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Maxx Mann - Maxx Mann LP

Maxx Mann

Maxx Mann LP

12inchDE270
Dark Entries
01.04.2020

Maxx Mann were the gay New Wave duo of Frank Oldham Jr (vocals, lyrics) and Paul Hamman (music) from New York City formed in 1981. Frank studied voice and acting at the Herbert Bergdorf School idolizing Eartha Kitt, Nancy Wilson, Johnny Mathis and Shirley Bassey. Paul was playing piano for a cabaret singer at a bar in Greenwich Village where Frank met him and their friendship began. Paul and Frank worked together 3 to 4 times a week recording their debut self-titled album released in 1982, limited to 500 copies.
Songs provide interesting insights into the homosexual experience before the AIDS crisis: cruising backroom bars, BDSM and one-night stands. The music is "Neo-realistic rock" heavily influenced by punk, titillating, synthesized body and soul with Frank’s dramatized vocal stylings. The original press release sent to radio stations stated, "Because this is a completely innovative sound, we hope you will give it several listenings. It is adventurous, daring, and certain to cause reactions from your listeners.” For this first time vinyl/CD reissue we’ve added two bonus instrumental tracks, so the album now contains all four original vocal cuts and their corresponding instrumental versions. Paul sadly passed away in 1986 aged 33 from AIDS-related illness and we dedicate this reissue to him. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in an exact replica of the 1982 jacket and includes a fold-post poster with photos, lyrics and notes by Frank Oldham Jr.

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15,08

Last In: 4 years ago
Future Beat Alliance - Never Forever (Inc. Afriqua Remix)

R&S welcome electronic composer Matthew Puffett AKA Future Beat Alliance with his killer single ’Never Forever’ a sublime slice of broken beat techno that originally had a limited release on his “Patience and Distance” album in 2009. It now comes backed with a first rate remix courtesy of R&S regular Afriqua.

A veteran of the UK electronic scene originally from Oxford but now located in Berlin, Puffett made his name in the late 90s with a string of sought after releases on Void Records under the aliases Mode-M and Soul Electrik before settling on the Future Beat Alliance handle. Notching up releases with the likes of Delsin, Rush Hour and Versatile as well as with the storied Tresor imprint, both as a DJ and an artist. In 2019 Matt started his new imprint Reward System to self release new creations.

Life long friend from Oxford, Mo’ Wax and Unkle maestro James Lavelle reached out in 2012, which led to a further creative chapter in Puffett`s story that culminated with him co-writing & programming on Unkle’s 5th studio album ’The Road Part 1’ as well as some singular work in film and television. “The moving image plays a key creative motive in my process,” Matthew explains. “Sound & picture married together is such a powerful combination that always inspires me every time to make my own version, 'Never Forever' is one of my many attempts to try and
capture that.”

Taking cues from modern cinema masters like Denis Villeneuve, Panos Cosmatos, Steven Soderberg and Jonathon Glazer and their respective composers, Puffett's widescreen sonic craftsmanship alongside his irresistible rhythmic sense are a key part of what makes Future Beat Alliance music so alluring; "I want my tracks to guide the listener on a exit route far from this world”

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9,45

Last In: 5 years ago
Ghédalia Tazartès - Diasporas

Ghédalia Tazartès

Diasporas

12inchDAIS21LPC2
Dais Records
31.03.2020

Originally recorded in 1977, following a limited release in 1979, Ghédalia Tazartès debut album, Diasporas, introduced listeners to the surreal, mysterious and truly unclassifiable statement of Tazartès and his out-of-time place in the French avant-garde canon. Born in Paris in 1947 to Judaeo-Spanish parents of Greek descent, Tazartès spent his early career as an autodidact utilizing his knowledge of repetition and collage, coupled with his Ladino linguistic heritage, to create some of the most unique recordings of the late 20th century. Interest in the works of Tazartès truly sparked when artist Steve Stapleton included his follow up album, Tazartès' Transports, in his famed "Nurse With Wound List," thus adding endless curiosity to the folklore behind Tazartès and his mystical entrée.

From the onset of Diasporas, looping incantations seemingly pile up at the behest of Tazartès. In almost a prayer-like decree, Tazartès chants to the gods in an undefined whail that is both haunting and spiritually divine. Tazartès unique use of tape loops to capture the disappearing traditions of his family's past creates an atmospheric texture that unexpectedly complements his cut-up, manipulated vocal experiments. While contemporaries within the French avant-garde maneuvered academic theory and rigid tradition, Diasporas strays away from these boundaries, working in Tazartès' invented practice of 'impromuz', a method in which he endlessly records for hours and edits only the moments that display any sense of spontaneous enlightenment. Further emboldening the obtuse nature of Diasporas are the seemingly random recitation of poet Stéphane Mallarmé and the traditional 'Parisian-style' piano accompaniment of experimental composer Michel Chion.

Since its initial release over 40 years ago, both Dais Records and Alga Marghen have released reissues of Diasporas in various formats, all of which quickly fell out of print. Dais Records presents an official reissue, newly remastered by Josh Bonati, utilizing the original artwork of Diasporas in its sole album form, for the first time in over four decades.

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24,75

Last In: 5 years ago
The Allergies - Felony/Rile 'Em Up

The Allergies

Felony/Rile 'Em Up

7"-VinylJAL328V
Jalapeno
31.03.2020

The Allergies are back with a new single A-side, 'Felony' – A storming soul-sensation, dripping with bittersweet emotion and driving, late-night grooves. It marks a return to that classic Allergies sound, full of dusty sampled beats, toughened up with punchy drums and re-worked lyrical loops. A dancefloor sure shot.

On the flip is Rile 'Em Up', a Latin funk bomb that showcases something of a new chapter for The Allergies. As the new album will testify, the duo have swelled their ranks to take in a full touring band, bringing in rapper Andy Cooper, soul diva Marietta Smith, and sax don Mr. Woodnote.

'Rile 'Em Up' represents some of that new live intensity, with its infectious boogaloo samples, party-starting chorus, and club-friendly breakdowns. It's sunshine in a single. And if it's a clue at the new direction The Allergies are taking us in, we like it.

On the flip is Rile 'Em Up', a Latin funk bomb that showcases something of a new chapter for The Allergies. As the new album will testify, the duo have swelled their ranks to take in a full touring band, bringing in rapper Andy Cooper, soul diva Marietta Smith, and sax don Mr. Woodnote.

'Rile 'Em Up' represents some of that new live intensity, with its infectious boogaloo samples, party-starting chorus, and club-friendly breakdowns. It's sunshine in a single. And if it's a clue at the new direction The Allergies are taking us in, we like it!

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10,88

Last In: 6 years ago
Onipa - We No Be Machine

Onipa

We No Be Machine

2x12inchSTRUT217LP
STRUT
30.03.2020

Afro futurist sensations Onipa unleash their debut album, combining Afro grooves, electronics and fierce energy for an effervescent celebration of cultural and musical encounters.ONIPA means ‘human’ in Akan, the ancient language of the Ashanti people of Ghana. It’s a message of connection through collaboration: from Ghana to London, our ancestors to our children, Onipa brings energy, groove, electronics, Afro-futurism, dance and fire! Born out of deep collaboration between long-time friends K.O.G (Kweku of Ghana of KOG and the Zongo Brigade) and Tom Excell (MD, guitarist and writer of acclaimed jazz/ soul afrobeat pioneers Nubiyan Twist), the group features KOG on vocals, balafon and percussion, Tom Excell on guitar, percussion and electronics, Dwayne Kilvington (Wonky Logic) on synths and MPC and Finn Booth (Nubiyan Twist) on drums.

The group have worked closely with Ghanaian star Wiyaala who features on three tracks, singing in the Sisaala language from the North of Ghana. The album also features collaborations with South African rapper Spoek Mathambo, Lesotho star Morena Leraba, Ghanaian percussion master Afla Sackey and Tanzanian sisters Pendo & Leah Zawose, each adding their own flavour to the project. “Through the musical prisms of London and Ghana our influences join together to create, a fundamental thread of traditional African rhythms, instrumentation and storytelling, interwoven with electronics, urban soundscapes and synth bass. We use technology, but it should never use us, our music is live and about deep human connection.” (Onipa)

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24,33

Last In: 6 years ago
Mathias Schober - The Fall EP

Mathias Schober

The Fall EP

12inchLL1222
Lossless
30.03.2020

Setting the tone with the first release on Lossless in the new year 2020 is co-owner and omnitalented Mathias Schober.
Mathias is opening LL1222 with the title track „The Fall“ on which he invited Jas of the duo Atelier for a vocal appearance showing a new side of his unique voice.
The sparse instrumentation of the the track, built around handclap rhythms, creates the perfect fundament for the vocal highlights. Additional snare drum and synth hits will do the rest to make you move.
Second track of the EP, “Will Make A Difference” sure does make a difference. It’s a 4/4 not 4/4 kinda track with an ever growing huge synth sound that takes you all the way to the middle part where it bursts into emptiness leaving space for some fierce
bass tones. The track has a certain pop-appeal to it but doesn’t at the same time. This doesn’t make sense at all? Just give it a listen and you’ll know. The third and final track is an instrumental version of “The Fall”. A simple reduction.
The essence of beautifully crafted rhythms and synth atmospheres. It simply feels right.

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8,36

Last In: 4 years ago
Imre Kiss - Oimachi EP

Imre Kiss

Oimachi EP

12inchDD009
Dalmata Daniel
27.03.2020

Two years after the drop of his latest solo effort, 'Strangers', Budapest cross-dimensional vibes trader Imre Kiss clocks in on Dalmata Daniel with the eagerly awaited followup to his widescreen, sci-fi ready sonic adventures. Here again, the Hungarian producer - who's made a name for himself through discerning blends of kosmische-infused nostalgia and uplifting emotional apexes, takes us off to a world of sense-awakening wonders and hidden alien treasures, well supported in his quest by Den Haag's legend Intergalactic Gary, up on the flip with a heat-seeking belter of a remix.

Written during a tour across Japan, the title-track 'Oimachi' breaks things in on a punchy yet immersively emotional note, flexing out the blunt Casio arpeggios and muscular bass leads for what results in a soul-whelming, wildly enjoyable trip away from the gridlocked 4/4 paradigm. The further jagged and wonky 'Whipromance' extrudes a weirdo-friendly piece of stretchin' electronics from its squelchy gangue of acid subs and straightforward drumwork, all set against a refreshingly contemplative dawn of pastel-brushed pads and ample beat-free sequences that shall leave weary dancers in a daze.

Flip sides and here comes 'Soft Obsession' - a fine-tuned assembly of organic envelopes, plurally sourced sample library and that idiosyncratic sense of otherworldliness the name of Imre Kiss has become synonymous with. Opening the sunroof onto a luxuriantly arranged and incredibly deep forest of rhythmic folds and textures, this is the very kind of track to send you off to the zone on a one-way trip. Rounding off the journey in true Moebius-esque fashion, Intergalactic Gary lets his unmatched jockey know-how do the talk through a mind-expanding finisher that'll be sure to please both the lovers of stadium-sized epics and all-night-long chock-a-block sweatbox action.
/Baptiste Girou/

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8,87

Last In: 5 years ago
David Behrman, Paul DeMarinis, Fern Friedman, Terri Hanlon, Anne Klingensmith - She's More Wild...

Unreleased album from 1981, a collaborative project by David Behrman, Paul DeMarinis, Fern Friedman, Terri Hanlon and Anne Klingensmith recorded at Mills College in 1981.

Previously known only to cognoscenti through an obscure self-released three-track 7”, this is the first publication of the complete album, an outrageous confection that mixes art-song and theatrical monologue with live electronics. Starting life as a performance art piece described by the artists as ‘Western Performance Noir’, the record centres on a series of texts written by Friedman and Hanlon in which female narrators comically embody a series of iconic roles (The Recording Artist, The Former Movie Star, and The Rancher). Other lyrical themes include recurring references to the notorious cannibal pioneers, the Donner Party, an ironic take on Japanophilia, and the luscious “Archetypal Unitized Seminar,” a satirical poke at self-help culture, whose lyrics are rendered in Indian raga style to the accompaniment of electronic glissandi and toy noisemakers. Delivered by Friedman, Hanlon, Klingensmith and special guest Maggi Payne in forms ranging from spoken monologue to Country & Western waltz, the texts are accompanied by instrumental and electronic contributions by Behrman and DeMarinis. Musically, She’s More Wild is truly unique, demonstrating these two pioneers of live-electronic performance adapting their signature processes to something approaching a ‘pop’ format: we hear the gliding, frequency-sensitive electronics familiar from Behrman’s classic On the Other Ocean and the mutant hacked Speak n’ Spell heard on DeMarinis’ Songs Without Throats propelled by drum machines and twisted into song forms. Perhaps comparable only to the David Rosenboom and Jacqueline Humbert’s contemporaneous Daytime Viewing in its interweaving of performance art tactics, high-tech electronics and pop sensibilities, She’s More Wild is an essential document, both immediately gratifying and ultimately thought provoking.

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19,12

Last In: 6 years ago
IN EMBRACE - The Living Daylights (Timothy J Fairplay mix)

The third in the releases where label favourites are represented for today and backed with a remix / version by a contemporary producer of repute, presents 80s leftfield pop-rock band In Embrace. Appearing here are two versions of The Living Daylights, the original long version and a re-recorded live take, plus additional versions by Timothy J Fairplay.

Coming out of the midlands Post Punk / fanzine scene Gary Knight and friends formed the original incarnation of In Embrace in 1981. Picked up by Glass Records, the early, edgy live recording were re-proposed as Knight developed his 'non-musicianship' with an interest in the possibilities of the studio.

The original "Uncut" version takes it's anti-war themed vocal and lays it over a Jah Wobble inspired bassline and tense electronic rhythm. As it builds, the pressure mounts a visceral sense of oblivion of 9+ minutes of deep dubbing and repeating refrain.

Next to this the "Live In Studio" version sees the later 3 piece band replay it out in an energetic raw form that makes a worth addition. Handing the versions, plus backing tracks to Timothy J Fairplay offered a radical departure. His brooding Redub and Bonus mixes take the track to a darker place, drawing out the induced, relentless madness Knight always intended.

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11,30

Last In: 5 years ago
Daniel Avery + Alessandro Cortini - Illusion Of Time

To coincide with the announcement, the pair have shared a video for the album’s title track directed by Sam Davis and Tom Andrew, who has previously received two UK Music Video Awards nominations for his work with Avery. Speaking about the video, Andrew explains, “We were keen to capture a visual representation of the tempo and atmospheric emotion of the track and make a video exploring the notion of collaboration. A super-motion approach allowed us to explore details of motion shared between two people, in tactile actions of aiding and supporting.” Cortini adds, “The video embodies the volatility and hidden nature of the music’s subject and meaning. A meaning that is ultimately personal and unique the listener/spectator.” Watch the clip .



Beginning as a collaborative experiment before the pair had even met, Avery and Cortini then worked remotely and free of concept or deadline over several years. The result, finally completed when both artists were touring with Nine Inch Nails in 2018, is a quietly powerful album rooted in trust, process and experimentation. The first fruits of their labour were unveiled last year when ‘Water’ and ‘Sun’ appeared online, subsequently released as a very limited 7” run that was sold at FYF Festival and Mount Analog in Los Angeles, and Phonica Records in London. Both tracks are included on the album.



“It was very much a shared process”, notes Avery. “I would like to credit Alessandro with his belief that music has a life of its own, as well as the importance he places on the first take... That even something that may be considered out-of-step by some should be respected. Some of the tracks were borne simply out of a tiny synth part, or a bit of tape hiss that we had recorded. And that approach taught me a lot. It’s a record that’s been worked on hard, but not laboured over.”



“I was a big fan of Daniel’s, and his work always spoke to me in a certain way,’’ explains Cortini. “Then, when we started working together, it just clicked. It’s very hard to explain, but I can always hear the love in his work, and that is true on this record. After our first collaboration, we just kept sending each other music and maintaining that dialogue. Next thing you know, we’re sitting in a hotel room in New York and had finished the record in three hours.”



The collaborative album follows Avery’s second record Song For Alpha, released in early 2018, and last year’s expanded edition B-sides & Remixes. Mixmag called the sophomore LP “A beautiful maturation of Avery’s work as a producer,” while The Guardian hailed its “Majestic, cavernous techno” and Loud & Quiet praised Avery as “A producer fast approaching the peak of his powers,” “This album cements Daniel Avery as one of the best,” wrote DIY. The London-based producer will perform at BBC Radio 3’s Unclassified Live on April 3rd, a new series of concerts in the Southbank Centre's Queen Elizabeth Hall presented by Unclassified host and presenter Elizabeth Alker and conducted by André de Ridder – tickets are available here. Avery has also just been announced in the first wave of acts for London festivals Re-Textured and the inaugural Wide Awake, taking place in April and June respectively.



Cortini released his most recent solo album Volume Massimo on Mute in July 2019, following Fine, the Italian artist’s final album under his SONOIO alias, which came out the previous year. The Quietus called the former “an album that showcases just how much Cortini‘s aesthetic has developed since his early days,” while Exclaim! hailed it “a melodic exploration of textures and layers … an instrumental masterpiece that adds to an already incredible body of work by the gifted and skilled composer.”

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19,29

Last In: 6 months ago
U+00C5 - M

U+00C5

M

12inchCR015
Catch Recordings
25.03.2020

The consistently innovative Catch Recordings is back with a new EP from Leipzig based producer U+00C5. As always with this label, the music is right from the cutting electronic edge and finds this stylish producer blur the boundaries between ambient, dub and techno in evocative new ways.

Cult favourite U+00C5 is focussed on new musical forms, on modern sounds and redefining the European techno sound. He consistently pushes forwards and is a master of the interplay between hypnotic repetition and otherworldly abstractionism, all while drawing on dark ambient and drone. Once again here the producer who also works as Åmethyst is in fine form across all five tracks.

Atmospheric opener 'Blutdruck' is a deep techno roller that fizzes with a sense of post-industrial dystopia. The shadowy grooves are eventually backlit by subtle chords that bring real warmth and soul. The excellent 'Empfinden' is more high tempo but just as cavernous and absorbing thanks to the rolling rubber drums, distant synth drones and sci-fi motifs that add the all important details which keep your head as engaged as your heel.

The beautiful 'Taumel' is another slice of hypnotic and tunnelling techno embellished with gorgeous ambiance from the outer edges of our galaxy. 'Nichts Ist Wahr' closes things out with suspensory pads giving you the feeling that you are floating in space before the firmly rooted drums rumble on and take you into the next dimension.

This is another fascinating EP of club ready but seriously heady sounds from Catch Recordings.

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8,70

Last In: 6 years ago
The Soul Motivators - Do The Damn Thing

Following up on their explosive and critically acclaimed debut album Free To Believe (2015, Do Right Music), Canada's premiere deep funk outfit The Soul Motivators are back with their sophomore album Do The Damn Thing. The 9-track album delivers a heavy dose of the band's signature funk sound, incorporating the soulful sensibilities of lead vocalist Shahi Teruko, who has been performing and touring with the band for the past two years and makes her recorded debut here.

From the high-octane 'Mindblastin' and 'All the Way to the Bank' to the moody ''Black Rhino' and the car-chase MSFBs-inspired 'Savalas' which show off the Motivators' instrumental grooves, Do The Damn Thing is guaranteed to appeal to the most discerning funk fans.

The band continues to broaden their definition of soul music from a spiritual, political and social standpoint, as evidenced by the album's most poignant and introspective moment, 'Modern Superwoman' featuring lyrics penned by Teruko. The Soul Motivators have toured tirelessly in their hometown of Toronto and all across the country. Their diverse crowd always turns out for their propulsive live show, and their mandate has always been the same: inclusivity, community, togetherness, and getting down on the dancefloor.

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19,87

Last In: 6 years ago
unperson - The Ghosts That Gave EP

unperson’s forthcoming ‘The Ghosts That Gave’ EP will be released digitally and on 12” vinyl via Negative Space Ma, kick-starting a new chapter for the enigmatic producer as he glides between ambient, techno, breakbeat, footwork and UK funky with unquestionable prowess across 6 varied but inter-woven tracks.

The EP is framed around the concept of juxtaposing moments of euphoria and melancholy found within club music, delicately expressing intricate textures and emotion for the quiet corners whilst maintaining a dance-floor sensibility.

“Ultimately, I wanted to build a body of work that explores and extends upon various corners of the Harcore Continuum. Through the juxtaposition of fleeting moments of euphoria scattered amongst twisted, melancholic soundscapes, I aimed to express fluctuating emotions which denote the spirit and energy of the club/UK sound-system culture”. unperson

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10,88

Last In: 6 years ago
Matuss feat.Sophie Buskin. - Seizure No. 13

Limited edition vinyl imprint Absence Seizure established in 2015, focusing on late-night grooves and bass. Matuss’ 13th release on the label Seizure No.13 EP comes at full-force with its melodic deep house ready for the dance floor or the afters.

The first track on the EP is ‘Continuum’, combining an ambient sensibility with deep house energy, an epic slow-burner which morphs into something quite spectacular as the groove moves on. Next, we have the hypnotic ‘Mer De Soleil’, carried along a melodic bass and a snipped vocal pattern which carry a weightless feel ready for dancing.

The addictive and emotive ‘Solicitors Are Welcome’ employs twinkly synths with a house beat, and features a dreamy vocal from Sophie Buskin. A real end-of-the-night track, its given a re-working from Silent Surrender, sending percussion rushes and an expert manipulation of the vocal work to form an intoxicating listen.

Matuss has shown once again her expert crafting of deep, dance floor rhythms with Seizure No.13.

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10,38

Last In: 5 years ago
The Fear Ratio - They Can't Be Saved LP 2x12"

James Ruskin & Mark Broom are back as The Fear Ratio with their third album ‘They Can’t Be Saved’.

180G 2x12"

The duo, who are long-term collaborators have created their own signature style with abstract synths, heavy basslines and experimental soundscapes that fit somewhere in between IDM, electronica and ambient.

Their acclaimed debut album ‘Lightbox’ was initially released in 2011 on Ruskin’s Blueprint Records, featuring remixes from Warp aficionados Plaid and Deadhand. Soon after they formed a long-lasting relationship with cult Manchester based label Skam, with the follow-up album in 2015 ‘Refuge of a Twisted Soul’.

2018 saw a four track ‘Live EP’ release made up of exclusive versions of their Autechre supporting slot at the Great Northern Warehouse in Manchester, Several years and various solo productions later, The Fear Ratio return with an album that solidifies their reputation as experimental producers.

From the ethereal opening bars of ‘Sender’ slowly twisting into a brooding dub breakbeat, to the staccato, bugged out atmospherics of ‘Grey Code’, ghostly electronics of ‘Small World’, tripped out, schizophrenic hip hop haunting bass of ‘Game Plan’ and sun-dappled keys of ‘The Final Vision’ Broom & Ruskin flex their techno muscles ever further beyond the floor.

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21,47

Last In: 2 years ago
Various - UZELLI ELEKTRO SAZ

Various

UZELLI ELEKTRO SAZ

12inch1324-3
UZELLI
18.03.2020

Uzelli Kaset was established in 1971 by Muammer and Yavuz Uzelli in Frankfurt, Germany. Their music resonated not only with the longing that Gastarbeiter (guest workers) felt for the homelands and families they had left behind and the melancholy brought by their difficult living and working conditions in Germany, but also with the joy that welled up at village weddings on their days off, and the long car or train journeys home. Reaching the remotest corners of Germany as well as Turkey, Uzelli Kaset was soon more than just a music company; it became a companion to Turkish workers living far from home. Not counting the handful of 8-track tapes and 14 LPs released in the early days, the catalog consisted entirely of cassettes.

When they opened their Istanbul office in 1977, Uzelli moved beyond production and became successful in the areas of reproduction, distribution and marketing. Taking the catalogs of other production companies under its umbrella, it continued its rapid growth.

The 90s became the CD decade, and because Uzelli Kaset had not released its catalog in CD format, hundreds of albums remained unavailable to an entire new generation. Because the albums had not been released in LP form either, musical explorers ran into the same problem. Remaining active and serving in various areas of the music industry, Uzelli carefully preserved its visual, audio and document archives, ensuring their survival to the present day.

After an immense amount of work, this catalog, which had long awaited discovery by new generations, was finally released in digital format. For record collectors seeking the spirit of those times, we also began offering this special selection of compilation albums in vinyl format. As we created this series, our goal was to guide listeners toward new discoveries, and open new pages for music lovers to explore. Leaving our rich, multifaceted catalog to genuine musicians, curators and artists, our desire became to approach the recordings of that period from a different perspective.

We are overjoyed to know that our continuing meticulous work will bear fruits whose taste and aroma have been long forgotten.

Uzelli

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20,55

Last In: 5 years ago
2shy - Night Conclusion EP

2Shy

Night Conclusion EP

12inchDT003
Dom Trojga
16.03.2020

Dom Trojga bounces into 2020 with an EP beautifully crafted by one of Warsaw's finest young talents - 2shy. Best known for his work as one half of the burgeoning duo Private Press (of Indigo Area & REKIDS fame), Night Conclusion is his long-awaited solo debut. Citing late 90s US house luminaries and Polish underground hiphop as some of his main influences (WSP's deep classic Faktem Jest was an actual reference during mixing), 2shy combines deep sensibility, great skill and genuine vehemence across the four tracks, telling a story that blends right into the greater narrative of house music, while adding to it its very own emotional touch. To use other words, Night Conclusion is a tender slammer, and does it good for DJs, dancers, lovers and night-time dreamers alike. The label art is an acrylic painting by Micha? Ratajczak, whose work we admire greatly. We've only just begun - look out for more Dom Trojga!

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8,03

Last In: 5 years ago
BLICZ - TERRAFORMA

Blicz

TERRAFORMA

12inchETB061
ETRURIA BEAT
16.03.2020

Etruria is ready to launch its new "Astral series", a new output of exploring the deeper shades of techno, new languages, new horizons.

debuting the series is the young french "Blicz" who brings a fresh take of modern techno with a 3 tracks ep.

"Terraforma" leads the EP with raw, ravy and percussive beats, reflecting Blicz vision of extreme techno,

while "greet earthlings" break beating the flip of the ep with an hip hop influence rhythmic, with an old school rave synth taking back to basics.

"New hope " closing the ep in a softer sentimental way of deep and percussive touches on a heavy low ends.

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7,77

Last In: 3 years ago
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