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Born and raised in Sicily but now based in Berlin, SLV is known for his innovative approach to techno and its various shades. He has released on revered labels like Soma and received support from key industry players who respect his ability to blend old-school vibes with modern production techniques. Away from the club, he also produces music for film soundtracks, adding a sense of cinematic edge to his techno cuts and is a master of both analog and digital technologies - a true audio engineer who crafts unique, compelling sounds. Having previously featured on the labels Federation of Rytm III compilation, he returns to SHDWs Mutual Rytm imprint with his Night Echoes EP to open up October.

Graustufen opens with punch drum programming and scintillating percussion that dances atop the groove as booming bass brings serious weight down low. The superb Grand Cayman is another potent techno weapon, this time with icy synth atmospheres and eerie moods pervading the tightly programmed drums and bass to deliver an unstoppable force. Voids brings urgent funk with its hunched-over, closely stacked kicks and suspensory pads, which never let up and keep you locked in the moment, while Elastik Pho echoes a classic Detroit sound with its soul-drenched beats and serene, uplifting, beautiful hi-tek style. Last but not least, That Night shows SLVs extraordinary range as it brings some soulful vocal loops and optimistic chords over thunderous drums, which are sure to power dance floors through to euphoria. The EP includes two digital bonus cuts: Basic Uno, which is a raw, percussive and heads-down banger, and Persistence Of Memory, which is stripped-back, glitchy and dubby techno for strobe-lit warehouses.

LILAS06 — FEDO
For its sixth chapter, Lilas Records shines the spotlight on a rising voice in the Eastern European minimal movement: FEDO.

Hailing from Ukraine and of Greek descent, FEDO is more than a producer — he’s an architect of acoustic space. With a seasoned background as a DJ and sound designer, he bypasses genre boundaries, carving out his own distinct path between deep minimalism and textural innovation.

On LILAS06, he delivers four original tracks that encapsulate his sonic philosophy:

Precision without coldness, groove without compromise.

Feather-light percussion meets rolling basslines, wrapped in immersive atmospheres and delicate spatial play.

Here, minimalism is no longer austere — it becomes expressive, hypnotic, and profoundly human.

Limited to an exclusive run of 200 copies, this release has already garnered fervent support from a distinguished roster of industry heavyweights including Raresh, Reiss, Ramona Yacef, NTFO, Enzo Siragusa, Silat Beksi, and more.

LILAS06 isn’t just another record — it stands poised to leave an indelible mark on the global underground music scene.

Like a metaphor for life, the progressive sounds of « Tree of Life » evoke the image of a tree that never stops evolving and growing. With its deep and captivating melodies, Nurse Erica takes us on a cosmic journey to the outer edges of Trance and Progressive House.

As its name suggests, « Being Trance » brings together all the elements of a Trance classic: soaring melodies, spacey leads, and groovy percussion. It’s the perfect introduction to the first side of the vinyl, a metaphor for the birth of the tree.

« Do My Stuff (Ears in Space Mix) » picks up right where the opening track leaves off. Striking a balance between dreamy and nostalgic, its deep bass and driving percussion lay down the rhythm, while the airy melodies scatter like autumn leaves.

With « Take The Heartbreak », Nurse Erica explores a universal rite of passage. The first half of the track, broken and introspective, gradually gives way to a brighter second half : a glimmer of hope for every broken heart.

And with spatial vocals and cosmic atmospheres, what better way to close the journey than with the title track « Tree of Life » ? In this piece, Nurse Erica blends Trance-infused melodies with Progressive House percussion, enriched by luminous, nostalgic piano notes, like the blossoming of a tree. Deep.

A series of non-dogmatic loops from the 90s Belgium. Coming from conspirator operating on the intersection of techno, post-punk and deathly ambient music, currently a scuptor and a visual artist For fans of Muslimgauze and 90s Mark Broom alike... and inquisitive goths in general, this sampler EP is also a good representation of the sounds rrrkrta's Brutaz used to broadcast on the innocent youth of Poland.

Berlin-based Italian DJ / producer TRENT returns with 1000 Flashbacks, a retro-facing 4-track EP fit for the chuggy cosmic underground. Known for his vital role in the legendary Cocktail d'Amore scene and his deep-digging sets at Oscillator, Trent channels a rich set of influences and potent nostalgia into four fresh cuts: Gimme Something opens the record with vocal euphoria and funked-out bassline powered disco. Cin Cin is a cheeky toast to Italo-mania, bubbling with percussion seduction. Shiva Boom brings tribal acid hypnosis to downtempo spirit-chug. Down to Oz closes the EP in a hazy groove topped with anthemic melodic line.

After a string of mesmerizing digital releases and steadily building momentum in Europe’s club circuit, Swiss DJ and producer Audrey Danza marks a major milestone: her debut vinyl EP, titled Laughing in 4D, out this July on .

A six-track excursion through shifting emotional states and tightly wound rhythmic explorations, Laughing in 4D captures Danza’s signature tension between restraint and release. Twisting basslines stretch, snap, and spiral through layers of percussion, driving textures, and off-axis melodies — a sonic palette that feels both introspective and deeply physical. Hints of Psy-Trance, Techno, and House swirl through elastic grooves — equally suited for deep listening or peak-time disorientation. Her tactile, percussive movement ripple with tension, curiosity, and sly humor — true to the artist’s reputation for weaving high-pressure rhythms with emotional nuance. Known for her distinct and dynamic presence behind the decks, Danza has quickly become a name to watch in the contemporary electronic music scene. This first physical release captures the same refined yet playful approach to a contemporary club sound that has defined her growing reputation as a DJ.

Dancing Vinyl Records kicks off its journey with a radiant debut EP from Scruscru – a four-track house odyssey titled simply and soulfully for the dancefloor.

From the warm acid lines of “303 Baby” to the sunny, uplifting groove of “Love Is Taking Me Over”, Side A offers instant feel-good energy, perfectly tailored for both daytime sets and cozy listening sessions at home. On the flip, “Watashi Mo” brings jazzy textures and head-nodding swing, while “O.K.” closes the record with a laid-back yet infectious deep house flow, full of elegant rhythm and charm.

This is house music in its purest form – heartfelt, unpretentious, and irresistibly groovy. A confident statement from a label that values soul, simplicity, and sound system readiness.

Pressed with care. Designed for DJs. Built to last.

Nach ersten EPs & Mixtapes sowie der Produktion von Dijons Debütalbum "Absolutely" erscheint Mike Gordons Erstwerk "Two Star & The Dream Police" als bahnbrechende Fusion aus Pop, Rock und Soul. Der 26-jährige Musiker aus New Jersey definiert bekannte Genres anhand unkonventioneller Töne, Tempi und Texturen neu. Seine verzerrten Gitarrenriffs und gefühlvollen Vocals erinnern an Prince, durchdringen düster-experimentelle Mixe und schaffen eine fesselnde Klanglandschaft, die traditionelle Grenzen überwindet. Trotz experimenteller Tendenzen beweist Mk.gee, dass er Melodien beherrscht und aus scheinbar chaotischen Kompositionen komplexe und einnehmende Popsongs kreieren kann. Seine Debüt-LP ist sowohl innovativ als auch zugänglich und bietet eine frische Sicht auf zeitgenössische Musik, behält aber gleichzeitig eine zeitlose Qualität.

A collection of obscure and unheard metaphysical sounds, 1980-1992

Lost Coast: Some Visionary Music from California assembles little unknown sounds from California’s metaphysical underground. Each recording is stylistically different—dream pop, guitar soli, fourth world, avant-electronic—but they are held together by a regional ethos of the “visionary.” This is music that envisions, seeing through the mind’s eye and conjuring new worlds.

Some people say that California is where “the nuts stop rolling”—where those too eccentric to fit in elsewhere ended up. What was meant pejoratively is easily reclaimed as a celebration of the free-thinking and the freely-freaking. Until the turn of the millennium, all manner of seekers rolled westward until they hit the pacific. Stationed along this edge, music was a way to roll still further: to imagine territories unencountered and wavelengths as yet unheard.

Lost Coast is a commemoration of the people who made these journeys and a resurrection of recordings they made little effort to broadcast. While some of the tracks were originally released on cassettes with modest distribution, others were only shared among friends or never shared at all. Assembled from the personal collection of House Rules operator Zully Adler, these recordings were all found on cassettes in flea markets, barn sales, rural thrift stores, and even stranger places—outside a gem and mineral shop, for example, and on the ranch of a retired mescalin dealer.

Nonetheless, these recordings are eminently listenable. California is a place where the strange and the pleasurable are frequent bedfellows.

Facta returns to Wisdom Teeth with ‘GULP’: a zippy, hi-def mini-album full of scrambled vocals, blown-out basslines, dripping synths and spring-loaded grooves that together map out his playfully psychedelic corner of contemporary club music. Written in a quick creative burst in late 2024, the record brings together a range of the producer’s distinct creative strands into a sharp, cohesive whole. Sitting snugly within the stylistic niche carved out by his A&Ring and DJ sets (alongside label co-founder K-LONE), we hear the influence of 00’s minimal, tech house, UK soundsystem music, ambient electronica, dub and more rubbing shoulders in a way that feels effortless and personal. Many of the tracks began life as sketches penned on the road - dotting between festivals, European club shows, and on tour in Japan - and so the record carries with it a sense of movement and forward momentum, and feels populated by voices, memories, people and places.

The Londoner’s characteristic approach to sound design and genre interplay are on full display here. Generative vocal hooks melt and warp into strange fluid forms, while synths stretch, detune, bend and dissolve into space before snapping back into shape again. Keyboards mirror human vocal formants, forming melodies that feel at once organic and alien. Basslines warp and distort, as if being re-moulded out of different synthetic properties.

Across the record there’s a commitment to expressing simple or familiar ideas in new and unexpected ways, whilst experimentations and innovations are presented clearly and intuitively. Cherished genre references are lovingly deployed as personal touchstones across the record - bleeping minimal- and tech-house; breakbeat dubstep and funky; Chicago house; dub techno - yet sounds and influences are combined and meshed in unexpected ways. Each track is tightly engineered and reduced down to its key elements, which are then manipulated, flipped, warped and pushed to breaking point. As is typical of Facta’s music, uncanny contrasts are worked throughout the music in unexpected ways. Warm, balmy moods come laced with seams of tension or uncertainty, whilst the record’s darker moments are handled with a light, playful touch.

With 15 years experience writing, DJing and A&Ring under his belt, ‘GULP’ is testament to Facta’s love of creation and curation - of seeking out, absorbing, experimenting, and channeling new sounds to create your own sonic world. A record borne of playful experimentation and happy accidents, ‘GULP’ shines bright with a simple, pure energy - a testament to writing quickly and intuitively and, above all else, enjoying the process.

The album’s artwork features photography by award-winning Boston-based photographer, Pelle Cass, whose complex time-lapse composites present hyperreal yet impossible tableaus of seemingly simple everyday scenes - an approach that parallels the record’s blurring of the familiar and the unfamiliar. Cass’s work has been widely exhibited, collected, and published, including solo shows at Gallery Kayafas, Boston, the Photographic Resource Center, Boston, and the Houston Center for Photography, and in collections such as the Fogg Art Museum, the Peabody Essex Museum, and the Museum of Fine Arts, Houston. He was twice a Critical Mass Top 50 photographer and has received two fellowships from Yaddo and one from the Berkshire Taconic Foundation.

The duo of DJ producers DJ Marrrtin and Deheb reunite after a five-year hiatus, during which they each pursued solo
projects. Deheb released the LP Jazz Mirrors, while Marrrtin put out a Disco Funk EP titled Aktshun, a hip-hop album La
Pie Bavarde in collaboration with Dayton, Ohio rapper Tino, and his third solo project Cyclothymix.
They return with a new 11-track album steeped in Jazz-Funk flavor, blending heavy breakbeats—recalling their earlier
albums that have been featured at major international breakdance events—with nods to their shared influences: Jazz, Latin
Funk, Hip Hop, Psychedelic Groove, Library Music, and Blaxploitation soundtracks. The record plays like an imaginary film
score, a sonic illustration of a relentless chase scene—picture The J.B.'s jamming with Piero Piccioni, accompanied by
Mongo Santamaria.

The album features a lineup of international collaborators, including:
Saucy Lady (USA) on Tambourine,
Felix (Fusik, USA) on Payback Run,
Roma Scotch (True Flavas Band, Russia),
Leo Debroise (Namas Trio, France),
Medline (My Bags, France),
Louise Chavanon, an incredible 18-year-old flutist from France,
and Antoine Laloux (The Selenites Band).
This album further develops the duo’s signature sound—a perfect blend of powerful grooves and deeply soulful musicality.

500 Copies , Covers hand made screenprinted and Hand Numbered
400 white with Black ink
100 with various colours

Red Vinyl. Jim Jarmusch's crypto-vampire love story film, "Only Lovers Left Alive" won the 2013 Cannes award for best soundtrack. The soundtrack, predominantly by Jozef Van Wissem and SQU"RL, also features Zola Jesus, Yasmin Hamdan and Madeline Follin (of Cults). "Only Lovers Left Alive" which is set against the romantic desolation of Detroit and Tangier, features an underground musician (Adam, played by Tom Hiddleston), who is deeply depressed by the direction of human activities. He reunites with his resilient and enigmatic lover (Eve, played by Tilda Swinton). Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister (Ava, performed by Mia Wasikowska). Can these wise but fragile outsiders continue to survive as the modern world collapses around them?The physical formats of the soundtrack have been out of print for years and the vinyl will cost you a pretty penny on Discogs. Sacred Bones is thrilled to bring this incredible soundtrack back in print on several variants including clear and red splatter vinyl.SQU"RL are: Carter Logan, Jim Jarmusch, and Shane Stoneback. An enthusiastically marginal rock band from New York City who like big drums & broken guitars, cassette recorders, loops, feedback, sad country songs, molten stoner core, chopped & screwed hip-hop, and imaginary movie scores. Jozef Van Wissem is a Dutch minimalist composer and lute player based in Brooklyn.

RAWAX MOTOR CITY EDITION presents Black Eyes - Ocean FLoor Funk EP
We are very happy to spread the news about this outstanding deep monster record!
Three original tracks by high rising Black Eyes plus a timeless warm and filigree remix by Abacus.

Big package!

Erstmals veröffentlicht in 2016 - 'Barbara, Barbara, we face a shining future' (Reissue).

Underworld sind ein echtes Unikat, das auf den größten Festivals und Veranstaltungen der Welt als Headliner auftritt, in Underground-Techno-Clubs und Lagerhäusern spielt, Theaterproduktionen vertont oder Kunstgalerien, stillgelegte Schuhläden und japanische Kaufhäuser bespielt.

- Ltd. LP: (180g schweres schwarzes Vinyl. Auf halber Geschwindigkeit geschnitten und sorgfältig auf höchste Audioqualität getestet. Double-Gatefold mit dem klassischen Design der Originalpressung und neuem LP-Cover-Rücken-Artwork, das neben den anderen 2025er LP-Reissues der Band ein einheitliches Bild ergibt.)

• The Hidden Cameras melden sich 2025 mit ihrer lang erwarteten, hymnischen neuen Single »How Do You Love?« zurück

• Über einer pumpenden Bassline, gefühlvollen Klavierakkorden und melancholischen Streicherarrangements (gespielt und arrangiert von langjährigen musikalischen Partner Owen Pallett) trifft Joel Gibb genau den Punkt zwischen Euphorie und Schmerz, an dem die Seele der Disco sitzt!

• Die Pet Shop Boys verwandeln »How Do You Love?« in einen emotionalen Disco-Banger – inklusive bombastischer Streicherflächen und fröhlicher House-Pianos

E-NUMBERS returns with its next forward-facing 12”, this time from label heads The Molecule — the collaborative alias of Bobby ODonnell and Quixano. Blending deep, elastic grooves with stripped-back futurism, the duo serve up two original cuts that channel the spirit of late-night dancefloors with a distinctly UK-informed edge.

On remix duties, tech house pioneer Pure Science delivers a driving, heads-down version primed for sweat-soaked basements, while Oshana reimagines the track with her signature minimal-funk aesthetic — rolling percussion, hypnotic atmospheres, and a masterclass in restraint.

A versatile four-tracker built for discerning selectors, this release further solidifies E-NUMBERS’ dedication to cutting-edge club music with soul and substance.

For the 7th full press release, Scared Money introduces Dial-M to their roster for this 4 tracker.
The label continues its focus on Jungle through the lens of Ragga & Soundclash culture, but this release appears somewhat stripped back and more traditional by contrast.

There's something for everyone on this release.

Modeight steps into 2025 with a thrilling entry from Vedana, the Leeds-born, New Zealand-based artist making waves in the underground scene. With a career shaped by years behind the decks and a newfound passion for production, Vedana distills his rich clubbing heritage into four cutting-edge tracks on Epiphany EP. The journey begins on A1 with "Epiphany". This groove-heavy minimal house piece is powered by rolling basslines and jagged modular sequences that ignite the dancefloor. Perfectly tuned for pre-parties and equally ready to take over peak-time sets, it's a versatile cut that balances tension and release in all the right places. Next up is A2's "Flawless Victory". As the name suggests, this track hits with triumphant energy. A massive beat locks in with deep, dynamic basslines, building a sense of pressure that commands attention. Add in trippy atmospheres and enveloping textures, and you've got a dancefloor weapon primed to elevate the vibe. Flipping to the B-side, "Onomatopoeia" lives up to its playful title. Short, synthetic stabs cut sharply across the soundstage, synchronized with a hypnotic groove that feels both meticulous and spontaneous. It's a standout piece, rich in personality and brimming with rhythmically charged creativity. Closing the record is B2's "Present in the Culture". An absolute heavyweight of a track, it delivers a mix of atmospheric swells and plucky, tactile sounds that pull listeners deep into a trippy sonic journey. With its driving force and immersive vibe, it's a fitting finale to a stellar EP.

North View Records is an emerging Bristol-based label that values the music’s atmosphere and integrity equal to it’s technical production, aiming to resonate with listeners through immersive electronic soundscapes. For their debut release, label founder oliver presents ‘Quiet Thud’, an album inspired by expansive and untamed coastline. The 11 tracks take a hallucinatory trip through techno, downtempo, ambient and guitar-led music, drawing on diverse influences whilst remaining distinctive and ethereal.

North View Records is an emerging Bristol-based label that values the music’s atmosphere and integrity equal to it’s technical production, aiming to resonate with listeners through immersive electronic soundscapes. For their debut release, label founder oliver presents ‘Quiet Thud’, an album inspired by expansive and untamed coastline. The 11 tracks take a hallucinatory trip through techno, downtempo, ambient and guitar-led music, drawing on diverse influences whilst remaining distinctive and ethereal.

‘Closer Thud Mix’ and ‘New Light’ introduce panoramic soundscapes to club focused tracks, with warped electronics and swelling wide-angle pads giving contrast to the fine-grain textures and driving percussive elements. Tracks such as ‘Plaza’, ‘Ribbon’ and ‘Joyride’ lend a nostalgic character to the album, presenting wistful and distant melodies that interplay with the off-hand live instrumentation, building a gentle and nuanced sonic palette.

‘Ruin’ balances delicate arpeggios with pulsing distortion and drum programming, evoking a brooding scene fitting of its title. Album closer ‘DRM Reprise’ also explores darker themes, led by a piercing vocal emulation that warps and evolves amongst sparse percussion. In contrast, ‘Still Life’, ‘Everything’, ‘Coastal’ and ‘Overground’ bring warmth and balance to the overall experience, offering moments of lightness and reflection as the clouds break, sunlight spilling across the open landscape.



b A2. Closer Thud Mix

Italian DJ Plant Texture drops ambitious techno odyssey 'Mondo Nuovo' on Mutual
Rytm sub-label, X.

Bari-based underground mainstay Dona Basile, aka DJ Plant Texture, has been crafting forward-thinking techno for a decade, releasing on leading labels from Ilian Tape to Tresor Berlin. Adding to his rich catalogue, his label debut on SHDW's Mutual Rytm sub-label X is a homage to the spirit of space travel. With the label boss already a long-time fan and having dropped tracks from this EP in his sets for a while, the partnership creates an ideal match for an artist and label looking to push the boundaries of the genre. With Basile's distinctive style perfectly fitting with the label's vision, each of the productions provides a tribute to space exploration - fusing analogue hardware and deep rhythmic invention while channelling everything from early sci-fi cinema to the 80s ambient soundtracks. "Space exploration is the ultimate metaphor for creative freedom. This album is my way of sonically mapping the cosmos, not through melody but through mood, modulation and motion", notes Basile.

Opener 'Wormhole' is a raw, driving sound with synth pulses and jacked-up drums for peak time chaos, while 'Echoes' evokes ramps it up further with panel-beating percussive loops, earth-shattering bass and twisted stabs. The title track pairs more physical and booming drums with introspective synth craft that encourages deep thought. 'Flex The Beat' is the first of two digital only cuts and offers a chaotic collision of overdrive percussion, manic vocal loops and reversed stabs for utter dance floor carnage, before 'Let It Go' (Jungle Mix) provides a dark exploration of
frenzied jungle breakbeats with drilling bass to close the offering.

Japans kultige Goldgrube DD. Records wurde innerhalb weniger Jahre eröffnet und wieder geschlossen. In dieser kurzen Zeit (1980-1985) erschienen 222 Tapes (und einige Vinyl-LPs) mit der seltsamsten, gewagtesten und süchtig machendsten subversivsten Musik aus ihren sozialen und kreativen Kreisen, die ausserhalb Japans nicht zu finden waren. Jedes Tape enthielt abstrakte, xerografische, oft von Musikern selbst erstellte Grafiken, während sich die inhaltliche Bandbreite von Avant-Punk, kubistischer Ambient-Musik, Soundcollagen, Pop-Concréte, Jazz-Prog bis zu früher Computermusik erstreckte. Zum Abschluss erschien vorliegende Compilation als Abschiedsgeschenk, die 5 fieberhafte Jahre neuer Musik abrundete und die kreative Identität des Avantgarde-Labels unterstrich. Darin befinden sich 13 endlose und merkwürdige Schätze, die jetzt nochmal das Licht der Welt erblicken.

Gradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness—an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution.

The first section, Ciel, Soleil, and Espace (French for Sky, Sun, and Space), draws on Mier’s French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolising a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The gentle flow of the music mirrors the flow of wind, effortlessly shifting from one element to the next, a reflection of the innocence and clarity of youth.

The second section, Steen, Zee, and Zand (Dutch for Stone, Sea, and Sand), channels the influence of Mier’s childhood in a small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. With a sonic palette of blues, greys, and more defined shapes, this section captures the solid, enduring forces of nature—earth, water, and stone. It’s a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences.

The final section, Scrap (a collaborative track with the Japanese producer Daisuke Tanabe), Soil, and Spark, dives into the exploration of the world beyond familiar borders. Mier’s relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms—symbolic of the digital and ecological storms that shape our modern existence. The closing piece, Spark, signals a new beginning, a hopeful initiation into the cycle of renewal.

The album artwork for Gradually is a conclusive visual representation of this journey, captured in the final frame of an analog film roll that began in the Netherlands and concluded with an image of the streets of Sydney, Australia—a perfect metaphor for the album’s narrative of gradual transition and discovery.

New entry in the legendary fabric presents mix series, home to standout releases from SHERELLE, Overmono, Saoirse, Kode9, and more.
- Curated and mixed by Pretty Girl – rising star producer/DJ/vocalist known for emotionally rich dance music and a global touring presence including Coachella, DC10, Lost Village, Glastonbury, and more.
- Mix includes exclusive unreleased material, the brand-new single “Innadream”, and hand-selected tracks from Australian and UK scenes.
- A journey through melancholic club textures, groove-heavy house, UK garage, and lo-fi rhythms – all tied together with Pretty Girl’s signature melodic flair.
- Backed by recent remix work for Romy and George Fitzgerald, and the acclaimed EP Get Back To Me.
- Launch party at fabric London (June 6)

o Resident Advisor: “A star in the making”
o Dazed: “Crafting nocturnal soundscapes for the party, the after-party, and the morning train ride home”
o The Sunday Times: “Succession of brilliant tracks”

Pretty Girl is the alias of Melbourne-born, London-based producer, vocalist, and DJ who’s rapidly emerging as a defining voice in emotive club music. Fusing dreamy textures with deep house, UKG, and lo-fi rhythms, her sound bridges dancefloor euphoria with introspective detail. A regular at global festivals like Coachella, Glastonbury, and DC10, she’s earned acclaim for both her immersive live sets and expressive studio work. Recent highlights include her Get Back To Me EP, remixes for Romy and George Fitzgerald, and now her most expansive statement to date: a mix for the revered fabric presents series.

Hot summer rain hits the cracked pavement in uneven rhythms. A neon sign flickers above a café that never seems to close, its warm white light reflected in the wet ground like a fever dream. The air smells of summer and the world hums with an easy tone, as if the city itself is holding its breath. A light flooded film noir-ish scene, that needs a soundtrack like "POOL JAMS", the new album of INIT, the Berlin based duo, that already caused quite a stir with their albums for Hivern Discs and Optimo Music. This time, they bring their latest creations out on R.i.O. - a label, with whom they are deeply associated. Their fourth longplayer is a playful one. One that brings trip hopping feelings. That has r'n'b grace, without catering regular trademarks of the genre. Dub, trance, drone, is all there too. Yet, nothing is present in pure definition. Rather suggested, interwoven, or newly twisted in a songwriting style, that haunts and seduces. On top the voice of Nadia D'Alò dances, steps and hums tempting to the grooves she created with her partner in crime Benedikt Frey. Together they fashioned a record, that, as INIT puts it, is "some kind of old photo from an old dry empty pool that got faded by sunlight ". A dreamy, sunny piece of song art, made for endless smoky LA freeway drives, and other adventures that seek for infinite riddance. You can dream it. You can trance it. You can't escape it, as soon as it rotates in your dream device for sound and vision.

We're thrilled to welcome a new name to the label: Toxy Kated.
This debut EP delivers 4 original tracks, each with a unique vibe and raw energy.

Mood Child Presents ‘Various Moods Vol. 4’: Six Multi-Mood Tracks from Nick Curly, Joey Daniel, Wilder (ITA), and more

Mood Child, the forward-thinking label helmed by Sirus Hood and Manda Moor, proudly unveils Various Moods Vol. 4, a striking album of six genre-blending tracks that each bring a unique sonic perspective. Set for release on both vinyl and digital formats, this carefully curated collection showcases the label’s signature commitment to innovation, groove, and dancefloor energy.

Side A leans into classy, funky house vibes, while Side B ventures into wilder, tech-driven territory, offering a versatile listening experience for both crate diggers and peak-time DJs.

The compilation marks the return of German house icon Nick Curly, Italian heavy-hitters Wilder (ITA) and Mattia Scolaro, and rising Brazilian talents Las Heras and ROKKE, who teamed up with RAMOOX for a potent collaboration. Mood Child is also thrilled to welcome Dutch maestro Joey Daniel to the label for the first time.

RECORD STORE DAY EXCLUSIVE!

Late 70s Westcoast Yachtpop you can almost dance to!

Man nannte sie nicht umsonst die - Me Me Me Generation'. Die sehr von sich überzeugten bärtigen Musiker (und die Musikerinnen in wabernden Kleidern), die Mitte/Ende der 70er in L.A.'s Strassen rum hingen und sich selbst feierten. Der geschmackvolle Teil der Musik-Welt hätte diese Musikrichtung noch vor einigen Monaten nicht mit der Zange angefasst. Zu sanft, zu übertrieben, zu luxuriös, zu offen hedonistisch, zu ausladend. Zu unecht, zu gekünstelt, nicht authentisch, und dann noch diese unfassbaren Akkordwechsel...Aber ' Too Slow To Disco - vol. 1' hält sich nicht auf mit solchen alten Geschichten und Klischees. Wir alle wissen, sobald Musikgenres alt werden, scheinen die wichtigen, relevanten Teile auf einmal durch und diese Zusammenstellung versteht sich als Dokument eines fast vergessenen Teils der West Coast Musikwelt Mitte bis Ende der 70er Jahre.Es hat ein Jahr gedauert, die von uns ausgewählten, meist unbekannteren Songs aufzutreiben. Songs von Musikern, die damals gerade ihre ersten, oft wenig erfolgreichen Schritte unternahmen, bevor sie Jahre später mal eben eine Handvoll Welthits aus dem Ärmel schüttelten und die - grosse Welle' der Musik der kalifonischen Küste surften. Also, willkommen zu Volume 1 unseres sogenannten PRM (Personal Rediscovery Movement).

Open Mike Eagle might not have all the answers, but few in life ask smarter questions.

Recorded in London with producer Paul White, Hella Personal Film Festival artfully dissects modern life's banalities and perils. Continuing where his 2014 Dark Comedy left off, it blends whimsical anxiety, social media addiction, and scorn. Known for collaborations with artists like Danny Brown and Mos Def, Eagle and White create tense, emotionally rich anthems that capture the disorientation of daily life and examine societal double standards and casual bigotry.

Discover the Sound of IBIZA with our new vinyl collection ! One double vinyl focussing on Techno with gems from Laurent Garnier, Stve Bug, Chrstopher Just... One double vinyl dedicated to House Music with perls from Ultra Naté, Kings of Tomorrow, Bob Sinclar...

Uk house flavour with US influences… Producers / DJs from London and Brighton who started out in the Brighton 90s house music scene, with releases on Loaded, Piranha Records and more recently KMA60 Rezpektiva we continue to produce electronic music with love, for the dancefloor

Now four releases in, Razor-N-Tape Reserve continues to deliver the deepness with this EP from the Netherlands' Junktion.
Although a relative upstart on the scene, Junktion has been getting some serious heads nodding lately with releases on Sleazy Beats and Outplay, and the Hot & Bothered EP continues to define his dusty and organic sound. From the summery ease of the title track, to the fresh take on the oft-sampled 'I'm Wishin' to the discofied chugger 'Fling Cleaning' followed by the slow-burning 'Visions of You,' this EP is a beautiful listen from beginning to end. And the kids are gonna dig it too.

JR Disc has already become a firm part of the Detroit new school with his two previous outings on this label. Once again here he shows off his raw but emotionally poignant style and knack for a catchy groove. 'Bust' has rusty hi-hat sounds and deep, cavernous bass with rough edge drums a la Omar S. 'Wonder Traxx 1' then picks up the pace with heavy but inviting kicks that are again all frayed and dusty while some jazzy melodies bring a cheeky and playful twist. Pure Motor City gold if you ask us.

Originally released in 2012, the debut release from Fatdog quickly became a cult classic amongst fans of low-slung deep house. Outside of the studio his Werk parties were hosting the likes Marcellus Pittman, Theo Parrish, Move D, MCDE, Levon Vincent, Moodymann & Patrice Scott in the North East of England. This EP was a testament to the wild basement energy that culminated from those nights, marrying UK and Detroit influences with consummate ease.‘Remember Me’ sets the tone with Chris Raine’s soulful croon laid over warm organ chords and a restrained electro synth hook, creating a swinging, late-night vibe. ‘U&Me’ drifts into dubbed-out, codeine-laced slo-house territory, deep and narcotic.On the B-side, ‘Cookie’ channels Theo Parrish with its syrupy, hypnotic strut, while ‘Contact’ closes out with an electroid edge—perfect for the 3AM dancefloor stalkers.Some 13 years later, WOLF have reached back into the archives and with permission from the man himself, have reissued this timeless EP for a new generation of record buyers.

With a clutch of EPs under his belt spanning a wealth of pallets, Henzo narrows the focus on his debut studio album “The Poems We Write For Ourselves” - a culmination of persistent iterations over several years, distilling his sonic milieu into something that feels decidedly his own. The album proper is coupled with a debut live performance which reinterprets the tracks and splices them with omitted material from the time of writing - recorded in full in the intimate confines of Manchester’s growingly infamous Stage and Radio basement. Honing his craft in the shadows of Lancashire, Poems is an expansive reflection of the producer’s time spent away committing to the scope of an LP.

A thread of stratified sound design weaves throughout the record, but with a discerning dancefloor proclivity mostly prevalent. Cold opener “Noggin” riffs on noughties Raster-Noton a la Byetone rebuilt with fractal tear out DnB, with closer “Indulgence” following suit on a puckered plod of Dub Techno ambience. More club-focussed moments come in the form of “Rustica Slump” and “Blue Will...”, the former’s sickly sweet vocals resolved by the latter’s stoic UKG/Techno rudeness. “A Bouquet of Clumsy Words” channels mechanical shuffle with a stripped back 2/4 pulse whilst maintaining a firmly FWD>>energy alongside “Plant Your Roots In Me” on a similar vector - swapping out a straight kick pattern for a bludgeoning 808 assault on an early Hessle-indebted tip.

“Take Stock, Touch Grass” harks to golden era ClekClekBoom and Night Slugs with a bare bones kick and vocal motif, updating the formula with a tweaking lead line that places it firmly in the contemporary space. “Swell:Shrink” sings from the same sheet with a shrieking, space age wobble doing the heavy lifting, knocking the pace back to a shoulder-lean swagger on a slow fast conundrum Henzo has shown his flair for on previous releases.

The outliers to Henzo’s more known approach, “Worm Grunting” with Belfast’s Emby, an amalgamation of halfest time DnB and illest mannered Road Rap, plus “The Rest Is The Mess You Leave”, a starkly anti-retro Ghettotek endeavour, give grounds to the LP. Clearly rooted in the comfortable universe of the dancefloor, these tracks expand the producer’s realm into loftier heights as he graduates into long play land.

DJ support from heavyweight selectors including Kerri Chandler, Alix Alvarez, DJ Deep, Osunlade, Dennis Ferrer, Dixon, Henrik Schwarz, and Aaron Ross.

French house maestro Franck Roger returns with the latest installment in his acclaimed Earthrumental Music series — a powerful 4-track EP crafted for the deep, late-night dancefloor experience.

Pure quality for heads who know

Minos Announces the Return of Old-School Jungle with "Watch the Ride EP"

Producer Minos is bringing fresh energy to classic jungle with his new release, "Watch the Ride EP," on Jungle Slapperz. Aimed at longtime fans and newcomers alike, this EP captures the raw, rolling spirit of the 90s.

With tracks inspired by the golden era, Minos revives the complex, punchy breaks and signature sounds-like clapping snares-that define old-school jungle. His latest work signals a strong message: in 2025, the true jungle feeling is making a comeback.

Get ready-this ride is about to begin!

BPitch Berlin setzt die Erweiterung seiner Klangwelt fort und präsentiert die neunte Ausgabe von WE ARE NOT ALONE, einer 12-Track-Compilation, die eine Brücke zwischen verschiedenen Formen und Rahmen schlägt, die von einer echten Liebe für den Underground zusammengehalten werden.

Jede WE ARE NOT ALONE-Compilation ist ein Beweis für die stilistische und genreübergreifende Vielfalt, die BPitch ausmacht, und bietet einen Einblick in verschiedene Subkulturen und verbindet Künstler aus aller Welt mit einer gemeinsamen Vision. Von Acid bis Industrial, von EBM bis Trance - Genrebezeichnungen verpuffen und machen einem Gefühl Platz, das jedem Künstler die Möglichkeit gibt, seine eigene Interpretation einer Energie zu dokumentieren, die das Label und die Veranstaltungsreihe seit ihren Anfängen getragen hat. Verspielt wie immer, ohne dabei den funktionalen Kern von Techno aus den Augen zu verlieren, ist WE ARE NOT ALONE pt. 9 ein Versuch, ein Gefühl zu dokumentieren, und eine wichtige Momentaufnahme einiger der aufregendsten Stimmen der elektronischen Musik.

Nach über 25 Jahren Pause meldet sich Planet Pump Records eindrucksvoll zurück – und wie!
Label-Artist Stan-Lee aka Stanley Hottek reanimiert das legendäre Leipziger Technolabel mit einer kompromisslosen Vier-Track-EP: roh, druckvoll und tief verwurzelt im Sound der 90er – made for the underground.
Die EP „We Are“ versteht sich als klares musikalisches Statement: elektronische Musik mit Seele, Haltung und Herkunft – kein generisches Tool für Social-Media-Content, sondern echte Club-Energie.
Der Sound ist puristisch, treibend und analog produziert – ganz in der Tradition früher Planet Pump-Releases: raue Drum-Maschinen, wummernde Basslines und hypnotische Sequenzer, konsequent für den Dancefloor gedacht.
Die erste neue Planet Pump kommt auf klassisch schwarzem Vinyl, verpackt in einer bedruckten Stecktasche – limitiert auf 200 Stück.
Support Vinyl. Support Independent Labels. Support True Techno.

After more than 25 years, Planet Pump Records makes a powerful comeback – and how!
Label artist Stan-Lee aka Stanley Hottek revives the legendary Leipzig techno label with a relentless four-track EP: raw, driving, and deeply rooted in the sound of the ’90s – made for the underground.
The EP "We Are" stands as a clear musical statement: electronic music with soul, attitude, and heritage – not just another generic tool for social media content, but real club energy.
The sound is purist, driving, and produced with analog gear – staying true to the spirit of early Planet Pump releases: gritty drum machines, rumbling basslines, and hypnotic sequencers, all crafted strictly for the dancefloor.
The first new Planet Pump release comes on classic black vinyl, packed in a printed sleeve – limited to just 200 copies.
Support vinyl. Support independent labels. Support true techno.