il devrait être publié sur 11.07.2023
quête:ross
Shannon, and veteran electronic producer and remixer producer Dave Clark, best-known for his Sparky moniker, and as one-half of the production/remix team Optimo (Espacio).
First emerging in 2015 with a couple of compilation appearances, Kübler-Ross released their debut, self-titled album in 2020. Originally released as a limited-edition cassette on the Glasgow label Akashic Records, the album — now resequenced and released on vinyl via Suction Records’ minimal synth sublabel Ice Machine — is a collection of tracks recorded over a three year period in a variety of studios, rehearsal rooms, and gigs, documenting the musical variety and ferocity of their incendiary live performances. The Akashic tape, despite being low-key, under-the-radar, and released in limited quantity, managed to earn them a Long List nomination for SAY (Scottish Album of the Year) for 2020.
Standout cut “Bridges”, first released in 2015, is synthpop perfection — sitting comfortably alongside classics from the first wave of UK electronic classics by Thomas Leer and Robert Rental, John Foxx, and even early Depeche Mode. It’s not the only synthpop track on the record, but the album is dominated by a more tough, raw, and punk spirit, featuring aggressive female vocals, live drums + bass guitar, and judicious use of crude analog synthesizers and tape delay fx. Think Liaisons Dangereuses meets Suicide, and you’re beginning to get close…
Available digitally, and on limited vinyl LP in a reverse-board jacket. We’ve also pressed up a special edition with an additional bonus 7”, featuring covers of songs by US minimal synth oddball John Bender,and Australian industrial mavericks SeveredHeads. The special edition LP and 7” are on pink-vinyl LP + green-vinyl-7”, and strictly limited to 200 copies. Both versions include a Bandcamp download card inside.
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Leith Ross is a songwriter, singer, and artist born and raised in a small town outside of Ottawa, Ontario, Canada. They've been a sensitive and overly artistic person since birth and when they started writing songs around the age of 12 it quickly became Leith’s favourite way to be sensitive and overly artistic. Still is. Since then, they've recorded and released two projects, and have a new one underway. "To learn" is a 12 track full album available on CD and LP
il devrait être publié sur 02.05.2023
Roher, urwüchsiger Epic Heavy Metal aus dem Kopf des legendären Ross Friedman. ROSS THE BOSS sind mit ihrer Best Of Compilation "Legacy Of Blood, Fire & Steel" zurück und feiern ihr 15 jähriges Jubiläum. Erhältlich nur auf roter Vinyl & digital.
Es ist ein Vermächtnis. Eine "Legacy Of Blood, Fire & Steel", die ROSS THE BOSS mit seiner Band seit nunmehr 15 Jahren geschaffen hat. Zeit, das zu feiern und eine grandiose Best-Of-Compilation mit den besten Tracks der letzten vier Platten, wie "Hailstorm" oder "Born Of Fire" zu veröffentlichen.
Ross Friedman hat als Gründungsmitglied der legendären Manowar Musikgeschichte geschrieben. Sein Einfluss in der Metalszene reicht bis heute und er ist als derjenige bekannt, der maßgeblich am Schreibprozess der besten Manowar Alben beteiligt war. Darüber hinaus sagen viele Fans, dass er den Manowar Sound mit ROSS THE BOSS weiterführte, wie es sich Fans der True Metal Legenden gewünscht hätten. Eine gute Ausgangsposition mit ROSS THE BOSS in den Heavy-Metal-Olymp aufzusteigen. Nach vier ROSS THE BOSS-Alben, die fast alle in die deutschen Charts einstiegen kann man sagen, dass diese Band definitiv zu den wichtigen Akteuren der Szene gehört und sich dementsprechend zum 15-jährigen Jubiläum etwas Besonderes einfallen lässt. So gibt es am 28. April 2023 die "Legacy Of Blood, Fire & Steel" nur auf rotem Vinyl, wie es sich für den True Heavy Metal gehört. Freut euch auf Tracks wie "Denied By The Cross", "Blood Of Knives" oder "We Are The Night", die in typischer ROSS THE BOSS-Manier mit einem wunderschönen True Artwork versehen sind. Kingdom Arise!
il devrait être publié sur 28.04.2023
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Ross Gentry takes charge of the first Ceremony of Seasons release and the music on it has been specifically written to "be paired with Sink into Seclusion, a Mendocino grown, amphora aged, skin contact Sauvignon Blanc wine." Though it might go well with wine, it works just as well on its own as a pastoral, subtly shifting ambient album with delicate pianos unfolding over sustained chords. Moods fluctuate from cathartic and dreamy on the opener to a little more unsettled and tense on 'A Shadow Decade.' How so ever you enjoy this record it is one that makes a lasting impact.
il devrait être publié sur 17.02.2023
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Ricky Ross, songwriter and lead singer for Deacon Blue, one of Scotland’s best loved and most successful bands, follows the release of 2020’s City Of Love, the band’s most successful album in 25 years, with a solo album ‘Short Stories Vol. 2’. The album will be released on CD, vinyl and digitally on 5th August 2022 by Cooking Vinyl.
il devrait être publié sur 04.11.2022
2022 Repress
Junior Ross and The Spears are another great Jamaican Roots group that have been nurtured under the guidance of fellow Jamaican, producer and singer Tapper Zukie.Who not only gave the singer and his band their name but recorded, produced and released their records on his own 'Stars' imprint label.
Junior Ross (Clifford Palmer, b.7 Sept 1953, Kingston, Jamaica) grew up alongside his brothers Frankie Jones and Roy 'Soft' Palmer, who in turn had entered the music business alongside future roots singer Price Alla .
Prince Alla had formed a group called 'The Nazarines' with Roy Palmer and Milton Henry, so music was all around Junior Ross and he would soon follow in their footsteps and start recording some of his songs.
This album you have here had its initial release in 1992...We have added to it various dub versions that were b-sides to the singles and extended recordings again produced by Tapper Zukie.
So you have the Junior Ross and the Spear's classis album and its related musical accompaniments all in one place and sounding better than ever...
We hope you enjoy this classic roots set....
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- A1: Ain't No Reason
- A2: Green & Yellow Daughter
- A3: Cry & Show Me
- A4: Hussein (I'm Lucky)
- B1: Forget Her
- B2: Get So Mad
- B3: Keep On Trying
- C1: Feelin' Good
- C2: Forever (My Darling Don't Cry)
- C3: All Over The World (Ain't That Lovin'?)
- C4: Angry Fire (Intestical Swing)
- D1: Feeling Like Ahh Lover Should
- D2: Lovin' Toll Man Suite
- D3: It Was (Wars Of Armageddon)
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Auf „Tread“ steigert Ross From Friends die komplexen und gefühlsbetonten Qualitäten seines Produktionsstils, die Mixmag bereits dazu veranlassten, seine „eigenwillige Fingerfertigkeit“ zu loben, die „nicht nur dein Herz schmerzen lässt, sondern auch direkt aus deiner Brust tanzt“. „Tread“ ist eine Platte, die gleichzeitig glatt und melodisch, aber auch hervorragend tanzbar, nostalgisch und doch brillant modern ist, mit Anspielungen auf Sounds und Stile, die nicht so sehr reflektiert, sondern durch Weatheralls Linse gebrochen und neu kontextualisiert werden. Genauso einzigartig wie die Musik auf „Tread“ ist die Art und Weise, wie sie entstanden ist. Frustriert von den Arbeitsabläufen im kreativen Prozess, die bei der Aufnahme von Hardware und Instrumenten über einen Computer entstehen - die ständige Notwendigkeit, die Aufnahme zu starten und zu stoppen, alles zu speichern und zu katalogisieren - beschloss Weatherall, seine eigene Software zu schreiben und zu entwickeln. Das daraus resultierende Plugin mit dem Namen „Thresho“, das über Abletons Max For Live-Plattform erhältlich ist, startet die Aufnahme, sobald das Audiomaterial einen benutzerdefinierten Schwellenwert erreicht, und stoppt sie, sobald dieser Schwellenwert unterschritten wird, wobei die resultierenden Clips automatisch mit Zeitstempeln gespeichert und indiziert werden.
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- A1: The Supremes - Where Did Our Love Go
- A2: The Supremes - Baby Love
- A3: The Supremes - Come See About Me
- A4: The Supremes - Stop! In The Name Of Love
- A5: The Supremes - Back In My Arms Again
- A6: The Supremes - I Hear A Symphony
- A7: The Supremes - You Can't Hurry Love
- B1: The Supremes - You Keep Me Hangin' On
- B2: The Supremes - Love Is Here & Now You're Gone
- B3: The Supremes - The Happening
- B4: Diana Ross & The Supremes - Reflections
- B5: Diana Ross & The Supremes - Love Child
- B6: Diana Ross & The Supremes - I'm Gona Make You Love Me (with The Temptations)
- B7: Diana Ross & The Supremes - Someday We'll Be Together
- C1: The Supremes - Stoned Love
- C2: Diana Ross - Ain't No Mountain High Enough
- C3: Diana Ross - Touch Me In The Morning
- C4: Diana Ross - Theme From Mahogany (Do You Know Where You're Going To?) (Do You Know Where You're Going To?)
- C5: Diana Ross - Love Hangover
- D1: Diana Ross - The Boss
- D2: Diana Ross - Upside Down
- D3: Diana Ross - I'm Coming Out
- D4: Diana Ross - Endless Love (with Lionel Richie)
- D5: Diana Ross - You Keep Me Hangin' On (Almighty mix edit - bonus track)
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il devrait être publié sur 06.05.2022
Trombone Shorty is back with his first album in 5 years and the eagerly awaited follow-up to his 2017 Blue Note debut Parking Lot Symphony, which the esteemed New Orleans music magazine OffBeat said continued his tradition of “stunningly good musicianship, crowd-pleasing good material, and just plain good fun.” The new album captures the explosive energy of his legendary live shows, and combines classic New Orleans sounds (funk, gospel, street rhythms, Mardi Gras Indian chants, and second lines) with modern lyrics, melody, and beats to create something fresh and unique. The album features special guests including vocalist Lauren Daigle & guitarist Gary Clark Jr.
il devrait être publié sur 29.04.2022
il devrait être publié sur 23.02.2022
As current lead vocalist and co-songwriter of the hugely successful modern progressive metal band HAKEN, ROSS JENNINGS needs no introduction in some circles, having released 1 ep, 1 Live album and 6 full length studio albums of consistently high quality with the band, HAKEN have been climbing that mountain with grace and gusto, albeit on the fringe of mainstream rock and metal. In 2019 HAKEN won ‘Best UK Artist’ at the annual PROG awards, with their latest release ‘Virus’ reaching #2 in the UK rock charts and entering the US Billboard Hot 100 at #52.
On the back of this release ROSS JENNINGS set out to write, record and self-produce his debut solo effort ‘A SHADOW OF MY FUTURE SELF’ with an ambition to become a new household name and keep mainstream classic rock alive and well.
il devrait être publié sur 17.12.2021
Ross Sinclair is a drummer, guitarist and founding member of The Soup
Dragons. In the early 1990s Sinclair left the group to complete his studies at
the Glasgow School Of Art.
Ross Sinclair is best known for his Real Life project, initiated in 1994 when he
had the words ‘Real Life’ tattooed across his back. Since then Real Life has become a 23-year performance project, taking form in a wide range of exhibitions, public art and publication contexts. Over the two decades of the Real Life
project, Sinclair’s work has employed various mediums including performance,
painting and music, often at the same time.
Through installation and audience participation Real Life has sought to challenge the conventional exhibition practice and connect with the public. These
projects have been exhibited worldwide. Throughout the course of the project,
a consistent thread of Sinclair’s work has sought to address the nature of the
individual, collective and national identities of Scotland.
During August 2015, Sinclair exhibited his work in 20 Years of Real Life at Edinburgh’s Collective Gallery which celebrated 20 years of his Real Life project.
Sinclair worked with teenagers to create 5 bands and produce an LP titled Free
Instruments for Teenagers. Real Life is Dead/Long Live Real Life The most recent incarnation of the Real Life project came as part of a two-week residency
Ross Sinclair undertook at the Shanghai Himalayas Museum in China, ahead of
his solo exhibition titled Real Life is Dead/Long Live Real Life.
This exhibition served to herald a new phase of Sinclair’s on-going Real Life project. For the exhibition Sinclair added the text ‘Is Dead’ to the ‘Real Life’ tattoo.
The residency focused on the consistent themes of participation, performance
and collaboration, coupled with Sinclair’s use of music in his art throughout his
career. Sinclair worked with students at the GSOA over a period of two years to
develop and record two songs (Real Life is Dead and Long Live Real Life) which
lay at the core of the exhibition. The songs were recorded in both English and
Chinese.
In Shanghai, Sinclair worked with local musicians, artists and singers to create the Chinese-Scottish Real Life Orchestra - a musical dialogue between the
Chinese audience and Sinclair’s Real Life Project. The group came together in
a collective voice, in English and Chinese, to share experiences through music.
The orchestra presented a live performance at the opening reception of the
Phase Three exhibition of CURRENT: Contemporary Art from Scotland, which
provided the soundtrack to Sinclair’s installation consisting of multiple editions
of banners and videos representing the 23-years of the Real Life project. Participants were also invited to respond to the themes of Real Life is Dead/Long
Live Real Life with words and pictures which were displayed on banners and
placards.
il devrait être publié sur 15.10.2021
Diana Ross sings “Thank You” to the world. “This collection of songs is my gift to you with appreciation and love. I am eternally grateful that I had the opportunity to record this glorious music at this time,” said Ms. Ross. Her new album, “Thank You” is scheduled for release this fall through Decca Records / Universal Music Group. The title track and first single,” Thank You,” will be available for streaming and download on June 17.
Recorded in her home studio, “Thank You" offers a powerful, inclusive musical message of love and togetherness. With its songs of happiness, appreciation and joy, it wholeheartedly acknowledges that we are in this all together. Her family, friends and loyal and loving audiences all around the globe have been an integral part of her wonderful life’s story. In this special moment, it is time to step into the light.
Ms. Ross co-wrote and collaborated on the 13 songs along with award-winning songwriters and producers including: Jack Antonoff, Troy Miller, Triangle Park, Spike Stent, Prince Charlez, Amy Wadge, Neff-U, Freddie Wexler, Jimmy Napes, Tayla Parx, Fred White, and Nathanial Ledgewick.
Let us come together in harmony and gratitude with Diana Ross now and for the future. “I dedicate this songbook of love to all of you, the listeners. As you hear my voice you hear my heart. "Let Love Lead the Way”
il devrait être publié sur 10.09.2021
Obviously to attempt a cover of classic only works if you go down a different route with the track, the idea came from talking good lovers covers with friends, much to my surprise there was no 'Date With The Rain' cover which felt like it would have been perfect (someone please correct me and send me a copy if there is one). I had been chatting to lovers legend Peter Hunnigale often during the making of 'For The Love Of You' compilation and asked him if he would be up for doing a vocal on a cover, and he said yes, so we got to work, hope you like the result.
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· First release of the Jagjaguwar 25th anniversary celebration happening in 2021. · Features production and composition accompaniment from Bon Iver, Mary Lattimore, Angel Bat Dawid, Gia Margaret, and Sam Gendel. · Limited edition Opaque Green vinyl. Over the last 12 years, Ross Gay's poems have given us indelible images and phrases of radical empathy and unabated gratitude; about community, collaboration, connectedness and hard work. They have crept into our hearts and made a home of all of us. And so we are launching our 25th Anniversary celebration with `Dilate Your Heart', our first spoken word album since titan Robert Creeley's self-titled release twenty years ago. "Catalog of Unabashed Gratitude" is given a gorgeous, slowly creeping bed of vines by Bon Iver, as Gay's unadorned voices speaks a lifetimes of Thank You's. On "Burial," harpist and composer Mary Lattimore's lunar landscape follows Gay's voice into space, telling of our endless energy exchange with nature. Chicago's Angel Bat Dawid dances with the frenetic, joyous scene Gay leads us through on "To the Fig Tree on 9th and Christian," in which a group of Philadelphia strangers scramble together to harvest the fruit of the titular urban fig tree. Songwriter Gia Margaret provides a mystical, amniotic environment for Gay's "Poem To My Child If Ever You Shall Be," a love letter to an imagined future child, treating Gay's voice like a message in a bottle to a far off idea made only of love and potential. Sam Gendel, a secret weapon collaborator, affects Gay's voice on "Sorrow Is Not My Name" to something glassy and almost singsongy. Throughout, Gay recites his poems with bright aliveness, his voice as warm and easy when he speaks about death as when he speaks about mercy, or love.
il devrait être publié sur 09.04.2021
solid pink vinyl edition
De:tuned lines up the seventh release in their ten-part anniversary series. A blend of old and new material, deep grooves and inventive textures brought together by venerated producers Spacetime Continuum, Scanner, Ross 154 and Leo Anibaldi. A heartwarming ambient techno trip from start to finish makes for an immersive listening experience. Do yourself a favor, we love it!
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. This 12" is pressed on 180 gr vinyl and a separate digital version will be available from the usual digital shops. Stay tuned!
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Das zweite Blue-Note-Album des gefeierten jungen Vibraphonisten!
Seit Joel Ross 2019 sein Blue-Note-Debüt „KingMaker“ veröffentlicht hat, fand er weltweit Anerkennung: die New York Times nahm ihn z.B. in die begehrte Liste “Best Jazz of 2019” auf und der Rolling Stone führte ihn in seinem alljährlichen ”Jazz Listeners Guide”.
Mit seiner zweiten Blue-Note-Veröffentlichung „Who Are You?“ will er diese Erfolgsgeschichte jetzt fortschreiben.
Zu seinen bestens eingespielten Mitstreitern Jeremy Corren (Piano), Immanuel Wilkins, der gerade selbst ein Blue-Note-Debütalbum veröffentlicht hat, (Saxofon) und Jeremy Dutton (Schlagzeug) kommt neu Kanoa Mendenhall am Bass dazu. Melodischer Modern Jazz vom Feinsten!
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il devrait être publié sur 15.11.2020
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Ross Alexander first came to our attention with Memorias Vol.1 - Bugandan Sacred Places, released back in 2017 on Sucata Tapes, it featured a mind altering mix of recorded sounds from a series of visited sites considered sacred within the Bugandan kingdom and session recordings with Ugandan musicians Albert Sempeke and the Nilotika Collective layered with his own original composition using the Yamaha DX7 and programmed FM synthesis. The result being an unique reconfiguration of new age vocabulary with East African traditional sensibilities. The tape quickly sold out and the new Volume of Memorias presented here arrives now on the mother label Discrepant, on Vinyl with an expanded sound palette appropriate to the format.
Memorias Vol.2 - High Atlas To The Sahara Desert is the logical progression of Volume 1. - based on a series of field recordings Alexander made during a trip through the High Atlas Mountains and into the Sahara Desert in 2018. The aim of the trip was to visit a gathering of nomadic musicians at an oasis close to the Algerian border. Like Memorias Vol1. the recordings made on the trip were then later processed, layered and arranged with original compositions. Where Vol1. had clear nods to New Age music this volume explores the more ambient side of 80’s Industrial sound.
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The London resident Ross Evana already excelled as DJ at Pacha NYC, at Ministry of Sound London or in the We Love Space series in Ibiza, and has been ranked # 12 in the Beatport House charts with 'Ouija Board". His track 'Thrilla in Manila' first takes its time to build up before it sets a tremendously powerful exclamation mark on the dancefloor with its tropical-hypnotic percussions. With its second track, the ninth edition of Cocoon's 10-series leads us to the land of the midnight sun. The two Stockholm-born cousins Alex Caytas and Aleks Patz have started their musical collaboration only in 2007 but can already look back on a hand full of very good produced releases for the Stuttgart-based label Parquet Recordings and the Italian label Caremella, as well as on remixes for Martin Dawson/King Roc and Voltique. 'Blue Sea' shows the duo's affinity to the energetic Deep House Techno of the Nineties: with its organ sound, blues vocals and a highly infectous bass line, this track could almost pass as a modern and uncluttered version of St. Germain, being predestined for warm summer nights. This is how Techno sounds in 2011.
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- A1: New Order - Blue Monday
- A2: A-Ha - Take On Me
- A3: Duran Duran - Hungry Like A Wolf
- A4: The B52s - Love Shack
- A5: Bananarama - Venus
- B1: Tina Turner - The Best
- B2: Simply Red - Holding Back The Years
- B3: The Cars - Drive
- B4: Pretenders - Don't Get Me Wrong
- B5: Aztec Camera - Somewhere in My Heart
- C1: The Smiths - There Is A Light That Never Goes Out
- C2: Joy Division - Love Will Tears Us Apa
- C3: Talking Heads - Road To Nowhere
- C4: Stranglers - Golden Brown
- C5: Talk Talk - Its My Life
- D1: Chaka Khan - I Feel For You
- D2: Diana Ross - Chain Reaction
- D3: Fleetwood Mac - Everywhere
- D4: Spandau Ballet - True
- D5: Brother Beyond - The Harder I Try
Celebrating a monumental decade for music, birthing numerous timeless classics that pushed music to new heights Smash Hits The 80s takes the very best tracks from the decade across 2LPs providing the soundtrack to the era. This must-have collection contains hits from artists of all genres, featuring New Order, Duran Duran, Spandau Ballet, The Smiths & Talk Talk.
Disponible en stock et prêt pour l'expédition
Warehouse Find!
Here we bring you the second part of the Jimpster remixes package with amazing new interpretations of Brought To Bare from Deetron and Tanner Ross. Deetron delivers two diverse versions of the original in his own unique style. First up is the main remix which goes for a stripped back approach but works Jonatan Bäckelie's full vocal to maximum effect with just a sublime Reese-esque bass line and fat kick for company. The second mix aka Deetron's Paradise Version oozes quality with a unique and dynamic arrangement, echoes of Underground Resistance in the drums and stabs and amazing pads all making for a deep and musical journey. Finally Bostonian Tanner Ross goes raw R&B on his version with jacked up drums straight out of the Neptunes school of beatmaking, keeping things stripped bare for the vocal to shine. Another fine example of why this man is causing so much damage with his bold and interesting productions right now. Hope you enjoy!
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- A1: Holy Grail (ft. Justin Timberlake)
- A2: Picasso Baby*
- A3: Tom Ford*
- A4: FuckWithMeYouKnowIGotIt (ft. Rick Ross)
- B1: Oceans (ft. Frank Ocean)
- B2: F.U.T.W.*
- B3: Somewhereinamerica
- B4: Crown
- C1: Heaven*
- C2: Versus*
- C3: Part II (On The Run)* (ft. Beyonc)
- C4: Beach Is Better
- D1: BBC** (ft. Nas)
- D2: JAY Z Blue*
- D3: La Familia*
- D4: Nickels and Dimes
**Double LP - 180 GRAM** Already Platinum. Impeccable design. Although this is one of the more talked about records of his career, there's no doubt that this is a testament to JAY Z's diligence, entrepreneurship, and artistic vision. Picking up where Watch The Throne left off, Magna Carta Holy Grail is JAY Z's twelfth studio album, and a portrait of an emcee embracing fatherhood, marriage, and striking a balance between a past spent coming up and a future shuffling around the top. The LP also includes a limited edition flexi-disc postcard of exclusive non-album track ''Open Letter'' hidden under the artwork on the back cover. Production is helmed largely by J-Roc, Timbaland, Pharrell Williams, Hit-Boy and others, while featuring performances by Beyoncé, Rick Ross, Justin Timberlake, Frank Ocean, Nas, and more. With MCHG, JAY Z understands that hip hop is starting to enjoy the same clout as fine art and, even better, hip hop is alive, a part of the world, evolving, and not cordoned off in a museum. Play it forward and grab a copy now.
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- A1: Dinah Washington - Mad About The Boy
- A2: Lavern Baker - Love Me Right
- A3: The Shirelles - Will You Love Me Tomorrow
- A4: Etta James - I Just Want To Make Love To You
- A5: Gladys Knight & The Pips - Every Beat Of My Heart
- A6: Mary Wells - Bad Boy
- A7: Aretha Franklin - God Bless The Child
- A8: Martha Reeves & The Vandellas - My Baby Won't Come Back
- B1: Nina Simone - I Put A Spell On You
- B2: Marlena Shaw - Women Of The Ghetto (Album Version)
- B3: Lorraine Ellison - Stay With Me (Baby)
- B4: Martha Reeves & The Vandellas - Dancing In The Street
- B5: Betty Wright - Clean Up Woman
- B6: Minnie Riperton - Lovin' You
- C1: Diana Ross - Love Hangover
- C2: Kellee Patterson - I'M Gonna Love You Just A Little More, Baby
- C3: Dee Edwards - I Can Deal With That
- C4: Gwen Mccrae - Let's Straighten It Out
- C5: Millie Jackson - All The Way Lover
- D1: Lyn Collins - Don't Make Me Over
- D2: Donna Summer - Love To Love You Baby
- D3: Tina Turner - Whole Lotta Love
- D4: Erykah Badu & The Roots - You Got Me
- D5: Amy Winehouse - Back To Black
- D6: Jil Scott - Brotha
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Fresh off the back of their debut label release with Archie Hamilton and Venda, Subsonic Music has delivered another sterling stripped back, dubbed out and groove based release from Australia's Dylan Griffin & Chad B including a catchy interpretation by the internationally celebrated master of minimal sounds Alexkid and an exquisite (vinyl only) remix by the critically acclaimed Monika Ross featuring her trademark groove.
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- A1: I Heard It Through The Grapevine - Marvin Gaye
- A2: Dancing In The Street - Martha Reeves & The Vandellas
- A3: Stop! In The Name Of Love - The Supremes
- A4: Uptight (Everything's Alright) - Stevie Wonder
- A5: I Can't Help Myself (Sugar Pie, Honey Bunch) - The Four Tops
- A6: Do I Love You (Indeed I Do) - Frank Wilson
- A7: This Old Heart Of Mine (Is Weak For You) - The Isley Brothers
- A8: I Want You Back - The Jackson 5
- B1: Ain't No Mountain High Enough - Marvin Gaye & Tammi Terrell
- B2: Heaven Must Have Sent You - The Elgins
- B3: My Guy - Mary Wells
- B4: My Girl - The Temptations
- B5: The Tracks Of My Tears - Smokey Robinson & The Miracles
- B6: What Becomes Of The Brokenhearted - Jimmy Ruffin
- B7: I'm Still Waiting - Diana Ross
- B8: Got To Be There - Michael Jackson
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- A1: (Intro) I'm So Grateful ft. Sizzla
- A2: Shining - ft. Beyoncé & JAY Z
- A3: To the Max - ft. Drake
- A4: Wild Thoughts - ft. Rihanna & Bryson Tiller
- B1: I'm the One - ft. Justin Bieber, Quavo, Chance The Rapper & Lil Wayne
- B2: On Everything - ft. Travis Scott, Rick Ross & Big Sean
- B3: It's Secured - ft. Nas & Travis Scott
- B4: Interlude (Hallelujah) - Betty Wright
- B5: Nobody - ft. Alicia Keys & Nicki Minaj
- B6: I Love You So Much - ft. Chance The Rapper
- C1: Don't Quit - w/ Calvin Harris ft. Travis Scott & Jeremih
- C2: I Can't Even Lie - ft. Future & Nicki Minaj
- C3: Down for Life - ft. PARTYNEXTDOOR, Future, Travis Scott, Rick Ross & Kodak Black
- C4: Major Bag Alert - ft. Migos
- C5: Good Man - ft. Pusha T & Jadakiss
- D1: Billy Ocean - ft. Fat Joe & Raekwon
- D2: Pull a Caper - ft. Kodak Black, Gucci Mane & Rick Ross
- D3: That Range Rover Came With Steps - ft. Future & Yo Gotti
- D4: Iced Out My Arms - ft. Future, Migos, 21 Savage & T.I
- D5: Whatever - ft. Future, Young Thug, Rick Ross & 2 Chainz
- D6: Interlude - Belly
- D7: Unchanging Love - Mavado
- D8: Asahd Talk (Thank You Asahd) - Asahd Tuck Khaled
22 track double gatefold vinyl version of the album (CD) which was released July 7th. Collaborators include Beyonce, Jay Z, Nas,Travis Scott, Alicia Keys, Nicki Minaj, Rihanna, Bryson Tiller, Rick Ross, Big Sean, Calvin Harris, Justin Bieber, Quavo, Lil Wayne, Chance the Rapper & more. Support across radio, TV & press. Online & social media activity.
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- A1: Billy Thorpe - Back On The Street Again
- A2: The ID - Feel Awright
- A3: Ross D. Wyllie - Do The Uptight
- A4: Johnny Rocco Band - Funky Max
- A5: Daly-Wilson Big Band - City Sounds (Featuring Kerrie Biddell)
- B1: Dalvanius & The Fascinations - Voodoo Lady
- B2: Renee Geyer - Be There In The Morning
- B3: John Sangster - Hair
- B4: Ray White Revival - Superstition
- B5: Festival Studio 24 Orchestra - Africa (L'ete Indien)
- B6: Brute Force & His Drum - Weird and Wonderful
- C1: McPhee - The Wrong Time
- C2: Kahvas Jute - Odyssey
- C3: Tamam Shud - Sea That Swells (from Morning of the Earth)
- C4: Blackfeather - The Rat Suite Main Title
- D1: Al Styne - Vehicle
- D2: McPhee - Indian Rope Man
- D3: Hot Source - Oz Bump (Soul Thing)
- D4: Count Copernicus & The Cosmic Fire - Painted Ego
- D5: John Sangster - A Day In A Life
COMPILED BY PETE PASQUAL, ERICA OLSON & DJ KINETIC
Following on from acclaimed compilations like 'Down Under Nuggets' and 'Heavy Soul' (and two other new titles 'Running The Voodoo Down' and 'Dodgy Bossa (& Silly Sambas)' - details below), Festival Records presents another deep dig into the archives, this time shining a light on rare Australian soul-jazz, jazz-funk, and freaked-out groove rock from the late '60s and '70s.
BACK ON THE STREET AGAIN - AUSTRALIAN FUNK, SOUL & PSYCH (MOSTLY) FROM THE FESTIVAL VAULTS is a stunning 20 track CD and 2LP release that highlights a point when the previously disparate styles of rock, jazz and soul all started influencing each other, and exciting new genres were created. To quote the liner notes (by DJ Kinetic):
Australia produced some amazing music during the 60s and 70s that sat outside of the normal rock mould. Avant guard artists like John Sangster pushed boundaries and experimented with the fusion of local and overseas influences, artists like Dalvanius recorded soaring disco music that was lost amongst the popular music of the time, only to be rediscovered by DJs overseas who were searching for unknown sounds, composers like Brute Force and His Drum took risks and recorded left-field funky sounds hidden within their more mainstream compositions, and popular artists like Billy Thorpe occasionally strayed from their A&R directions and took leaves from the books of American artists who were largely unknown in Australia at the time. Beneath the veneer of bland rock and roll lay an unknown multitude of funky sounds hidden from mainstream view.
In addition to the artists that Kinetic mentions (and the compilation features two John Sangster tracks - stunning versions of 'Hair' and the Beatles' 'A Day In The Life'), the collection includes iconic names of the era like the Daly-Wilson Big Band (featuring Kerrie Biddell), Renee Geyer and the Johnny Rocco Band. '60s sides from Ross D Wyllie and The ID (featuring Jeff St John) reveal the various styles' roots in American rhythm & blues, and the unexpected inclusion of some legendary Australian rock outfits like Tamam Shud and Blackfeather reveals the psychedelic and progressive rock influences at play. The full range of the music is highlighted by the inclusion of both cabaret/daytime TV performer Al Styne and outrageous Kings Cross club act Count Copernicus & The Cosmic Fire as well as the in-house studio 'pops' orchestra, Festival Studio 24 Orchestra.
Co-compilers Pete Pasqual, Erica Olson and DJ Kentic to undertake interviews with specialist media around release. Facebook ad's around release.
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