quête:sid

Tribute deliver yet another delicious rework of a stone cold classic.
Rumoured to be the work of Aussie based producer Late Nite Tuff Guy...urban living has never sounded so good.
Enhanced, extended, cut loud and available only on LTD edition, single-sided heavy vinyl. Strictly for demonstration purposes only.

Acid Jazz Silver Jubilee release, in 7" house bag. First ever 45 released on Acid Jazz Records (originally released as a fake US import, which fooled many a reviewer), marking the beginning of a new musical era. Galliano's sound defined the feel of the time, and the band enjoyed a productive relationship with producer Chris Bangs throughout the late 80s and early 90s, establishing themselves as first-class act of global proportions.

uk based nu disco diva teamed up with her friend.
original version on a side is an electric boogie track.
if you already listened her album which maurice fluton produced, you can imagine the song very easily.

Welcome reisssue for monster soul-funk LP 'Disconnection', one of the most obscure and sought-after releases from top 70s disco label, Prelude. Ridiculously expensive and hard-to-find in the original, this album is stuffed full with killer tracks spanning warm, soulful disco, high-stepping groove and boogie-heavy funk all written and produced by Robert Holmes. Standouts include the jazzy free-style 'Dead On The Case', later reworked for the mysterious French Skyline project, cool jazz-funk groover 'Bay City', recently edited by none other than Balearic maestro Lexx, and the floor-friendly chunky funk workout 'Cash Money'. However no track is a filler on this superb album which fully deserves its 'holy grail' status with collectors. Essential!

Repress

The forthcoming release on Spanish house imprint SAFT is a deep and grooving true house vinyl which will definitely provide you with some inner glow. The man behind this piece of fine wax is called Washerman. This 3-Track release is designed for clubs and outdoor jams where people don't necessarily need a scorching energy span to enjoy the music. With beautiful rhode sounds and touching vocal cuts this record should be in anyone's record collection. Raw but beautiful

While his debut album 'By Your Side"'s release was announced for September the 17th, Breakbot introduces the fruity 'One Out Of Two' featuring the faithful vocal performer, Irfane, embellished with remixes from DJ Sneak, Oliver and Get A Room!. The french TV show, Le Grand Journal, selected this track as the sound signature for the Cannes Festival. The vinyl includes also 'Program", a tiny biscuit sound, unveiled online on the occasion of his first live performance at the Coachella Festival. Breakbot's shiny funky pop will rock 2012's summer, waiting for the album and next live shows in festivals (Calvi, Dour, Les Vieilles Charues, We Love Green...).

Chug: The dancefloor smasher, battered by N-Type on every set. The new metal build up drops into an aggy stepper, building
aggression as it develops. Cheshire Cat: Wonka donna beats, this cheeky little track has all the swagger and prowess of the Cheshire
Cat himself. Bouncy and bubbling, this track showcases the lighter side of Crushington's personality.

This is the 5th release in the now popular vinyl series personally compiled by Detroit producer & DJ Terrence Parker. This project features two very talented women from different parts of the world who have the love for soul music in common. The 'A' side features the song 'Finally' with lyrics written, vocals arranged and performed by Reno Ka. Reno Ka is a soul singer originally from Vienna/Austria but now living in Hamburg/Germany. The 'B' side features the song 'Where Do You Want Me' with lyrics written, vocals arranged and performed by Kelly Gunn. Kelly is a soul singer from Detroit who currently tours as a background singer for the R&B artist Kem. Both tracks were produced & mixed by Terrence Parker to make another funky soulful classic TP release!

Acid techno killer : 303 hand numbered edition, packed in a classious printed sleeve. 2 long tunes, very expressives and efficient, with fat reprises. Check the amazing sound quality... Both sides pressed 33rpm for Crazy Djs to play these 45RPM.

The new Wheel and Deal production partnership between N-Type and Surge, releasing their 1st EP: September Sun.A: September Sun ft Pyxis - After the success of Surges first single with Pyxis (Leech), she once again delivers her signature vocal style, this time laid down on the fresh and original collaboration between Wheel and Deal label head N-Type and rising star Surge. The combination of production styles has built a fresh take on the dubstep sound. This featured in N-Types mini mix for Mistajams Radio 1 show earlier this year, with continuous radio support from Hatcha at Kiss 100, Mistajam, Walsh (Biscuit Factory Records) and N-Types Rinse FM show, every Tuesday 9-11pm. B: Mega-Tron - Featuring live guitar from Jonny Boltano, showcasing a different side to the duos production skills. Rolling rock style drums and build ups drop into a continuously transforming bassline. As the the track develops, the influx of the orchestra ends the track dramatically. Being battered by Hatcha at Kiss 100, Soap Dodgers, Laxx, Walsh, N-Type & Surge. This also featured in N-Types mini mix for Mistajams Radio 1 show earlier this year.C: Triangles - Old school Jungle/DnB, dub and techno influences rain through in this track. Dark & atmospheric, this could easily be a soundtrack of horror film proportions. The Bass is thick and punchy with the eerie sample 'Dark Triangles!' slicing through the darkness. Support from Mistajam, Hatcha, Soap Dodgers, Walsh, N-Type & Surge. D: Zombie Apocalypse - This one is more on the jump up side, proving the diversity in N-Type & Surge's production style. As the zombies approach, tension builds to the drop with the dramatic sample 'This is the End'. The bass is weighty and growling, like a blood thirsty monster. The second drop steps up the pace with a staggered, automated bass rinse out.

Highly recommended! "Unity" is the first single taken from Third Side's forthcoming album "Unified Fields", that will be released on Restoration Records in September 2012. Third Side is the project of The Analogue Cops and Panorama Bar resident Steffi; their collaborations, which have been released exclusively on Restoration, have been of the most interesting jams of the last years.
The original "Unity", a fat overshadowing deep techno track, written and produced only with machines and recorded on tape, comes with 3 massive analogue remixes.

Nite Recordings' second 12" and the first single from the Argentinean duo Moan. This single gives us an original song with a clean sound and a catchy melody. The first remix of this song by Pablo Pellegrini highlights the electro-styling voice of Moan's singer, Agustina Parpal. Side B starts with a remix with a groovy and slightly slower beat by acclaimed artist Deep Mariano. This side continues with a remix by Kristian Gjellan that brings out the deepness of the song. A must-have 12" that you can play a any time

Emerson Todd is our prized import from New Zealand. Since settling in Berlin, he's become a valuable team member at the Upon You headquarters, improving our English by cracking jokes and also assisting in the studio with technical needs. The man with a plan! Back in NZ he produced some well-known bands, but his relocation to Berlin sparked his specialization in tech-house. The results of his work have been heard on several labels including Cocoon and Saved Records, but for his third EP he returns to Upon You, once again showing his keen interest in funky sample work, pulled from his dusty vinyl collection. A1 'Inside Out' and A2 'Streetwalker' exhale radio moments from the past, but bolstered by the contemporary construction of modern power tools. The B-side is a winning remix harvested from the Thuringian Forest with a pounding climax, custom built by Mr. Mathias Kaden.

Our next Stil vor Talent 12 sounds like a mysterious, alien soundscape transmitted straight from outer space to the peak-time dance-floors of planet Earth. Edu Imbernon has already demonstrated a brilliant ear for pulsating house music on his remix for Niconé & Sascha Braemer's 'Dreamer'. Here, he once again teams up with fellow Spaniard Triumph, while SVT favourites Kellerkind and Niko Schwind are on remix duty. The title 'Mystery Inside' couldn't be more fitting to the meteorite shower the duo conjure up with the aid of vocalist Sutja Gutierrez on the A-side: sharp hi-hats lead straight into a moody bass-line that meets a beautifully rounded kick and percussion-workout. Things get otherworldly as synths start flying through the speakers, finally beaming you to another galaxy once Gutierrez' heavily spaced out vocals set in. On the flip, Kellerkind slows things down considerably and builds on the original's UFO-synths, while Niko Schwind cherry picks his favourite parts of 'Mystery Inside' and contextualises them within his own 80s synth motif and fat breakdown. Extraterrestrial warning: the Spaniards have landed!

Kenneth Christiansen & Dennis Bøg presents Pattern Repeat part 6.
This time Pattern Repeat gets a little more harder and darker on PR00/6.
The A side is a moody dark track with deep hypnotic almost nightmare kind of groove, with a old school kind of atmosphere.
The B side gets hard straight from the beginning of the track with a pounding almost industrial kick drum, that builds from a minimal groove that really will kill the PA system in the club.
Pattern Repeat has stepped up, and shows the harder and deeper side of the Copenhagen Techno scene.

Collecting order for repress

After their joyful meeting back in the Cloverleaf Days, Smallville Buddies Jacques Bon and Christopher Rau
are finally back as a team to present two jams of rough-but-sweet house music. Jacques is running the Paris-
dependance of Smallville in France, though living in Hamburg since a while. He recently released on Berlin-based
label Aim. Christopher Rau, well-known in the world of house after records on Pampa, Ethereal Sounds, DÈrive
and of course Smallville- just to name a few. Together as Bon & Rau, they travel along the blurry side of the
moon.

Grey Vinyl

Stak Etop lives in Finland and produce an absolute OLD SCHOOL Hard Techno. Sounds like an Aphex Twin last ceintury techno sounds. Hardware stuff. A side brings an Acid hard melody suported by an AFX kind of Kick. B Side is a 180 BPM killer, supported by a dry violently banging kick. The record gonna be Grey, 10 inch, in the most pure tradition of that Toolbox 14 Years ol Old Label ! (ah.. and this is not a tape, it's a 10 inch vinyl^^)

With his sophomore album Ghost People appearing on 2011's end of the year charts for the likes of Mixmag (#6), Clash Magazine (#9), DJ Magazine (#9), Data Transmission (Album of the Year), Martyn returns to Brainfeeder to release a follow-up 12' this March.

The 12' leads with "Hello Darkness", previously unreleased and exclusive to the release, Martyn shuffles through a rhythmic bassline and feeling of, indeed, darkness from the very first beat. In typical Martyn fashion, the track skips its way through genre conventions, landing in a flux between 2-step, driving techno and old rave (the latter specifically heard in his ethereal and scaling upper melodies). "Hello Darkness" could lend itself to the rawest, grittiest warehouse, yet simultaneously breeds a subtle feeling of elation and release, and keeps the listener guessing with a variety of quirky sound collages.
It also features a remix of "Bauplan", Night Slugs bosses L-Vis 1990 and Bok Bok bringing the most sinister corners of London into their remix, with a heavy grime lean and a pervading feeling of tension. Erratic samples (sounds of a tweeting bird one moment, the cocking of a gun the next) appear in-between a snap beat, metallic stabs and an apocalyptic build-up of percussion and synths. Pulsing in and out of a highly volatile atmosphere, almost as if the track is alive and breathing, this "Bauplan" almost feels like an unrelated beast until Martyn's melody lines start to unfold halfway through the track.
To finish there is an exclusive remix of "We Are You In The Future", a favourite from the Ghost People LP amongst critics and DJs across the board. Techno's notorious man in the red mask - Redshape - steps up to create a deep and dark Detroit interpretation of Martyn's freewheeling, sci-fi-enhanced joyride. Laced with ominous vocal samples ('It may be an accidental side effect of the drug'), the future takes on a slightly more dystopian feel with Redshape's melancholic strings, unpredictable percussion builds and a lingering, creeping reinterpretation of the track's original melodies. A definitive nod to the epic work of Derrick May and Carl Craig, with a hint of Kenny Larkin's intricate builds.
"By the time the imitators catch up, he'll be light years ahead." DJ Mag

Up and away / To your journey to the sun / Drink your rocket juice / Fly away (Hey, Shooter).
High up in the skies, amongst the clouds, Rocket Juice & The Moon was born. Literally. It happened back in 2008, when Damon Albarn, Flea and Tony Allen convened on the same Lagos flight, to play and exchange musical ideas in that city as part of the Africa Express collective. Relishing a shared enthusiasm for one another's work, and bonding immediately, there and then the triumvirate laid down the blueprint for Rocket Juice.
Still, more than a year passed before conditions were set for three weeks together at Albarn's West London studio, recording and refining two-dozen startlingly out and deeply funky instrumental grooves. The next stage was to invite onboard some extremely talented friends, with further sessions in Dallas, New York, Chicago and Paris... Erykah Badu, no less, queen of contemporary soul. Three companions from Africa Express: Malian singer Fatoumata Diawara, whose debut album has topped World Music charts since its release last Autumn; her multi-talented compatriot Cheick Tidiane Seck, whose prodigious keyboardism has lit up releases by artists ranging from Youssou N'Dour to Hank Jones; the young, Ghanaian rapper M.anifest, quizzically existential, switching seamlessly between Twi and English. And the Hypnotic Brass Ensemble, long-time stalwarts in the Honest Jon's set-up — since one of the team discovered them busking near the shop in Portobello Road, on his lunchbreak — with a second album for the label due in May... Finally, the tracks were dispatched for mixing to Berlin, to be meticulously honed, polished and envenomed by Mark Ernestus, one half of the legendary Basic Channel and Rhythm & Sound partnerships.
The result is Rocket Juice & The Moon — out March 26, 2012, on Honest Jon's Records — a triumphant exploration and proliferation of kinetic Afro-funk rhythms: organic, exuberant, communal music-making, evidenced by the project's live debut on stage as part of the Honest Jon's Chop Up in late 2011, which hit London, Marseille, Dublin, and Cork to such great acclaim (witness the flurry of smart-phone film-clips uploaded in the days thereafter).
From the inaugural bars — that absurdly funky slice of instructional timekeeping, 1-2-3-4-5-6 — the liquid pulse of Fela Kuti's classic recordings drives the action through a suite of 18 shape-shifting compositions. The greatest drummer in the world has never sounded so good as he does here. His intricate cross-patterns jostle and lock with Flea's nimble, rumbling bass riffs. Joined by Seck on There and Extinguished — 'when you dispose of something burning, be sure it's out' — Albarn's keyboards spray synth fusillades up top, over, and under... splicing into the mess of wires running between the freaked Afro-disco of William Onyeabor and the space-jazz-moog of Sun Ra. The HBE brings extra intensity and drama to Leave-Taking — likewise Flea's trumpet to Rotary Connection — teasing out the haunting melody coiled in the mix.
Where the best of vintage Afrobeat sides sustained their concentrated energies over the course of sprawling, marathon jams, RJ & TM manages something altogether different: the group bottles the idiom into capsules of funk... and real songs. Beautifully buoyed by Erykah Badu's unmistakable vocals, Hey, Shooter brilliantly traverses metaphysical spaceways sans any semblance of noodling. Lolo and Follow-Fashion — featuring the open-hearted sensuality of Diawara's singing, M.anifest's quick, brawny science, and more brass blasts — play like its musical cousins or codas. Indeed, the album's shrewd sequencing creates the composite effect of tracks working both individually or within the context of an extended song-cycle.
The lovely ballad, Poison, is bittersweet and ruminative: 'If you're looking for love, beware the signs / They will paralyze you one by one / Poison, it will only break your heart.' Down-tempo and dubby, Check Out and Worries amplify the range of styles and moods. And by the time of Fatherless — a chugging Afro blues that evokes John Lee Hooker lost in Lagos, one gets the sneaking suspicion there's very little outside the reach of this collective's inventive musical grasp.
There is, in fact, a palpable openness pervading Rocket Juice & The Moon — the sense of a limber willingness to follow creative impulse — right down to how the group acquired its name. When Ogunajo Ademola — the Lagotian commissioned to do the album's cover artwork — dubbed his submission 'Rocket Juice & The Moon', it quickly morphed into the formal name of the project, like trying to hold onto mercury.
Surely, the stars above also approved.

Here we are with the first Curle of 2012, after a lengthy but refreshing hibernation. To wake up slowly but surely, we picked out these two fine dubby techno tunes. The A-side is kinda housey even. Man at work is Resoe from Copenhagen, a fixture on the Danish Echocord label. He is also a part of Pattern Repeat and runs his own Baum imprint. We will release this one on limited transparent green & white mixed vinyl.

Speedcore Underground from la Foudre (No Tek), breakcore Hardcore electro from Middle M (a very nice and original track here !), Chilling Breakcore electronika from Dajhne (Kabal) and regular Amiga Hardcore style from Dark Side Klinykal... Superb and out of the comon fields.Full color printed sleeve.

A long lost gem back in stock again for lovers and collectors of true
skool ELECTRO sounds. About seven years after it's original release
one forgotten box with 30 copies of this limited to 300 hand-stamped
7" pressing suddenly and surprisingly re-appeared from the vaults of
Intrauterin Recordings.
Sascha Müller, one of Germany's most active underground producers with
a large release scale on several digital labels, serves a nice MINIMAL
ELECTRO re-lick of Paul Hardcastle's anti-war anthem "19" plus
"Travelbox", a storming ACID ELECTRO piece for The Hague's underground
Bunker parties. For those who know...

Sect Records' recent compilation It's All For You showcased the exceptionally high standard of the label's roster as well as introducing some talent to the world, and this, the first 12" sampler from the album, selects three of the compilation's finest tracks for vinyl treatment. Victor Martinez takes over the A-Side with "Dav To Dub", combining heavily delayed chords filtered to breaking point, while a massive kick drum propels everything along, and a jazzy piano melody adds some subtle ambience. On the flip, D'Knox's "I'm Sorry (remix)", is a sparse number contrasting soothing chords with micro-loops which contain the spectre of disco, with a rapid rhythmic flutter and chittering melody at its core, while Fanon Flowers closes with "Invisible Life", a murky production filled with chords that ripple like sheet metal over a flurry of 909 rimshots.

A new label offering from the ever active vaults of Mr. Sascha Müller is the new imprint named Psychocandies which is setting things straight for an Acid-poisoned future with cat.no. 001 which is a marbled, limited to 200 copies 7" pressing holding Sascha Müllers "Tempelrotation (Edit)" and Acidfloors "Goja 3" on the flip. Whilst the first mentioned tune is on a grinding, distorted MonoAcid tip clearly influenced by long gone labels like Labworks or Propulsion 285 we see Acidfloor working on a mind bending fusion of dry ElectroPhonk and a tweeking 303 that is about to make all breakers twist their legs and the rest of the crew jump around like mad. If you love alltime classics like "Higher State Of Consciousness" you'll surely appreciate this little tune as well. Watch out for more candy!

Second time out on All City Dublin for Krystal Klear following on from his recent excursion on Eglo, upping the pace for a two tracker with a French house feel. A side 'We're Wrong' is a piano-led house explosion with chopped vocals and hypnotic boogie grooves. Flipside 'From The Start' is an infectious filter house slow builder, and both tunes combined make this the most outright floor-friendly release of ACD's eight years in business. Comes in picture sleeve with free download code.

After more or less owning 2011 with a surprise album, a collaboration with urban crooner Colonel Abrams, an ahead-of-the-game reissue of Marc Kinchen and the all-conquering "Here's Your Trance Now Dance", FXHE don Omar S kicks off a new year with Wayne County Hills Cops Pt 2 (where, we ask, was Part 1?), a hook-up with the mysterious OB IGNITT. The eponymous A-Side is characterised by the kind of glistening synths last seen on "Here's Your Trance...", with a rugged analogue bass line giving the track with the requisite bump. A tired cliche it may be, but this could easily soundtrack an 80s cop movie: clearly Omar has this in mind given the 12"'s title and the fact the record's centre label features a doctored image of Eddie Murphy from Beverly Hills Cop! On the flip, Omar S provides his own remix, drowning the synths in dubby textures and showering them with shuffling hats for a more heads-down take. Another killer 12" - business as usual at FXHE, then.

Pattern Repeat strikes again with raw and dirty dub Infected grooves.

Born to Die" follows Lana's first single "Video Games" which began its life online in July accompanied by a video created by Lana. Since then "Video Games" has amassed over 8 million hits and on release has hit i-tunes #1 position in 9 countries including the UK, Australia, Holland and France and is currently #1 in Germany. Also a massive critical smash, it has recently been hailed as the #2 track of the year by Q Magazine, with Q Magazine also awarding her the "Best New Thing" award at the Q Awards.
"Born to Die" is a suitably noir follow up to "Video Games" and is coming with an incredible video conceived by Lana and Directed by Woodkid. A Remix EP will also be released, including mixes from Damon Albarn, Woodkid and Clams Casino.
"Born to Die" the album is a collection of tracks about which Lana says "The songs I've written are an homage to true love and a tribute to living life on the wild side." Album tracks include "Million Dollar Man", "Off to The Races", "Blue Jeans" and "Carmen".

So this very special Various Artists EP comes to you as the follower of the reminded release as a double A Side EP, called the VARIOUS ARTIST EP TWO PT. 2!.

Omar S starts 2011 in fine form with this absolutely incredible track. This is up there with the likes of Psychotic Photosynthesis. One sided release.

Fantastic new LP on Pin Cushion Records featuring eight superb tracks of the finest funky rock, folk and soul. The A side kicks off with the awesome funky monster 'Save Me', an absolute dancefloor bomb with slamming b-line from Nanette Workman's self titled 1976 LP. Next up is the super funky 'Lucky Lost Sin', a wicked female vocal funk-folk-jazz cut that also works well in the clubs, followed the great uplifting vibe of Rory Block's 'Lovin' Of Your Life'. Closing this side we have the wonderfully laid-back 'Santa Cruz Mountains' taken from Eddie Callahan's hugely in-demand and impossible to find 'False Ego' LP. The flip side features the excellent 'Spill The Wine', a great Rhodes-driven workout from Eric Burden's WAR, followed by David Amram's 'Message To The Politicians of the World', a killer spoken word track over a sweet melody. Next up is Friends Of Distinction's 'Light My Fire', an amazing funky cover of the Doors' classic taken from their rare 1969 Highly Distinct LP and last but not least a cool breezy summer groover from Bay Area band Kingfish whose lineup included the legendary Bob Weir, founder member of The Grateful Dead. A superb selection of tracks, not to be missed.

Second release on iS Records, The A-side, The Future Never Was combines sparse beats and pads held together by a growling stuttered bass, which gives the track an industrial feel but on a techno/house tip. On the flip, Fake The Feeling, draws on sounds beyond the current trend for vintage analogue in an original take on the house blueprint. The B2 track Out of Orbit is 4 minutes 48 seconds of Tech soul, for the floor or the headphones.

Vinalog with a deep haunting technotrack on the Relative label. Spooky atmosphere combined with steady 909 percussion. The flip side has a stripped version.

Djs is a label focused on releasing original material from timeless artists. our releases will be only for djs / limited edition,for our 6th release, we bring you the best of the best & obviously the rarest 12 inches around again !Amazing 3 tracks ep from 1990 feat. one of the original deep house creators VINCENT FLOYD.A side comes up with the fantastic 'cruising' (long ride), we guess the words deep has been created for records like this.

Onesided 12" with the extended ACTRESS Remix and a beautiful etching on the other side ...

2024 Repress
Following the legendary first two, stoically super minimal records “SOG 1“ and “SOG 2“ that provide ecstasy disguised as boredom on Kompakt Extra/Speicher in 2007, and the outstanding beautifully bizarre “SOG - Abweichung“ on Profan in 2010, we are now listening to “FREMDE HÄNDE“. Like its predecessors, this SOG stands in the tradition of „The Art of Omission“ with Wolfgang Voigt variegating his preference for the bluntly straightforward quaver bass in two different forms. The A-side contains a tonally noncommittal sequence ambling across the keyboard in quantised form, reminiscing of the arpeggiator (accompaniment function) function of early 70ies' and 80ies' synthesizers. On the B-side, daring and thoroughly unquantised quaver rhythms rock around a bass drum that, as the only straight element, tries to keep the whole thing together. The result sounds a little like a delirious Can Live.

Nach den legendären ersten beiden stoisch-superminimalen, als Langeweile getarnten Ekstase-Platten “SOG 1“ und “SOG 2“ auf Kompakt Extra/Speicher in 2007 und der überaus skurril-schönen “SOG - Abweichung“ auf Profan in 2010, hören wir nun “FREMDE HÄNDE“. Auch diese SOG steht natürlich ganz in der Tradition der “Kunst des Weglassens“. Wolfgang Voigt variiert hier seine Vorliebe für den stumpf-geraden Achtelbass auf zwei verschiedene Weisen. Auf der A-Seite haben wir eine tonal unverbindlich über die Tastatur wandernde Sequenz in quantisierter Form, die an die Arpeggiator (Begleitautomatik) Funktion früher 70er und 80er Jahre Syntheziser erinnert. Auf der B-Seite kreist die Achtel-Rhythmik in eher rockigem Sound ganz und gar unquantisiert und rhythmisch gewagt um die Bassdrum, die das Ganze als einzig gerades Element versucht zusammen zu halten. Das klingt ein bisschen wie Can live im Vollrausch.

Deep`a & Biri return to Rotary Cocktail with their "Hybrid Lava" EP.On the A side, they bring us a deep raw track which takes you on many twists and turns. What starts as a lush beauty builds into a raw energetic monster. As the synth mid bass kick in the tracks takes on entirely new energy. A nod to the old school, but with a fresh twist.

The rarer of the 2x Spark issues, monster growling vocal and boss band led by Ike Turner with 'killer' lyrics from Eugene Fox on both sides! 'Does your mother play baritone saxophone for Big Jay Mcneely~ - Can I get her autograph~~'

After releases and remixes out on Lovemonk Records and Nickodemus' Wonderwheel label Pablo Sanchéz is currently throwing out hot jams from his studio in Barcelona.
For GAMM he sorted us with a blazin' discoish dub of Pointer Sisters 'Yes We Can Can' that gives the original a more dj friendly push.
On the b-side 'Monkiez' delivers a classic meltdown of hip hop beats Thelonius Monk jazz samples.