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Die neue Doppel-LP „All The Dreams I Share (The Vocal Edition)“ von Talla 2XLC ist jetzt erhältlich – in einem atemberaubenden transparent violetten Design und limitiert!

Diese Sammlung bringt die besten Vocal-Trance-Momente aus Tallas jüngster Schaffensphase auf Schallplatte. Fans haben die emotionalsten und kraftvollsten Tracks für diese exklusive Ausgabe ausgewählt.

Zu den Highlights gehören „Journey‘s End“, „Destined From The Start“ mit Gid Sedgwick, „Cambodia“ (Talla 2XLC Remix) von Pulsedriver, „Nothing Compares To You“ mit That Girl, „All The Dreams We Shared“, „Life Is 4 Living“ (Talla 2XLC Remix) mit Danny Fervent und Gid Sedgwick, „Omnia“ mit Junk Project, „The Spring Is My Love“, „The World in My Eyes“, „I‘ve Been Gone So Long“ mit Christina Novelli, „Shine“ mit RAM und Natalie Gioia sowie „Back To Life“ (XiJaro & Pitch Remix) mit Clara Yates.

Erlebe euphorische Synth-Melodien, kraftvolle Basslines und emotionale Vocals, die dein Herz höher schlagen lassen. Diese limitierte Vinyl-Edition ist ein Muss für jeden TranceLiebhaber und ein perfektes Sammlerstück!

Inedited tracks recorded at Kracklite Studio (Alessandria, IT) in 1998, without mistreating any DAW, only Macintosh and midi instruments mixed live.

Urbanatribù is a project born in 1994 by Flavio Gemma and Massimiliano Bocchio, both based in Alessandria (IT).
They started producing for the Minus Habens/Disturbance label in 1994/95, debuting in the compilation "Outer Space Communications V.3.01-T1". Their first self-titled album was released immediately after and in '96 "The Mix" with a remix by Francesco Zappalà. In the same year they were contacted by Digital Boy, releasing their second CD "Mondotondo". Also for D-Boy Records, two E.P.s were released under the name "Biomontana", dedicated only to DJs and fans of the goa genre. Since '97 they have been under SONY Edizioni, doing many gigs in that period in the best Italian clubs, including: Maffia, Lustando, Casalone, Leoncavallo, and remixing, together with Roberto Vernetti of Aereoplanitaliani, Elisa's first success "Labyrinth".
They continue to work on new unreleased songs, moving with Vernetti's mobile studio from London to Bologna with Maurizio Liguori of Technogod. In that period a song is released for Easy Tempo together with DJ Lele Sacchi. Their tour continues in 2001 performing live in historic clubs such as Cocoricó and Jaisse with their new project "Selenita", which sees them together with Francesco Zappalà. They also participated with him in "Planet Rock", RAI radio program with Luca De Gennaro.

An appetite for the unknown" - Daniel Lanois

No collaboration is unlikely when the end goals are the same. A meeting of two artists who illustrate different corners of the musical landscape, come together to create a new statement that takes their collective strengths to higher elevations and encompasses new terrains.

So it is on the first collaborative journey of Canadian musicians Venetian Snares and Daniel Lanois. What started as mutual respect for one another's work, led to several years of a creative germination resulting in an eight-track full-length exploration released May 4th on Timesig/Planet Mu.

The path began in 2014, after Lanois reached out to Venetian Snares (Aaron Funk) as a fan of his work. The project started to take root in Summer of 2016, after Funk hung around Toronto between shows. Taking his gear to Lanois' studio, the two began to play for the first time together in what would prove to be a formative moment in their creative journey together.

I love making music with Dan, he has a real understanding of how to create a world and build what may exist within that world. Bassdrums are trombones and they are a colossal whale which floats on clouds of leaves speaking to the blast furnace feeding the mammoth. A small painting of forest horses hangs in the cranium of the sea horse.' - Aaron Funk

Recorded live in a former Buddhist temple-turned-studio in Toronto,
'Venetian Snares x Daniel Lanois' travels to new zones in what Lanois describes as a body of work driven by exploration'. Like all the best collaborations, it's brought something new out of both musicians. Equipped with their production acuity, they let their natural workflow guide them through uncharted waters. Funk laid the groundwork with drums while Lanois rode the pedal steel, weaving their sounds together in a new sonic tapestry. The two ultimately landed at their destination, their work ready to be shared with those willing to explore.

In Daniel Lanois 'own words:
"To come upon a new form reassures the head that frontier lives on The unlikely pairing of Venetian Snares and Daniel Lanois may very well have provided us with a nice new pair of shoes to walk to new sonic frontier A melange of gospel and electronics As madness of the world trips over its heels these Canadian sonic innovators prepare for travel A body of work driven by exploration, brings to us in our modern times what we remember and admire from the Jazz explorations of the 50s A splintering An appetite for the unknown"

Here at Mr Bongo we have been inundated with people asking us to reissue this release. Ana Frango Elétrico's petit cult classic masterpiece 'Little Electric Chicken Heart' from 2019, which was only ever released on vinyl and CD in Brazil and Japan, has fast become a collector's item.

Well received by fans, DJs, and reviewers on release, The Needle Drop expressed "Ana Frango Elétrico's authentically vintage fusion of chamber pop, rock, samba and jazz is a real blast!" listing it as one of its Top 50 Albums of 2019. The album's reputation has been slowly building ever since, gaining a Latin Grammy nomination in 2020, and now solidly cementing itself as a gem of contemporary Brazilian music.

Across the albums nine tracks, Ana blends elements and influences from MPB, Tropicália, indie rock, punk and pop, forging them together with a sumptuous dose of her signature style. The finesse of 'Saudade' kicks off the LP, one of Ana's most known tracks to a non-Brazilian audience. A sublime opener, beginning with a spellbinding piano solo before transcending into a beautiful dream-laden slice of warmth, complete with luscious jazzy horns and deft vocal delivery. ‘Promessa e previsões’ follows, the only track on the album not to be written by Ana, instead being penned by Chico França. It’s a swelling and sweeping twilight groover, building and breaking across absorbing peaks.

Other highlights on the album include the anthemic 'Chocolate', which was a firm favourite with a packed sing-along crowd when we heard Ana perform it live. Elsewhere, 'Se No Cinema' hits with its quirky allure, charm and catchy melodies before transforming into a carnival spirit.

Tapping into the richness of Brazil’s new wave of musical energy, the album also includes a heavyweight lineup of collaborations with artists such as Dora Morelenbaum (Bala Desejo), Tim Bernardes, Antonio Neves and Guilherme Lirio to name but a few.

A short, sweet and refreshing record, that leaves nothing to waste, marrying playful ideas with poignant themes. 'Little Electric Chicken Heart' is a future classic and will beguile fans of ‘70s Brazilian recordings, Gal Costa, Mac DeMarco, Stereolab, Superorganism, Caetano Veloso and more.

»›The Last Will and Testament‹ ist eine Art Konzeptalbum. Eine rastlose musikalische Reise, die in gewisser Weise meine eigene Beziehung zur Musik als Konsument widerspiegelt«, erzählt Bandleader Mikael Åkerfeldt.

»Ich schnappe hier etwas auf, verwerfe dort etwas. Ich bete Musik an und hasse sie gleichzeitig. Diese Ambivalenz führt mich auf eine Art eigenen kreativen Weg, und dann ist plötzlich eine Sammlung von Songs entstanden. Im besten Fall sind diese Lieder gut genug, um die Band zu beeindrucken. Gut genug für die Mächtigen in der Branche. Gut genug für euch?! Ich liebe diese Platte. Ich muss es so sagen (schreiben). Vielleicht bin ich sogar stolz? Ich nehme an, es sind einige vertraute Zutaten dabei. Die meiste unserer Musik stammt aus der gleichen Quelle, also ist es nicht weiter verwunderlich, wenn es nach ›uns‹ klingen wird. Ich bin ein wenig beeindruckt von dem, was wir mit ›The Last Will and Testament‹ gemacht haben. Es fühlt sich wie ein Traum an. Ich hoffe, es gibt eine gewisse ›Kohärenz‹ und ›Songwriting-Fähigkeiten‹, aber was weiß ich schon? Ich neige dazu, das ›Seltsame‹ dem ›Offensichtlichen‹ vorzuziehen, aber ich habe das Gefühl, dass ich in der Minderheit bin, und das ist gut so. Also... faire Warnung! Erwarten Sie keinen sofortigen Rausch (wie üblich), aber wenn Sie es sofort ›kapieren‹ (haben Sie es schon kapiert?), ist das auch in Ordnung!«

Support from: Dave Lee ZR, Birdee, Mousse T, Da Lukas, Dr Packer, John Morales, Terry Farley, Horse Meat Disco, Basement Jaxx, Oliver Dollar, Yuksek, Bill Brewster, Bibi Seck, Chloe Callait, Glenn Underground, Nick The Record, Mark Brickman, Jimpster, Damian Lazarus, NTS Radio, BBC Radio 1, Joey Chicago & many more..

Full steam ahead! Put on your dancing shoes and jump aboard The Disco Express as the much loved London label unveils its hugely anticipated Best of 2024 compilation.

Pressed on special edition purple neon vinyl, this electrifying compilation showcases the wider breadth of the label's sound. Best of 2024 ventures into a multitude of styles: Soul, Disco, Italo and House, all made with cutting-edge production.

A brilliant fusion of established and emerging artists, the compilation boasts a stacked line up of talent; celebrating the vibrant spirit of The Disco Express whilst perfectly infusing modern twists, optimised for contemporary dance floors.

This is original house & disco for 21st century dance floors and this train ain't slowing down anytime soon...

DJ Support: Jimpster, Terry Farley (FAITH), Bill Brewster, Kruder & Dorfmeister, Laurent Garnier, Black Coffee, Jazzanova

Fred Everything’s latest album, 'Love, Care, Kindness & Hope', came out last May to critical acclaim, gaining support from various players such as Laurent Garnier, Kruder & Dorfmeister, Jimpster and Jazzanova to name but a few.

Not content with having an A-List cast of guests on the album (Stereo MC’s, Robert Owens, James Alexander Bright…) Fred also enlisted top Remixers for the singles. We decided to put 4 of the best ones on a Vinyl sampler for record lovers.

Osunlade leads the pack here with his Yoruba Soul remix of Never feat. Robert Owens, keeping things steady for the dancefloor with his signature sound. Waajeed takes the same track and flips it into a different territorry, both musically and sonically, with his Hi-Tech Jazz feel.

Next, we have the enigmatic Clive From Accounts, re-imagining Soul Love featuring Stereo MC’s, with his precise and soulful beats. And to close the EP, Rocco Rodamaal takes Breathe featuring James Alexander Bright and turns it into a solid floor burner.

Vinkepeezer’s third album is a meditation in sound, inspired by the merging of spirituality and conspiracy theories. Guided meditations, esoteric voices and a plethora of samples from the most paranoid corners of the internet are combined with organ sounds and electronic pop music.

Plunging his listeners in apparent chaos, Dutch artist Vinkepeezer (Ivo Bol) leads you through a wild and varied soundscape with many unexpected turns. Vinkepeezer reworks found sounds, old and new electronics, and excess sounds from vinyl records and tapes into a new musical future, that can be as soothing as it is funny, chaotic and devastating. Everything is a frequency includes guest appearances of Raphael Vanoli, Ties Mellema, Udo Moll, Tom Aldrich, Jayne Bordeaux and Esther Mugambi.

The 180 grams Green Vinyl ® LP is made in an energy efficient way from less toxic materials. Sounds just as amazing. Cover art is by Ben Giles.

This is a repress of a highly collectable record that was originally released on A Guy Called Gerald’s Juicebox label in 1993. Over the years it increased in value, making it a holy grail within the hardcore rave/early jungle collector’s market.

But luckily Vinyl Fanatiks were already working with the producers on another repress – to be precise the SDR & Subsonic release of ‘Ideology/Abstrax’ which came out last year on the label. Both records were recorded by the same producers in the same year, under two different artist names.

Digital Pressure was an alias they created for Gerald, whilst the bulk of their output came out on their own label Shoebox.

A limited repress of 350 units on 180g heavyweight vinyl. Mastered by Dapz at Compound Audio and cut onto vinyl by the legend Beau Thomas at Ten Eight Seven, who is very knowledgeable about this sound as he was in the early 90’s groups The Genesis Project/Intense.

Watch Dis Space as this will sell out!

After a terrific first release by AlleyOP aka Atree & Hagel, Tutto Bene welcomes Christopher Lawrenz for the imprint's second release. "Double Tree EP" features three original works by Christopher and a remix by seasoned veterans and Berlin underground sound wizards Foehn & Jerome. The result is a package of funk-infused dancefloor-ready tunes that nicely follow up Tutto Bene's debut while further expanding its vision.

Double Tree EP kicks off with "Double Tree" (A1), a minimal, groove-focused track laced with dub elements and a quirky tech-house edge. Shifting basslines, off-kilter percussion, and playful vocal samples create a lively vibe, perfect for peak-hour energy. Foehn & Jerome’s remix (A2) reimagines the track as a deep house groover, with smooth, sophisticated melodies layered over an understated bassline, adding both depth and elegance. On the B-side, "Tutto Bene" (B1) delves into more experimental territory with syncopated rhythms and robotic textures, combining off-beat percussion and modulated sounds for a distinctive, driving rhythm. "Quarantäne" B2 rounds off the EP with its warm, organic feel, layering deep melodies and gentle vocal samples for a lush, deeply hypnotic track perfectly suited for the early morning sets.

With Double Tree EP, Christopher Lawrenz showcases his versatility as a producer, delivering a set of tracks that range from peak-hour energy to chilled, introspective vibes. Tutto Bene's second release reaffirms its commitment to fresh, underground sounds.

Saturne is the new project from ASC & Sam KDC. It came to life a few years back, as a non-specific genre approach to writing music. The first outing from the pair under this guise focuses on Grey Area compatible deep hypnotic techno cuts. 'Trace Elements' shows the pairs intent to deliver intricate, atmospheric, genre-fusing tracks of a standard that has come to be expected for their output over the years.

»›The Last Will and Testament‹ ist eine Art Konzeptalbum. Eine rastlose musikalische Reise, die in gewisser Weise meine eigene Beziehung zur Musik als Konsument widerspiegelt«, erzählt Bandleader Mikael Åkerfeldt.

»Ich schnappe hier etwas auf, verwerfe dort etwas. Ich bete Musik an und hasse sie gleichzeitig. Diese Ambivalenz führt mich auf eine Art eigenen kreativen Weg, und dann ist plötzlich eine Sammlung von Songs entstanden. Im besten Fall sind diese Lieder gut genug, um die Band zu beeindrucken. Gut genug für die Mächtigen in der Branche. Gut genug für euch?! Ich liebe diese Platte. Ich muss es so sagen (schreiben). Vielleicht bin ich sogar stolz? Ich nehme an, es sind einige vertraute Zutaten dabei. Die meiste unserer Musik stammt aus der gleichen Quelle, also ist es nicht weiter verwunderlich, wenn es nach ›uns‹ klingen wird. Ich bin ein wenig beeindruckt von dem, was wir mit ›The Last Will and Testament‹ gemacht haben. Es fühlt sich wie ein Traum an. Ich hoffe, es gibt eine gewisse ›Kohärenz‹ und ›Songwriting-Fähigkeiten‹, aber was weiß ich schon? Ich neige dazu, das ›Seltsame‹ dem ›Offensichtlichen‹ vorzuziehen, aber ich habe das Gefühl, dass ich in der Minderheit bin, und das ist gut so. Also... faire Warnung! Erwarten Sie keinen sofortigen Rausch (wie üblich), aber wenn Sie es sofort ›kapieren‹ (haben Sie es schon kapiert?), ist das auch in Ordnung!«

Following 5 years in Berlin, two albums and a continuing residency at Tresor all bringing acclaim, Maedon is now an established voice and one also in transition. The 8th release for her own Rant & Rave label announces this in its title, 2.0, and its sound, a bold move away from her industrial roots towards the groove-laden techno that earned her bones im Keller. The product of careful study of techno's roots and evolution, this gradual process reaps rewards here, showcasing a bracing new direction for an already-accomplished artist.


'Working Out the Kinks' leads off, more a kinky workout than the work-in-progress its title suggests. A vocal sample and rugged groove initially brings an old school feel, something quickly offset by strikingly modern production details. The EPs middle stride, 'Temporal' and 'Growing Pains', attacks heads-down techno head on with style to spare. On the former, growling lows and rotating pads are gradually joined by a symphony of sonic detritus, with razor sharp drums slicing through the murk. A bouncing bassline and blink-and-miss fills on the latter hammer the rhythm onwards, surrounded by reduced industrial elements and grimy ambiance. 'Breakthrough' does exactly that, it's uneasily modulating lead and bruising EBM bass buffeted by waves of percussion then jackhammering to a climax confirming Maedon's 2nd coming.

A1 Dharma
Opening the LP in lively fashion, JLM liberally flecks a detailed composition with exquisite breaks cymbals playing a key role in the evolving patterns as the track progresses while heavy layers of synth work forms a substantial atmosphere. Musical and resonant with micro melodies and sprinkles of FX, Dharma encapsulates JLMs everimpressive attention to detail throughout its seven minutes.

A2 Artha
Where to start with Artha Setting the scene immediately with an epic synth intro that whooshes through your mind to prepare you for what is to come, its immediately obvious JLM has crafted a modern day classic here. Crisp Hot Pants breaks drop before we are treated to inspiring, continually developing and rousing melodies with a tuneful 808 bassline playfully dancing below. One to drop any chance you get Artha deserves to be heard.

B1 Moksha
Delightfully clear, characterful percussion introduces Moksha, a dancefloor friendly piece which rolls along beautifully thanks to old school breakbeats seizing the initiative while fluid keys, filtered synths and waves of serene effects punctuate the production. The
kick-light breaks will stay long in the memory as perfect for both the headphones and the discerning dance floor, just as weve come to expect from JLM.

B2 Kama
Taking you back to the early Progression Sessions era with a modern scifi twist reminiscent of your favourite space operatics, Kama will sit effortlessly alongside tracks from those days and now with its simple yet memorable core wind melody, sprawled
across energetic breakbeats and wide layers of synths & pads to a typically appropriate bassline. Another fine example of the evolving diversity in JLMs production with Spatial.

C1 Boundary
Switching things up, JLM treats us to a notably laid back vibe as Boundary is introduced by understated, filtered synth work and explorative kicks before a mellow yet chunky break pattern provides energy to the track. Detailed as ever, a myriad of effects and
samples are introduced and dance around the mix with a wistful complexity, in a track destined to be in your playlist for some time to come.

C2 Hexis
Kicking things off with a filtered DJ friendly beat intro, Hexis soon drops with constant old school jungle synth work and periodical strings alongside rasping, striking breakbeats that drive the track forward with impressive energy. The breaks reverberate in and out of the mix at intervals as JLM toys with the listener at will, creating a tonally unique and vibrant composition very much worthy of our attention.

D1 Ideal Forms
Low pass breaks echo and jostle for position with FX free counterparts early doors in the finely crafted intro to Ideal Forms, slowly developing with a triumphant assortment of keys and synths before a third layer of breaks are added which underpin a detailed, yet never busy, breakbeat landscape. Occasional breakdowns offer respite in a glistening wilderness of comforting melodies and light ambience.

D2 Physis
JLM rounds the album off very much on form with Physis a suitably climactic piece that opens with a detailed array of percussion, synths and effects before superbly programmed breaks take over the mix. An occasional, all encompassing sci fi synth rush
permeates the atmosphere to almost cinematic levels, while a melodic bassline nestles below leaving you with a track (and an album) you will not forget.

Words by Chris Hayes (Spatial / Red Mist)

It happened this summer while we were spending our family breaks in a rural house located in the town of "Cuacos de Yuste" in the region of La Vera, Extremadura (Spain). An idyllic setting in nature that we recommend everyone visit... One night, upon returning home after enjoying the magnificent cuisine of the area, we found a hard drive with a note at the entrance of the house. The message was clear and concise, FOLLOW THE SAME STEPS... Suddenly my body shook and I quickly understood that the ALIEN RAVE contact had occurred again. In line with his successful first vinyl, the alien has given us two only vinyl songs, Misconception and the sublime Deep Space, accompanied by Bilocation and No Gods. If you liked the first Alien Rave vinyl, you can't miss this Electrobreak gem. Will there be future contacts? We are sure that yes..

Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.

Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.

Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.

"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.

Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?

Erleben Sie das Dolce Vita mit der neuen Vinyl-Compilation
„Original Italian Classics Vol. 1“. Diese außergewöhnliche
Sammlung entführt Sie in die goldene Ära des Italo Pop
der 1950er und 1960er Jahre, als die Straßen Italiens von
unvergesslichen Melodien und charmanten Stimmen erfüllt
waren.

„Original Italian Classics“ vereint die größten Hits und
bekanntesten Interpreten dieser glanzvollen Zeit.

LP + insert with extended liner notes and download code including extra bonus track 'Movements of The Mind'.For his second album on the Belgian leftfield imprint Cortizona, Devin Brahja Waldman gathered a group of insanely gifted and talented musicians to start a new and highly moving musical chapter titled 'Nebulizer'.



From the first moment the pulsating tone of Devin's synth blends with the whispering voices of Earth, Wind and Choir and the menacing bells Naima Karlsson set in motion this record you just know and feel immediately 'Nebulizer' will be a soul-searching journey, soaking you deep into an unknown and very personal musical world.

Devin Brahja Waldman is a New York saxophonist, drummer, synthesizer player and composer who leads the group BRAHJA. He has performed with Patti Smith, William Parker, Nadah El Shazly, Malcolm Mooney, Thurston Moore, Godspeed! You Black Emperor, Charles Hayward, Luke Stewart and Yoshiko Chuma. Waldman is also a member of NYC's Heroes Are Gang Leaders (led by poet Thomas Sayers Ellis and saxophonist James Brandon Lewis), of Sam Shalabi's Land of Kush, and of the Norwegian hardcore group MoE.

In 2022 BRAHJA released the critically acclaimed album 'Watermelancholia' on the Belgian leftfield imprint Cortizona. For his second album on the same Cortizona label, Devin Brahja Waldman gathered a group of insanely gifted and talented musicians to start a new and highly moving musical chapter titled 'Nebulizer'.

Together with Adam Kinner, Georgia Wartel Collins, Earth, Wind and Choir, Luke Stewart, Kenichi Iwasa, Naima Karlsson, Alexis Mercelo, Janice Lowe, Watson and Damon Hankoff, Devin forms a slow-burning fireball unity.

A devotional séance channelling unknown powers proving music is a healing force of the universe.

Rejoicing the Holy Jazz Spirit.

Ready to nebulize the world and bring light out from the darkness. Head cleaning the world in 4 musical parts: Geological Drum, Nebulizer, Bushido and Movements of The Mind. Nebulizer is an elevating meditation on our estrangement of nature.

Interstellar sonic stardust from a mindblowing collective that will leave you flabbergasted.

Be prepared and hear it to believe it.

For fans of: Art Ensemble of Chicago, Archie Shepp, Pharoah Sanders, John & Alice Coltrane, Kamasi Washington, Shabaka Hutchings, SAULT, Ill Considered, Jamie Branche, Angel Bat Dawid, Mackaya Craven, Matana Roberts, Sun Ra and other good music.

2024 Repress!

“You Are Safe” – a title illustrating the safe haven, Keinemusik has built itself over the last years. This self determined action space of the DJ/producers Rampa, &ME and Adam Port; Reznik who’s favouring the DJ booth to the studio and painter/visual artist Monja Gentschow. At the same time it makes an offer to every listener: put your headphones on, boogie around your living room, let go, forget everything around you. When this is on – you are safe.

Dimi Angelis presents ANGLS 14 - four raw, spaced out, 909-driven tools in his characteristically direct and minimalistic style. Sparse, delicate sequences reverberate to provide a sense of space against classic drum patterns that build into a full workout.

The A1 opens with Third Eye - a slow, tense build with heavy low end and terse percussion, setting the tone. Endorama on the A2 is driven by a living bleep - distorted, repeating, but never quite the same.

Decka opens the B side with a remix of Intergalactic to provide a groove heavy, sequence-driven and lethal interpretation of Dimi's sound. Chrysalis rounds off the package on the B2 with a rolling 101 bassline and descending bleep that hypnotizes
and controls the listener.

Intergalactic originally appeared on ANGLS 13.