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Apzolut & MC Goatzak are two brothers with a pretty damn unique background. These viking brothers measure over 2 meters in height each and most women out there wish they had long hair as good as them. Meeting them for the first time we expected them to come from somewhere near the fjords of Norway, but this turned out to be seriously mistaken...
These metal heads grew up in the Caribbean island of Aruba and lived there till somewhere in their 20's before finally making the move to the Netherlands. With no real metal scene on that tropical island
and definitely no breakcore scene it's still a bit of a mystery to us what drove these guys to start producing and playing such extreme music - but we are happy as f*** that they did.
This brand new 5 track EP is one seriously brutal death/black metal breakcore rave mash up. Definitely not suitable for the top 40 radio listening weaklings out there. But if you're a wo(man) that has a hard spot for extreme out of the box music, then this one just might be something for you.
To keep the nostalgic memories alive and as sort of an ode to those dark times years ago - when for a lot of the youth trading and copying cassette tapes was the only way to even be able to find and enjoy underground music - we've decided to make this release physically available only on cassette tape and those are limited to just 75 copies!!
- Incredible performance at the SNACK ('Students Need Athletics, Culture & Kicks') Benefit, Kezar Stadium, San Francisco on March 23rd 1975
- Includes the entire K101-FM broadcast
- It's presented here together with background notes and images.
The Grateful Dead, live at the SNACK Benefit, Kezar Stadium on 23rd March 1975.
The SNACK ('Students Need Athletics, Culture & Kicks') Benefit took place in San Francisco's vast Kezar Stadium on Sunday, March 23rd 1975. The Dead were supposedly on hiatus at the time, but promoter Bill Graham persuaded them to appear, together with guests Merl Saunders and Ned Lagin. Including material from the work-in-progress Blues For Allah, as well as a superb rendition of Johnny B. Goode, their rapturously received set, broadcast on K101-FM, is presented in full here, together with background notes and images.
Rotterdam's Nr1 Jungle & Breakcore badman FFF back on PRSPCT's RVLT imprint.
4 tracks that deliver all things great this legendary producer has to offer. A little more subtle this time round but still oh so powerful.
24/7 Soundkiller is one of those records every true junglist needs in their life!
READ CAREFULLY Blistering hardcore punk meets visceral drum and bass. Blastbeats, breakbeats, amen beats and kickdrums. A pure and perfect clash of styles and cultures, born from the same fiercely DIY, anti-authoritarian spirit that has shaped extreme music throughout the decades. This one goes from faster-than-the-speed-of-light-drums with screeching, feedbacking guitars to stomping 220 bpm dancefloor smashers on the flip of a coin.
Five tracks, two guitars, one bass guitar, one drumset, a fuckload of beats and synths. If this sounds too good to be true, that's because it is. We don't know what to tell you, this has never been done before.
For fans of: Minor Threat, Negative Approach, oldschool Amen infused Drum & Bass
- A1: Introduction
- A2: Hold On, I'm Coming
- A3: Love Me Forever
- A4: It's Your Thing
- A5: Make It Up To You
- A6: Daydreaming
- A7: Rock Steady
- A8: Say A Little Prayer
- B1: Respect
- B2: I Hurt Myself (I'm Guilty)
- B3: Ain't No Way Encores
- B4: Because Of You
- B5: Jump To It
Aretha Franklin, The Queen of Soul, live at the Bob Marley Performing Center, Montego Bay, Jamaica on November 26th 1982.
Queen of Soul Aretha Franklin had just entered a career renaissance with her chart-topping R&B hit "Jump to It" when she performed at the Jamaica World Music Festival on November 26, 1982. Broadcast on Jamaican radio, her hour-long set at the Bob Marley Performing Center in Montego Bay, features exuberant versions of "Jump to It" and several of her biggest hits, including "Respect," "Day Dreaming," "Rock Steady," and "I Say a Little Prayer."
Axe Gabba Murda Mob Releasing On Prspct's Rvlt Imprint For The First Time. What Does This Mean Well.. Bryan Furry & Hellfish With Their Signature Quality Uk Hardcore Sound But Jut That Little Bit More Broken Up. In Other Words: Brutal And Out Of The Box. Just The Way We Like It!
If we have press-agent, you can read now something like "smashed drums", "ultra fast broken beats", "sharp guitar riffs", "earfucking duel of vocals", "wall of noise", "absolutely dancefloor killers", and again about guitars - "hard, speedy, motorbike sounding", and again about drums - "punchy hammerbeats", and again about noise - "king size",
and again about vocals - "mouth full of nails, unique, sexy".
If we have press-agent, you can read: "industrial", "hardcore", "breakcore", "gabber", "noise", "digital hardcore".
If we have press-agent, you can read: "must have", "strongly recommended", "you can love it or hate it, but you can not stay in the middle".
But we have not.
We made this album, just because we are. We believe one hundred percent everything we says.
We don't make music - we are the music. It's sound of underground. It's our rock'n'roll.
Are you ready for blowjob, suckers Bon courage!
7" Repress
PRSPCT Recordings, Fvneral Apparel, Igorrr and Bong-Ra join forces in this unique music meets art project.
These two breakcore producers have teamed up to produce two monstrous doomcore tracks : TOMBS and PALLBEARER.
The infamous Grindesign provides his artistic view surrounding the audio...and PRSPCT Recordings will be releasing this on their RVLT imprint as a special limited 7"
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