Limited Repress!
The world just got a little bit warmer again with this upcoming debut album of D'Marc Cantu. After several releases on Creme JAK, M>O>S>, Nation as well as collaborations as 2AMFM and Saturn V there finally is a full length showcase of this Chicago native's extraordinary talents. Limited edition 2LP of 300 copies in handnumbered/stickered sleeves with poster.
Klectik014 marks Argentinean producer, Pablo Denegri's debut for the Chicago based label. Pablo has emerged in recent years as one of Buenos Aires most dynamic producers and performers in the techno world. His work has been featured on highly regarded labels such as Dumb-Unit and Unfoundsound, and his live set has been featured at many clubs across Europe and South America.
After 4 years of putting out various hit releases via Thema, the mother ship, its first sub-label or satellite has come to be. We are proud to announce SPACIAL! It will consist of various remix projects, outtakes and B-sides from the parent and digital labels this new realm will function as a showcase for some of the more esoteric creations from our ever expanding roster of artists.
Der Ausnahmeproduzent Flying Lotus legt nach seinem vielbeachteten Debutalbum "Los Angeles" den Nachfolger vor! Auf "Cosmogramma" weitet er das Spektrum der integrierten Stile in Richtung Space-Jazz aus und lädt ein zu einem kosmischen Trip voller unendlicher Liebe und Begeisterung für Musik in all ihren Variationen.
Lowfish originally released his 'Burn The Lights Out' LP in 2007 on the US label Satamile but we have found some copies of it in the warehouse. Synth-pop meets breakbeats in an electrifying fusion of emotive melodies and bass-heavy beats across all four sides of the long player with ten then-new tracks and two classics from his Sat.31 EP. They all show that his music, complex yet accessible, evokes images of Blade Runner, Wave Noir, or William Gibson. It is post-modern in approach as it skilfully blends past and present styles to create a sound uniquely his own, seamlessly bridging the gap between eras while pushing the boundaries in his own way.
limited picture vinyl of the david bowie classic !!!
After the amazing release from Kwartz and Hector Oaks, we are very pleased to have on vinyl Filip Xavi, young Belgrade artist with a lot of potential, not a newcomer on Sonntag Morgen. He shows 3 mental, hypnotic and banging tracks...and to complete the ep we have the honor to have on board Dasha Rush, with an outstanding remix!
DJ Slip's amazing Discography counts more than 30 releases on well-known lables like Missile, Music Man, Kanzleramt and his own Creation Rebel imprint. His productions are always this little bit different and sets them apart from the rest. Again DJ Slip surprises even those who know. Born and raised in Midwest America he started his music productions with Woody Mc Bride and DBN from Milwaukee. Slip's Homebase is nowadays Brooklyn NY where his Creation Rebel label and the studio are placed too. His brand new album "The Machines Will Know Who You Are" is his first real album and another groundbreaking step that shows his dissimilar sound creations based on electro, techno and instrumental hip hop tunes. The LP contains 12 stories told by the tracks and the guide Slip leads us through the world of strange percussion grooves, post-acid-times, electro bass soundsystems, bangin' techno club memories, chillin' nightflights, Brooklyn and the rough street-life sounds from New York.
Following releases on West Mineral and Lillerne Tapes, Iggy Romeu’s inimitable Mister Water Wet project makes its Soda Gong debut. “Top Natural Drum” feels like a double entendre ode to digging culture, drawing equally from the plantlife in the dirt and the grooves in the stacks. Tracks like opener “Soak” concoct a haze of resonant ceramic/wooden percs, skittering drum programming, and addictive yet diffuse melodic and harmonic textures. Dusty-fingered nodders like “Caged at Last”, “Classicfit,” and “Gossamer Hits Softly Spun” harken back to the glory days of instrumental hiphop and downtempo, sounding a bit like transmissions from some lost Landspeed Records or Mo’ Wax comp, or like field recordings from the courtyard at Scribble Jam that have been infused with the slippery sonic signatures and sleights of hand that define MWW productions. What links these two distinctive tonal registers is a sort of lingering warmth – warmth like the saturation of natural dye or sunlight on a brisk, clear Midwestern autumn day.
