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Special Characters, the acclaimed deep house project hailing from New York, comes to uswith "Subsurface Incantations"-a sonic journey that pays heartfelt tribute to the classicgrooves and textures that defined house music's golden eras. This latest record is astatement piece for the Based Faith imprint, and features a captivating remix from Berlin'sIron Curtis, a favorite among DJs and collectors for his deep, analog-driven interpretations.Blending evocative pads, intricate drum programming, and his signature in transforming abassline, Iron Curtis's take on the B-side seamlessly bridges the timeless with the modern,making this EP an essential addition to any discerning selector's crate.
Committed to the art of vinyl culture, "Subsurface Incantations" will be pressed strictly as avinyl-only release, with no represses planned.

Dark Chisme is a Seattle-based dark wave band started by Chicago-raised Latina DJ and Producer Christine Gutierrez (Vocals, Synths) and E (Bass, Synths). Dark Chisme brings dark wave influences to their music, with latin, house, and techno elements.

A selection of the main sountracks of Naruto - one of the best known Anime in the world. Including the opening theme "Haruka Kanata".

In the village of Konoha lives Naruto, a young boy who is hated and feared by the villagers because he has Kyuubi (Nine-tailed fox demon) of incredible strength inside him, which has killed many people. The most powerful ninja of Konoha at that time, the fourth Hokage, Minato Namikaze, managed to seal this demon in Naruto's body.

Get ready for the new school year with our latest compilation,



Back to school. Featuring 31 old-school lofi hip-hop tracks with warm vinyl textures and smooth, head-nodding rhythms, this mix is perfect for studying for exams, sketching in your notebook, enjoying a coffee break, or simply watching the leaves turn.



Sometimes, all it takes is the right soundtrack to make even the busiest school days feel a little easier, and a little more yours.












l B4. eli filosov p h i l o - doinfine

2024 Repress

One of the defining releases on Large Music gets a special re-issue after a 16 year wait. Considered by many to be one of the top 3 packages in the early Large catalog, this EP set the trajectory for what would quickly become known as the "West Coast" sound of American House. The main vocal on side A also became a venerable classic at the Shelter in NYC and was played consistently by Timmy Regisford throughout his tenure there. The darker, more disco filtered tones on the flip side were also highly praised and played at the time by French DJs such as Daft Punk, Phil Weeks, Cassius and many others. Rasoul is often overlooked as one of the chief architects of modern Deep House, yet this release certainly secures his elite standing in the annals of House Music history. Essential!

Damian Lazarus reveals the eighth chapter of Crosstown Rebels acclaimed annual ‘SPIRITS’ VA compilation series.

The latest instalment sees the label founder once again curating a carefully balanced lineup of emerging voices and established names, with the eight-track collection set for release on 30th January 2026.

Since its inception in 2017, Damian Lazarus’ SPIRITS series has become a trusted barometer for the year ahead, spotlighting forward-thinking artists and cutting-edge club music from across the global electronic landscape. With ‘SPIRITS VIII’, Crosstown Rebels continues this tradition, delivering a refi ned yet adventurous selection that moves seamlessly between hypnotic house, melodic depth, and late-night energy - building on the momentum of previous volumes and capturing the label’s unmistakable essence.

Opening the release, Raz Alon sets the tone with ‘Hey It’s Me’, a warm and immersive opener that draws listeners in with emotive touches and fluid groove work. Lost Desert follows with ‘Ultima’, leaning into trippy, melodic-tinged sensibilities as tumbling rhythms meet expansive atmospheres and subtly evolving motifs. On the flip, TIMANTI ventures into a captivating voyage with ‘Warrior Spirit’, pairing swirling synths with hazy melodies, before STEB delivers ‘House Of STEB’, a groove-led cut packed with personality, swing, and club-ready flair.
The journey continues with Yuvèe’s ‘Set The Fire’, featuring FADO, a hypnotic and vocal-led track that balances emotional weight with understated rhythmic pressure. Ekoboy then ups the intensity on ‘Lose Control’, combining crisp percussion with infectious momentum designed for peak-time moments. On the final stretch, MADI brings a reflective buy playful touch with ‘Around Me’, weaving lush textures and subtle dynamics into a deeply absorbing listen, before JUAAN closes the compilation with ‘Bass Cliente’, a punchy and bass-forward finale that rounds things out with raw club energy.

With its continued ability to champion new talent while welcoming respected artists into its orbit, Crosstown Rebels remains a vital force within electronic music. SPIRITS VIII stands as another clear statement of the label’s vision, reaffirming its role in shaping the sound of contemporary house and techno.

When percussionist, pianist and vibe player Ricardo Marrero recorded the ultra-rare Latin jazz meets funk LP “A Taste” in 1976, little did he know that decades later that sealed copies of the original album would exchange hands among collectors for thousands of dollars. A veteran of the New York salsa and Latin jazz scene since the mid-1970s, Marrero has worked with luminaries such as The Fania All-Stars, Pete “El Conde” Rodriguez, The 5 Stairsteps, Dave Valentin, Angela Bofill and most recently - Ruben Blades. Full of up-tempo funky gems and sizzling slow burners, “A Taste” also includes Marrero’s crossover hit “Babalonia” that received quite a bit of airplay in the mid-1970s. Originally pressed in a very limited quantity on Don King and Lloyd Price’s TSG Records, and with little or no promotion, “A Taste” nevertheless pushed the boundaries of New York City salsa forward and has subsequently become one of the rarest, sought after and expensive records the vinyl world has ever seen. Suffice it to say that the music on this obscure jewel is priceless, featuring some of the greatest players of the era, directed by the great maestro Marrero on keyboards, percussion, vibraphone and vocals with the legendary Dave Valentin (flute, percussion, coro), Ralphy De Jesus (bongos, percussion, quinto), Erasto Bernard (congas), Tito Marrero (drums, timbales, percussion), George Oldziey (flugelhorn, trumpet), Nancy O’Neil (lead vocals, coro), John “Figgy” Figueroa (tenor saxophone, soprano saxophone, baritone saxophone), Sean Mahony (trombone) and John Dearth (trumpet). A taste of Ricardo Marrero & The Group is one that’s sure to satisfy.

- Debut album by percussionist, Pianist, Vibraphonist and two time Grammy Award winner
- Rare 1970 melange of Latin Jayy, Soul, Funk and Salsa from New York City
- Features legendary flutist Dave Valentin

Killer Groove Records proudly presents the debut 45 by Italian cinematic funk trio Atabasca. A syncopated journey where funk, psychedelia, and cinematic groove merge into a timeless narrative suspended between rhythm and vision.


"Cacopoulos" and "Kundela Mawedi" mark the birth of Atabasca's sonic universe: the first two singles from the upcoming self-titled debut album,which will be released on March 27 in limited-edition LP, CD digipack, and digital formats.

On the A-side, "Cacopoulos" is an impetuous, visionary ride that fuses the power of instrumental groove with the evocative imagery of library music and Italian golden-age soundtracks. From the first beat, listeners are drawn into a dry, dusty landscape driven by a primal drum groove and the acid twang of a guitar that evokes the spirit of classic Westerns. Indeed, "Cacopoulos" pays homage to I Quattro dell'Ave Maria (Ace High) and to the legendary Eli Wallach, the sly outlaw who turns deception into revenge, a subtle yet powerful nod that ties the trio's sound to imagery steeped in dust, dreams, and redemption.


On the flip side, the sound of an old lap steel guitar evokes the gentle waves of the sea, opening the doors to "Kundela Mawedi", a dreamy track with exotic tones and heavenly atmospheres. The sonic journey unfolds through hypnotic rhythms and echoes of ancient cultures, where ethereal voices and warm, entrancing bass lines intertwine with psychedelic riffs and evocative guitar melodies, merging into a soundscape rich in warmth and mystery. The chorus, with its unexpected choral chant, adds a spark of magic. An elegant twist that gently stirs the dreamlike mood and transports the listener into a new sonic dimension, steeped in mysticism and tribal vibrations. "Kundela Mawedi" is more than just a song: it's a sensory experience, a musical ritual where tradition meets psychedelia, sand meets sea, and the soul dances upon the waves of time.


Recorded in a single take, the session captures the raw energy and natural atmosphere of the performance. Artistic production was handled by the trio alongside Andrea Fabrizii (digger, musician, producer, and catalogue curator for CAM Sugar), while Riccardo Ricci mastered the tracks at Velvet Room Mastering Studio in Brighton.


A killer double-sider, blending psychedelic and funk moods with percussive, jazzy textures. A must-have gem for every groove-loving DJ.


Like a desert blooming within the evergreen forests of the planet's far north, a unique, alien, disruptive environment: this is the vision behind Atabasca, the project of Luca Mongia (guitars, lap steel, keyboards, vocals), Paolo Mazziotti (bass, keyboards, vocals), and Valerio Pompei (drums, percussion, vocals). Individually active for over twenty years on both national and international scenes, the three musicians came together in 2023 to create a project that merges experience, experimentation, and creative freedom. Their music is imaginative and at times dreamlike, blending the classic concept of the instrumental trio with the worlds of film scoring and sound design.


Atabasca's sound moves through jazz-funk, world, and cinematic territories, weaving together afrobeat, desert, and psychedelic influences into a personal and timeless language. Each piece is a scene; each sound, a fragment of a world, a journey between reality and imagination where groove, texture, and organic timbre merge into a singular sonic ecosystem: a perpetually shifting balance that generates new inner landscapes.


Fans of Khruangbin, Surprise Chef, and instrumental psych-funk, take note!

2026 Repress

One of the leading names in contemporary underground music, Guy J, embarks on a new journey. As a dedicated futurist and sound enthusiast who pushes boundaries akin to science fiction, Guy delivers the first track on his new label with an abstract vision of the layered future of sound. This 15-minute preview of Guy J's forward-thinking, innovative work indicates a promising future for his label. Experience the birth and transformation of a new era in sound from day one!



Every beginning carries excitement and unpredictability, requiring something extraordinary. Whether rooted in creationism, biblical narratives, or the Big Bang Theory, both theological and scientific origin stories resonate with events echoing millions of years into the future. One of the leading names in contemporary underground music, Guy J, embarks on a new journey. As a dedicated futurist and sound enthusiast who pushes boundaries akin to science fiction, Guy delivers the first track on his new label with an abstract vision of the layered future of sound.

From the opening patterns till the end, A Million Years From Now offers an adventure, blending moments of free-flowing thought with a perfectly engineered audio collage that evokes a spectrum of abstract emotions-from melancholia and psychedelia to breathless excitement and, ultimately, pure euphoria.
The layered creativity transcends realism, leading listeners into a state of trance. The second piece, Just Rain, kicks off with a bass-heavy, pumping kick drum that vibrates speakers on any sound system.
However, Guy J transforms this from a rhythm-based track into a melodic epic. Its power lies in the seamless transitions and manipulation of effects and in the compositional structure that evolves over the eight-minute arrangement. Despite its subtle atmosphere, the melody culminates in an explosion of emotions that stimulate every frequency of the audible sound spectrum.

This 15-minute preview of Guy J's forward-thinking, innovative work indicates a promising future for his label. Experience the birth and transformation of a new era in sound from day one!

Viktoria Tolstoy, celebrated for her expressive voice, emotional storytelling and cross-genre artistry, seamlessly blends jazz, pop and original songs.
Her standout tracks ‘Autumn Breeze’ (4.6M streams) and ‘Calling You’ (6.5M streams) have reached millions of listeners worldwide.
Collaborations with top Scandinavian and European jazz artists, including Nils Landgren and Esbjörn Svensson, have positioned Viktoria as one of the leading female voices in European jazz.
Jacob Karlzon, renowned Swedish pianist and composer, is recognized for his virtuosic technique, cinematic soundscapes and inventive harmonic language.
Their collaboration began in the mid-1990s, forming one of the most enduring and successful partnerships in Scandinavian jazz.
Their music bridges Nordic lyricism and modern jazz sophistication, appealing to both jazz and a wider crossover audience. A trusted name on the European scene, they continue to tour internationally and attract strong streaming and media presence.
Their new duo album reflects and renews that bond - an intimate conversation shaped by time, friendship, and change. The world has shifted since their last recording and so have they. Yet their shared musical language endures - evolving, deepening, and gathering new shades of emotion. There is a rare ease between them: two Artists who no longer need to explain, only to listen and respond.
The result is music that feels unforced, sincere and alive - born of trust and the courage to explore the unknown. In the end, it’s the simple beauty of reunion: two musicians meeting again, with everything they’ve lived and everything still to discover

Belia Winnewisser and Fatuma Osman have known each other since childhood, a friendship rooted in shared afternoons of music and late 90s/early 00s girl core. Their first joint debut EP Vertex, released through the Swiss label Light of Other Days, emerges as both a continuation of that bond and an exploration of process, weaving together collective memories with their present-day musical language.

Resisting polished closure, the record circles around the idea of limerence in sound: suggesting rather than declaring, outlining atmospheres that leave room for the listener’s imagination to fill out the blanks. Across its five tracks Belia and Fatuma oscillate between the personal and the universal, immediacy and nostalgia. The opening track Emerald rises like morning light; fragile, blissful, and quietly radiant. Covering Madonna’s 80s single Angel feels natural and slots seamlessly into the EP’s arc: as a defining pop presence of the last four decades, she embodies less an idol than a subtle compass. Surrender, the first track on the B-side, draws you into the club, vibrating between vulnerability and release. Each step extends their vision further, revealing a cohesive body of work.

Vertex holds opposite poles in tension, creating a space where vulnerability and intensity create dialog. What lingers is a realm of possibilities: a conversation between two friends and collaborators who understand that sound can be as much about what is left out as about what is expressed. Vertex documents their progression, marking a milestone without concluding it.

“The music of Season 2 of SEVERANCE is true to what came before in Season 1, while also developing new themes, new sounds, and new variations,” says Shapiro.

“The season's bold expansions into new storylines and new locations, along with the incredible filmmaking and performances, provided plenty of inspiration.”

“We are beyond thrilled to head back to Lumon with our Season 2 vinyl package,” says Mutant Co-Founder Spencer Hickman. “Working alongside Ben Stiller and his team, Fifth Season, and Apple has been an absolute honour and a joy.

Greg Ruth and I are obsessed with the show and the chance to play in this sandbox again. Creating original art alongside in-show ephemera is like receiving a gift. I couldn't be prouder of the package we have crafted for Season 2, blending the Innie and Outie worlds just as the season itself felt instinctual. I really hope fans feel we have done it justice. PRAISE KIER.”

Single LP with obi strip and a 16-page booklet featuring portraits of the main cast.

Auf ihrem Debütalbum ist eine lange Liste von Elite-Musikern aus der Daptone-Familie zu hören, die alle mit ihrem Talent dazu beigetragen haben, Pazners kreative Vision zu verwirklichen. Das Album wurde mit großem Beifall aufgenommen und erlangte schnell den Ruf als eines der besten Instrumental-Soul-Alben des Jahrzehnts – mit Rezensionen von Pitchfork, American Songwriter, Brooklyn Vegan, Rolling Stone u.v.a.. Im digitalen Bereich wurde das Projekt durch ein unglaublich starkes organisches Wachstum bei den DSPs unterstützt, wobei die Streaming-Zahlen alle Erwartungen übertrafen und es zu einem Durchbruchserfolg sowohl für Daptone als auch für Pazner machten. Nach dem Erfolg seines Debütalbums verbrachte Pazner die nächsten Jahre damit, den musikalischen Kosmos zu erkunden – er schrieb Songs mit Lee Fields und begleitete ihn als Keyboarder auf Tournee. In dieser Zeit gründete er auch eine Familie. Diese Reihe von einschneidenden Lebensereignissen bereitete den Boden für das kommende Album „In Search of a Revival“ (Daptone Records).
Dieses Mal, ganze 10 Jahre nach der Veröffentlichung des selbstbetitelten Debütalbums, komponierte, arrangierte und produzierte Pazner das gesamte Album selbst. Mit einer Mischung aus Musikern, die bereits auf dem Debüt zu hören waren, sowie einer Handvoll Freunden und Mitwirkenden, die er auf seiner musikalischen Reise kennengelernt hat, bildete er ein 17-köpfiges Ensemble aus den besten Musikern der Szene. Während „The Olympians“ stark vom klassischen Soul-Stil von Curtis Mayfield und James Brown beeinflusst war, lehnt sich „In Search of a Revival“ an die goldene Ära der Wrecking Crew, die üppigen Texturen der Gold Star Studios, Vintage-Filmmusik und die eher unbekannten Ecken der cineastischen Klanglandschaften an. Von den kaskadenartigen Harfenklängen, die „Sirens of Jupiter“ eröffnen, bis hin zur treibenden Horns von „Sagittarius By Moonlight“ liefern The Olympians einen ganz eigenen neuen Sound: einen alten Traum vom fernen Griechenland, gemalt in üppigen, filmischen Arrangements über harten Rhythmen. In Search of a Revival ist auf dem besten Weg, ein weiterer Daptone-Klassiker zu werden – ein Album, das nicht nur die Traditionen des Instrumental-Soul würdigt, sondern auch einen kühnen neuen Standard für das Genre in den kommenden Jahren setzt.

Auf ihrem Debütalbum ist eine lange Liste von Elite-Musikern aus der Daptone-Familie zu hören, die alle mit ihrem Talent dazu beigetragen haben, Pazners kreative Vision zu verwirklichen. Das Album wurde mit großem Beifall aufgenommen und erlangte schnell den Ruf als eines der besten Instrumental-Soul-Alben des Jahrzehnts – mit Rezensionen von Pitchfork, American Songwriter, Brooklyn Vegan, Rolling Stone u.v.a.. Im digitalen Bereich wurde das Projekt durch ein unglaublich starkes organisches Wachstum bei den DSPs unterstützt, wobei die Streaming-Zahlen alle Erwartungen übertrafen und es zu einem Durchbruchserfolg sowohl für Daptone als auch für Pazner machten. Nach dem Erfolg seines Debütalbums verbrachte Pazner die nächsten Jahre damit, den musikalischen Kosmos zu erkunden – er schrieb Songs mit Lee Fields und begleitete ihn als Keyboarder auf Tournee. In dieser Zeit gründete er auch eine Familie. Diese Reihe von einschneidenden Lebensereignissen bereitete den Boden für das kommende Album „In Search of a Revival“ (Daptone Records).
Dieses Mal, ganze 10 Jahre nach der Veröffentlichung des selbstbetitelten Debütalbums, komponierte, arrangierte und produzierte Pazner das gesamte Album selbst. Mit einer Mischung aus Musikern, die bereits auf dem Debüt zu hören waren, sowie einer Handvoll Freunden und Mitwirkenden, die er auf seiner musikalischen Reise kennengelernt hat, bildete er ein 17-köpfiges Ensemble aus den besten Musikern der Szene. Während „The Olympians“ stark vom klassischen Soul-Stil von Curtis Mayfield und James Brown beeinflusst war, lehnt sich „In Search of a Revival“ an die goldene Ära der Wrecking Crew, die üppigen Texturen der Gold Star Studios, Vintage-Filmmusik und die eher unbekannten Ecken der cineastischen Klanglandschaften an. Von den kaskadenartigen Harfenklängen, die „Sirens of Jupiter“ eröffnen, bis hin zur treibenden Horns von „Sagittarius By Moonlight“ liefern The Olympians einen ganz eigenen neuen Sound: einen alten Traum vom fernen Griechenland, gemalt in üppigen, filmischen Arrangements über harten Rhythmen. In Search of a Revival ist auf dem besten Weg, ein weiterer Daptone-Klassiker zu werden – ein Album, das nicht nur die Traditionen des Instrumental-Soul würdigt, sondern auch einen kühnen neuen Standard für das Genre in den kommenden Jahren setzt.

This release resurrects a long-lost cornerstone of Seattle's early grunge history, showcasing Bundle of Hiss, featuring future Mudhoney and TAD guys and singer Jamie lane, one of the genre's missing links. Between 1986 and 1988, when Seattle was still a circuit of small clubs, four-track tapes and bands sharing drummers and singers, Jack Endino went in to record one of the most solid - and most unfairly invisible - outfits of that scene: BUNDLE OF HISS. Two sessions (1986 at Reciprocal and 1987/88 at Audio Design) fell into limbo, stored in the basement of Mudhoney-Drummer Dan Peters and for years they were a kind of pre-grunge legend, everyone knew they existed, but there was no record, until Loveless Records from NYC released both on CD. The second one, Audio Design Sessions, now sees the light of vinyl for the first time, just as it should have come out in the late '80s: a basement document turned into a collectible artifact. For those who want real grunge, not the domesticated version. It gathers the core of those 1987-1988 recordings done by Endino: the moment when the band is tighter, darker and closer to what the press would later call the "Seattle sound": minor-key melodies, thick fuzz, vocals on the edge, and that mix of hard rock, punk and Sabbath-like heaviness we'd later hear in Mudhoney, TAD or early Soundgarden. And Jack Endino himself summed up these sessions: "Vintage Seattle grunge from one of the original practitioners_ I always felt sad that this hard-working band never managed to get a record out and was almost lost to history. It was a pleasure -and a technical pain!- to resurrect all this." Kinda key release of the early grunge days, first-generation material, recorded by the scene's producer, at the exact moment Seattle was shifting from noisy punk to that heavy, shadowy rock that later blew up. It sounds raw, young and dangerous: this is not a polished compilation, it's a snapshot of the scene.

Two years have passed since haruka nakamura released the “Light years” series, a four-part project created in collaboration with THE NORTH FACE Sphere,
tracing the cycle of the seasons. During the two years that followed, he continued to produce beat-based sketches — melodies and fragments born in daily life,
films, and other creative projects — sampling and reworking his own material as an ongoing personal practice.

These works now come together as the culmination of his collaboration with THE NORTH FACE Sphere: the twin albums “ALL DAY” and “ALL RAY,” featuring
sixteen tracks in total.
Compared to his previous works, the melodies and rhythms here resonate more vividly and memorably. Both albums gaze toward the light of the seasons,
yet each expresses a distinct tone and atmosphere.

As a prelude to these albums, eight singles will be released consecutively over eight weeks.
The artwork combines photographs taken by haruka nakamura with watercolor-inspired designs by suzuki takahisa (16 design institute).
Together, the eight singles and two albums create a cohesive visual and sonic world through ten unified jacket artworks.

This remastered vinyl reissue of Blind Ear reintroduces The Celibate Rifles' urgent, socially aware punk-rock energy, cementing its place as a cornerstone of Australian alternative rock. 1989 is where The Celibate Rifles take their punk instincts to the next level-garage muscle, surgical precision, and a rock'n'roll pulse that sounds more urgent than ever today. Formed in Sydney ten years ago, the band appears here in full flight: two guitars in constant dialogue, a rhythm section with newfound dynamic range, and a razor-edged vocal that bites without losing melody. The remaster opens up the stereo image, sharpens the six-string detail, and restores to the turntable the physical punch this record demanded from day one; it's the definitive way to (re)discover a key title from the Australian school. The tracklist is pure traction: "Some Kind of Feeling" hits the ground running with speed and focus; "Wonderful Life '88" nails an instant hook and a clear-eyed critique of yuppie culture; and the closer, "O Salvation," lands as an expansive, cathartic statement of intent. Two tracks unusual in Australian rock for their subject matter-"Sean O'Farrell" and "Belfast"-tackle the Northern Ireland conflict head-on and underscore the band's social gaze, while the rest of the album maintains a no-filler intensity. This edition preserves the original LP sequence (the two bonus tracks existed only on the period CD) and stands as an essential piece for collectors and front racks alike: ideal for in-stores, listening bars, and classic alternative rock playlists. If your audience connects with BORED!, Radio Birdman, The New Christs, or The Saints, Blind Ear is an unequivocal yes.

The album brings together the best songs from the 45 tracks he has been working on recently and shows why Melle is one of the most sincere voices on the Dutch music scene. 'Before I Lose It' is raw, personal and direct. The album is a search for identity and authenticity in sound and lyrics. The album shows that Melle not only seeks authenticity in his music, but also dares to share personal stories in his lyrics. From his long-term relationship to the search for identity and social awareness, he tackles topics such as inequality, discrimination and the influence of capitalism on our daily lives, without ever becoming cliched. This mix of intimate and socially conscious themes makes "Before I Lose It" both relatable and profound

- 180 GRAM AUDIOPHILE VINYL
- GATEFOLD
- HIS 10TH ALBUM, AVAILABLE ON VINYL FOR THE FIRST TIME

Joe Satriani is a 15-time Grammy Award nominee and has sold over 10 million albums, making him the biggest-selling instrumental rock guitarist of all time. Satriani accompanied Mick Jagger as lead guitarist for his first solo tour and Satriani briefly toured with Deep Purple as the lead guitarist, joining shortly after the departure of Ritchie Blackmore in November 1993.

He has worked with a range of guitarists during the G3 tour, which he founded in 1995. Satriani has been the guitarist for the supergroup Chickenfoot since joining the band in 2008.

Is There Love in Space is the tenth studio album by Joe Satriani, originally released in 2004. The album reached the top 100 in several countries. A lawsuit was filed by Satriani accusing the band Coldplay of plagiarizing substantial original Portions' of his song If I Could Fly' on their 2008 song Viva la Vida'. The case was eventually dismissed, with both parties allegedly agreeing to an undisclosed settlement.

Is There Love in Space is now finally available on vinyl for the first time.