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Second instalment in the series, featuring reissues of Eddie Richard’s early unmissable tracks.

Smoove is back with his infamous Multitrack Rework series with volume 8, kicking things off with a seven minute, stripped back bass and drums workout of ‘Engine Number 9’

The flip side has an extended version of ‘Got To Be Real’ with an open drum intro Smoove breaks down the incredible brass arrangements and showcases the stunning vocal harmonies.

The 12” also comes with a spacey dubbed out version of ‘Star Of A Story ‘ with upfront haunting backing vocals, super tight drums and dreamy fender Rhodes.

A Bold New Direction from Kyoto's Finest

Kyoto-based dance music label NC4K's boss, Stones Taro, delivers a daring new EP in the third installment of the NC4KWAX series. Known for his dance-floor-focused beats and impeccable sound quality, Stones Taro pushes the boundaries of his sound on this release.
The EP kicks off with "Clutch," a track that immediately captivates with its addictive vocal chops and signature Stones Taro breakbeats. The up-and-down bassline provides a solid foundation, ensuring that your speakers get a workout. "Busy Lip" follows suit, with its chaotic mix of vocal samples and percussion creating a sense of euphoria. The clap on the third beat adds a challenging yet rewarding twist to the track. The third track is pure Stones Taro, featuring a ravey breakbeat sound with trance-like elements that elevate the track to new heights. Finally, Roman producer Christopher Ledger delivers a stunning remix of the fourth track, transforming it into a tech-house masterpiece with intricate arrangements and a deep, bass-driven groove.

Nous'klaer Audio proudly presents Paerels III (aka Pearls 3), the third and final edition of its beloved 3x12" compilation series. This release brings together a refreshing splash of sounds, unbound by genre, blending deep-listening pieces with driving techno, rave-tinged house, and a few playful surprises. Contributions come from both familiar faces and new voices on the label, with some tracks pulled from the archives and others fresh out of the studio - curated by label-head Oberman. Featuring artists like Megan Leber, Mattheis with a remix from Pye Corner Audio, Marie K, Mattias El Mansouri, Cooper Saver, Kems Kriol, Martinou, Human Space Machine, Koraal, Eversines, Erik Luebs, Mathilde Nobel with an Oceanic remix, Mary Lake, and lastly Gotu Jim.

'Cupar Grain Silo' is Sam Annand's first release on the Blackford Hill label. Its nine tracks blur the lines between ambient electronica and sonic history, as synthesised melodies and rhythms reverberate through the extreme acoustics of the disused Cupar Grain Silo in Scotland. Built in 1964 as a sugar store, the silo towers 60 metres above the surrounding Fife countryside. Its industrial life was short: in 1971 it was closed, and barring a short period as a grain store, remained empty for decades.

In 2014, Sam Annand was given access to the silo as part of the Resono project, set up to study a series of highly reverberant locations across Scotland. The ambitious industrial architecture of the Cupar Grain Silo has given the space a reverberation time of 36.5 seconds. This measurement describes the time a sound takes to decay or 'fade away' in a closed space. To put this in perspective, the Cupar Grain Silo reverb time is around three times longer than that in cathedrals like York Minster and St Paul's.

"The acoustics are immediately noticeable when climbing the ladder into the main chamber", Sam says. "The sound of your voice begins to circle around and above you, inviting you to shout, clap and bang objects to excite the space into revealing its intimidating architectural voice."

Sam began to experiment with musical compositions which responded to the unique acoustics of the silo space. He used impulse responses – a short, sharp sound like a gunshot – to record these acoustics, allowing him to experiment with the silo's reverb in his production. Sam's compositions were performed using a modular synth system, a Roland Juno-6 polyphonic synthesizer and a bowed ride cymbal.

"Chords can be constructed in time by hanging successive single notes in the air," Sam describes, "The flutter echoes from the immediate cylindrical walls can be used to create bursts of scattering spatial imagery and harmonic blooms, following short percussive moments."

Originally recorded on 21st May 2016, 'Cupar Grain Silo' is now released on 12" vinyl with an accompanying booklet of imagery and essays. The compositions are at once true to the unique architectural acoustics of the silo whilst also being playful and experimental with the creative possibilities it offered. Arpeggiated melodies ebb and fall across extended call-and-response shapes formed by the silo's reverb; modular drum patterns crackle like dying machinery; whilst bowed drones waver and wash over.

"We all love reverberation," reflects Prof. Peter Stollery, Professor of Composition and Electroacoustic Music at the University of Aberdeen, on the project. "As kids, we play in it – yelling in forests and caves, surreptitiously dropping objects in huge churches – mouths wide open at the lingering smears of sound which come back to us."

In 'Cupar Grain Silo', Sam Annand has harnessed the extraordinary acoustics of the disused silo to tap into this sense of joy and amazement that reverberation can bring.

2026 Repress

DJ Support: Danny Howard, Annie Mac, Mistajam,Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne,Todd Terry, Alex Preston, Full Intention, GW Harrison,DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos,Johan S, David Penn, Sam Divine, Riva Starr, Claptone,Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KCLights, Friend Within, Dombresky, Gorgon City, ChrisLake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, LowSteppa, Mat.Joe, Raumakustik, Eskuche

Coming out the traps strong, our next 4-track vinylsampler series kicks things off with Toolroom’s very own Mark Knight who continues his impressive string of collaborations with Darius Syrossian appearing alongside him for the first time on the label. Mark and Darius, along with studio maestro James Hurr,stumbled on this classic ‘Let’s All Chant’ sample and together proceeded to write a peak-time, tech house slammer around it. With relentless energy and lush vocal licks and that all-familiar 90’s sample, this one works a treat on the dancefloor.International House don Low Steppa is next for a special release with Malta’s finest, Jewel Kid. Their track ‘Big Busta’ oozes ATTITUDE! Slamming tech house drums, an insatiable groove and a tongue-in-cheek vocal that will raise many a smile on the dancefloor. Another certified club weapon for sure! CASSIMM kicks off the flipside on the vinyl with another peak-time club weapon as he returns with ‘Say Yeah’ alongside vocalist Mahalia Fontaine. The Italian born House music maestro is on fine form as always here, hot on the heels of his ‘Love Desire’ record that went stratospheric in late 2023 on Claptone’s ‘Golden Recordings’ label. With a big bassline and oodles of dance floor energy alongside Mahalia’s rasping, diva style vocal adding that classic house vibe to proceedings! Finally, we round things off with the once mysterious but now ‘unmasked’ house duo ‘Wh0’ with a rip-roaring club banger! Remixing for the likes of The Prodigy, Basement Jaxx, Calvin Harris and Meduza whilst collaborating with Armand van Helden, Nile Rodgers and David Guetta under his Jack Back alias.This track is a heads down, no-nonsense, tongue-in-cheek club weapon! Seriously powerful drums, aplayful acid line and a very cheeky vocal that will cause a stir on many a dance floor!

Countless radio plays on Radio 1 from Danny Howard,Sarah Storie, Pete TongOther notable radio plays – Kiss FM, Toolroom Radio,Sirius XM, Data Transmission Radio, Radio 1 DanceAnthems, Radio 1 Party Anthems, Rinse FM, SelectRadio, Tomorrowland Radio

DJ Support: Greg Wilson, The Reflex, Jkriv, DJ Harvey

Four new edits LUXXURY’s infamous series now on wax showcasing some of the LA-based producer’s most sought after cuts: 'Is It Real, Now' dubs out a popular modern Aussie indie disco hit, while 'Rap Chore' highlights the slinky bassline from an early new wave/hip hop crossover classic. 'Groove Prove' similarly highlights the sick 16th note bassline from another beloved 80s pop hit by a NYC female; and 'Disco 82' takes us halfway around the world to bring the Indian funk.

RE-ISSUE / RE-MASTERED / RE-PRESSED
Steve Bicknell - Lost Recordings 1

This is a seminal double LP consisting of 8 tracks by Steve Bicknell (originally released in 1996)
from one of UK's most influential techno / electronic labels Cosmic Records - to introduce the incredible series LOST RECORDINGS

Rich, raw and unpredictable - every single one of these tracks sounds FRESH as ever!

In the 90/00's in London, Steve Bicknell was at the forefront of techno as a producer and DJ but also as a promoter (of the event series LOST)

Panavision was born from the shared passion for music of Akaj, Pierro, and Brassac. After years of playing as DJs, they came together in 2023 to create a space that goes beyond dance music — a platform where producers and artists can explore creativity, freedom, and in novation.

Rooted in a diverse range of genres, we are committed to discovering and nurturing talent, both from the past and present. Our mission with this label is to bring stories to life through music that is authentic and dedicated. For our first releas e, we are thrilled to present a mini - album from S evered Heads titledOp5.

This record marks the official launch of our label, which operates between Brussels and Ljubljana — two cities that embody our ambition to explore diverse creative landscapes and push the boundaries of contemporary music. This first release is a t ribute to one of the pioneering forces in electronic music. The OP Series is one of many innovative projects S evered Heads h as produced since the late1970s.

For this special release, we’ve carefu lly selected six original tracks out of fifty from the Op Series releases of the early 2000s and curated them into a thoughtful sequence to form this mini - album

FINALLY! What an honour it is to share this one to the masses in the style of a fresh brand series that I teamed up with Bushman to bring a new label called 'Spiritual Vibes' where we will be bringing dubs that bring the vibes, the whole vibes and nothing but the vibes! Yet to launch it all off we are starting with a special project-build we had started over 2 years ago with a tune from Bushman's 90s archives; re-vamped and re-stamped with inspiration from the original track 'Return to Jah' aka Souljah Step as played by none-other than the mighty Aba Shanti-I as a themed closing anthem at many dances. Once we had played this version to Aba he had resurrected the original dubplates cuts in order so he could start running these new cuts alongside as a remix cut!

James Johnson Jr AKA Kukri is one exceptionally talented electronic music producer, composer and DJ known across the world for his hard as nails techno sound. His calm demeanour belies the massive amounts of energy he creates in his highly technical DJ sets and from within the ethereal beauty of his live performances, with many top-flight DJs swearing by his output, dropping his tracks relentlessly throughout their sets.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in Scotland, we’ve got on our heavy duty high explosive under pants for this relentless detonator of a release comin’ at you all the way from across the pond in Ohio, USA. There’s more ruthless techno dynamite in this one release than if you strapped twelvty grenades to a set of decks and pulled all the pins out simultaneously, the roofs are all gonna blow off wherever this one goes KABOOM in clubland. And along-with the three original blast shattering tracks, Lee Holman, making his RIOT Radio Records debut, is on remix shenanigans for the fourth with an aggressively merciless Detroit infused mangling to ignite the crowds even further.

The full digital release also features the original version of ‘Detection’ which Lee Holman accepted an unceasingly intense RIOTous mission to reconstruct.

WARNING: AFTER DETONATION THE RIOT SENTINEL SHALL APPEAR

Cameron Jack returns to Crosstown Rebels as he delivers his first EP on the label with ‘The Late Shift’. The release, set to drop on 6th December 2024, delivers a standout offering featuring two collaborations with vocalist Liz Cass and two solo productions from the fast-rising house music talent.

London-born, Ibiza-based DJ/producer Cameron Jack has quickly become a name on the up, having been championed heavily by Crosstown Rebels’ founder Damian Lazarus, as well Blond:ish and Lee Burridge. While still young in his musical journey, 2024 has seen him sharing stages with heavyweights such as Seth Troxler, Jamie Jones and DJ Tennis. His five-show residency at Hï Ibiza coupled with appearances at Extrema Outdoor, PHAEX Festival, Get Lost Mexico and Fabric London as well as an upcoming Asia tour to round off the year, has cemented his rise as one house music’s most in-demand up-and-comers. Having previously appeared on the label as part of Crosstown’s SPIRITS VA series, and adding to releases via Knee Deep In Sound, Abracadabra Music, and All Day I Dream, Cameron now returns to Lazarus’ brainchild with his first EP on the label as he unveils a refined exploration of his late-hours sound with ‘The Late Shift’.

The EP kicks off with two collaborations featuring singer/songwriter Liz Cass, whose vocal talents have graced tracks from Hot Since 82 to Nora En Pure. The opening track, ‘Dusk Till Dawn,’ pairs deep, rolling grooves with Liz's seductive spoken word vocals, setting the tone for the late-night atmospheres that define the release. ‘Move Your Body’ follows, with driving rhythms and infectious energy, inviting listeners to get lost in dancefloor moments. On the flip side, Cameron showcases his prowess further with ‘Get High And Dance’, bringing a captivating fusion of rolling percussion grooves and playful tones, before ‘Won’t You?’ rounds out the EP with another drum-led workout perfect for keeping dancers in motion.

Baby I’m serious! Frits Wentink’s Bobby Donny Ace Series welcomes the illusive Prince Palmer for his first vinyl release on the label. Frits himself steps up on remix duties alongside another Bobby Donny artist, Joy Jenkins to round off another killer release from the Bobby Donny camp!

As the tenth candle flickers atop the torta alla panna, Archeo Recordings play the Uno reverse card, breaking with tradition to give us a gift in celebration of its birthday: the first in a series of exquisite EPs on which the label's favourite contemporaries pay homage to past masters. Each re-polished gem is plucked either directly from the beatific back catalogue of the fine Florentine label or is at least Archeo-adjacent, perhaps a sign of future wonders to come. Like a musical version of Janus, who can be found at the heart of Bertoldo di Giovanni's frieze in the Medici villa, Archeo Recordings will continue to look forwards and backwards to provide sublime sounds for us all.
Pepe Maina officially joined the Archeo family in 2019 with the much-needed reissue of his 1979 masterpiece Scerizza (AR015), but his astounding music has been a constant companion to label head Manu for much longer. An inter-dimensional, multi-instrumental maverick, Maina weaves the frayed edges of prog rock, new age, organic jazz and global minimalism into a shimmering tapestry all of his own. The results are spread across fifty years and almost as many albums, largely self-released and always absolutely untarnished by commercial concerns.
Based in a small village in the hills of Brianza, just north of Milan, Maina translates the beauty of his surroundings into transformative tone poems, and the folkloric fusion of "The Infinite", originally released on his 2014 CD Tales From The Hill, is the perfect example of his practice. It opens with a recitation of Giacomo Leopardi's 1825s poem "L'Infinito" by famed Italian actor Vittorio Gassman. A leading figure in the romantic movement, Leopardi explores the idea of time and space within the natural world, and the peace that comes with an appreciation of the immensity of eternity. Manu, longtime digger and now a burgeoning producer, expands upon the original with tribal percussion, chirping electronics and a spheric bassline, folding Maina's elegant strings and gossamer pads into a new arrangement suited for a slow dance under the stars.
Unless you had a well-trained ear tuned to Italy's avant-jazz scene, chances are your first encounter with innovative flautist Roberto Aglieri came via the 2017 Archeo reissue of hisalmost untraceable LP Ragapadani (AR011). It's a true testament to Manu's digging credentials that he snatched this masterpiece out of the esoteric atmosphere and brought it attention it so richly deserved. A delicate union of digital synthesis and versatile flute - be it soft and silvery or
brilliant and clear - the 1987 album was a shapeshifting masterpiece, replaying scenes from Virgil, Verdi, Visconti and Pasolini with a neon glow. Quintessentially Italian, but uncanny and previously unimagined - Penthouse and Portico perhaps. Powered by a percolating prototechno sequence, cascading keys, hallucinogenic vocal snippets and a variety of tonal timbres from Roberto's reed, "Danza N. 1" long deserved the praise reserved for Jean-Luc Ponty's pinnacle, so many thanks to Manu for our collective introduction. The tall task of reinterpreting this particular paragon falls to Perugian polymath Daniele Tomassini AKA Feel Fly, whose peerless skills as both producer and musician have delighted DJs and dancers alike. Hot on the heels of his diverse and definitive remixes of Tony Esposito for AR027, Daniele delivers a radical rework of "Danza N. 1" perfect for both day rave sunshine and full moon party alike. Enhanced by snapping breaks and a rattling kick, the bassline gurgle emerges as a progressive powerhouse, laying the foundation for the trilling flute and circular keys to cast a psychedelic spell. As the slow-Goa revival picks up pace, this one is way ahead of the pack.
Archeo take us all the way back to the start of its story here - well almost. Though it bore the stamp AR001 (2015), this Radio Band reissue actually hit shelves months after Tony Esposito's "Je-Na' / Pagaia"; a false start perhaps but a true classic all the same. Radio Band were a group of DJs from Florence who all sailed the airways of Radio Fantasy in 1984 and whose one and only release was this super groovy slice of Italo-boogie. Following the example of Milanese DJs Band of Jocks but far surpassing their formulaic funk fizzle, Radio Band employed an intergalactic bassline, cosmic keys and that undeniably Italian style of rapping to deliver a sophisticated party-starter which even found its way to disco deity Ron Hardy. Back to the here and now, and if you've found yourself pumping an ecstatic fist to a supercharged Italian epic of late, chances are its from the mind of the mysterious Radiomarc. Operating on the ascendent Popcorn Groove imprint, this shadowy figure steers his country's lost classics into peaktime territories, finding a sweet spot between late Italo-disco, early Italo-house and contemporary cool. Pushing the tempo with a club-ready 4/4, setting the sequencer to stun and supplementing the original melodies with a series of synth riffs, the mystery producer send this one into orbit. Radio Band - Radio Rap - Radiomarc, the circle is complete.
Few have done more to develop cross-cultural musical exchange than Futuro Antico. A collaborative venture from musician, archeologist and ethnomusicologist Walter Maioli, keyboardist and tonal theoretician Riccardo Sinigaglia and multi-disciplinary artist and composer Gabin Dabiré, Futuro Antico formed in Milan in 1979, combining ancient international folkloric traditions with otherworldly electronics. The result is an arresting melange of Mediterranean, African and Asian instrumentation, mimicked by esoteric synth tones and hypnotic minimalism, which the group perfected on their acclaimed 1990 LP Dai Primitivi All'Elettronica. The meditative and transportive "Pan Tuning" belongs to their largely overlooked 2005 CD only release Intonazioni Archetipe, and has been amongst Manu's most loved tracks from the first moment he heard it. Who else is better placed to reshape this evocative opus into an immersive, transcendental dance floor journey than label favourites Mushrooms Project? The duo sows the original elements into a sprawling fifteen minute fusion of séance and science, at times propulsive with a ritualist rhythm of tuned percussion and crunching drum machine at others drifting off into ethereal ambience. Mushrooms Project continue to push the boundaries of the Afro-cosmic style, and this remix marks a new zenith.

Repress
Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12”s that showcased their savvy for self-control - a faculty they have demonstrated in releases year-on-year since.
Highlighting this continuous font of vitality, Tresor Records has returned to the source and is proud to announce the reissue of Scan 7’s debut LP, Dark Territory. First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released.
Repressed on vinyl with updated artwork, these tracks still sound like a blueprint for the future, testament to the prescience and assurance Scan 7’s leader, Trackmaster Lou, clearly had when writing “I hope you enjoy my records in the phuture to come” in the sleeve notes nearly 30 years ago.

Originally released in 2004 "Traktorizm" by Midiots gets a new release on the Party Tricks' reissue series.

‘Tricks that never fail to amuse at parties’. Vinyl Only.

Our beloved Orange Wedge is back with the first volume of the Local Motion series. Selected by the label owner Code 90, a 4tracks EP courtesy of Paolo Mosca, Sindaco, Uovo and Luis Del Barrio.

Guzman & Victor Reyes are up next for the second installment of the new Griffé split series !

Favorite Recordings proudly presents this new 7inch single release, filled with 2 beautiful tracks previously compiled on the famous and now almost sold-out, AOR Global Sounds series.

First comes “What Its Meant to Me” by Jonathon Hansen. Self-produced and self-released in 1978 by Jonathon, this is another perfect recipe of AOR soulful style. Jonathon Hansen told us a bit about its story: “’What Its' Meant To Me’ was a song I wrote about the breakup of a band. As with a lot of my songs, I always write them to be about more than one thing. Primarily relationships. The song was recorded in Costa Mesa, CA at Sunwood Sound Studios. It was recorded with fellow bandmates and other musician friends.”

Another top track from the series comes next, with “It’s Always Something With You” by Jeff Silna. Originally only released on a promotional radio compilation, it was reissued by Favorite Recordings in 2017 on the 3rd edition of the AOR Global Sounds series and is still now in high demand. Here again Jeff Silna reminds: “This track was recorded at TK Studios, credited with the inception of disco music and pumping out what were considered the first Disco hits. TK created what’s known as the Miami sound. I was fortunate to work with some amazing musicians like guitarist Sheldon Stauber and players from the U of M Jazz Band, which was tops in the country at the time. My influences were funk and soul bands like Earth Wind & Fire and Average White Band.”

We are proud to bring you part II of the CEP VA series, featuring six tracks that span a wide range of genres. Each track brings its own signature to this release, making it truly one of a kind.

Beta.V opens the A-side, fusing self-sung vocals with multiple synths that harmonize beautifully together to create a timeless track. This is followed by SWART's 'Eternal Raver', much akin to old-school trance thanks to hypnotic synths and dreamy textures creating a meditative state. A3 introduces ETERA’s 'Classic Shit', a dancefloor weapon with stomping beats and crisp, background drums signaling the signature sound of ETERA himself. On the B-side, SZG stands out with its gated synthline, pounding bass, and catchy vocals from Brazilian MC DDSV adding that unique energetic spin to this release. DJ HENNE’s 'Roboter' on B2 is a hard house slayer featuring a deep mid-track breakdown and self-sung vocals - a DJ HENNE classic. Wrapping up the release, Pōnky combines groovy, funky plucks with a smooth finish, closing the EP out on a playful note.

'Pursuit Of Change' drops via CEP Records on 29th November 2024.

The third chapter in CLIKNO's MAT (Music / Art / Text) EDITIONS series features four extended deep Minimal Techno tracks by Dr.Nojoke, titled wrongwrongrightright.

This release is accompanied by Dana Widawski's SelfMade 1-4, a series of four fayence-style plates created using traditional techniques to convey unconventional, socio-critical themes, and a text, solo moral judgement, by Marianne Klausen—a manual for a performance on moral judgment that explores the meanings and values of concepts like good, bad, wrong, and right—fusing auditory and visual art with writing into a unified experience.

At the core of Dr.Nojoke's wrongwrongrightright lies a deep, hypnotic quality, woven through layers of rhythm, melody, and noise, creating a transcendental pulse for the dancefloor. Notone on the A-side takes a more straightforward, acidic approach, while Cornips on the flipside is a deep minimal groover with a funky interplay of sounds. The second record dives even deeper with two more obscure tracks, Volasuri and Jilimuz, appealing to fans of Voices From The Lake and similar artists.

CLIKNO … art for dancing

LA-based label Milkcrate Mondays has pleased many a dancer with the MCM Edits series and now the fourth volume in relatively quick succession offers more irresistible heat from a trio of talents. DJ Abel opens up with 'Dem Nah We' which is low slung hip-hop fun with raw, characterful vocals and Afro flourishes. DJ Netwerk's 'Everlasting' is a more slow motion and Balearic joint for sundown and DJ Soulcab's 'Buena' is a shuffling and dembow-infused carnival rhythm with brilliant accordion leads.

Sustrapperazzi returns to the Ilian Beat Series with 8 fresh drills.

Damian Lazarus returns to Crosstown Rebels with new single ‘Sunrise Generation’, featuring Fink. Including a remix from Norwegian talent and up-and-coming Crosstown family member Meera, the single marks Lazarus’ first material on his iconic label in over a year.

Visionary DJ/producer and Crosstown Rebels founder, Damian Lazarus, makes his long-awaited return to the label with his new single ‘Sunrise Generation’, featuring the voice of acclaimed and celebrated singer-songwriter Fink. Set for release on 8th November 2024, the highly anticipated production marks Damian’s first material on Crosstown since his collaboration ‘Revolution’ with Dennis Cruz in October 2023, his Grammy-nominated single ‘Don’t Be Afraid’ with Diplo & Jungle, and his first solo release since his ‘Beijing Spring’ project on sub-label Secret Teachings in April 2022.

An emotive, captivating and uplifting track, ‘Sunrise Generation’ is not just a return to form but a heartfelt homage that celebrates the magical moment and euphoric energy of sunrise.

The release also features a return for Norway’s Meera, an exciting artist whose recent outing on Crosstown Rebels with her ‘Stikk’ EP made notable waves, building on her debut on sister label Rebellion last year in style. Her remix brings fresh energy, layering deep textures and rhythms over Fink’s haunting and heavily processed vocals to create a stirring counterpart to the original.
A sonic celebration of unity and renewal, ‘Sunrise Generation’ once again affirms Lazarus’ status as a true leader within the electronic scene. The single follows a series of high-profile remixes, including reinterpretations of tracks from Josh Wink, Jamie Jones, Bedouin, Totally Enormous Extinct Dinosaurs (TEED), and Made By Pete, along with his acclaimed collaboration ‘Don’t Be Afraid’ with Diplo and Jungle. As always, Lazarus’ ability to craft atmospheric, emotion-driven soundscapes shines through here as he continues to innovate and inspire with another cherished anthem crafted for special dancefloor moments.

The busiest beavers in the edits game, the Patchouli Brothers sink their teeth in to some novel material for their second outing on RNT’s lauded white label series. The Brothers’ usual disco fodder gives way to some masterful reworking of 90s house, 80s electro boogie, Euro dance, and Freestyle on this 4 tracker that shows their crates run even deeper than we knew. From the opening chords of Male Dans La Peau, to the arpeggiated soulful pulse of See You Tonight, the over-the-top cheekiness of Mista Hasta La Vista, or the earworm vocal refrain of All Nite, this is a special record from beginning to end and an unexpected surprise from Toronto’s finest edit practitioners.

London-based DJ and producer Steven Julien’s career has always been about contrasts. Across a decade of releases on labels including Eglo and his own Apron Records, as well as club sets around the world, he’s consistently mixed light and dark, soft and heavy, yin and yang. From rough-edged house and techno to laid-back soul and boogie, or meditations on his familial and musical heritage with 2018’s Bloodline LP Julien’s music has always moved between moods, styles and emotions.

That eclecticism also defines Julien’s upcoming instalment in !K7’s iconic DJ-Kicks mix series. Featuring a broad spectrum of artists including Ryuichi Sakamoto, DāM-FunK and Todd Edwards, alongside a selection of his own exclusive productions, Julien takes us on an imagined journey from day to night: from a bucolic afternoon in nature to heady domestic vibes before a big night out, and finally the euphoric embrace of the dancefloor itself.

Julien describes his creative approach to DJing in general, and this mix in particular, as letting his energy and intuition guide him - it’s only on listening back to the finished session that he realised how often he mixes tracks in key, creating smooth transitions from one moment to the next.

That instinctive approach, where seamless mixing becomes second nature, speaks to Julien’s decade of appearances in DJ booths around the world: he cites sets at Ormside Projects in London, Doka and De School in Amsterdam, or Mitsuki in Tokyo as specific inspirations for this mix. Julien describes the feeling he’s tried to capture on tape as an out-of-body energy: just letting loose, and being yourself. “When you get in that position of doing what’s true to you, playing what’s true to you” he says, “people just resonate with that.”

The most famous and highly successful trance compilation worldwide is Talla 2XLC’s Techo Club series that always topped the charts and download shops. After 67 magical episodes in February 2023 Techno Club has celebrated its 25 years anniversary with the ultra large Best of 25 Years 4 CD edition. After 25 magnificent years of DJ battles and exceptional DJ mixes between DJ Talla 2XLC and his brilliant globally known guests including Taucher, Kai Tracid, Tom Wax, Scot Project, Cosmic Gate, Aly & Fila, Jerome Isma-Ae, Alex M.o.r.p.h., Woody van Eyden, Markus Schulz, Allen Watts, Ralphie B, Metta & Glyde amongst many others, trance fans can experience the mouthwatering and highly satisfying recap with the Best of 25 Years shinning edition. Two Mixed CDs perfectly arranged by the trusted hands of Talla 2XLC and the resident Techno Club DJs LXD and Bluefire to keep you dancing 24 hrs and 2 Unmixed CD’s with eternal trance classics for club and radio DJs who wish to educate their audience and incorporate these timeless jewels in their digital collection and DJ sets.

After thousands of requests via Talla 2XLC social media ZYX proudly presents the vinyl edition of Technoclub 25 Years vol.1. In two brilliant vinyls, trance aficionados will enjoy 12 of the most highly requested trance classics from the vaults of the iconic Technoclub compilations.

The 1st vinyl includes the legendary Jam & Spoon Watch Out For Stella Remix of the most significant trance track of all times Age Of Love, then the balearic Ocean To Shore Club mix of the melancholic On The Run by the late legend DJ and producer Tillmann Uhrmacher. Final track in A side the highly energetic Fly Away by Vincent De Moor in the most powerful remix by the German duo Cosmic Gate. On the flip side Jorn van Deynhoven Remixes RAM’s eternal beauty RAMsterdam. The legendary team of Nalin & Kane represented by their remix on Lustral aka Space Brothers blissful and oceanic Everytime. Lastly the well known Sunrise by Ratty aka Scooter side project with the rough tribal main section and the sunkissed feel good breakdown. The 2nd vinyl will bring tears of joy with Talla 2XLC remix on the highly euphoric Sky by Dito. The epic Ronski Speed remix of the countless times remixed trance classic 1998 by Binary Finary and finally the still crowd pleasing Dreams by the Australian Quench. The D side is all about Talla 2XLC productions including his brilliant remake of the fantastic The Meteor, followed by the highly uplifting Xijaro & Pitch remix on Pull, the epic Talla’s co-production with Junk Project. The final track is dedicated to psy-trance community with Zyrus 7 aka Talla 2XLC psy-trance project with the fast moving anthem Lost in Space. The growing fanbase of trance vinyls will adore this great collection of the finest trance anthems from the past, present and future carefully selected by Talla 2XLC and his Technoclub team mates.

Outcast Planet Compilation vol.1 is the first in a series of volumes by Outcast Torino and features two records and 9 tracks, one for each resident DJ: Alex Dima, Bakked, Cristian Sarde, Denaila, Emanuele Montalto, Lorenzo Aribone, Munir Nadir, Paolo Macri and Paul Lution.

The collective from Turin comes together for the first time in a V.A whose sounds range from house to techno, with deep and electro influences.

Coming soon from Outcast Planet straight to your turntables, get your copy now.

Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound's Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone.

Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions" upon its initial release in 2000, the album remains a compelling case study in Coil's exceptional capacity for mutation and extremes. The theatrical introductory monologue delivered by Thighpaulsandra's mother - a career opera singer, in her 80's at the time of recording - sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: "Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university." As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a "bliss out," static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all."

Jónbjörn's 'Gárur' re­ects the ebb and ­ow of life, and is a sonic exploration of the nether regions of atmospheric electronic music. Jónbjörn, an Icelandic producer and purveyor of organic textures and soundscapes has just released his debut full-length LP titled ‘Gárur’. Translated to ‘Ripples’ in English, the album is a colourful display of intricately woven electronic grooves and hypnotic atmospheres. The 10-track LP unfolds like a 1-hour mixtape, each song seamlessly blending from one to the next. ‘Þeytt smjör’ sets the scene with a sequence of generative ambience – lush pads and synthesizers atop a backdrop of found sound textures. The album pushes forward into many beat-centric tracks across various genres – everything from Downtempo, Deep House, Electronica, and Electro can be found throughout. While each track borrows in­uences from across the dance music spectrum, the album is held together by Jónbjörn’s melodic and harmonic tendencies that encourage you to lose yourself in. Jónbjörn's process is heavily sample-based, often jamming carelessly to unearth new sonic possibilities. He records tracks live, triggering loops and effects spontaneously, and separates the creative process from mixing to maintain a sense of naivety. This approach allows him to capture the purity of initial demos, without falling into the temptation to overly polish the ¬nal product and lose that initial magic. Over the past three years, Jónbjörn has released a string of singles and his last full release on the Helsinki label ‘OO Recordings’, which featuredsix tracks on cassette. He has also been putting out music on his own label, Lagaffe Tales. In March 2020, he released his ¬rst full vinyl EP on his own label series, BROT, at a time when the global pandemic had closed almost all clubs worldwide. Additionally, he has released music on reputable labels such as D.KO Records, Neo Violence, Gestalt Records, Móatún 7, Bitterfeld Musik, Yellow Island Records, and FALK.

Patrice Bäumel makes his most welcome return to Kompakt’s Speicher series and it’s exactly as compelling as you expect it to be. “Luce” is a slenderly pumping piece of minimal soul featuring the otherworldly voice of Chiara Gamo. Once more, Patrice masterfully demonstrates how little elements he needs to create suspense, density and warmth on the floor. “The Cave” follows the same mantra, sucking us into a mystique stalactite cave full of echoing droplets and enchanting whispers. We follow him blindly.

Patrice Bäumel’s höchst willkommene Rückkehr zu unserer Speicher Reihe ist genauso fesselnd, wie man es erwartet. „Luce“ ist ein schlankes, pumpendes Stück Minimal Soul mit der entrückten Stimme von Chiara Gamo. Einmal mehr beweist Patrice meisterhaft, wie wenig Elemente er benötigt, um Spannung, Dichte und Wärme auf dem Floor zu erzeugen. „The Cave“ folgt demselben Mantra und zieht uns in eine geheimnisvolle Tropfsteinhöhle voller widerhallender Tropfen und verzaubendem Geflüster. Wir folgen ihm gerne.

We have been fans of Psyk's own imprint non series since the beginning. Now we have the joy to distribute the debut of the infamous Belgian club imprint Fuse by Psyk himself...
Non conformistic techno for the Berghain dance floor! Kristian

Truth Manifest Records is proud and excited to release Beyond Jazz Volume 2, the second volume in this wonderful, futuristic four-part series!

This stellar vinyl release on Truth Manifest Records is from executive producer Malik Alston, with distribution from Mother Tongue. As we travel to the edge of our senses with Beyond Jazz Volume 2, it is immersed in poetry pulling on the heartstrings of urban reality. This is where live meets a hip-hop foundation, sped up and transformed into a dance jazz Afro-Cuban up-tempo banger, to tell the story of the groove. Put Volume 2 to a funky jazz lick phrase, reminding us that through the struggle, there is victory. Let your spirit shine as you feel the essence of boom bap jazz.

This powerful collection has special new remixes and edits based on Malik’s current radio show, Beyond Jazz

Dj Terrace's third and final release in his Signed series contains his usual rich combination of old skool jungle sounds and unusual arrangements, the style echoing peak Labello Blanco with its deep bass and clever use fo samples and edits, but carving out its own unique sound for the modern audiences!

Subtle and hypnotic grooving 4 tracker. Longtime friend and partner in crime Markus Suckut is back on Andre Kronerts very own Odd Even. Part 1 of his Museum Series.

Written, Produced, and Mixed by: Antoine Eole (aka In da Woods) Vocals on Tracks A5, B1, B2 by: Alex Catrine Le Thomas de Selve Track B1 contains a sample of: “And Birds Are Still” by Takashi Yoshimatsu Mastered by: Stephan Mathieu at Schwebung Mastering Original Artwork by: Barbara Orsingher Layout by: Riccardo Piovesan Limited Edition of 100 copies transparent In da Woods is the sonic project of Paris and Berlin-based composer and sound designer Antoine Eole, formerly of the electro-rock band Bad Pilot. Known for his work across TV series, documentaries, theater productions, and major ad campaigns (MTV, Disney, Hermès), Antoine blends cinematic soundscapes with the raw edge of experi- mental and future garage music. With Nuit Blanche, Antoine explores atmospheric and bassdriven compositions, featuring the ethereal vocals of Alex Catrine Le
Thomas de Selve