James Hudson is a captivating and charming performer who has a natural affinity with an audience. His outstanding voice can communicate the nuances of a melody and lyric with great interpretive prowess which undoubtedly sets him apart as a jazz singer at the top of his game.
James Hudson's upcoming second album 'Moonray' is a bold and ambitious project that features a unique ensemble including horns, vibraphone and strings to create a rare and accomplished sound. This follows his debut album 'Tomorrow', which attracted international media coverage and exceptional reviews from many top jazz publications (BBC Music Magazine, London Jazz News, Jazzwise, JazzViews), plus air-time across national radio stations where it was named 'Album of the Week' by Jazz FM.
Having recently sold out his first show at the world- renowned Ronnie Scott's, James is in demand at many of the UK's most respected jazz clubs. Regularly performing to sell- out crowds at Pizza Express Jazz Club Soho, Crazy Coqs, Piano Smithfield, Peggy's Skylight, and Hull Truck Theatre, he has appeared at the EFG London Jazz Festival, Leeds Jazz Festival, and Wigan International Jazz Festival. James is sought after by some of the top big bands and orchestras in the industry whom he has guested with all over the world.
James has taken great inspiration from the likes of Mel Torme, Frank Sinatra, Nat King Cole, and Sarah Vaughan which when combined with his passion for jazz standards has inspired him to establish his own voice and unique style, which is captured in his music and live performances.
Buscar:s nation
Self Titled Debut EP. Fully Remastered. Includes 7 Bonus Tracks of Rare Demos and Live Recordings. Deluxe Reissue CD.
Self Titled Debut EP. Fully Remastered. Includes 7 Bonus Tracks of Rare Demos and Live Recordings. Deluxe Reissue CD.
Ein rundes Paket energiegeladener Musik: Das neue Album von Kid Kapichi
"'There Goes The Neighbourhood' ist das dritte Studioalbum von Kid Kapichi und wurde von Dom Craik, bekannt durch die britischen Chartstürmer Nothing But Thieves, produziert. Das Album enthält 11 unverwechselbare Tracks, die von verlebter Jugend und Nächten in Kleinstädten handeln. Diese Songs sind gleichermaßen für Proteste und Partys geeignet.
Ähnlich wie der Filmregisseur Guy Ritchie, ein weltweit anerkannter Vertreter, der seinen britischen Wurzeln treu bleibt, sind die vier Mitglieder aus Hastings entschlossen, an ihren heimischen Werten und Überzeugungen festzuhalten und ihre Songs über Arbeiterstolz einem möglichst breiten Publikum zu präsentieren.
Ein rundes Paket energiegeladener Musik: Das neue Album von Kid Kapichi
"'There Goes The Neighbourhood' ist das dritte Studioalbum von Kid Kapichi und wurde von Dom Craik, bekannt durch die britischen Chartstürmer Nothing But Thieves, produziert. Das Album enthält 11 unverwechselbare Tracks, die von verlebter Jugend und Nächten in Kleinstädten handeln. Diese Songs sind gleichermaßen für Proteste und Partys geeignet.
Ähnlich wie der Filmregisseur Guy Ritchie, ein weltweit anerkannter Vertreter, der seinen britischen Wurzeln treu bleibt, sind die vier Mitglieder aus Hastings entschlossen, an ihren heimischen Werten und Überzeugungen festzuhalten und ihre Songs über Arbeiterstolz einem möglichst breiten Publikum zu präsentieren.
Ein rundes Paket energiegeladener Musik: Das neue Album von Kid Kapichi
"'There Goes The Neighbourhood' ist das dritte Studioalbum von Kid Kapichi und wurde von Dom Craik, bekannt durch die britischen Chartstürmer Nothing But Thieves, produziert. Das Album enthält 11 unverwechselbare Tracks, die von verlebter Jugend und Nächten in Kleinstädten handeln. Diese Songs sind gleichermaßen für Proteste und Partys geeignet.
Ähnlich wie der Filmregisseur Guy Ritchie, ein weltweit anerkannter Vertreter, der seinen britischen Wurzeln treu bleibt, sind die vier Mitglieder aus Hastings entschlossen, an ihren heimischen Werten und Überzeugungen festzuhalten und ihre Songs über Arbeiterstolz einem möglichst breiten Publikum zu präsentieren.
The mysterious Orchid joins Multi Culti with a vibrant homage to the golden era of Spanish trance, infused with dewy drops of glowing Balearic beauty. Firmly believing that musical innovation is now a relic of the past., Orchid looks back and resurrects a sense fun and passion so often lacking in the realm of contemporary business techno and commercial dance. Living in isolation in a far off nation which never kissed by a proper psychedelic movement, Orchid operates with a deep sense of nostalgia for a scene he never got to experience first-hand. Digging through the archives, he developed a profound appreciation for the atmosphere of sex, power, love, and sweetness - elements he believes are masterfully blended in the music of Spanish-speaking cultures. 'Techno Valencia' invites listeners to experience the nostalgia, the passion, and the unadulterated soul of a time when music was not just heard but felt deeply.
- A1: Fela Kuti - International Thief Thief (I.t.t.) (Armonica & Moblack Extended Mix)
- A2: Fela Kuti - International Thief Thief (I.t.t.) (Armonica & Moblack Extended Dub)
- B1: Moblack, Emmanuel Jal & Henrik Schwarz - Chagu (Henrik Schwarz Extended Version)
- B2: Moblack, Emmanuel Jal & Henrik Schwarz - Chagu (Moblack Extended Version)
Repress!
These are the words of legendary Nigerian musician and activist Fela Kuti, words that remain as true as ever over two decades since his untimely death. A pioneer of the Nigerian revolution, his fight against police oppression remains an ongoing conversation in the country. Now, Defected pays tribute to the vital work of Fela with a special 12” release, as Armonica and MoBlack revisit Fela Kuti’s ‘International Thief Thief (I T. T.)’ as the fight against systemic corruption continues to be a pressing issue in Nigeria. The A-Side features Armonica & MoBlack’s flawlessly executed and ever respectful remix of the record where Fela called out and directly attacked former Nigerian president General Obasanjo and Moshood Abjola, the CEO of Nigeria’s biggest national telecommunications conglomerate I.T.T and Decca Records. Their homage to Fela brings a powerful and culturally relevant piece of music to the forefront of dance culture in 2020.
On the reverse side is ‘Chagu’, where a powerful and evocative spoken word narration is provided by South Sudanese-Canadian artist, actor, former child soldier and political activist Emmanuel Jal. A collaboration between Emmanuel, MoBlack and Henrik Schwarz, both producers provide their own version of ‘Chagu’, with MoBlack opting for a classic afro-house beat and hypnotic percussion, while Henrik’s signature crisp, harmonious composition makes for a guaranteed dancefloor weapon. Both visionary producers, Henrik and MoBlack’s versions are equally impactful, complementing the immediacy of Emmanuel’s lyrics.
After humble lo-fi beginnings in the Australian Art-Pop Underground, Donny Benet has expanded his cult-like following across the Globe with a resonant Array of danceable Repertoire dealing with Love- and Affection. New album "Mr Experience" marks a new chapter, informed by a wealth of musical- and personal development.
For Mr Experience, Donny envisioned a Soundtrack to a Dinner-Party- Set in the late 1980's. While his earlier Recordings drew Inspiration from DIY Pop Conspirators such as Ariel Pink & John Maus, Donny channelled the Stylings of Bryan Ferry & Hiroshi Yoshimura as the Impetus for new Material, evident on the Intimacy found on ‘Girl Of My Dreams’ and it's lush production- with a soothing whistle-along Chorus for good Measure!
Sincerity has been a key component of Donny Benet’s output since the beginning. His songs deal with genuine Emotion served on a kitsch Platter. An alter-ego manifested in the beginning of the 2010's, Donny has blurred the Lines of Artifice to create a back- Catalogue that can embrace- and challenge, often simultaneously, - the notion of Irony in Art.
"Mr Experience" moves further away from ironic Notions as Donny explores lyrical- and musical themes which embody Observations of Maturation in his audience, his tightknit musical Community- and himself. While ‘mature’ is a term that often rings hollow as an album descriptor, the term couldn’t be more apt for Mr Experience.
Previous album The Don was created with the luxury of time. The phenomenal Response to that Album across Europe- and the United States - fuelled by accompanying Music Videos clocking in Views in the Millions- meant that there were scant Windows of Opportunity to write- and record a follow-up.
With a legacy in Sydney’s music community, working with Sarah Blasko, and tightknik collaborators Jack Ladder & Kirin J Callinan, Donny Benet is accustomed to collaboration on the Stage- and in the Studio, mostnotably on the 2014 full-length release Weekend At Donny’s.
“There is such immense talent evident in every aspect of the Donny Bene experience - the vision of the character, the steadfast adherence his narrative and the musicality of Benet himself all combine to makesomething truly genius.” - Double J, Australin.
“Donny Benet makes feminine music for everybody” - Vice, Netherlands.
“The Don does not sound like amusical copying machine”. - 3voor12 National, Netherlands.
“The set was punctuated with virtuosic solos and exquisite harmonies, and added another layer of genius to the show.
We almost couldn’t handle it... Donny for president!" - Indie Berlin.
“Everyone loves Donny Benet” - Feature in Gonzai, France.
“Phenomenal Australian Showman... Offers Top-Class Dance Music with Virtuose-Bass Guitar- and Keyboard Parts & incredible Sound-Colour feel.” - Podujatie.sk, Slovakia.
Donny has toured Europe five times since the start of 2018 and has played in the UK, Austria, Germany, Slovakia, France, Netherlands, Spain, Portugal, Belgium, Denmark, Switzerland, Czech Republic, Greece and Sweden. The Don will revisit Europe twice in 2020, once for his own headline shows in May then back again in August for festivals!
- A1: Garden Of Eden (Feat. Charlotte Savary) - 3’38
- A2: Middle Of Nowhere (Feat. Charlotte Savary) - 4’22
- A3: Insomnia - 3’46
- A4: The Trip (Feat. Charlotte Savary) - 3’44
- A5: Andy’s Dream - 4’27
- B1: Game Over (Feat. Charlotte Savary) - 3’43
- B2: Around The Corner - 2’58
- B3: Stranger Night - 3’19
- B4: One Day (Feat. Charlotte Savary) - 3’30
- B5: Last Call From Earth - 3’29
The Trip is the first solo album by N'Zeng, better known as Sébastien Blanchon. It has to be said that he hid behind his (hollow) nose to sniff out the right projects (ex Le Peuple de l'Herbe, member of Entourloop). His nose is hollow, but not for the trumpet, and yet it's with this instrument that he started out. And he reinvents it, giving it a subtle place on this musical road trip we call The Trip.
A journey open to all, with no tolls and no filters, apart from the cinematic filter of this lover of original soundtracks and trip hop. Beautiful images flash before our eyes, and in our ears, the smooth voice of Charlotte Savary (Wax Tailor). An album, a very good trip for lovers of Portishead, Gorillaz, and well-felt scratches in the form of controlled skids.
He's making a name for himself as N'Zeng, with his smooth arrangements.
N'Zeng's father played trumpet with his grandfather in the Feurs brass band in the Loire department. When he arrived in Saint Etienne, young Sébastien started out with a cornet à pistons at the Conservatoire. His teacher at the time, Marcel Heyte, had won a prize in Paris at the same time as a certain Maurice André.
His father took lessons in orchestral conducting, accompanying the offspring's budding musical career, which included a course at the Festival de Cuivre in Monastier-sur-Gazeille, where he met the soloists of the Radio France orchestra. A new awareness, a new confidence: off to Lyon, not for a soccer derby, but to "beef up his game". In 1997, he was awarded a gold medal for trumpet by a unanimous jury at the Conservatoire National de Lyon.
Lyon, capital of the Gauls, was the starting point for N'Zeng, who went on to become a member of the group Le Peuple de l'Herbe. 15 years later, with several successful records to his credit, a concert in 2003 at the Transmusicales with Beth Gibbons (Portishead), and a Victoire de la Musique award, it was time for N'Zeng to move on to other things.
Arrival in the City of Light, the place where dreams come true. Nzeng's dreams are not only sonic, but also visual, for Sébastien is not only a friendly presence and a talented musician, but also a cinephile. His knowledge of music theory, acquired during his years at the conservatory, enables him to tackle music for pictures.
He created a soundtrack for the cult film Alien - The 8th Passenger, and worked with musician Rone (collaborating with Baxter Dury) and his bandmates from Le Peuple de l'Herbe, composing 2 tracks for the soundtrack of Virginie Despentes's hard-hitting film "Baise-moi". On the album "Hollywood Hustlers", with the group "Mustang Force", he pays tribute to the soundtracks of Lalo Shiffrin, Ennio Morricone... The album is also well received by the critics. He conducts the arrangements and orchestrations for the Degiheuga Orchestra, and composes the original music for the Hôtel Bellevue dance show, another success!
2019 sees the birth of "The Trip" project. On this record, no masks, but a female voice, that of Charlotte Savary (Wax Taylor), laid on a carpet of strings. With this musical voyage, trip hop takes pride of place, with a balance between the body of the instruments and the mechanics of beatmaking.
There's no getting off track on this well-balanced record, with its silky orchestrations. N'Zeng accompanies us elegantly, with his trusty trumpet as GPS, here used subtly. The album cover is a photograph taken by Sébastien Blanchon's mother, in 1973, a year when Saint Etienne was about to become French champion for the 7th time.
"English heavy-metal band Diamond Head was formed in Stourbridge by guitarist Brian Tatler and drummer Duncan Scott in 197Diamond Head were part of the New Wave Of British Heavy Metal and have been acknowledged by bands such as Metallica and Megadeth as a significant early influence. The album Borrowed Time is one of the all-time classic albums from the NWOBHM era and was originally released in 198 The album's openers ""In the Heat of the Night"" and ""Call Me"" are both power ballads, strongly signifying the band's approach to a more mainstream sound. Sean Harris portrays a vivid picture with his soul-searching vocals and guitarist Brian Tatler adds great solos and rhythms to the songs. The album also features “Am I Evil?”, which remains the band’s signature song, which rose to international prominence after it was covered by Metallica."
Borrowed Time by Diamond Head, released 8 March 2024, includes the following tracks: "To Heaven From hell", "Borrowed Time", "Am I Evil?" and more.
This version of Borrowed Time comes as a 1xLP.
Black Grape, eine Band, die nur in Manchester entstehen konnte, melden sich mit dem brandneuen Album ORANGE HEAD zurück. Shaun Ryder (Happy Mondays) hat sich vom wilden jungen Rabauken zu einem britischen Nationalschatz entwickelt. Ihm zur Seite steht Rapper Paul Leveridge aka Kermit. Black Grape gelten als eine der innovativsten und kultigsten Bands der letzten 25 Jahre. Sie hatten vier Top-10-Singles, ihr Debütalbum 'It's Great When You're Straight… Yeah' schoss 1995 direkt auf #1 der UK Charts und wurde mit Platin ausgezeichnet. Der Nachfolger 'Stupid Stupid Stupid' erreichte 1997 Gold. Black Grape waren schon immer ein düsteres, kosmisches musikalisches Puzzle, das Rock, Hip-Hop, Acid House, psychedelischen Pop und Reggae mit Ryders Gossenpoesie vermischte, vorgetragen in seinem unnachahmlich-hysterischen Stil.
- A1: Armin Van Buuren - Am I Ai? (A State Of Trance Year Mix 2023 Intro)
- A2: Gareth Emery - Missing You (Feat Maria Lynn)
- A3: Above & Beyond - 500
- A4: Armin Van Buuren - Love Is A Drug (Feat Anne Gudrun)
- A5: Dim3Nsion - Stronger Now
- A6: Armin Van Buuren & Matoma - Easy To Love (Feat Teddy Swims - Tanner Wilfong & Assaf Remix)
- A7: Estiva - Via Infinita
- A8: Aname - Escape
- A9: Super8 & Tab & Crowdplusctrl - Incomplete (Feat Jess Ball)
- A10: Miss Monique & Avira - Subterranean (Feat Luna)
- A11: Laura Van Dam - Needing You
- A12: Maor Levi & Magnificence - Let You Go
- A13: Kasia - Universal Nation
- A14: Hel Slowed & Amber Revival - If You Only Knew
- A15: Aname - Anywhere (Road Trippin’) (Road Trippin’)
- A16: Armin Van Buuren - Dayglow (Feat Stuart Crichton)
- B1: Dekkai - Firmament
- B2: Armin Van Buuren - In & Out Of Love (Feat Sharon Den Adel - Innellea Remix)
- B3: Orjan Nilsen - 9910
- B4: Armin Van Buuren - Motive
- B5: Chicane - Saltwater (Feat Moya Brennan - Ilan Bluestone Remix)
- B6: Seven Lions & Above & Beyond - Over Now (Feat Opposite The Other)
- B7: 7 Skies - Tokyo777
- B8: The Blizzard - Kalopsia (Matt Fax Remix)
- B13: Dim3Nsion - Adagio In G Minor
- B14: Giuseppe Ottaviani Vs Alex Sonata & Therio - Tears Of The Kingdom (Feat Tishmal)
- B15: Giuseppe Ottaviani & Ilan Bluestone - Futuro
- B16: Hel Slowed & That Girl - Hold Onto This
- B17: Gareth Emery - Vertigo (Feat Sarah De Warren)
- C1: Ahmed Helmy - Glitch
- C2: Ferry Corsten - Mind Trip
- C3: Cubicore - Bifrost
- C4: Lostep - Burma (Aname Am Remix)
- C5: Armin Van Buuren - Vulnerable (Feat Vanessa Campagna)
- C6: Ahmed Helmy - R4Ve 201
- C7: Achilles & Wintersix - Night Vision
- C8: Fergie - Here Comes That Sound
- C9: Dod - So Much In Love (Armin Van Buuren Remix)
- C10: Ferry Corsten - Yes Man
- C11: Ahmed Helmy & D72 - Analogy
- C12: Ben Gold & Ruben De Ronde - Bliksem
- C13: Bryan Kearney Vs Karney - Compromise
- C14: Achilles, Semblance Smile & Sharon Valerona - Never Lost
- C15: Orjan Nilsen - Xiing (Nilsix Remix)
- C16: Maarten De Jong, Frank Spector & Luca Morris - Minuetto
- C17: Asteroid - Free
- C18: Murzo - Kiss The Night
- C19: Xijaro & Pitch - Invisible (With Adara)
- B9: Luke Bond Vs M6 - Nexus
- C20: Bryan Kearney & Bo Bruce - Shine A Light
- B11: Eelke Kleijn - Time Machine
- C21: Paul Van Dyk & Ciaran Mcauley - Someone Like You
- D1: Paul Van Dyk, Marc Van Linden & Sue Mclaren - Beautiful Life (Shine Ibiza Anthem 2023)
- D2: Miyuki - Love Again Like That (Feat Tara Louise)
- D3: Xijaro & Pitch - Chasing Dreams
- D4: Binary Finary - 1998 (Victor Ruiz Remix)
- D5: Emma Hewitt Vs Roman Messer - Fallen
- D6: Will Rees Vs Asteroid - Exhilarate
- D7: Artento Divini Vs Davey Asprey Presents Adda & Ontune - Divas
- D8: Whiteout - Adsr
- D9: Mhammed El Alami - Healing
- D10: Ciaran Mcauley & Susie Ledge - You’re Never Alone (Uplifting Mix)
- D11: Driftmoon - Feel The Waves
- D12: Allen Watts & Rene Ablaze - On My Way (Feat Cari)
- D13: Xijaro & Pitch - Time (With Cari)
- D14: Trance Wax - Artificial Intelligence
- D15: John O’callaghan - Riverside
- D16: Alex Morph & Amy Wallace - Surrender
- D17: Allen Watts - Set Me Free
- D18: Giuseppe Ottaviani - Angel (Feat Faith - Yelow Remix)
- D19: Aly & Fila Vs Chapter 47 Vs Richard Bedford - Edge Of Tomorrow
- D20: Sneijder Vs Cari - You Take My Breath Away
- D21: Ben Gold - Follow The King (Feat Madelyn Monaghan - David Forbes Remix)
- D22: Solarstone - Solarcoaster (Maarten De Jong Remix)
- D23: Daxson - Who We Are
- D24: Giuseppe Ottaviani - To The Stars (A Dreamstate Anthem) (A Dreamstate Anthem)
- B10: Uufo - Energize
- B12: Armin Van Buuren & Punctual - On & On (Feat Alika)
- D25: Haliene - Reach Across The Sky (Ben Gold Remix)
- E1: Trance Wax - Ascend
- E2: Emma Hewitt Vs Xijaro & Pitch - Everlasting
- E3: Craig Connelly & Christina Novelli - Black Hole (Giuseppe Ottaviani Remix)
- E4: Andrew Rayel - One More Memory
- E5: Craig Connelly - Nathan’s Song
- E6: Armin Van Buuren, Ferry Corsten, Rank 1 & Ruben De Ronde - Destination (A State Of Trance 2024 Anthem)
- E7: Ardi - Mystical
- E8: John Askew - Aces Hi
- E9: Giuseppe Ottaviani - Conscious Mind
- E10: Armin Van Buuren & Just Us - Make It Count
- E11: Bk - Xtc Nation
- E12: Bryan Kearney - Encanta
- E13: Somna & Sarah De Warren - Satellites (Will Atkinson Remix)
- E14: Emma Hewitt Vs Daxson - Warrior
- E15: Craig Connelly & Haliene - Other Side Of The World
- E16: Ram & Cari - What Matters
- E17: Sneijder Vs Nat Conway - Everybody’s Free
- E18: John Askew - Running In The Dark
- F1: Ben Gold - Ultrasonic (Maarten De Jong Remix)
- F2: Armin Van Buuren - Computers Take Over The World (Maddix Remix)
- F3: Will Atkinson - Cosmic Heartbreak
- F4: Armin Van Buuren Vs Xoro - God Is In The Soundwaves (Feat Yola Recoba)
- F5: Armin Van Buuren & Vini Vici - When We Come Alive (Feat Alba)
- F6: Bk - You Are The Master
- F7: David Forbes - Dreamstate
F8 . Liam Melly - Energy
F9 . Armin Van Buuren - Space Case
F10 . The Obsessed - Free Yourself
F11 . Ie Shuuk & B Stylezz - Konje
F12 . Armin Van Buuren - Lose This Feeling (Maddix remix)
F13 . Armin Van Buuren - Lose This Feeling (Dimension remix)
F14 . Armin Van Buuren - AI Vs Humanity (A State Of Trance Year mix 2023 outro)
Nils Økland is interested in the journeys and dialogues of music across time and space, a music without national and traditional borders. At the same time, he is also very inspired by local music from many places and often prefers old fiddlers and singers who have a unique personal playing style. The first concert with Nils Økland Band took place in 2014, and since then, they have released the Norwegian Grammy nominated "Kjølvatn" on ECM and "Lysning" on Hubro, which won the award. It has been seven years since their last release. On March 1st, the highly anticipated album "Gjenskinn" (Gleam) is set to be released. The band has been working on the album for a long time, resulting in a genre-defying, cohesive work inspired by influences from around the world. Nils Økland, known for his innovative playing style on the Hardanger fiddle, violin, and viola d'amore, comes from the folk music tradition and is internationally recognized. He has collaborated with major orchestras, composed music for various mediums, and played on albums with notable musicians. Additionally, he is a member of the rock trio Lumen Drones (ECM), their latest release (Umbra) was released on Hubro, and he was a member of the improvisation band 1982 (Hubro), bridging folk, classical, and improvisational music. The Nils Økland Band consists of several of the foremost musicians in Norway: Rolf-Erik Nystrøm (saxophone), Sigbjørn Apeland (organ), Håkon Mørch Stene (percussion), Mats Eilertsen (double bass). These are musicians who, individually, have collaborated with Økland for a long time, but many of them had not played together before Økland formed the band. Rolf Erik Nystrøm has played in the genre-crossing contemporary music trio Poing for several decades, in addition to being a soloist with large orchestras, playing with world and folk musicians, and in various jazz bands. Sigbjørn Apeland has a long history of collaboration with Økland. They play a lot as a duo and have also played in the band 1982 for ten years, along with drummer Øyvind Skarbø. Percussionist Håkon Mørch Stene plays in the contemporary ensemble Asamisimasa and has also released critically acclaimed albums featuring music by Laurence Crane, Gavin Bryars, and Michael Pisaro on Hubro. Mats Eilertsen is the leading jazz bassist of his generation. He has played with a number of prominent jazz musicians such as Tord Gustavsen, Trygve Seim, Bendik Hofseth, and has released several albums under his own name on both Hubro and ECM. The Band - Nils Økland: Hardangerfiddles and violin, Rolf-Erik Nystrøm: Alto and baritone saxophones, Sigbjørn Apeland: Harmonium and Fender Rhodes, Håkon Mørch Stene: Percussion, vibraphone and electronics, Mats Eilertsen: Double bass.
Focus On Nature ist das neue Studioalbum des gefeierten Post-Psych/Independent Singer-Songwriters Nick Saloman und seiner Band The Bevis Frond. Fünfundsiebzig Minuten herrlicher Melodien, die sich zwischen 60er-Jahre-Psych, englischem Folk, den Seattle Art-Punks The Wipers, dem Buzzsaw-Pop von Dinosaur Jr. und Hendrix-esken Erkundungen bewegen. Ihre Musik hat immer etwas spielerisch Englisches an sich. Die Kult-Ikonen, die sicherlich The Lemonheads, Teenage Fanclub, Elliot Smith, Pavement und Dinosaur Jr. beeinflussten, haben eine weitere schräge Mischung aus melodischer, klaviergeführter Melancholie, akustischen Grübeleien, kratzigem Garagen-Rock mit punkigem Einschlag und voller Gitarren-Histrionik produziert. Wie der viel gelobte und äußerst erfolgreiche Vorgänger "Little Eden" befasst sich die neue Platte mit dem Überdruss der Welt, füllt aber eine größere Leinwand aus: Fast Food und globale Erwärmung, gebrochene Herzen und lange Nächte, alltägliche Unsterblichkeit und Gottes Geschenk - all das findet seinen Platz. Es ist wie Townshend in seiner thematischsten Phase; Big Star in all ihrer akustischen Pracht, perfekt ausbalanciert mit der punkigen Garage-Rock-Combo, die auf "Empty" mit Gilmour-Breaks endet, die das Ganze zur Größe erheben. "Sie mischen immer noch Pop, Punk und Psych mit schwindelerregender Wirkung. The Guardian "Selbstreflexion gepaart mit einer reumütigen Bestandsaufnahme des aktuellen Zustands der Nation." Uncut zu Little Eden - Erhältlich auf Ltd Double Purple Vinyl, DL-Karte und/oder als CD im Digisleeve -
LIMITED RED VINYL
Sheherazaad ist eine US-amerikanische Komponistin und Sängerin, derenzeitgenössische Folk-Pop-Synthese, produziertvon Arooj Aftab, einer neuen Welle der klanglichen Innovation aus der Diaspora Teil wird. In der modernen Welt ist Migration omnipräsent. Sie durchzieht sämtliche Lebens- und Alltagsbereiche, steckt oftmals verschlüsselt in unseren Gewohnheiten. Während unzählige Menschen sowohl mental als auch körperlich mit nie da gewesener Aggressivität die Globalisierung vorantreiben, werden einst stabile "Genres" und Identitäten jeder Art zerlegt - aufgespalten und abgeschafft, überflüssig gemacht und wieder neu geboren. Alles migriert, alles ist in Bewegung. In genau diesem fluktuierenden Feld findet Sheherazaad Inspirationen für ihre Songs. Ihr Minialbum Qasr entstand während einer Phase der familiären Entfremdung. Auch die Trauer über einen Todesfall in der Familie und die rassistische Polarisierung ihres Landes, das plötzlich kaum wieder zu erkennen war, prägten die Aufnahmen. Der Titel des Albums bedeutet auf Urdu (der Nationalsprache in Pakistan und einigen indischen Bundesstaaten) so viel wie "Burg" oder "Festung". Und tatsächlich ist Qasr ein Monument: Es verkörpert die Last der Vertreibung, die widersprüchlichen Sog- und Anziehungskräfte der Diaspora - und das schreckliche Problem der Auslöschung, des Vergessens der eigenen Wurzeln. Um genau diese Art der Erfahrung geht es, um die Gewalt, die Hysterie, auch um die Romantisierungen, die damit einhergehen, wenn Sheherazaad klanglich eintaucht in jenes In-Between - ins Reich des Dazwischen. Die Aufnahmen fanden im Herzen von Brooklyn im Glass Wall Studio statt. Die unbeschreibliche Energie der nächtlichen Sessions speiste sich dabei vor allem aus der einzigartigen (und einzigartig internationalen) Konstellation der Mitwirkenden: u.a. mit dabei waren auch Basma Edrees (Ägypten), Gilbert Mansour (Libanon) und Firas Zreik (Palästina); gemastert von Heba Kadry (Björk, Ryuichi Sakamoto). Auf Qasr lädt uns Sheherazaad in eine betörende und vollkommen neue Klangwelt ein: in ein Reich der Musik, das genau genommen noch gar nicht von dieser Welt zu sein scheint. Zugleich lässt sie die Fackel der nomadischen Erfahrung auflodern, gibt auch diesem Feuer einen sehr viel prominenteren Platz. Insgesamt entwirft die Künstlerin mit diesem betörenden Album ihre eigene Festung. Denn sie will auch uns dazu ermutigen, unsere eigenen Festungen, unsere eigenen klanglichen König:innen-Reiche und unmöglichen Traumwelten zu entwerfen
- Conspire
- Clubs
- Rock 2000
- Si J'prefere
- Héros National
- Merci La Ville
- Palace Meetic
- Le Sang De Papa Et Maman
- Pinata
- Parce Que J'ai Rêvé D'être Riche
Gwendoline werden nicht gern in Schubladen gesteckt. Wir tun es dennoch: Nu Wave with wit, Synthwave with edge, Postpunk with Pop. Als wenn Benjamin Biolay Molchat Doma vorstehen würde, ,I'm Not In Love" (Chrystal Castles) auf ,Anyway" (OTO) trifft, Ladytron mit DAF in den Urlaub fahren würden. Seit 2017 verfolgt das social medial scheue Duo Micka (a.k.a. Mikoune) und Pierre (a.k.a. Daniel) im eher verborgenen ihre Cold Wave-Vision. Das Debut wurde in reinster DIY-Manier zu Hause im Keller aufgenommen und ohne Umschweife in kurzer Zeit produziert. Lange Zeit gab es kaum was zu Gwendoline zu googlen, aber an den Kennnern ist es natürlich nicht vorbeigegangen. Das spanische Label Dead Wax Records fand das so super, veröffentlichte digital und sehr limitiert auf Vinyl, ein Reissue gab's auf bandeigenem Label 2022. Nun sind sie bei Born Bad gelandet und dabei in bester Gesellschaft mit Vox Low, Frustration und Bracco. Was macht Gwendoline einzigartig? Sicherlich ihre Wut und gleichzeitige Zurückhaltung, die sie mit Selbstkritik, Ironie und Humor vermischen, was sich in den Texten wie auch im Sound wiederspiegelt. LP-Version in klassich schwarz mit Download Code und Digipack-CD.
- A1: Los Megatones De Lucho - El Tumbaleque
- A2: Sonora Venezuela - Pero En Caracas
- A3: Los Megatones De Lucho - Muñeca
- A4: Al Ramos Y Su Orquesta - El Candidato
- A5: Orquesta Sonoramica - Oye Como Suena
- A6: Microbanda Marabina - Maracaibo
- B1: Principe Y Su Sexteto - Salsa De Guaguancó
- B2: Genaro Y Sus All Stars - Mambo Tema
- B3: Orquesta Universidad - Atado A Un Recuerdo
- B4: Los Kenya - No Salgas De Tu Barrio
- B5: Nelson Y Sus Estrellas - Disparo Goajira
- C1: Los Kenya - Pa' Puerto Rico
- C2: Principe Y Su Sexteto - Analiza
- C3: Supercombo Los Tropicales - Juana Guaguancó
- C4: Los Satélites - El Tostao
- C5: Johnny Sedes Y Su Orquesta - Algo Diferente
- D1: Los Satélites - Fiesta En Venezuela
- D2: Rodrigo Mendoza - Lija
- D3: La Renovación - Mi Redención
- D4: Los Blanco - Corta El Bonche
- D5: Grupo Yakambu - Si Eres Tú
Established in 1948 by César Roldán, Discomoda is one of the earliest record labels of Venezuela and the oldest family operated label in the country. Home to one of the most complete folkloric and popular music catalogues of Venezuela, the label also invested heavily in Afro-Caribbean and tropical rhythms that became popular in the 60s and 70s.
In the 1960s and before the Salsa era truly kicked off, Venezuela had a significant dance orchestra and big band movement. Unlike local record competitors dedicated to selling foreign productions, Discomoda achieved its leading position by recording the most important national bands, including Los Megatones de Lucho, Orquesta Sonoramica and Super Combo Los Tropicales; all featured in this compilation.
Later on, surrounding the festivities for the 400th anniversary of Caracas in 1967, the word "Salsa", which had been recently coined by famed radio host Phidias Danilo Escalona, was formalized to identify an Afro-Caribbean musical style with growing popularity in Venezuela and beyond. By then, the country was among the top 20 music markets in the world, with the local label Discomoda leading the way, responsible for one out of every five records sold in the country.
With the prolonged celebrations approaching due to the 400 years of the city, Discomoda and other labels began to capitalize on this new musical style by betting on both established and new local bands, such as Nelson y sus Estrellas, Los Kenya, Principe y su Sexteto and Los Satélites. As a result, this would kick off what could be considered a golden era of Salsa in Venezuela and which lasted until the mid-70s.
As we approach the 80s and with the emergence of new musical styles and bigger multi-national record labels funded by larger pockets, a lot of the previously popular bands begin to disband or choose to leave the country. Nonetheless, a few artists, like Rodrigo Mendoza, La Renovación and Grupo Yakambu, were still pushing out quality music.
We are thrilled and honored to celebrate one of Venezuela's and, equally, Latin America's most significant record labels, and to share a slice of their enduring influence in advancing Venezuelan-made Salsa music.
Garrett T Capps is one bad mofo. GTC is a real hombre. He makes cowboy kraut with his band NASA Country & also lots of Tex-Mex rock n' roll. He is San Antonio's resident cosmic country gonzo honky tonk weirdo freak! And he is a national treasure in Holland. He can usually be found at The Lonesome Rose, the bar he owns in the city he was born in. And now you can hear his iconic debut album, Y Los Lonely Hipsters, on vinyl on Cow Pie Recordings. Garrett T. Capps and his band, The Only Hipsters, recorded and released the nine-track L.P back in 2016. Now, for the first time ever on vinyl, this album can be heard on our limited edition queso splatter and nacho orange colorways. “It’s good to change up the diet here and there, but I felt strongly that sticking to menudo in the studio would help us achieve the acoustic terroir we were after,” said Capps. “The Only Hipsters and I are all San Antonio guys, and I wanted the music to reflect that. Tex-Mex in the left ear and T-bone steaks in the right ear.” With Songs like “Born in San Antone,” Capps and The Only Hipsters hope to serve up a solid portion of South Texas timbre, complete with heavy steel guitar, accordion, violin, acoustic and electric guitars, organ, bass and drums in various arrangements. This record holds an esteemed spot in Texas cosmic-country releases
- A1: Peter Patzer - You Are Not The One For Me
- A2: Ströer - Don't Stay For Breakfast
- A3: Upstairs - You're Just Yourself
- B1: J D. (Puma) Lewis - Dancing Shoes
- B2: Trust - It's Not Over
- B3: Imagination - Strawberry Wine
- C1: Squish - Get Up
- C2: Publicity - Funky Feeling
- C3: Bernie L - Backstreetboy
- D1: Ca$H - Raff Dich Auf
- D2: The Poptown Syndicate - Keep On Lovin' (Single Version)
- D3: Ca$H - Raff Dich Auf (Edit) (Bonus Track)
German Funk, Rare Groove and 1970s Disco music (e.g. the highly regarded Munich scene around Italian producer Giorgio Moroder) have been widely recognized and featured on numerous reissues and compilations. However, the Boogie-ish post-disco side of German music history until now has remained undiscovered. One of the reasons might be that a broader national scene in Germany (unlike the UK for example) never existed. Even though tracks by US bands such as Dazz or Midnight Star were popular in discotheks in Germany around that time, bigger labels showed little interest in promoting German groups playing this new style of Disco Funk, now primarily known as "Boogie", that brought in electronical instruments and often lacked the iconic "four-on-the-floor" beat. Additionally, the number of bands that continued to play funky and soulful music in the 1980s diminished as other styles like Synth Pop, Punk, New Wave and NDW (New German Wave) ascended in popularity. Still, though German Boogie may have never existed as a national movement, great things were happening rather locally and each group featured on our compilation brings with them a particularly unique style and story.
Now, finally, "Boogie on the Mainline" sheds some light on 11 little-known German Disco gems that were released on small or even private labels. The album contains tunes by Imagination, Squish, Upstairs, Bernie L., The Poptown Syndicate, Peter Patzer, Ca$h, Trust, Publicity as well as classic tracks by Ströer and John Davis. It was compiled by John Raincoatman aka DJ Scientist




















