Suche:the new roses

Das Vorgänger-Album Sweet Poison (2022) kletterte bis auf Platz 13 der deutschen Albumcharts, und mit Nothing But Wild (2019) erreichte die Band
die Top 10 in Deutschland. Bereits früh in ihrer Karriere konnten THE NEW ROSES für internationale Aufmerksamkeit sorgen, als ihr Song „Without a
Trace“ in der Kult-US-Serie Sons of Anarchy zu hören war. Im Laufe der Jahre haben sie sich als feste und beim Publikum beliebte Größe im
internationalen Rockradiosender etabliert, aber ihre unzähmbare Rock’n’Roll-Energie ist am besten live zu erleben. Sie waren nicht nur die erste
deutsche Band, die 2018 und 2019 auf der KISS Kruise auftrat, sondern auch Support bei den Deutschland Shows der Rock-Ikonen. Außerdem teilten
sie sich bereits mit weiteren beeindruckenden Genregrößen die Bühne, wie den legendären Aerosmith, Foreigner und den deutschen Hard
Rock-Urgesteinen Scorpions.
Im Jahr 2023 begrüßten sie den Gitarristen Norman Bites zurück in ihren Reihen und als Quintett vereint sind THE NEW ROSES zweifellos auf direktem
Weg an die Spitze des Hard Rock!

"Fasten your seat belts - THE NEW ROSES are back! After touring with world famous artists like Scorpions, Saxon, Accept and Tremonti, the quartet around Timmy Rough will release their fifth studio album, entitled Sweet Poison, via Napalm Records on October 21, 2022. Musically, the band delivers stadium rock that would make the likes of Bon Jovi proud! With their most recent previous release, Nothing But Wild, the band entered the top 10 of the German album charts, but the band isn’t letting off the gas yet. Bevor they will embark on an extensive headliner tour in autumn, they will support none other than the legendary Judas Priest in June, Foreigner and rock icons KISS on their way to the top of rock! Their newest offering, Sweet Poison, starts off with the brilliant, guitar-driven anthem “My Kinda Crazy” providing a taste of what’s to come before blasting into authentic rock-meets-Americana tracks like “Playing With Fire” and “Sweet Gloria”. Massive track and album highlight “Warpaint” stages the band’s raw power with blazing guitar riffs and powerful drumming, while “The Usual Suspects” and “1st Time For Everything” convince as smooth sing-along hymns with catchy hooks. Tracks like “Dead Of Night” emerge with gloomy power, building atop a distinct melody and leading into a strong anthemic chorus, while THE NEW ROSES offer their softer side with songs such as “All I Ever Needed” – a mighty mid-tempo rock ballad showcasing the band’s vulnerability while reviving emotionality alike some of Guns N’ Roses most touching ballads. Frontman Timmy Rough passionately serves the full range of his voice on the track, also impressively evident on lyrically tender acoustic offering “True Love”. Sweet Poison is an outstanding rock album providing hit after hit and anthem after anthem, taking 80s retro rock to an extraordinary new level. Brace yourself as THE NEW ROSES shift into high gear, taking you on a ride towards the horizon of stadium rock!!

LP Kraft Sleeve, Liner Notes Poster Inlay, Sticker Jun Fukamachi's 1986 never-officially-released highly sought after rarity NICOLE LP available for the first time ever on vinyl and CD, and made in cooperation with the artist's estate. All new liner notes by Masaharu Yoshioka aka The Soul Searcher.

WRWTFWW Records is proud to announce the release of Jun Fukamachi's highly coveted Nicole (86 Spring And Summer Collection - Instrumental Images) album, originally recorded in 1986 for celebrated fashion designer Mitsuhiro Matsuda's Nicole clothing brand and never officially available before. Only ever distributed as a limited promotional item offered to attendees and participants of the 1986 fashion show for the Nicole brand's Spring and Summer collection, Fukamachi's moody magnum opus has become a sort of Holy Grail for fans of Japanese ambient, jazz, and synth music alike...and rightly so! Meticulously conceived, smooth and subtle, Nicole sounds like it came from an ethereal land where Erik Satie and Art of Noise lived together, a sublimely cinematic listening experience perhaps best described by renowned Japanese music writer Masaharu Yoshioka aka The Soul Searcher: If you are driving down the Autobahn at 160 km/h, or even 80 km/h, and Jun's music starts playing on the car stereo, the windshield will instantly turn into your own personal silver screen. Nicole is available in two versions: a vinyl LP cut at Emil Berliner Studios, housed in a kraft sleeve similar to the original promo-only release, and a kraft digipak CD version. Both versions were made in cooperation of the artists's estate and come with new liner notes by Masaharu Yoshioka.

Never before heard tunes from the heart of Manchester circa 1989. The lost demos of the band that was Joanna, recorded at iconic Strawberry and Pentagon Studios were discovered in a Manchester apartment loft after 35 years on the shelf. For fans of The Stone Roses, Happy Mondays and Charlatans. With the release of Hello Flower, Joanna is no longer “the most popular band without a record out,” as NME called them in 1990, but their singular spirit is now available for anyone who wants a taste.

Ein Album mit dem Titel ,Roses" würde sich mit romantischen Gesten befassen. In den zehn Titeln, aus denen sich das siebte und neueste Widowspeak-Album zusammensetzt, werden intime Räume und Phasen der Liebe durch eine nostalgische, mit Vaseline überzogene Linse eingefangen. Kerzen brennen in rotem Glas, während sich Liebende in einer Lederbank näherkommen. Porträts von Prominenten blicken wie Engel in einem Restaurant herab. An anderer Stelle sind Nelken in ein schwarzes Buch gepresst, und Tänzer ziehen sich gegenseitig an sich. Widowspeak ist eine Band, die große Emotionen thematisiert, ohne sich selbst allzu ernst zu nehmen. Die Süße, ja sogar Albernheit einer ausgedehnten Verliebtheitsphase, die so alles verzehrend wird wie ein kitschiger Taschenbuchroman. Autos und ihre Fahrer dienen als Mittel, um über gegenseitige Abhängigkeit zu sprechen. Wenn Musik gleichzeitig naturalistisch und noir, gesättigt und üppig sein kann, dann ist das Widowspeak. Sie sind eine Band, die es versteht, eine Szene zu inszenieren. Diese Songs nutzen intime Momente, um über tiefere Herzschmerzen zu sprechen: die der modernen Existenz innewohnende Unruhe, das Herumwarten darauf, dass etwas geschieht. Oder das Gefühl, im Widerspruch dazu zu stehen, eine Rolle im eigenen Leben zu spielen. ,Roses" mag das romantischste Widowspeak-Album sein, aber es ist auch das zutiefst realistischste: Die Bühne wird nicht mit dramatischen Ouvertüren bereitet, sondern vor dem Hintergrund der Kleinigkeiten und Wiederholungen alltäglicher Handlungen. Kleine Beobachtungen vor, während und nach der Arbeit: das Ritual, Kunden Wasser einzuschenken, sich an seinem freien Tag eine Erkältung einzufangen. Davon zu träumen, im Lotto zu gewinnen, oder vielleicht zu erkennen, dass man bereits gewonnen hat. Hier ist Liebe ein Mittel, um darüber zu sprechen, was uns antreibt, und Widowspeak suggerieren, dass sie der eigentliche Sinn sein kann. Das Licht, das die dunklen Ecken eines Tages, eines Lebens erhellt. Ein Grund, weiterzumachen, trotz des Schmerzes, den es verursachen kann. Widowspeak sind eine der produktivsten und fleißigsten Bands der Szene, die knapp unter der Oberfläche brodeln. Molly Hamilton und Robert Earl Thomas bilden den Kern der Gruppe und sind ihre Songwriter; sie haben ihren Sound über sechzehn Jahre hinweg und mit einem beeindruckend konsistenten Werk verfeinert. Als eine von vielen Bands, die in der fruchtbaren New Yorker Musikszene entstanden sind, begannen sie damit, ihre Ausrüstung zwischen mittlerweile geschlossenen Veranstaltungsorten und ihrem Proberaum im Monster Island Basement hin- und herzuschleppen. Widowspeak ist heute ein Ehepaar, das in der eigenen ,Nebensaison" Tagesjobs ausübt. Robert ist Tischler, Molly Kellnerin. ,Roses" ist Widowspeak in Bestform und schöpft aus zeitlosen Einflüssen. Die Magie der Band liegt nach wie vor im Zusammenspiel zwischen Molly und Robert in ihren beiden Hauptrollen: ihrer trägen, facettenreichen Stimme und seinem instinktiven Gitarrenspiel. Im Kern ist ihre Musik etwas Besonderes, weil sie echt ist: vor allem für die Menschen, die sie machen. Zerbrechlich und vergänglich, und doch lohnend, wie die Liebe selbst.

Cory Wong's eagerly awaited new studio album, Lost In The Wonder! The collection spotlights Wong's remarkable gifts as a producer, writer, arranger, band leader, and master of modern pop craftsmanship, while of course never losing sight of his trademark guitar virtuosity. Lost In The Wonder further affirms Wong's enduring love of musical collaboration, boasting a truly eclectic range of guest artists that includes Taylor Hanson, Devon Gilfillian, Stephen Day, Cody Fry, Yam Haus, Louis Cato, Ellis, Elysia Biro, Benny Sings, Theo Katzman, and Magic City Hippies.

Hip-Hop-Legende Ghostface Killah liefert mit seinem neuen Album "Set The Tone" eine Mischung aus Tracks, die sowohl das männliche als auch das
weibliche Publikum ansprechen: Eine Mischung aus knallhartem New Yorker Rap und melodischen, entspannten Tracks.
Ghostface hat außerdem mit Hip-Hop-Schwergewichten wie Nas, Kanye West, Ja Rule und vielen anderen zusammengearbeitet.

The iconic Hôtel Costes music collection, a veritable benchmark of Parisian luxury and refinement, continues to captivate lovers of sophisticated sounds. Famous for its unique blends of warm vocals, funk, jazzy and pop grooves, fusing electronic sounds and acoustic instruments, this series is a must for connoisseurs of refined music.



This ninth volume, orchestrated by the talented Stéphane Pompougnac, offers light electro soul and racy house, perfect for livening up the most elegant evenings and keeping the most reluctant dancing until the wee hours. The Hôtel Costes series has revealed exceptional talents such as Pink Martini, Flight Facilities, General Elektriks, Angus & Julia Stone and Brigitte, while mixing hidden nuggets with masters such as Gotan Project, Femi Kuti, Trentemøller, Thievery Corporation, Shirley Bassey and Grace Jones.



With over 5 million copies sold worldwide, following the resounding success of the reissue of the first six volumes, this ninth opus is finally available for the first time on vinyl. A true gem that will delight long-time fans and appeal to a new generation of listeners worldwide.

CUPULA006 is a landmark release that introduces a new boy band formed by Vince Void, Pau Rosés, and Adria.

Side A takes you deep into the realms of progressive house, featuring tribal grooves and lush textures created using rare analog machines from the 1990s. The warm, intricate production invokes nostalgic feelings.

On Side B, the trio shifts gears into a striking fusion of EBM and synth pop, offering pulsing rhythms, electrifying synths, and irresistible melodies.
This dynamic contrast between the two sides creates a story told through sound, forging a deep connection with emotions.

Aphrose reveals her sophomore album, 'Roses,' a captivating amalgamation of Neo-Soul and R&B, delving into the wellspring of ancestral strength and love.

Hailing from Toronto, Canada, Aphrose, also known as Joanna Mohammed, unveils her sophomore album, establishing her as one of Toronto's best-kept musical treasures. Known for her commanding vocal prowess within her hometown, this gifted songwriter and vocalist is rapidly garnering global acclaim and accolades from both fans and music critics alike. Signed to independent Soul label LRK Records, 'Roses' remains firmly rooted in Aphrose's signature style characterized by resounding R&B vocals. However, it also embraces a softer, more introspective aura that brilliantly showcases her remarkable versatility in navigating diverse genres, moods, and musical approaches with remarkable finesse.

This album offers a little something for everyone, catering to enthusiasts of Neo-soul, traditional Soul, Hip Hop, and R&B. Produced by her longtime friends/collaborators at SafeSpaceship Music (Scott McCannell, Chino De Villa, Ben Macdonald), the album serves as a compelling testament to the collective creativity of Aphrose and this exceptional production trio, delivering a kaleidoscope of soundscapes, textures, rhythms, and grooves. 'Roses' weaves together both lighthearted and profound elements as Aphrose explores her life journey, delving into her familial past and present, grappling with the challenges of new motherhood, and contemplating her relationships with herself, her partner, and her friends. Across the 35-minute LP, Aphrose draws inspiration from Neo-soul icons like Jill Scott and Erykah Badu, pays homage to Soul legends such as Aretha Franklin and MJ, and infuses contemporary R&B influences from artists like Frank Ocean, SiR, and SZA. The result is a sound that distinctly bears the 'Aphrose sound,' reflecting her deep admiration for her inspirations while imparting a refreshing twist to familiar genres.

The album commences with its title track, 'Roses,' which was released as a single on August 25th. This song sets the stage, invoking the strength of Aphrose's ancestors, particularly her late Grandmother Rose. Following suit is 'YaYa,' also released as a single on July 7th. This buoyant dance track whisks listeners back to the disco era of the late 70s and early 80s. The album's third track, 'Heavenly Father,' offers a brief interlude featuring a recording of Aphrose's Grandmother Rose engaged in prayer, setting the tone for the subsequent track, 'In The Time Of Sorrow.' This contemplative, chill piece captures Aphrose's musings on navigating a world often shrouded in fakery, while craving authenticity. 'Honey (Don't) Come Back' seamlessly transitions between two distinct musical personalities, commencing with a deep, almost Trap-like bass/drum beat before transforming into a spirited Funk/Soul jam—an anthem of empowerment encouraging the listener to leave a situationship that is no longer working. 'What You Don't See' strips the production down to its core, as Aphrose and guitarist/co-writer Heather Crawford craft an intimate ode to a friendship's sad ending.

The B-side opens with the evocative 'Weapons,' featuring a five-person choir including LRK label-mate Claire Davis, Nevon Sinclair (Daniel Caesar and LOONY), Kyla Charter (Aysanabee and Alessia Cara), Lydia Persaud, and Marla Walters. The track is adorned with a stirring string arrangement courtesy of Jessica Deutsch. 'Chop The Cake' acts as a breather, interlude-style, easing the intensity. 'Soft Nuclear' channels the spirit of the early 2000s R&B movement, bearing traces of influence from Lucy Pearl. 'Good Love,' released as the first single off this body of work on May 19th, transports listeners to the 70s with its soulful resonance, drawing inspiration from the likes of Michael Jackson and Teddy Pendergrass. 'Higher' stands as Aphrose's tribute to Prince, capturing the essence of his music within its hook and production. The album's culmination arrives with 'ZAG,' an acronym derived from Aphrose's daughter's name, commencing with the sound of her daughter's heartbeat in-utero from a sonogram taken when Aphrose was pregnant. This heartfelt composition serves as a dedication to her daughter and all parents navigating the rollercoaster of parenthood, emphasizing the imperative of nurturing love to shape the future.

'Roses' stands as Aphrose's homage to her history—her Grandma Rose and the ancestral trailblazers who paved her path to the present life she enjoys; her current experiences—her self-discovery, her relationships with her partner and friends; and her aspirations for the future—her daughter and the generations to come. This album crystallizes these temporal dimensions, prompting introspection, celebration, laughter, and tears. 'Roses' is a musical odyssey that scrutinizes the multifaceted beauty of existence, inviting listeners to partake in this thing called life.

The radio world has taken notice of Aphrose's talent, with national Radio Capital's Italy Massimo Oldani spinning her latest single "YaYa" for the entire month of July on his show "Vibe." And both singles getting to number 10 in the UK soul chart.Additionally, Aphrose has received national radio play on renowned stations such as BBC in the UK, RTVE in Spain, and Radio France FIP.

Aphrose has also made CBC's Top 100 finalist list for their Searchlight competition.

Huey Morgan played "YaYa" the second track off the album on his BBC radio six show

Rock legend John Corabi—renowned for his work with Mötley Crüe, The Scream, Union, ESP, and The Dead Daisies—steps into the spotlight with “New Day” his first full-length solo album of original material. Recorded in Nashville during the summer of 2025 and produced by multi-platinum songwriter and producer Marti Frederiksen (Aerosmith, Ozzy Osbourne, Buckcherry), the album fuses classic ’70s rock, soul, and blues influences into a sound that is both timeless and deeply personal. The record features the previously released singles “Così Bella (So Beautiful)” (2021) and “Your Own Worst Enemy” (2022), now fully integrated into a rich collection of tracks that showcase Corabi’s commanding vocals, heartfelt lyrics, and masterful songwriting.

Throughout the album, Corabi is joined by Marti Frederiksen, who adds backing vocals, guitars, piano, and percussion; Evan Frederiksen, providing drums, bass, B3 organ, electric guitar, mandolin, and programming; Richard Fortus (Guns N’ Roses) on lead guitar; and Paul Taylor (Winger, Steve Perry) contributing piano, organ, and clavinet. Together, they create an organic, instrument-driven sound built on real performances, melodic interplay, and soulful energy. A trip down to memory lane mostly with a nostalgic mood offering intimate everything that is in between acoustic moments to richly layered arrangements rockers: “New Day” is a journey through the heart of rock, infused with soul and blues sensibilities, and inspired by the melodic grandeur of early Boston and Queen. With a European tour planned for February/March 2026 and additional shows through late spring and summer, Corabi is poised to bring this music directly to fans, delivering both powerful live energy and emotional resonance. More than just a solo debut, “New Day” is John Corabi’s personal testament to rock’s enduring spirit—an exploration of melody, soul, and authenticity, played with passion and conviction at every turn.

Cory Wong's eagerly awaited new studio album, Lost In The Wonder! The collection spotlights Wong's remarkable gifts as a producer, writer, arranger, band leader, and master of modern pop craftsmanship, while of course never losing sight of his trademark guitar virtuosity. Lost In The Wonder further affirms Wong's enduring love of musical collaboration, boasting a truly eclectic range of guest artists that includes Taylor Hanson, Devon Gilfillian, Stephen Day, Cody Fry, Yam Haus, Louis Cato, Ellis, Elysia Biro, Benny Sings, Theo Katzman, and Magic City Hippies.

After a critically acclaimed trilogy of albums and a 10-year hiatus, Romain Turzi, the underground pope of uncompromising French music, returns to the helm to compose and produce his new opus “Drop!”. He is joined on vocals by his longtime friend Oliver Gage, whose autobiographical and melancholic writing brings to life an intimate and redemptive musical epic, woven with oblique pop songs and club tracks that reconcile punks and dancers.



An album of diverse influences, it draws on the masters of film music (Goblin, Angelo Badalamenti), the titans of electronic and techno music (808 State, Dopplereffekt), the hedonistic spirit of ’80s Brit rock (Happy Mondays, The Stone Roses), the finely crafted melodies of timeless folk singers (Woody Guthrie, Neil Young), and the sonic power of My Bloody Valentine or the productions of Andrew Weatherall.



A record born of friendship and fearless creative freedom, “Drop!” is an invitation to escape the heaviness of the present and brush against a form of utterly necessary ecstasy.

"‘Hydra’ is the sixth studio album by Dutch symphonic metal band Within Temptation. It was originally released on January 31, 2014 in Europe and on February 4, 2014 in North America. The album contains guest appearances by singer Howard Jones (ex-Killswitch Engage), rapper Xzibit, metal vocalist Tarja Turunen (ex-Nightwish) and alternative rock singer Dave Pirner (Soul Asylum). It was the first album by Within Temptation to be recorded with three guitarists, with Stefan Helleblad making his Within Temptation studio debut on ‘Hydra’ since his addition to the band shortly after the release of ‘The Unforgiving’ in 2011. ‘Hydra’ is also the first Within Temptation album to feature Robert Westerholt's growling techniques since the band's debut album, ‘Enter’ in 1997. The band wanted it to be a real Within Temptation record, but heavier, more musically challenging, pushing borders and frontiers with new elements and influences, and at the same time bring back more from their early metal roots “... A bit like the past and future at the same time"" – as stated by the band.

The album title refers to the great variation in musical genres, the band improves on with each new release. Guitarist Robert Westerholt adds: ""Hydra is a perfect title for our new album, because like the monster itself, the record represents the many different sides of our music"". According to the ancient Greek mythology, the Hydra was a giant multi-headed serpent that, for each severed head, sprang forth two more in their place. This new Expanded Edition comes with 8 bonus tracks, never released on vinyl before.

The follow-up to 2024’s "Perpetual Eden" sees Bloody Head stretch out and capture the cosmic sprawl of their live gigs on record. Available on limited-edition LP with spot-varnished sleeve.
After finding their Perpetual Eden and then seeing it violently retrograde, Bloody Head return with a new transmission devoted to the pendulum’s swing and the big wheel’s turn.
The big wheel turns and the seasons turn and we turn and it all just keeps on spinning away… elliptic, off kilter, centres not holding, the whole merry-go-round whirling and dissolving and coagulating, perpetually.
The CHILDREN OF THE DUSK and the sundry weirdoes and creeps depicted on the cover painting, channelled by Danny Roberts 777, all spinning and singing and sinning as they rattle along… in some sort of strange, discordant VIBRATORY AFFINITY with themselves/each other/it all.
Stay a while and take the time to BEND DOWN AND KISS THE GROUND/smell the roses/find your Eden, in and amongst the nooks and cracks and crannies and in the thin, strange places.
TIME AS VEILED ETERNITY is a microcosm of the whole merry Shambala, pushing and pulling and coming together and falling apar
Recorded, mixed and mastered by James Atkinson at the Stationhouse, Leeds. The session almost kiboshed by Storm Éowyn. A sprawling mass/mess which oozes and lurches from bloody minded heaviness to meditative reflection to unsettling delirium and back again, ending in total sonic breakdown. More focused and restrained, more reckless and chaotic. There is No time, to every season some sort of purpose.

Elegante Popmusik. Gewaltige Hooks. Voller Streichersound. Das L.A. Musikerkollektiv Storefront Church um den Phoebe Bridgers-Schlagzeuger Lukas Frank nahm sein 2024er Album ""Ink & Oil"", das erstmals flächendeckend erhältlich wird, mit einem kompletten Live-Orchester auf. Textlich bewegt sich Lukas auf der Schattenseite der Straße. Musikalisch ist er der Hammer. Erinnerungen an Scott Walker, Nick Cave, Brian Wilson und den frühen John Grant werden wach. Die Mitglieder treten - ähnlich Broken Social Scene oder Black Country, New Road - in wechselnder Besetzung auf, darunter Laetitia Sadier, Phoebe Bridgers, Zachary Cole Smith (DIIV), George Clarke (Deafheaven), Circuit Des Yeux, Lauren Auder, Cassidy Turbin (Beck), Sam Wilkes und ein Dutzend weitere. Storefront Church steuerten den Song ""The Gift"" zur Netflix-Serie ""The Queen’s Gambit"" bei und nahmen den Roxy Music-Klassiker ""More Than This"" als melancholische Gothic-Version auf.