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THE NEW PORNOGRAPHERS - THE FORMER SITE OF

Eine Frau ist auf einem Kreuzfahrtschiff gefangen. Ein Prediger beschließt, mit seiner Stadt unterzugehen. Ein Mann im Blumenladen verliert sich in der Bedeutung eines Arrangements. Diese und andere Menschen an persönlichen wie gesellschaftlichen Grenzpunkten stehen im Mittelpunkt von zehn zeitgemäßen und zugleich zeitlosen Kurzgeschichten, die The New Pornographers auf ihrem kommenden Album The Former Site Of in Form sorgfältig komponierter Popsongs versammeln.Wie schon Continue as a Guest zeigt auch dieses Album The New Pornographers - Bandleader A.C. Newman, Neko Case, Kathryn Calder, John Collins und Todd Fancey - dabei, wie sie ihren ohnehin reichen Katalog auf überraschende Weise erweitern. Unterstützt vom legendären Session-Drummer Charley Drayton (Divinyls, Keith Richards, Fiona Apple) war der Raum innerhalb eines New-Pornographers-Songs noch nie so klar definiert und zugleich so reich texturiert. Das verleiht den Figuren, deren Leben sich in Newmans einfühlsamen, bildhaften Texten entfalten, einen unverwechselbaren Puls.The Former Site Of verleiht dem Sound, den Newman durch das Schreiben und Aufnehmen im Heimstudio entwickelte, zusätzliche Tiefe und verfeinert den kreativen Prozess der Band weit über die Notwendigkeiten der Lockdown-Ära und der damaligen Remote-Zusammenarbeit hinaus. ,Die Zeit in meinem Studio hat vieles geöffnet", erklärt er. ,Ich kann zuerst das Skelett eines Songs zusammenstellen - nur ein paar Elemente, das zentrale Gefühl, wirklich so wenig wie möglich - bevor ich ihn zur Band bringe und von dort aus weitermache."Zwei Alben nach dieser Veränderung erschaffen The New Pornographers Klanguniversen von komplexer Textur und erzählerischer Detailfülle, bei denen jede Ebene darauf abgestimmt ist, eine unerwartete neue Facette offenzulegen. Wie schon auf Continue as a Guest ist eine der deutlichsten Ebenen die Art und Weise, wie sich ein Song um ein hervorgehobenes Instrument formt. Auf The Former Site Of ist es die Mandoline, die - in Carl Newmans Händen - der Lead-Single ,Votive" ihr Gefühl von Beschleunigung verleiht, während sie sich vom atmosphärischen Synth- und Keyboard-Intro zu einer klassischen, weit offenen Jam-Nummer aufbaut.,Hände schützen ein Streichholz / Ich versuche nur, das Licht am Brennen zu halten", singt Newman in dem Stück. Diese Metapher - das Festhalten trotz der Unsicherheit des Lebens - zieht sich wie ein roter Faden durch The Former Site Of. ,Bonus Mai Tais" handelt im Grunde davon, wie die Flamme erlischt: Newman schreibt darin offen über ein Treffen mit einem Freund, der an fortgeschrittenem Krebs erkrankt ist, und über seine eigene Entwaffnung angesichts dessen Offenheit im Angesicht des Todes. Es ist ein brutal trauriger Song, dessen Schmerz in Newmans Stimme schwebt - und zugleich einer der schönsten der Band, wobei die Harmonien von Neko Case und Kathryn Calder wie ein ätherischer Spiegel der Szene wirken.The Former Site Of platziert viele seiner Figuren am Rand des Vergessens - ihre Zeit wird knapp, ihre Situation scheint aussichtslos -, und doch halten sie fest. Das gilt auch, wenn The New Pornographers den Blick nach innen richten, wie auf ,Pure Sticker Shock", in dem Newmans Texte um Selbstwert kreisen. Dass sie sich selbst unter dieser so unterschiedlichen Figurenriege wiederfinden können - sogar die Cassini-Huygens-Sonde aus ,Spooky Action" - verleiht dem Album Zusammenhalt, noch bevor die sich wiederholende Schlusszeile des Titeltracks erklingt, die den Weg ins Herz jedes einzelnen Songs warm erleuchtet und einladend macht.Weit davon entfernt, einfach das erwartbare nächste Kapitel von The New Pornographers zu sein, ist The Former Site Of ein Plädoyer gegen Erwartungen - von einer Band, die sich weiterentwickelt, statt sich auf ihren Lorbeeren auszuruhen. Selbst in den dunkelsten oder selbstironischsten Momenten liegt in dieser Musik eine unwiderstehliche Spritzigkeit: eine Bestätigung, dass der Kampf ihrer Figuren und der Hörer:innen - wie das Foto eines fernen Planeten - es wert ist.

vorbestellen27.03.2026

erscheint voraussichtlich am 27.03.2026

23,49
Evildead - Annihilation Of Civilization
  • 1: F.c.i./ The Awakening
  • 2: Annihilation Of Civilization
  • 3: Living Good
  • 4: Future Shock
  • 5: Holy Trials
  • 6: Gone Shooting
  • 7: Parricide
  • 8: Unauthorized Exploitation
  • 9: B.o.h.i.c.a. (Bonus Track)
  • 10: Run Again (Bonus Track)
  • 11: Sloe-Death (Bonus Track)
  • 12: Rise Above (Bonus Track)

EvilDead fans, listen up: 27 March 2026 will see the re-release by the American thrash metal act of their cult album ‘Annihilation Of Civilization’ including a number of bonus tracks. The original recordings date back to 1989 and have been remastered by Bill Metoyer (Slayer, Armored Saint). Remastered, 4 Bonus Tracks

vorbestellen27.03.2026

erscheint voraussichtlich am 27.03.2026

25,84
Komodor - Time & Space LP
  • A1: Hard To Deal
  • A2: Soul Tricker
  • A3: Ladies
  • A4: Once Upon A Time
  • A5: Burning Land
  • B6: Bliss & Joy
  • B7: Raise Your Hands
  • B8: Fall Guy
  • B9: Madness
  • B10: Ravish Holy Land
  • B11: Top Of The Bock
auch erhältlich

Coloured Vinyl[28,15 €]


Born in Douarnenez, at the far edge of Brittany (France), Komodor has quickly established itself as one of the most vibrant names in the French rock landscape. Their high-energy rock, fueled by fuzz, sweat, and vocal harmonies woven in the spirit of MC5 and T. Rex, immediately drew attention: Rolling Stone, Rock & Folk, Libération and Rock Hard Germany all praised the fiery impact of their debut album Nasty Habits (which sold over 2,000 vinyl copies). Since then, the quintet has mostly lived on the road: a long European tour, followed by the larger-than-life saga of Komodrag & The Mounodor, carrying them to stages such as Hellfest, Les Vieilles Charrues, and the Francofolies de La Rochelle, among many others.

Their second album, Time & Space, reveals a band in full metamorphosis. Without abandoning the explosive force that defines them, Komodor widens its scope: volcanic riffs, more sinuous grooves, mist-laden harmonies, psychedelic flashes… The energy is still wild, but more inhabited, more liberated, almost ceremonial at times. The record opens with two telling bursts: Bliss & Joy, a libertarian charge with the feel of a manifesto, and Soul Tricker, a rock incantation where trance overtakes sheer electric assault. Two sides of the same coin, pulled taut between urgency and enchantment.

On stage, Komodor remains a true shockwave, forged across European festivals (Freak Valley, Motocultor, Fête du Bruit, and more) and now awaited at the legendary Desertfest London. Their music feels made for such spaces: a visceral, flesh-and-amp kind of rock, drawing from the seventies’ heritage to speak even more vividly to the present. A band moving forward at full volume, without nostalgia or calculation, carried by a simple conviction: as long as the amps are hot, rock can still burn.

In short: Komodor is the band of friends from Douarnenez bringing pencil-and-paper rock into the streaming age while preserving its analog soul (with the album mastered at the legendary Miraval Studios), the smell of warm tubes, the grain of vinyl. With this second album, they hit harder, truer, and more vividly than ever.
Time & Space stands as a “must-have French rock record”, a tangible piece worth cherishing in any collection.

vorbestellen20.03.2026

erscheint voraussichtlich am 20.03.2026

26,85
Komodor - Time & Space LP

Komodor

Time & Space LP

12inchKO001LPRB
Riptide Records
20.03.2026

Born in Douarnenez, at the far edge of Brittany (France), Komodor has quickly established itself as one of the most vibrant names in the French rock landscape. Their high-energy rock, fueled by fuzz, sweat, and vocal harmonies woven in the spirit of MC5 and T. Rex, immediately drew attention: Rolling Stone, Rock & Folk, Libération and Rock Hard Germany all praised the fiery impact of their debut album Nasty Habits (which sold over 2,000 vinyl copies). Since then, the quintet has mostly lived on the road: a long European tour, followed by the larger-than-life saga of Komodrag & The Mounodor, carrying them to stages such as Hellfest, Les Vieilles Charrues, and the Francofolies de La Rochelle, among many others.

Their second album, Time & Space, reveals a band in full metamorphosis. Without abandoning the explosive force that defines them, Komodor widens its scope: volcanic riffs, more sinuous grooves, mist-laden harmonies, psychedelic flashes… The energy is still wild, but more inhabited, more liberated, almost ceremonial at times. The record opens with two telling bursts: Bliss & Joy, a libertarian charge with the feel of a manifesto, and Soul Tricker, a rock incantation where trance overtakes sheer electric assault. Two sides of the same coin, pulled taut between urgency and enchantment.

On stage, Komodor remains a true shockwave, forged across European festivals (Freak Valley, Motocultor, Fête du Bruit, and more) and now awaited at the legendary Desertfest London. Their music feels made for such spaces: a visceral, flesh-and-amp kind of rock, drawing from the seventies’ heritage to speak even more vividly to the present. A band moving forward at full volume, without nostalgia or calculation, carried by a simple conviction: as long as the amps are hot, rock can still burn.

In short: Komodor is the band of friends from Douarnenez bringing pencil-and-paper rock into the streaming age while preserving its analog soul (with the album mastered at the legendary Miraval Studios), the smell of warm tubes, the grain of vinyl. With this second album, they hit harder, truer, and more vividly than ever.
Time & Space stands as a “must-have French rock record”, a tangible piece worth cherishing in any collection.

vorbestellen20.03.2026

erscheint voraussichtlich am 20.03.2026

28,15
Peter Gabriel - In The Big Room LP 2x12"
  • A1: Burn You Up, Burn You Down 04:23
  • A2: More Than This 6:12
  • A3: Games Without Frontiers 5:01
  • A4: Downside Up 5:30
  • B1: Mercy Street 6:39
  • B2: Darkness 6:45
  • B3: Digging In The Dirt 6:31
  • B4: The Tower That Ate People 5:01
  • C1: San Jacinto 8:24
  • C2: Shock The Monkey 5:26
  • C3: Signal To Noise 8:04
  • D1: Secret World 8:26
  • D2: Father, Son 4:26
  • D3: In Your Eyes 10:00

"In The Big Room" enthält Aufnahmen von Peter Gabriel und seiner Band, die am 23. November 2003 live im Big Room der Real World Studios aufgenommen wurden.

Dieses intime Konzert war für Mitglieder von Peter Gabriels Full Moon Club und fand während einer kurzen Reihe von Live-Shows im November 2003 statt, zu denen auch ein Auftritt für die britische Wohltätigkeitsorganisation Children in Need im Cyfarthfa Castle in Merthyr Tydfil, eine Show im Brighton Centre und das Nelson Mandela 46664 Concert in Kapstadt gehörten.

Das 14 Songs umfassende Set enthält Material, sowohl aus der "Growing Up" Live-Tournee von 2002/2003 – Gabriels erster Tournee seit 10 Jahren, die mit der Veröffentlichung seines Albums "UP" einherging – als auch aus der anschließenden "Still Growing Up" Live-Tour, die sich über einen Großteil des Jahres 2004 erstreckte. Besonders bemerkenswerte Ergänzungen zum "Growing Up" Live-Set sind "Burn You Up, Burn You Down", "Games Without Frontiers" und "The Tower That At People".

vorbestellen13.03.2026

erscheint voraussichtlich am 13.03.2026

30,67
THE GITS - FRENCHING THE BULLY LP

THE GITS

FRENCHING THE BULLY LP

12inchSP1648WH
Sub Pop
27.02.2026

Mia Zapata was the greatest rock singer of her time. She may have likely been the greatest blues singer in punk rock history, the woman who married the 78 and the '78. Tragedy did not make this true. Mia Zapata made this true, and the ferocious, spring-loaded shrapnel frame that was built around her by Andy Kessler (guitar: metronomic and furious), Matt Dresdner (bass: fluid, punching, beat-addicted and melodic), and Steve Moriarty (drums: martial and explosive) - who, with Mia, combined to form The Gits - made it true. The Gits were formed at Antioch College in Yellow Springs, Ohio in mid-1986, grabbing and swapping pieces of art, thrash, noise, punk rock, classic rock, and all the sorts of magical silly and bookish jingle bells that an old-school liberal arts education handed you; for the next few years they worked on turning it all into something tough, sensitive, both brutal and kind. Andy, Matt, Mia, and Steve moved to Seattle in middish 1989, landing in a house on Capitol Hill where they (and fellow travelers) wood-shedded and rehearsed for the next few years. The Gits put out three EPs in 1990 and '91 before signing with C/Z Records and releasing their first full-length album, Frenching the Bully. Seattle quickly claimed the quartet as their own and embraced the Gits blend of ferocious fangs and soft heart, the slug/slap of the guitars, and the gorgeous, soft underbelly of the poetic emotions. These qualities not only fit in with the doe-eyed/sharp-clawed grunge ethos but earned the Gits the respect of their peers, including Nirvana, who tapped them to open a major local show in 1990. Then other stuff happened, and their frantic, confessional barbed-heart snowball began rolling up hill very, very fast; the Gits "quickly" (hah! After half a decade learning to implode and explode hearts and stomping their boots on manifold beer-softened, Marlboro-weeded wood stages!) inspired rapture, awe, and the levitation that happened when peak emotion meets peak grindage in front of amps spitting out something that sounded like the mad marriage of Bolan swagger and Dischord tension_ all fronted by a genuinely incomparable woman who held her heart in her mouth and shared it, in all its celebration and fear, without hesitation. The Gits were an angry, inflamed slinky fully in tune with and tuned by the Bessie Patti Smith of her time, truly the only singer who could summon Joplin, Poly Styrene, Sam Cooke, Iggy Pop and Ian MacKaye all in the same goddamn song. In 1993, less than four weeks after accepting an offer from Atlantic Records, Mia died. I leave it at that, because this is not about death; it's about an extraordinary life. I do not say, "You should have been there," I say, "We are lucky so many of us were, and I am so glad we have this extraordinary evidence of the power and gifts of Mia and the Gits that you now can hold in your hands." And I note that Frenching the Bully, this extraordinary testament to the soul, shock, fury and feeling of the Gits, has been long out of print on vinyl and CD, and this new edition - remastered by legendary Seattle engineer Jack Endino - joyfully rectifies that. -Tim Sommer

vorbestellen27.02.2026

erscheint voraussichtlich am 27.02.2026

23,32
Chris Alexander - Body Double LP
  • 1: Circus Of Horrors
  • 2: Shock Waves
  • 3: Demoniac
  • 4: Love Butcher
  • 5: A Heartbeat From Hell
  • 6: Wandering Girl
  • 7: Truck Stop Killer
  • 8: I Am The Apocalypse
  • 9: Epilogue

Toronto, ON – Celebrated Canadian filmmaker and composer Chris Alexander joins Library of the Occult records with his album 'Body Double' arriving January 17th

A sinister fusion of 80s horror aesthetics and cinematic electronic soundscapes, Body Double immerses listeners in a shadowy world of pulsating synths, eerie melodies, and haunting atmospheres. Alexander's signature approach to sound design captures the spirit of classic genre film scores while pushing into uncharted sonic territory.

In the words of Shawn Macomber from Decibel: "Chris Alexander is easily one of the most fearless, imaginative, and iconoclastic world-builders currently operating in the worlds of cinema, and music. And when it comes to conjuring the magic and menace just beyond the veil, the man is damn near peerless."

With Body Double, Alexander channels the sonic legacy of icons like John Carpenter and Goblin, weaving a tapestry of sound that feels both familiar and otherworldly.

vorbestellen20.02.2026

erscheint voraussichtlich am 20.02.2026

25,17
Exhumed - Red Asphalt

Exhumed

Red Asphalt

12inchRR76161
Relapse Records
20.02.2026
  • 1: Unsafe At Any Speed
  • 2: Red Asphalt
  • 3: Shock Trauma
  • 4: Shovelhead
  • 5: The Iron Graveyard
  • 6: Crawling From The Wreckage
  • 7: Signal Thirty
  • 8: Death On Four Wheels
  • 9: Symphorophilia
  • 10: The Fumes

XHUMED hit the blood-soaked road with their new album, Red Asphalt ! The masters of "Gore" Metal rev up and prepare one of 2026's most frenetic, unhinged slabs of sonic obliteration. "We're very stoked to be back in your ear-holes with Red Asphalt. Our recent albums have taken you with us through the graveyards and operating theaters of 19th century Scotland, the horror aisles of the video rental stores of our youths, and through the band's history itself." EXHUMED mastermind Matt Harvey says. "This time around, we're inviting you to accompany us to a place that we spend a disproportionate amount of our lives, someplace familiar yet far more dangerous than it feels, a place that can take you to the hospital or the grave in more ways than you can imagine: the American roadway." The latest wrong turn from the driving force of Gore Metal, EXHUMED, Red Asphalt crashes the band's hook-laden, high-speed deathgrind into whiplash-inducing grooves and dangerous musical curves. Red Asphalt is a love letter to the road - horrific accidents, vehicular homicide, defective cars, gore-filled instructional videos, zombified biker gangs, and more. True to the band's spirit, Red Asphalt drags the listener through a whirlwind of riffy madness. Tracks like the aptly titled "Unsafe at any Speed", the horrifying "Shovelhead" and "The Iron Graveyard" ooze with sleaze and groove while retaining all of the high-octane, full-throttle, white-knuckle madness you've come to demand from EXHUMED. Take the album for a spin, and get your kicks on Route 666! Short: EXHUMED hit the blood-soaked road with their unhinged new album, Red Asphalt! The masters of "Gore" Metal rev up and prepare one of 2026's most frenetic slabs of sonic obliteration. FFO: Carcass, Repulsion, Aborted, Autopsy, Dying Fetus, Impaled, Cannibal Corpse

vorbestellen20.02.2026

erscheint voraussichtlich am 20.02.2026

21,81
Gateway Jones - To Be With You Again

As far as disco bangers go, they don't come much better than 'To Be With You Again'. The shock is hits is actually a brand new tune on a new label rather than an unearthed old gem. It's a heart-swelling sound with symphonic strings and swooning energy all finished in magnificent style by the stunning vocals from the Choir of Angelic Disco Angels. Getaway Jones adds the tight bassline and some superb keys to make this a must-cop 12" this is guaranteed to fly off the shelves. An instrumental on the flip is just as moving, but it's the vocal-fuelled A-side that really soars.

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13,87

Last In: vor 21 Tagen
Gogol Bordello - We Mean It, Man! LP
  • A1: We Mean It, Man!
  • A2: Life Is Possible Again
  • A3: No Time For Idiots
  • A4: Hater Liquidator
  • A5: Boiling Point
  • A6: Ignition
  • A7: From Boyarka To Boyaca
  • A8: Mystics
  • A9: We Did Good With The Good We Did
  • A10: Crayons
  • A11: State Of Shock
  • A12: Solidarity (Nick Launay Mix)

We Mean It, Man! If you're receiving this message, you are a writerly/music/culture person who wants to know more about the new Gogol Bordello album the band just unleashed. It's called We Mean It, Man! And it's out on February 13, 2026 via Casa Gogol Records. Gogol frontman and spiritual figurehead Eugene Hutz calls it the band's "post punk revenge." It's a fitting description. We Mean It, Man! #was co-produced by Nick Launay, whose 40+ year run of musical partners reads like the Great Canon of avant-teasing rock: Idles, Nick Cave and The Bad Seeds, Public Image Limited, Gang Of Four, the Yeah Yeah Yeahs (he did the one with "Heads Will Roll" on it. Dude is the Quincy Jones of the underground). And Adam "Atom" Greenspan (Nick Cave, Idles, Refused, Amyl and The Sniffers).

vorbestellen13.02.2026

erscheint voraussichtlich am 13.02.2026

26,85
Midnight - Satanic Royalty (15th Anniversary)

Black Heavy Metal is the law, and MIDNIGHT subjugate all subjects with their highly anticipated debut album for 2011 after nearly a decade of EPs and splits. "Satanic Royalty" is both a distillation of first-wave black metal magick and an extension into harder-rocking territories rampant with lust, filth, and sleaze. The name MIDNIGHT has been a cult one for years, but here they prove it beyond a shadow of a doubt - bow down before their "Satanic Royalty"! Recommended for diehards of MIDNIGHT, MIDNIGHT, and MIDNIGHT: there is only MIDNIGHT!

vorbestellen13.02.2026

erscheint voraussichtlich am 13.02.2026

23,91
Midnight - Satanic Royalty (15th Anniversary)
  • 1: Satanic Royalty
  • 2: Lust Filth And Sleaze
  • 3: You Can't Stop Steel
  • 4: Violence On Violence
  • 5: Savage Dominance
  • 6: Rip This Hell
  • 7: Necromania
  • 8: Holocaustic Deafening
  • 9: Shock 'Til Blood
  • 10: Black Damnation
auch erhältlich

Blue w/ Black Smoke Vinyl[23,91 €]


Black Heavy Metal is the law, and MIDNIGHT subjugate all subjects with their highly anticipated debut album for 2011 after nearly a decade of EPs and splits. "Satanic Royalty" is both a distillation of first-wave black metal magick and an extension into harder-rocking territories rampant with lust, filth, and sleaze. The name MIDNIGHT has been a cult one for years, but here they prove it beyond a shadow of a doubt - bow down before their "Satanic Royalty"! Recommended for diehards of MIDNIGHT, MIDNIGHT, and MIDNIGHT: there is only MIDNIGHT!

vorbestellen13.02.2026

erscheint voraussichtlich am 13.02.2026

21,56
VARIOUS ARTISTS - Lost Boys - Original Soundtrack (Halloween Edition)
  • A1: Good Times
  • A2: Lost In The Shadows (The Lost Boys)
  • A3: Don't Let The Sun Go Down On Me
  • A4: Laying Down The Law
  • A5: People Are Strange
  • A6: Cry Little Sister (Theme From The Lost Boys)
  • A7: Power Play
  • A8: I Still Believe
  • A9: Beauty Has Her Way
  • A10: To The Shock Of Miss Louise
auch erhältlich

Clear Red Vinyl[48,53 €]


vorbestellen06.02.2026

erscheint voraussichtlich am 06.02.2026

48,95
GRUPO UM - NINETEEN SEVENTY SEVEN

Grupo um celebrate 50 years with release of lost dictatorship-era album nineteen seventy seven!

First time release - vinyl comes with printed innersleeves

Brazilian avant-jazz vanguardists Grupo Um celebrate their 50th anniversary, sharing a second previously lost 1970s album from the vaults. Nineteen Seventy Seven (titled after the year it was recorded) is another rip-roaring instrumental fusion treasure from the band which spawned from within Hermeto Pascoal’s famed mid-1970s São Paulo collective.

Like their debut album Starting Point, Grupo Um’s Nineteen Seventy Seven was recorded when Brazil's military dictatorship was at its most repressive. “There were no open doors to those who dreamt to be protagonists in creative instrumental music”, remembers drummer Zé Eduardo Nazario, “even popular composers and singers had to submit their songs to censors and many records were banned and confiscated from the stores.”

Just like Hermeto Pascoal's Viajando Com O Som (1977) and Grupo Um's previous album Starting Point (1975), both of which remained unreleased until the 21st century, Zé Eduardo asserts that the 1977 album was flatly 'without any chance to be released at that time."

Recorded at Rogério Duprat’s Vice-Versa Studios in São Paulo, the group were under both time and space restraints, “we chose the small Studio B,” Lelo Nazario recalls, “which had a Tascam (TE AC) 12x8 console and a 4-channel AMPEX AG 440 machine. Therefore, we had to record without overdubs, everything straight to tape.”

Expanding from a trio to a quintet, original Grupo Um members Lelo Nazario (keys), Zé Eduardo Nazario (drums), and Zeca Assumpção (bass) were joined by saxophonist Roberto Sion and percussionist Carlinhos Gonçalves. Carlinhos, Zé and Zeca had already played together in the group Mandala, while brothers Lelo and Zé had just finished a stint backing Hermeto Pascoal during his years in São Paulo.

Lelo was deeply immersed in modular synthesizer experimentation during this period, working extensively with the ARP2600 and EMS Synthi AKS. These electroacoustic explorations formed the sonic foundation for "Mobile/Stabile," one of his first compositions to merge modular synthesis with Brazilian music, a fusion that would ripple throughout the Brazilian jazz scene. The piece premiered at the first São Paulo International Jazz Festival in 1978, performed by Grupo Um with guest trumpeter Márcio Montarroyos. In a shocking moment, festival organizers interrupted the show mid-performance, sparking fierce backlash from both audience members and journalists who denounced the incident as artistic censorship during Brazil's era of political and cultural repression. The version on Nineteen Seventy Seven is the first recording of the composition.

Nineteen Seventy Seven combines Afro-Brazilian rhythm, modular synthesis and a plethora of whistles, percussion and effects pedals. Album opener “Absurdo Mudo” - so titled for the absurd difficulty it poses to the musicians performing it - starts out in a cloud of mysterious dissonance, before the haze breaks for a glorious keyboard and saxophone interplay atop an uptempo samba groove. “Cortejo dos Reis Negros (Version 2)” (Procession of the Black Kings), based on the maracatu rhythm, inverts the traditional jazz song structure by beginning with improvisations, which are followed by the theme and a final coda. “The studio also had two Parasound electronic reverb units,” Lelo notes, “and the timbre is very audible on the soprano sax and percussion.”

Grupo Um’s daring music represents a manifesto of resistance during the dictatorship years, but it’s one which remains just as relevant today. As Lelo puts it: “For me, the aesthetic issue has always been about combining contemporary avant-garde languages with Brazilian music, independent of categories and commercial interests. The result of this fusion takes music to a new level.”

Recording credits (1977)
Recorded at Vice-Versa B Studio, São Paulo, November 9, 1977
Produced by Lelo Nazario and Zé Eduardo Nazario
Engineered by Ricardo “Franja” Carvalheira



Lelo Nazario – Wurlitzer electric piano, acoustic piano, signal generator, percussion

Zé Eduardo Nazario – drums, percussion

Zeca Assumpção – electric bass

Carlinhos Gonçalves – percussion

Roberto Sion – soprano sax, clarinet

Release credits (2025)
Produced by UTOPIA Studio, São Paulo
Project Coordination in Brazil by Irati Antonio (Utopia Studio)
Tape Restoration and Digital Mastering by Lelo Nazario at Utopia Studio, July 2025
Liner Notes by Lelo Nazario and Zé Eduardo Nazario
Photography by Jorge Las Heras, Lelo Nazario, and artists' personal archives
Photo Restoration by Lelo Nazario
Artwork and Design by Alessandro Renaldin

vorbestellen30.01.2026

erscheint voraussichtlich am 30.01.2026

23,11
LWS - ALL OF THE CHAOS EP

LWS returns to Parris and Call Super’s can you feel the sun imprint with All Of The Chaos. 4 mutant rollers in his
now-singular style, sharp constructions meticulously designed with club drama and devious rave energy.
A year on from Palloon, and Edinburgh’s LWS has certainly left his mark. His inner metronome ticks differently, ornate
club constructions snarling with hypnotic fervour. His music has been ubiquitous across clubs and festivals over the
past twelve months as a result, and on his second EP for can you feel the sun he proves there’s still plenty left in the
tank.

Opener Many Requests goes galactic, a wide-eyed entanglement of melody and rhythm that gallops tough yet supple
through an ever-shifting landscape; an inevitable deconstruction ensues, before the salivating return sets us back on
course. Gooly shifts darker, a looping roller with sultry swagger that deviously maintains its shuffling delirium with
uncanny nous. Sharkbait on the flip cultivates a jaw-gnawing tension, vibrantly edging towards that ecstatic release
with unrelenting ease. Closer All Of The Chaos goes weirdest, a chromatic safari swivelling on its mechanised 2 step
through a carousel of unhinged sound design to its conclusion; signing off on yet another collection of future-shock
missives from LWS.

Early DJ support from Call Super, Objekt, Pariah, Surusinghe, Ploy, OK WIlliams and Pangaea.

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14,08

Last In: vor 60 Tagen
ReKaB - Parallel Worlds

ReKaB

Parallel Worlds

12inchDWT014
Distant Worlds
22.01.2026

Summer of 2025, the UK techno community was shocked to hear of the sudden and untimely passing of one of its leading lights, James Baker, better known as ReKaB. As his light had been glowing ever brighter in recent years, with forays across the deep end of the techno spectrum, his passing was even more tragic. He had certainly found his voice, a particularly emotive, soul-tinged strain of techno building on the foundations of the 90s bastions of the form. Though bittersweet, Distant Worlds is immensely proud to present this release showcasing his personal evolution and mastery of the sound both he and the label love so much.

‘Art 4 Me’ opens with a transcendent chord progression, gradually incorporating brain piercing synth-work and chunky percussion before opening out into a perfect intersection of melancholy and euphoria. ‘Trapped In Boxes’ opts for a more introspective take on the classic techno template incorporating a Detroit palette of sound atop punchy bassline and beats.

Flip over for UK techno royalty Nuron’s take on ‘Art 4 Me’, a characteristically apposite reimagining. Teasing layers of inverted synth and percussive elements until a beautiful breakdown finally delivers that majestic chord progression. ‘Our World’ closes out this fantastic release with pure elegance; beats skitter, Detroit strings soar and cosmic pads align in timeless fashion. These are 4 tracks of deep, electro-soul music helping cement the legacy of one of the truest practitioners of the form over the last decade.

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11,98

Last In: vor 68 Tagen
BRAINBOMBS - Die LP

BRAINBOMBS

Die LP

12inchREPOSELP154B
Riot Season
16.01.2026

The Swedish underground legends return with a brand new album. Let this reddit user take over …
“Listening to Brainbombs has been one of my weirdest experiences with music. Brainbombs are most definitely a band. I guess at the core they’re a hardcore punk/noise rock hybrid I guess? But… It's so unlike anything I’ve ever heard and I still don’t know if it's good or bad. I saw the edgelord Ed Gein album cover, and it intrigued me, so I listened to their biggest song and it was easily THE WORST thing I had EVER FUCKING HEARD. I shut it off as soon as it got to the vocals. I was shocked by the fact that it had almost a half million streams. But, a few hours later, I clicked on it again and didn’t know why.
Over the past few days, I’ve listened to all of their discography and looped a lot of it. And I don’t even think I like them. The music is abysmal, it's the same single riff and verse repeating for 5 minutes. To make it worse, the vocals are just a guy with a swedish accent awkwardly talking about murder and rape. That sounds awful right? It is awful. But at the same time I want to keep listening? It’s so childishly edgy and obnoxiously repetitive but so.. intriguing? Catchy? I’m not even sure. It's one of if not the weirdest experience I’ve ever had with music and I don’t know how to feel about it.”

vorbestellen16.01.2026

erscheint voraussichtlich am 16.01.2026

21,43
Lucinee, LIFKA - First Contact EP

Distant Lifeforms’ First Contact EP marks the launch of the new techno imprint by Lucinee and Lifka. As a split release, it includes two tracks by each artist, forming four trippy and forceful cuts that explore the outer edges of deep-space sound. With hypnotic rhythms, dense atmospheres and relentless drive, First Contact invites listeners on a journey beyond matter and mind - a bold introduction to the label’s sonic identity.

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11,72

Last In: vor 3 Monaten
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