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Early DJ Support: Marco Carola, Jamie Jones, Chris Stussy, Seth Troxler, Brawther, Raresh, Joseph Capriati, Laurent Garnier, Samuel Deep, Saoirse, Janeret, Richy Ahmed


UK talent ADMNTi makes his FUSE debut and opens the label’s 2024 schedule with ‘Vibrations’, featuring a remix from Vigenere boss Malin Genie. Whether serving up his take on minimal-leaning house across a wealth of the capital’s key venues, or front-left on the dancefloor himself, London’s ADMNTi has been shaping a sound and curating his ear for years to become one of the city’s most well respected emerging tastemakers. A regular at FUSE over the years, with his sound palette harnessing his roots within the city, his releases on Dansu Discs, Beeyou Records and Caposile Music have seen him rack up love from the likes of Petre Inspirescu, Raresh and Voigtmann alongside mentor Enzo Siragusa. And it’s Siragusa who now welcomes him to his iconic FUSE imprint for the very first time as he makes his longawaited label debut to open the 2024 schedule with four originals across his ‘Vibrations’ EP - with Mandar favourite Malin Genie also joining the package on remix duties. Skippy and armed with a menacing bassline at its core, ‘Vibrations’ brings the heat from the off as slinking percussion warps around hazy pads for a lively opener, while ‘Infinite Function’ brings a paired-back and tumbling groove full of squelchy interludes, bright electronics, resonant organ melodies and subtle chords. On the flip, B1 ‘Original Sin’ is a spacey and cosmic trip into acid-tinged soundscapes, before Malin Genie’s remix of the title cut brings a funk-fuelled and deep dive into the early morning hours as he crafts a slinking groove that captures the imagination instantly.

Be As One is excited to release the long overdue "Romantic & Dead" LP, the debut Album from one of the most talented artists of the recent generational Techno movement, and the label regular "Kashpitzky".

Being the hyped Berlin based producers most crafted project to date, the Buzzing 11 tracks LP is spread over 2 vinyls, astonishing covered artwork and shiny polished product, and reflecting the different shades of techno from several moments of the night, tailored straight from the mind of the most sought after artist of the recent couple of years.

Lining with the label's raw and old school influenced sound Aesthetics of re defining the term "House influenced Techno", Kashpitzky fits right in as one of the imprint's leading figures, compiling the 5th full length artist album to date from the label, after industry icons such as Kenny Larkin, Samuel L Session, Orbe and the label head Shlomi Aber.

As its title, the Romantic & Dead LP is an excepional abstracted and mixtured techno journey for the heads and collectors both, and marks a significant milestones for the young artist and the established label.

KiNK is back with the ninth release on his Sofia imprint. He unveils his inaugural release of 2024 in collaboration with the talented Rachel Row. This dynamic release comprises three tracks and two engaging DJ acappellas. Showcased in recent live performances, and now unleashed into the wild.

SOFIA: Founded by Strahil Velchev and Konstantin Petrov, Sofia is not only the physical location where this music was made, the city where they met and developed as artists, but also a paradox that is reflected in the art and music that comes from the place. Beautiful and ugly at the same time, clean and dirty, brutal as well as romantic, it’s a place where aesthetically seemingly incompatible styles come together in a twisted, yet unifying form. The photographs for the sleeves are made by influential local selector DJ Valentine, effortlessly capturing the local reality.

Pomegranate Skies is a new album from Sepehr exploring sonic themes of heaven and hell, dualities, split identities, and chaos. The music in this album is a reflection of the ever-constant existential chaos in his mind, reflecting a musical journey through all the different influences and inspirations of genres and electronic music eras throughout his life but also a nod to the amorphous weight of divine weirdness that inspires his music. Music that is reflecting a split identity, music in between cultures. Music that is both good and evil, both sensical and non sensical, both angelic and hellish, secular and divine. Music to give you visions of geographic wonders that don’t really exist. The absurdism of everything from Earth but also of Heaven. Music that doesn’t follow tropes but also sounds familiar. It makes you want to laugh and cry; the in betweenness of everything. Music that makes you want to reach up and taste the pomegranates growing in the skies.

Broken Techno/Electronica label Theoretical Rhythms is back with another vinyl release. This time it is a 4-track compilation EP called "Confessions". Featuring a carefully curated selection of tracks from diverse artists, "Confessions" takes you on a journey through emotions, melodies, and introspective narratives. Each track serves as a musical confession, laying bare the artists' innermost thoughts and experiences. The compilation opens with Varna's own Virtually J who masterfully sets the tone for the entire collection with his composition. From there, listeners are guided through a sonic landscape that seamlessly blends genres, showcasing the rich tapestry of musical expression. London duo Getae are showcasing their talent with the dance floor filler "Stumble" and Getsu opens the door to another dimension with his story "Otklonenie". With its minimal composition, broken beats and various effects Getsu invites us to divert from our path and experience another world. The EP concludes with Nickel Eye's "Lodi", a story that starts on a darker side with repetitive rhythm to transform to a jazz epos.

"Confessions" is more than just a compilation; it's an exploration of vulnerability and authenticity. Each artist bares their soul through their music, creating a connection with the audience that goes beyond the surface. "We wanted to create a compilation that goes beyond the ordinary, something that resonates on a deep, emotional level," says Nickel Eye, Theoretical Rhythms' head honcho. "This project is about sharing our musical confessions and inviting others to do the same". With its innovative approach to storytelling through sound, "Confessions" promises to be a standout in the music landscape, inviting listeners to immerse themselves in a musical experience that is both intimate and expansive. "Confessions" is a testament to the power of music to connect, inspire, and evoke raw, authentic emotions. Press play and embark on a journey of musical confessions.

The Horn Track was created by Missile Records founder Tim Taylor in 1992. Released on the iconic FFRR imprint it crashed into the rave psyche and has been an ever present since.

Influential to dance generations worldwide and sampled by the likes of The Prodigy and RL Grime, The Horn Track does not sound like any other track. The Original and Micky Finn remixes are remastered and joined by a kick ass drum and bass remix from Blade of ONE7SIX Records.

Slush Records, the brainchild of London-based DJ Lora Mipsum, unleashes its first release, a much called for reissue of Andy Falconer’s finest EP from 1995 ‘Transmissions’. Remastered from the original DAT, it’s an introspective, absorbing and enticingly expansive roam through the realms of downtempo, electronica, progressive house and experimental sounds.

Best known for his work with The Orb between ‘91-‘94, you’ll also find Falconer’s name nestled in the credits of many other seminal works including albums from The Art Of Noise, Hypnotone and System 7. It’s no surprise then that the Transmissions EP, that landed in 1995, captures the essence of the early ‘90s expertly. An amalgamation of genres within each track, blurring the lines masterfully between them all.

Opening the EP, ‘Afghan Receptor No.9’ plots a driving orbit, rolling seamlessly from a dubbed out intro, into a progressive warper. A track that builds eagerly in intensity, with layer upon layer of mind-bending synths, a whomping bassline, and even Falconer’s old Canon printer sampled to top, tail and weave into the sonics of this track.

On the B side, the title track is an immersive, all-encompassing lunar excursion that engulfs you within Falconer’s soundscape odyssey. Centred around a spacey stuttering synth, hypnotising Roland S-50 harp and dream-inducing keys, it’s a spellbinding swell of emotive brilliance, interspersed with moon landing transmissions that reverberate through your brain.

Finally, like a slip back through memories in a dream, ‘Koda (Dreamscape No.1.1)’ is a psychedelic, ethereal and haunting slice of experiential ambience that provides the perfect closing sequence to this magical EP.

Transmissions takes all of Falconer’s knowledge and production prowess, creating three tracks that nod to those he’s worked with in the past, yet plotting its own course to a far off dimension.

Ltd. Yellow+Red Splatter Vinyl

Die unbestrittene britische Musikikone Dizzee Rascal meldet sich mit dem elektrisierenden neuen Album 'Don't Take It Personal' auf seinem neuen Label Big Dirte3 Records Ltd. zurück. Die LP stellt seine besten Arbeiten in den Schatten und ist eine eindrucksvolle Erinnerung daran, wie Dizzee zu seinem legendären Status kam. Es fängt ihn in aufrührerischer Form ein, während er mühelos und mit unvergleichlicher Leichtigkeit durch eine ganze Sammlung an eindeutig britischen Genres fliesst. Dizzees neuestes Werk, das sich auf prahlerische Flows und beeindruckendes Wortspiel konzentriert, ist eine weitere Siegesrunde eine der prägendsten Legenden der Rap-Musik, und während es weiterhin Reime regnet, denkt daran: Es ist nichts Persönliches.

Trushmix the now well known underground mix series created by DJ Fett Burger and L.A.2000, and still going strong since 2011, providing underground talent and spreading vibes in a vibrant small community of music lovers. After 13 years of Trushmix, it is about

time to make a record to celebrate this! The initially plan was to make it as a 10 year anniversary release. Now it's 13 years, even better! So Trushwax is born!

A three track 12 " with underground house and techno tracks, recorded and produced by DJ Fett Burger and L.A.2000 between 2010-2021. Three simple, rough and emotional underground cuts in the vein of Trushmix!

"Trush Your Body" The opening track and the newest production of the three. A melodic house track, with the classic 909-groove and some acid! Driving and dreamy at the same time, and also with a melancholy twist. A place where simplicity and emotions meet!

The second track "Hello Awreibody" underground club track based on a live recording from 2010, with a distinct driving bass line, 808 beats and a big deep melody that gives the tack a massive feel! Rough underground club and basement style!

"Quack" the last track on the record, also based on a live recording from 2010, a rough live sounding recorded track with a groovy classic 707 workout, a soft bass line and a strong touch of melodic elements to keep the track deep, mysterious and driving.

Meis heeft geleefd, en daar deelt zij met haar debuutalbum het eerste echte deel van. Na het uitbrengen van haar EP 'Een' werd het soloproject van Aysha de Groot omschreven als 'betoverend, met kleine liedjes over grote onderwerpen.'

In het nieuwe hyper-persoonlijke 'Zwart/Wit' zoekt ze daarin nog verder de grenzen op. 'Hoe oncomfortabel en toch troostend kan ik deze plaat maken?' aldus de Groot. Het kenmerkende, warme, intieme, maar toch schurende geluid waar Meis zichzelf mee op de kaart heeft gezet, is nu nóg directer komt nóg dichterbij en klinkt nóg rauwer.

In 'Zwart/Wit', doet de Groot een boekje open over een periode van ziekte, trauma, herstel, kracht en de zoektocht naar zelfliefde. Het conceptuele album vertelt één verhaal. Geopereerd worden, een totale maagresectie, uit voorzorg. Niet jong ziek willen worden zoals haar moeder en oma voor haar, maar wel moeten leren leven zonder maag. De twee weken die Meis in het ziekenhuis heeft moeten doorbrengen waren zwaar en traumatisch. Om de tijd door te komen, heeft zij een dagboek aan teksten geschreven, die later uitgewerkt zijn tot dit album. Ze pakt 3 periodes: Het toeleven naar de operatie, de periode in het ziekenhuis zelf en het herstel daarna. 'Zwart/Wit' bestaat uit 11 tracks, deels licht, positief en hoopvol, deels donker, zwaar en een stuk harder. Zowel tekstueel als productioneel speelt Meis met het zwart en het wit. Samen met producer en muzikant Nicky Hustinx dook zij in het afgelegen Den Dolder de studio in, om de songs uit te bouwen. Geïnspireerd door de directheid van Phoebe Bridgers, de intieme vocalen van Dodie, het rauwe geluid van Big Thief en de donkere en minimalistische producties van James Blake, heeft Meis de ideale manier gevonden om haar verhaal te vertellen, volledig in haar eigen stijl. Het is geen popmuziek, maar toch is haar muziek herkenbaar, maar weet je niet precies met wie ze te vergelijken valt.

New Parisian label, Disques Messager, presents its new and second release. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which began like fire last year with a 7inch reissue release including two Brazilian Disco bangers by Cristina Camargo. For this second efforts, the label doesn’t deviate from the artistic and quality path taken, however also making quite a U-turn, this time presenting 2 underrated kind of musical UFO, both from the French scene.
Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions.
On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report).
Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!

New strictly limited 2 Track 12". Over 26 Minutes of Beats, Breakes and Samples.

Dima Disk is back in action & on the shelves with six tracks of dark & moody takes on jungle/breaks on freshly registered Surve Records. Our informants reported that the duo of Robert Nikolajev & Ragnar Rahuoja might have been sitting on this for a while.

We last heard of them on Rubadub’s white label series in 2017. The wait is easily forgivable though –– take “Maribo” with its propelling bass-engines, high flying synth stabs & hi–hat skelter for starters. Sweaty! Or “Pahakas” full of mischievous funk & rumble plus that firm “Woooh!” sample. Smokey, energetic dance equipment for you & yours.

This Is With Artmann an Artist Straight From Netherlands, That House Puff Records Released His 25nd Ep. He Produced 4 Tracks With His Proper Style.

Always the Same recipe, Organic Drums, Deep Chords and Thundering Basslines Suited for Summer Sunsets and Dark Dance Floors Alike....

Opening a new chapter for DNO Records, PLLFRY debuts on the label with five raucous halftime tracks that also feature collaborations with two vocalists – NST & Genoveva. The ‘Overexciting’ EP is built around iron-clad percussion and a healthy dose of mangled sonic futurism, but the dominating flavour throughout is big, bold, unadulterated bass.

As might be expected of tracks called ‘Demolition’ and ‘Collapse Of The System’, there’s plenty of damage being dealt; the former’s wrecking ball bassline spins violently as its supporting beats splinter and fall, while the latter’s destructive low-end hacks chunks from its itchy sci-fi soundscape like some psychotic sentient buzzsaw.

There’s room for nuance too, however. The title track is all about contrast, its rumbling bassline winding along like a colossal serpent, while hi-hats chitter, and Macedonian vocalist and producer Genoveva delivers a haunting, silvery vocal that’s cold and alluring in equal measure. And as if the undulating low-end and metallic melody of ‘Water Fire’ weren’t enough to make heads spin, the track features a vocal from South Russian up-and-comer NST that seems to slip and slide at will, pulling the track forward and always remaining just out of reach.

Bonus track ‘Old School’ nods to the golden age of hip-hop, taking a tough boom bap-style beat and scratch samples, but flipping it script with machine glitches and pellets of acid.

Like a collection of missives sent back from a hi-tek future, the ‘Overexciting’ EP serves as a reminder that DNO can’t be pigeonholed, and always stays one step ahead.

Rhythms of postmodern realism at the very bottom of the DNO.

Kicking off our new Toolroom Trax vinyl series which celebrates the best releases from Toolroom’s sister label is Italian super-duo Twolate with the incredible new single 'Baila'. A straight-up 4 to the floor club shaker, with powerful hard-hitting drums, deep punchy afro vocals with carnival whistles and percussion hits that will turn the dancefloor into a fiesta. Two dance heavyweights collide on our next offering; best-selling house artist CASSIMM and Chicago house royalty Gene Farris for their latest collaboration 'Party People'. With numerous #1 singles and remixes on Beatport and Traxsource, CASSIMM returns to Trax with his notorious sound of feel-good, high-energy house music, team that with Gene Farris as he effortlessly delivers another irresistible vocal hook. 'This is for my people, my party people'. James Haskell kicks things off on the b-side with 'Check It Out'. With numerous releases on D4 D4NCE, LoveJuice and of course Toolroom, James Haskell is fast gaining support from the scenes top tastemakers including Bob Sinclar, Leftwing : Kody, David Guetta, Tita Lau and Dombresky to name a few. Gracing club hotspots around the world, James Haskell is set to top the charts with his Tech House and Big Room sound. Closing out the Sampler is Toolroom Trax A&R and Music Curator Danny Rhys with his percussive tech house weapon 'Sibali'. Following on from his 2021 Traxsource number #1 single 'Damn Good', in collaboration with house vocalist legend Mr. V. With releases on respectable labels such as Farris Wheel Recordings, Flashmob, HouseU and There Was Jack, Danny Rhys boasts high, feel-good energy, bumpy basslines, rolling percussion and infectious vocals that has since gained respect from AAA talents such as Gorgon City, TCTS, Kryder and of course Mark Knight.

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

There‘s no much to say about this track you haven‘t heard before. Originally released in 1999 on Skooby Records and produced by Massimo Gabutti, legendary italo disco producer behind Phaeax (among others) and Maurizio Lobina, probably Blue is one of the most sampled tracks on crossover hits over the last years.

Limited re-issue on blue vinyl including Ice Pop Mix, Hannover Remix, TJm Bluemax 04 Remix and Paris Casino House Mix.