2008 and continues to fascinate many listeners to this day.
Das Vorgänger-Album Sweet Poison (2022) kletterte bis auf Platz 13 der deutschen Albumcharts, und mit Nothing But Wild (2019) erreichte die Band
die Top 10 in Deutschland. Bereits früh in ihrer Karriere konnten THE NEW ROSES für internationale Aufmerksamkeit sorgen, als ihr Song „Without a
Trace“ in der Kult-US-Serie Sons of Anarchy zu hören war. Im Laufe der Jahre haben sie sich als feste und beim Publikum beliebte Größe im
internationalen Rockradiosender etabliert, aber ihre unzähmbare Rock’n’Roll-Energie ist am besten live zu erleben. Sie waren nicht nur die erste
deutsche Band, die 2018 und 2019 auf der KISS Kruise auftrat, sondern auch Support bei den Deutschland Shows der Rock-Ikonen. Außerdem teilten
sie sich bereits mit weiteren beeindruckenden Genregrößen die Bühne, wie den legendären Aerosmith, Foreigner und den deutschen Hard
Rock-Urgesteinen Scorpions.
Im Jahr 2023 begrüßten sie den Gitarristen Norman Bites zurück in ihren Reihen und als Quintett vereint sind THE NEW ROSES zweifellos auf direktem
Weg an die Spitze des Hard Rock!
See You At The Maypole, the sixth full-length album in Half Waif"s prolific catalog, is a recognition of personal sadness, and a call to ecstatic togetherness. It"s gathering the colors of our spirit, in all its shades, and making something intricate and remarkable. The ceremonial folk dance performed around a maypole is filled with fauna and flora, with ribbons woven into complex braids incapable of unraveling; these dances are survivals of ancient ritual, honoring the living trees, and the return of Spring and fertility. These patterns -- this dance -- cannot be completed alone, and so, Half Waif welcomes others to join her, a collective of bleeding color. "We are so much stronger for the colorful experiences we go through," she says. "That"s where we find our humanity and find each other." While the seclusion of grief feels infinite, Rose brought the songs to her trusted friend and longtime collaborator of the past decade, Zubin Hensler. The pair worked away from others for Mythopoetics, carefully crafting each note and flourish themselves but something else was needed for See You At The Maypole. To that end, Hensler and Rose welcomed a wealth of players and friends into the world of the record: Jason Burger and Zack Levine on drums and percussion; Josh Marre (Blue Ranger) on guitar; Hannah Epperson and Elena Moon Park on violin; Kristina Teuschler on clarinet; Willem de Koch on trombone; Rebecca El-Saleh on harp; and Spencer Zahn on upright bass. Andrew Sarlo (Big Thief, Bon Iver) lent his deft mixing skills to many of the tracks, including lead single "Figurine." "This wasn"t just my story, I wanted to say. It was every story of loss-the loss of a life, the loss of a dream, the loss of trust and hope and faith. A story of finding a way back again," Rose explains. "My own avenue back to the land of the living was through my relationships with people and with the natural world. It only seemed right that these songs would invite those people in to build the very heart of the sound."
- Live At Harvard Square Theater
- Cambridge, Ma, November 20, 1975
- Recording Supervised By Don Devito; Mixed By Sean Brennan
- 1: Introduction – Bob Neuwirth
- 2: Edith And The Kingpin
- 3: Don’t Interrupt The Sorrow
- Live At Music Hall
- Boston, Ma, November 21, 1975
- Recording Supervised By Don Devito; Mixed By Patrick Milligan
- 4: Introduction – Bob Neuwirth
- 5: Harry’s House
- Live In Bangor
- Bangor, Me, November 27, 1975
- Recorded By L.a. Johnson & Petur Hliddal
- 6: A Case Of You
- Live At Montreal Forum
- Montreal, Qc, Canada, December 4, 1975
- Recording Supervised By Don Devito; Mixed By Sean Brennan
- 1: Intro To Coyote
- 2: Coyote
- 1976: Tour Of The United States
- Recorded By Stanley Johnston From Pa Mixes By Brian Jonathan
- (Courtesy Of The Estate Of Stanley Tajima Johnston)
- Live At Music Hall
- Boston, Ma, February 19, 1976
- 3: Free Man In Paris
- 4: Shades Of Scarlett Conquering
- Live At Nassau Coliseum
- Uniondale, Ny, February 20, 1976
- 5: For Free
- Side Three
- Live At Music Hall
- Boston, Ma, February 19, 1976
- 1: Shadows And Light
- 2: In France They Kiss On Main Street
- 3: Intro To Furry Sings The Blues
- 4: Furry Sings The Blues
- Hejira Demos
- A&M Studios, Hollywood, Ca, March 1976
- Recorded By Henry Lewy; Mixed By Patrick Milligan
- 5: Traveling (Hejira)
- 1: Black Crow
- 2: Amelia
- Rolling Thunder Revue
- Tarrant County Convention Center, Fort Worth, Tx, May 16, 1976
- Recording Supervised By Don Devito; Engineered By
- Don Meehan; Mixed By Patrick Milligan
- 3: Intro To Song For Sharon
- 4: Song For Sharon
- Hejira Sessions
- A&M Studios, Hollywood, Ca, Summer 1976
- Recorded & Mixed By Henry Lewy
- 1: Refuge Of The Roads (Early Mix With Horns)
- 2: Don Juan’s Reckless Daughter (Early Rough Mix)
- Don Juan’s Reckless Daughter Sessions
- A&M Studios, Hollywood, Ca
- Recorded & Mixed By Henry Lewy
- 3: Otis And Marlena (Early Rough Mix)
- Mingus Sessions
- Electric Lady Studios, New York, Ny
- Recorded & Mixed By Henry Lewy & Jerry Solomon
- 4: Sweet Sucker Dance (Vocals & Drums Version – Take 5)
- Live At Bread & Roses Festival
- Greek Theatre, Berkeley, Ca, September 2 & 3, 1978
- Recorded & Mixed By Henry Lewy
- 1: Introduction
- 2: The Dry Cleaner From Des Moines
- 3: Intro To Goodbye Pork Pie Hat
- 4: Goodbye Pork Pie Hat
- 5: Intro To The Wolf That Lives In Lindsey
- 6: The Wolf That Lives In Lindsey
- Mingus Early Alternate Version
- Electric Lady Studios, New York, Ny And A&M Studios
- Hollywood, Ca, 1978 & 1979
- Recorded & Mixed By Henry Lewy & Jerry Solomon
- 15: God Must Be A Boogie Man
- 1: Sue And The Holy River
- 1979: Tour Rehearsals
- Sir Rehearsal Studios, Los Angeles, Ca
- Recorded By Joel Bernstein
- 2: Jericho
- 3: Help Me
- 1979: Tour Of The United States
- Live At Forest Hills Tennis Stadium
- Queens, Ny, August 25, 1979
- Recorded By Joel Bernstein From Pa Mix By Ed Wynne
- 4: Big Yellow Taxi
- 5: Just Like This Train
- 6: Raised On Robbery
- 1: The Last Time I Saw Richard
- Live At Greek Theatre
- Los Angeles, Ca, September 13, 1979
- Recorded By Andy Johns & Henry Lewy; Mixed By Patrick Milligan
- 2: Intro To A Chair In The Sky
- 3: A Chair In The Sky
Features Unreleased Studio Sessions, Alternate Versions, Live Recordings, Rarities, And 36-Page Book With New Photos & An Extensive Conversation Between Joni & Cameron Crowe
Sourced From Original Stereo Reels, Nagra Film Recordings, Multi-track Tapes, Radio Airchecks & Cassette Tapes
Throughout the latter half of the seventies, Joni continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other. Ascending to an unrivaled sonic peak, this innovative sound took shape across the gold-certified HEJIRA 1976, the gold-certified double-LP DON JUAN’S RECKLESS DAUGHTER [1977], her collaboration with Charles Mingus entitled MINGUS [1979], and live album SHADOWS AND LIGHT [1980]. Channeling the thrill and excitement of these records, she delves even further into this season on JONI MITCHELL ARCHIVES, VOL. 4: THE ASYLUM YEARS (1976-1980), due October 4th.
Available as a 6CD, 4LP (featuring Joni's personal favorites from the 6CD set), and digitally, this comprehensive and essential set spans one of the most prolific periods of her storied career. It boasts powerful live tracks from her time in Bob Dylan’s Rolling Thunder Revue during 1975 and 1976 Tour of the United States. It pulls back the curtain on the music by showcasing early recordings and alternate takes from the respective sessions for HEJIRA, DON JUAN’S RECKLESS DAUGHTER, and MINGUS. It covers the Bread & Roses Festival as well as the Anti-Nuclear Rally. Finally, VOL. 4 chronicles her 1979 tour, even showcasing two tracks from that year’s Tour Rehearsals. Not to mention, it showcases her versatility and adaptability, housing collaborations with everyone from Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.
Vol. 4 culls the previously-unissued material from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Newly mixed tracks came from multi-track tapes, while a handful of hi-res digital tracks have been sourced from the Bob Dylan Archives.
Each version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from that five-year creative run.
- Herbert Von Karajan/Philharmonia Orchestra Of London
- Herbert Von Karajan/Philharmonia Orchestra Of London
- Herbert Von Karajan/Philharmonia Orchestra Of London
- Fritz Reiner / Chicago Symphony Orchestra - Wiener Blut
- Fritz Reiner / Chicago Symphony Orchestra - Rosen Aus D
- Herbert Von Karajan/Philharmonia Orchestra Of London
Guitarist Django Reinhardt and violinist Stephane Grappelli hold unique places in the history of jazz music. As the mainstays of the Quintet of the Hot Club of France, they are the first European musicians to directly influence what was until their heyday, a totally American-based genre. The pair could hardly have been more different, yet it was this contrast that apparently fired up their partnership. Even though they collaborated with many famous figures, their work with the Quintet of the Hot Club of France
remains the most celebrated of their careers. Celebrate their collaboration with eighteen specially selected pieces, which includes works penned by the pair; Swing Guitars, Djangology, My Sweet, Daphne, Swing '39, Nocturne, Hungaria, H.C.Q. Strut and Swing From Paris
American singer, songwriter and guitarist Boz Scaggs rose to fame in the 1970s with several top 20 hit singles in the United States. In 1976, he teamed up with a group of session musicians who would later form Toto and recorded his seventh album, Silk Degrees, which became a huge hit. The album reached #2 on the US Billboard 200, #1 in a number of countries around the world, and spawned three hit singles: “Lowdown,” “Lido Shuffle,” and “What Can I Say,” as well as the MOR standard “We’re All Alone,” which was later recorded by Rita Coolidge and Frankie Valli.
Silk Degrees is available as a limited edition of 750 copies on translucent blue coloured vinyl and includes an insert.
- A1: Queen - Somebody To Love
- A2: Billy Joel - Movin' Out (Anthony's Song) (Anthony's Song)
- A3: Little River Band - Help Is On Its Way
- A4: Blondie - Atomic
- A5: 10Cc - Dreadlock Holiday
- A6: The Allman Brothers Band - Ramblin' Man
- B1: Paul Mccartney & Wings - Mrs Vandebilt
- B2: Lou Reed - Vicious
- B3: Ike & Tina Turner - Workin' Together
- B4: Thin Lizzy - Dancing In The Moonlight (It's Caught Me In Its Spotlight)
- B5: Free - Wishing Well
- B6: Grace Jones - La Vie En Rose
- B7: Bachman-Turner Overdrive - You Ain't Seen Nothing Yet
- C1: The Moody Blues - Question
- C2: Rodriguez - Sugar Man
- C3: Patti Smith Group - Dancing Barefoot
- C4: Roxy Music - Dance Away
- C5: Mcguinn, Clark & Hillman - Don't You Write Her Off
- C6: Elkie Brooks - Pearl's A Singer
- C7: Rush - Closer To The Heart
- D1: Three Dog Night - Mama Told Me (Not To Come) (Not To Come)
- D2: Gerry Rafferty - Right Down The Line
- D3: Dobie Gray - Drift Away
- D4: Minnie Riperton - Les Fleurs
- D7: Leon Russell - A Song For You
- D5: The Brothers Johnson - Strawberry Letter 23
- D6: Big Star - Thirteen
Vol.1[39,87 €]
The Decades Collected compilations are part of the Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest names of each decade, combined with forgotten hits and less discovered gems, giving the listener an experience of listening to their favourite tunes while uncovering new musical grounds at the same time.
Leif Vollebekk ist ein Philosophiestudent, der sich zum Troubadour entwickelt hat. Auf dem treffend benannten Album "Revelation" verbindet er Carl Jungs I Ging-Gedanken, Wittgensteins Liebe zur Sprache und die lyrische Poesie von Bob Dylan. Die 11 Tracks, darunter zwei orchestriert-cineastische Versatzstücke, erinnern an die erzählerischen Skills seiner Landsleute Leonard Cohen und Gordon Lightfoot, an den kristallinen Sound der Eagles und den üppigen Pop von Nick Drake und Scott Walker. Das vollendete Werk, organisch, erdig und handgemacht, verwebt Naturthemen zu einer Meditation über das Leben in einer sich ständig verändernden Gegenwart, durchzogen von existenziellen Zweifeln und der Suche nach einer höheren Macht.




















