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Absolutely essential funk-fuelled, disco flavoured business from Le'O Roy with ‘Pound For Pound’ on the mighty Golden Flamingo Records. Produced by Bobby Brinson, and P&P’s very own Peter Brown, you’ll struggle to find four and a half more electrifying, feel-good, funk-infused minutes of music than these.

Pound for pound one of the best cuts of this scene, it’s an early ‘80s boogie leaning blend taking the best bits from disco, funk and soul, and adding a heavy dose of NYC spice to the mix. Punchy funk guitar licks, a driving beat laced with hypnotic cowbells and an intoxicating, gritty yet golden dose of vocal power. A rare as hen’s teeth record finally given the official reissue it’s been crying out for.

VERVE ACOUSTIC SOUNDS SERIE: Stereo, komplett analog von Ryan K. Smith bei Sterling Sound von den Originalbändern gemastert, QPR Pressung (180 g), stabiles Tip-On-Gatefold (Stoughton Printing),
wattierte Innenhülle.

Schlagzeuger Roy Haynes nahm leider nur ein Album für Impulse! Records auf. Das allerdings hatte es in sich! Die Besetzung war atemberaubend, das Repertoire ein gelungener Mix aus Eigenkompositionen des Leaders und originell aufbereiteten Standards. Mit seinen knackigen Snare-Drums-Rolls, die so schnell wie Maschinengewehrsalven waren, inspirierte Haynes auch etliche Rockschlagzeuger. Diesem einzigartigen Sound verdankte er zudem seinen Spitznamen “Snap Crackle”, auf den er hier in einem Stück gleichen Namens humorvoll anspielt.

2023 marks the 40th anniversary since the original release of the Roy Ayers album “Silver Vibrations” on Uno Melodic Records in 1983. For the first time, “Good Good Music” from that album is released here for the first time on 7” single.

Back by popular demand!! A re-jigged, loud-cut 2023 reissue of Roy of The Ravers’ long sold out Acid Waxa classic ‘2 Late 4 Love’ (ft. Emotinium) with bonus Easter egg tracks, presented in all its original hand-stamped glory. Don’t sleep on this one if you missed it the first time around!

Waking at Dawn was released in 2016 as a follow-up to Roy's debut EP, Exis. The projectfeatures the hit single, "Gwan Big Up Urself", inspired by his Caribbean roots & brought to lifeby Jamaican producer KRS. Another critically acclaimed single off the project, "How I Feel",shines light on Roy's ability to bend genres and vocal styles effortlessly.


The release brings to life the diverse talents of Roy Woods and his ability to write and singsongs that range in sound. Now his fans can finally listen to it on limited edition red vinyl

Delicious new school, street soul from Freya Roy, self-released and limited to 100 pressings. Hailed as “Street Soul is back” by Gilles Peterson, British-German artist/producer Freya Roy is steadily making her mark on the nu-jazz and alternative soul scene. With the release of her 8 track LP ‘For Who I Have Become’, her engrossing vocals and production takes you through the dark and moody new school, and into a blissful, soulful soundscape, with glistening guitar lines and haunting backing vocals. Along with a handwritten insert, and bonus tracks including Roy’s 2020 release ‘Fantasies’ featuring a fiery vocal from Maya Law, this limited pressing is not one to sleep on.








[g] B3. Fantasies ft. Maya Law (Original) [Vinyl Bonus]
[h] B4. Day Is Done (Instrumental) [Vinyl Bonus]

Following in the footsteps of his famed brother Madlib, Oh No has become one of the most celebrated independent hip-hop artists of the 21st century. His storied career has included not only rap success but an impressive resume behind the boards, with production credits for Mos Def, Freddie Gibbs, De La Soul, Action Bronson, Talib Kweli, Ab-Soul, and more. An innovator in the art of sampling with a history of exploring diverse source material, Oh No is now back with Good Vibes / Bad Vibes, a new instrumental album deconstructing the work of iconic vibraphonist Roy Ayers. A split collection with two thematically distinct halves, the album is entirely constructed from the early, jazz-centric realm of the Ayers archive. Good Vibes is "light and vibrant, with colorful layers radiating under the sun shine,” Oh No explains, while Bad Vibes contains “dark murky atmospheric tones for the angry moments, those times when it’s necessary to step in the mud.”

Roy Orbison was always noted for his impassioned singing style, complex song structures, and dark, emotional ballads. Roy Orbison released his 21st studio album Laminar Flow in 1979. It features guest performances by Steppenwolf- guitarist Larry Byrom and singer-songwriter Mac McAnally. The album includes the track “Hound Dog Man”, which is a tribute to Elvis Presley.

Laminar Flow is available as a limited edition of 750 individually numbered copies on “bloody mary” coloured vinyl and includes an insert.

Tel Aviv-based producer Roy Rosenfeld is excited to announce the release of his latest EP, Simi.
Showcasing Rosenfeld’s unique blend of melodic house music, the three-track EP is sure to captivate listeners with its intricate rhythms and ethereal sound.

On Simi, Roy Rosenfeld seamlessly blends melodic and atmospheric sounds to create a transcendent listening experience. From the groovy and energetic title track opener ‘Simi’ to the hypnotic and calmer ‘Sansi’ and closing with the darker, heavenly ‘Moonshine’, this EP showcases Rosenfeld’s exceptional range, and ability to craft music that goes beyond the dancefloor.

Like a US house producers' version of the fabled grime MC battle competition 'Lord of the Mics', Brawther and Chez Damier came up with the idea of a producer contest to bring together the members of the Interweaved community, with the winners of the first round of submissions sharing their stems with the rest of the community, inviting remixes.
French born Roy Vision received the most votes in the online poll for his track '4 One Another' - a house bomb full of sub-bass pressure, craftily employed vocals and deft drum programming. The original is featured here, alongside mixes from Australian underground hero Marley Sherman, who took the trophy for his uplifting remix. London Based DJ Rouge, meanwhile hails from Ireland but loves original Italian deep house of yesteryear, and his offering was the second most voted work and is included here, slower and more wistful but still chunky in the beats department, with Dunique's spoken word part adding a quietly philosophical dimension to both the original and chirpy, cheery sounding mix from Montreal wonderkid South Shore Garage.

Returning to Balkan Vinyl after 2020’s Beats For Straight Boys, the Italian XXXL queer acid-disco duo Hard Ton are back, this time with guest vocals from legendary model & singer ROY INC. Three tracks of proper acid house for sweaty bodies on the dancefloor, plus two bonus vocal acapellas. Out on limited edition of 303 pink heavyweight wax.

This almost unheard score holds some never before heard Budd gems. Dynamite Cuts release for the first time a 7' 45 with a selection of original cues and dialogue taken from the Film. How, James Coburn as Professor Robert Elliot creates a masterful plan to get four people, who know too much, to kill each other is a fine example of a classic British thriller with a superb twist at the finale. This 45 is a journey through the film that includes some never before heard tracks. A must have!

THE INTERNECINE PROJECT Musicians

Roy Budd - Piano, Clavinet, Rhodes, EMS AKS

Paul Fishman - ARP 2600 Electronic programmed and effects

Daryl Runswick - Double Bass and Bass

Tristian Fry - drums

Frank Riccotti - Percussion

Judd Proctor - Guitar

Ronnie Scott - Alto sax

Tubby Hays - Sax

Kenny Baker - Trumpet

String orchestral parts led by Sidney Sax: 1974 The National philharmonic

John Richards - Sound engineer

Roy Budd - Arranger

Recorded at CTS Wembley

THE BLACK WIND MILL Musicians

Roy Budd Key boards - Harpsichord, Clavinet, Rhodes and Piano, EMS AKS

Paul Fishman - Electronic programmed & ARP 2600 Keyboard

Daryl Runswick - Bass & Double bass

Ronnie Verrell- Drums

Tristian Fry & Frank Barber - Percussion

Tubby Hays, Ronnie Scott, Kenny Baker - Horns on 'Radio Music'

Orchestral parts: 1973 The National philharmonic led by violinist Sidney Sax

Dick Loosey - Engineer.

Roy Budd & Frank Barber - Arranger

Recorded at CTS Wembley

Recorded at the Van Gelder Studio in May 1962, this classic quartet
album features Roland Kirk on saxophones and several famous Haynes drum solos, most notably on his own composition ‘Snap Crackle’.