Boss Priester makes his LOCUS debut with his bustling four-track ‘Hotel Dijon’ EP.
Working hard in the studio to develop his own take on minimal-leaning house and techno, The Hague-based DJ/ producer Boss Priester is starting to reap the rewards and emerge as another hotshot from the country’s hotbed of electronic talent. Racking up support from the likes of Dungeon Meat, East End Dubs, Michel de Hey, Dr. Banana and Alec Falconer, his releases on What NxT and Dark Side Of The Sun have accompanied appearances at the likes of Thuishaven, Colorado Charlie and Lovelee. Another fan of the young Dutchman is FUSE and LOCUS boss Enzo Siragusa, and late September brings a first appearance on the latter imprint as he makes his label debut with his four-track ‘Hotel Dijon’ EP.
Title track ‘Hotel Dijon’ comes loaded with raw drum licks, cosmic synths and menacing, swirling low-ends for a heavy-hitting opener set to cause serious dance floor damage, while the slinking ‘ROF66’ mixes eerie stabs with shuffling drums and bouncy baselines for another heavyweight anthem. Next, ‘SUP01’ keeps things ticking nicely on a similar tip with yet more punchy percussion arrangements linking with playful sound design peppered with zippy FX, before closing the show with the hopped-up, bass-driven sonics of final effort ‘Wek’.
Boss Priester ‘Hotel Dijon’ EP drops via LOCUS on 22nd September 2023.
quête:side four
Finger Prince recordings deliver the ‘Finger Prince Sampler’ for their latest vinyl release.
This four tracker welcomes two new artists to the label, House of Styles (aka Matt Styles of Horizontal Studios) and Mark Solo. They will be joining Bart Ricardo and Pale People who appeared with remixes on the successful ‘Make U Feel project’ by Lil’Mark, along with Rob Mello on this label's debut.
First up is the House of Styles Remix of ‘Catatonic’ by Phonic Crunch, a track from their forthcoming E.P on the label. Then Bart Ricardo shares side A with ‘Crystal Satellite’.
Side B opens with ‘Talk’ by Pale People before Mark Solo introduces himself to the label with ‘Minibeatz’.
Continuing where Oddkut and Abstrakt Sonance’s FKOFv007 left off, our 8th record is a collaborative affair – three artists, four tunes and a whole lot of weight. 11th Hour is one of our long-standing collaborators, having appeared on our second ever EP back in 2013, and Substrada is quickly following in Jason’s footsteps with his latest outing with us. And, as you’d suspect, we’re delighted to welcome Charles back after his epic (collab) FKOFd046 in 2020. Last, but definitely not least, we welcome Kusmo to the FKOF family – an artist we’ve super excited about.
“FKOFv008’s been doing the rounds for most of 2022, with two solo outings for Substrada and two collaborative efforts. We’ve had some epic DJ support from the likes of Mala, but it’s hard to choose a favourite from across this record. ‘Coolin’ With The Gang’ is signature Substrada; all spooky atmospheres, suffocating sub pressure and a few vocal samples that have upset a few radio stations over the last 12 months. It’s a banger. The second A- side is the meditative ‘Predator Flow’ – eyes down power and our favourite beats, bass and space recipe. Watch for this one! The third inclusion, the Kusmo collab entitled ‘Wump’, does what you’d expect. It is, as it proudly exclaims, “the shit”. We’re excited to see where these two take their efforts (separately and together)! The record closes with the absolute scenes ‘Colossus’ has inspired across the dance floors this year, with Substrada and 11th Hour joining forces to create one of our tunes of the year. It is relentless.
“FKOF Records celebrates its tenth birthday in 2023 and we’ve got some epic physical releases coming to celebrate our decade of 140bpm. Substrada’s FKOFv008 gives you some idea of what we’ve got coming, and we hope you enjoy these four tunes (from three of our favourite producers!) as we close out 2022. Thank you for all your support this year, and we’ll see you on the flipside.
- A1: The Wasteland
- A2: Know Your Honor
- A3: Introduction "Let's Experiment
- A4: Spiral Jetty
- A5: Rule By Being Just
- B1: Pure Radio Cosplay
- B2: Weight Of The Sun (Or The Post-Modern Prometheus)
- B3: The Ship Impossible
- B4: Summer Of All Dead Souls
- B5: Strange Epiphany
- B6: Pure Radio Cosplay (Reprise)
- C1: Cover The Days Like A Tidal Wave
- C2: Racing And Hunting
- C3: Fall Of The Empire
- C4: Ebb Away
- C5: The Fairlight Pendant
Black Vinyl[25,63 €]
Reissue of the 2011 album Tao of the Dead by American alternative rock band ...And You Will Know Us By The Trail Of The Dead. First time available on vinyl since its release year. Features a replica of the original comic book insert. Tao of the Dead is their seventh album. The band stripped down to its core four-piece lineup for the record, deviating from the past two records that featured a filled-out six-piece band. This resulted in a stripped-down record with heavy emphasis on guitar. It’s a two-part record, each side with a specific musical tuning; Part One in D and Part Two in F. The album can be listened to as 16 different movements or two lengthy tracks. Part One: Tao Of The Dead is split into eleven tracks, whereas Part Two: Strange News From Another Planet is five songs combined into one. Lead singer Conrad Keely described the album's composition; "It's the way I listened to albums when I was a kid, seeing as some of my favorite records were Pink Floyd's Dark Side of the Moon, Yes' Relayer and Close to the Edge... I always liked listening to records that were just a continuous piece, like an orchestra or a symphony."
Vargmal Records continues to explore immersive, thought-provoking techno with an abstract spirit by presenting Corners EP from the emergent collaborative UK project Terrain. The Kosovo-based label was launched in 2022 with a considered balance of classic and contemporary techno, featuring Italian techno pioneer Leo Anibaldi and commissioning attendant remixes by contemporary Italian maestro Donato Dozzy.
Continuing the label's embrace of subliminal sounds for adventurous dance floors, Terrain deliver four tracks of snaking, subtle rhythms pivoting away from rigid structures towards a more fluid kind of techno. It's a sound the duo of Joe Baker and Voytek Stanley channeled on their debut release and they expand on the principles from that record in superlative style on Corners.
The EP opens up with the weighted pressure of 'Blind Spot', a dense workout pivoting on a fractured kick punching out underneath interwoven sheets of texture and atmosphere. 'Vintage' develops this theme with dubby chord washes which bloom out over the fine detail of the deceptively complex beat configuration. 'Corners' meanwhile adjusts the temperature from cooly meditative to subtly fierce accents Terrain edge into their sound.
It's an elegant fusion that remains at ease with the overall mood of the EP, but a noticeable shift in energy for the B side. 'Singularity' completes the picture with additional input from Localhost, welcoming layers of noisy melodics which sit comfortably on top of Terrain's dubby pulses. More open and searching than the introspection which holds sway elsewhere, it's a tonal shift that opens the sound of Terrain out and brings a sense of balance to their assured second record.
After our debut vinyl release “Cosmic Vibrations” with Rush City x Handerk we are ready to present our second vinyl release. This time one of our label founders Jonathan Lopez A.K.A Jonahlo wants to take you in a psychedelic journey on his new EP “ACID DAYS”; a four track EP where each track gets you through a different state of mind.
Jonahlo is an amazing musician, jazz bass player and producer from Bogotá, Colombia. He has released music on labels such as Nomada Records, Night Young and Otayana Records.
This trip starts with “Acid Days”; a superb Deep House anthem with layers of evolving sounds, exquisite melodies and uplifting chord progressions that make us take off and start feeling 100% positive. You can hear samples from cinema describing how it feels when you start connecting and being one with nature.
The following track is “Particles”; on this track Jonahlo goes deeper, evoking hypnotic and far-sighted moods of melancholy. At this point we start pondering about the universe’s infinite dimension and imagining particles vibrating as we fall into our deepest thoughts.
On the flip- side we bump into “Lost Mind”, a percussive deep techno with spacey and bleepy sounds reminding us that 90’s uk old-school style. Now is the time to get lost in the moment after going through the trip’s hard peak where you really start letting go.
The release closes with “It’s Alright”; a good vibe deep sampled house track that tell us to take it easy, to just relax and appreciate life.
The Album cover was disigned by incredible Colombian artist Jose Mejía which represents a flower going through the process of questioning oneself and coming out transformed on the other side. It is a process of exploration, discovery, and rebirth.
Because the 8th time is the charm.
For our 008 interpret teams up with with one of Montreal's finest jazz imprints “Ensoul records”.
This collaboration presents a four remixes record featuring songs from Dominique fils aime's album “Nameless”.
For the A1 interpret's founder Ohm Hourani revisits “Birds” with his own signature of walking bass and shuffle drums. Sharing this side, Ben Nevile inserts a healthy dose of funk to “Grow mama grow” with a remix that visits a past era with a flavour of modern twist.
The B side commences with a dance floor roller for the title song “Nameless” by Paris's Pepeno and shake expert Ben Vedren.
Closing this four tracker is Montreal's dynamic duo “Flabbergast”. Vincent Lemieux & Guillaume Coutu Dumonts work their own charm on “Birds” pairing the voice with a deep groove accompanied by warm keys.
- A1: Giving Up
- A2: Either Way I Lose
- A3: (There Will Never Be) Another Love
- A4: Lovers Always Forgive
- A5: Daybreak
- A6: If I Ever Should Fall In Love
- B1: Tell Her You're Mine
- B2: Why Don't You Love Me
- B3: Maybe Maybe Baby
- B4: Who Knows (I Just Can't Trust You No More)
- B5: Go Away, Stay Away
- B6: Stop And Get A Hold Of Myself
Released in 1965, this is Gladys Knight and The Pips’ first and only studio album for Maxx Records. Gladys and this family foursome signed with Larry Maxwell’s label in 1964, and after several successful singles, Maxwell was responsible for taking the group to Motown. Pressed here for the first time in almost six decades, 12 soul sides full of grace and grit, remastered and reissued on heavyweight virgin vinyl.
The recordings that springboarded Gladys Knight and the Pips to Motown Records. First ever reissue since the original Maxx LP in 1965 (six decades later!) Pressed on black virgin vinyl, with original artwork. Beautiful soul recordings - remastered for superior quality.
- A1: Wrong (Album Version)
- A2: Wrong (Thin White Duke Remix)
- B1: Wrong (Trentemøller Club Remix)
- B2: Wrong (Caspa Remix)
- C1: Wrong (Magda's Scallop Funk Mix)
- C2: Wrong (D I.m. Vs Boys Noize Remix)
- D1: Wrong (Trentemøller Club Remix Dub)
- D2: Oh Well (Black Light Odyssey Remix)
- E1: Peace (Single Version)
- E2: Peace (Sixtoes Remix)
- E3: Come Back (Jonsi Remix)
- F1: Peace (Ben Klock Remix)
- F2: Peace (The Japanese Popstars Remix)
- G1: Peace (Sid Lerock Remix)
- G2: Peace (Justus Köhncke Extended Disco Club Vocal Remix)
- H1: Peace (The Exploding Plastic Inevitable Jk Disco Dub)
- H2: Peace (Pan/Tone Remix)
- I1: Fragile Tension (Stephan Bodzin Remix)
- I2: Fragile Tension (Kris Menace's Love On Laserdisc Remix)
- J1: Hole To Feed (Popof Vocal Mix)
- J2: Hole To Feed (Paul Woolford's Easyfun Ethereal Disco Mix)
- K1: Perfect (Roger Sanchez Club Mix)
- K2: Perfect (Ralphi Rosario Dub)
- L1: Peace (Hervé's 'Warehouse Frequencies' Remix)
- M4: Fragile Tension (Laidback Luke Remix)
- N1: Fragile Tension (Peter Bjorn And John Remix)
- N2: Hole To Feed (Joebot Remix)
- N3: Perfect (Ralphi & Craig Club Mix)
- N4: Fragile Tension (Solo Loves Panorama Remix)
- L2: Peace (Sander Van Doorn Remix)
- M1: Fragile Tension (Radio Mix)
- M2: Hole To Feed (Radio Mix)
- M3: Come Back (Sixtoes Remix)
Sounds Of The Universe | The 12" Singles, a deluxe collector's
edition box set, contains seven 12" vinyl discs presenting
singles--including Wrong, Peace, the double A-side Fragile
Tension/Hole To Feed--alongside B-sides, remixes, dub
versions and other recordings contemporaneous to Depeche
Mode's 12th studio album, Sounds Of The Universe, originally
released by Mute Records in April 2009.
Sounds Of The Universe | The 12" Singles offers a full range of
ear-grabbing mixes--radio, club, dub and more--of Depeche
Mode originals with three discs (Discs Two, Four and Seven)
newly compiled for this collection, bringing together B-sides
and mixes first released across CD and maxi-singles
contemporaneous to the album's release.
When it came time to record the Sounds Of The Universe
album, DM's classic core (Dave Gahan, Martin Gore, Andrew
Fletcher) returned to the studio to make their second album
with producer Ben Hillier, whose intuitive contributions to
their previous studio album, 2005's Playing The Angel, had
created new sonic possibilities for the band expanding
Depeche Mode's vision and repertoire while continuing their
tradition of issuing monumental 12“ singles.
Nomada Records proudly welcomes Detroit's legendary House and Techno producer Gari Romalis with "Detroit Hustle EP"; a four track release where we can enjoy the distrinctive and slinky Deep House and Techno energy that characterizes Gari Romalis' sound.
The A-side starts with "I'm Wonder Luc" a heavy weight opener where Gari catches us with punchy drums, warm pads, infectious sub basslines, catchy vocal samples and deep piano stabs. The following track is called "Floor Anthem (Ghost Mix)"; a nostalgic deep house beauty with Lush chords, chunky beats and catchy melodies.
On the flip Gari goes more deeper and techy with "Float On"; the hypnotic arp and chrod progression, the strong bassline and punchy drums make the perfect track to destroy dancegloors this summer. The B-side closses with the sey deep house sampled track called "Detroit After Dark".
Italian DJ and producer Sourires (aka Andrea Antognoli) joins the Samosa stable for his debut with an explosive release that will take your breath away.
The EP kicks off with the title track, Pampasosa - a furiously groovy number which gets up right in your face from the get-go. Like an unstoppable train, Pampasosa hurtles along at 127bpm with its horns blaring and furnace blazing. De Gama is on the Re-Groove here, expertly applying the bells and whistles to this all powerful locomotive stomper.
A2 brings us ‘Liam’, which sounds like a track very close to Sourires heart. Think of glorious evening sunshine after the rain for this emotionally charged piece of music. The bass has you hypnotised, the strings make you soar and the vocal haunts your dreams. It bares its soul to you and you can’t help but love it for that.
On the B-side, ‘Keep Rolling’ (De Gama Re-Groove) gives no illusions as to what its intentions are. A rolling, bass-driven start builds to filtered vocals and punchy brass - we’re in house territory but it’s so much more than that. A prime-time fist pumper of a tune, this will have dance floors offering their souls to Sourires in exchange for good times.
Finishing off this four tracker is ‘Flavor’ (De Gama Re-Built). At 124bpm, it sneaks past you and taps you on the shoulder. Continuing the house vibe, Sourires brings us a swinging beat accompanied by dreamy vocals and subtle filtered keys. Strings and delicate guitar licks build to a glorious breakdown which reveals itself in full technicolour. Summery, sassy and sexy stuff.
Sourires has deliverdd a modern classic with the Pampasosa EP. This has to be in your record box for the summer - just watch the dance floor go!
Josh Butler joins Kerri Chandler’s Kaoz Theory imprint with the ‘Piranha’ EP, featuring a collaboration with Josh Daniel and two further original compositions.
Northern England’s Josh Butler has been at the forefront of the contemporary house scene over the past decade, racking up releases for the likes of Defected, Rejected, Solid Grooves, Hot Creations, Crosstown Rebels, MÜSE and many more. Here though we see Josh returning to Kerri Chandler’s Kaoz Theory following 2023’s ‘Sunday Club’ with some fresh, dub house leaning material.
Opening the release is ‘Be There’, a collaboration with Josh Daniel, laid out across five and half minutes with dubbed out piano chords, crisp drums, a bouncy bass line and Daniel’s soulful vocal stylings.
A dub mix is offered up to follow, laying focus solely on the groove. On the flip side we have ‘Piranha’ up first, a hazy journey through dubbed out synth swells, airy vocal chants, skippy low-slung percussion and snaking sub bass tones.
‘Chess’ then rounds out the EP, laying down heavily swung minimalistic percussion, fluttering low end pulsations and ethereal atmospheric textures to create a subtly unfurling, cinematic dance floor groove.
DJ Feedback:
Junior Sanchez – Dope freshness!
Dennis Quin – Nice EP, feel the tracks
Lele Sacchi – All good deep rollers
Alexander Maier – Superb deepness in all
Ruff Stuff – Great EP! Love it!
Danny Howells – Loving this, all four tracks totally worth of support
Milos – Amazing EP, great tracks
Chris Brennan – Supremely smooth tunes, lovely lovely
Mr V – Straight fire
Four Flies is proud to present the very first 7" version of music from "Il corpo", Piero Umiliani's acclaimed soundtrack to the 1974 film that ends the exotic/erotic trilogy directed by Luigi Scattini and starring Zeudy Araya, where the Florentine composer reached one of the peaks of his creative powers.
"Chaser", featured on side A in an exclusive extended version (previously unreleased in any form), is a track with a dreamy groove that blends rock, funk, jazz, exotic and psychedelic elements into a gorgeous symphony of rhythmic sensuality.
The imperishable "Hard Times", on side B, is one of the most sublime examples of Italian jazz-funk, with an orchestration built around a stunning string section that provides incredible depth and three-dimensionality. At once exotic, percussive, and full of jazz and funk vibes, this unique double-sider is the perfect accomplice to any DJ. Copies will go very fast – it's a limited edition, don't sleep on it!
Incoming, a massive EP from Anderson.
After his recent easter eggs EP, this four tracker is a blend of trance, breaks, drum & bass and experimental electronica.
Starting off the A side with the ‘Jelly Bean (Virus Outbreak Mix)’, this monster of tune will rattle your subs (and brain) with his crunchy kicks and trancey sequencing. This track will blast you off into oblivion eventually bringing you right into A2, ‘Level Quest’, a trancey chugging progressive tune building energy from the moment the first kick ignites.
After a much needed break, the B1 puts you in an immediate trancestate lasting just a few minutes and before you know it you will be blasted into drum and bass land with ‘Tasteful Nudes’ closing out the EP.
See you on the other side..
Pink Marbled
Limited 50 copy press
Marbled Vinyl[18,70 €]
Welcome back to sublabel Trix Trax, our series dedicated to sharing the Techno side of things.
After a little hiatus Trix Trax is back with a stacked four track VA, Technotations Vol. 1. Blending techno, IDM and breaks this releases showcases some of the many styles and energies the genre has to offer.
Starting off the VA, we have the track ‘Losing’ from Japanese producer MAGPOST. This loopy, hypnotic groover will add a layer of intrigue and mystery to your deep and moody sets!
Next up we have ‘Rise’ from JD Typo who’s debut EP, started off the Trix Trax series. This speedy techno cut will cause mayhem on the dance floors, nourishing souls in its wake with ethereal lush pads and vocal chops that creep in as the track progresses!
On the flip side we have a sobering track from Ukrainian producer Taras Vinnichenko called 24.02.22. Created the day Russia invaded Ukraine, t’s an auditory diary of Taras’ reaction to the unfolding of events. The crunch of the bass and breaks audate the panic and disarray on the ground.
Closing off the EP we have a unique groover from US producer Mr. Projectile who recently released an album on Wex sub label, La Luna. This crunchy and jittery cut takes you on a bass heavy, boom-filled journey of speedy techno and IDM!
On the sleeve, Sonia Malpeso delivers another whacky custom design on the front sleeve as well as a beautiful typographic showcase on the back and inner sleeve!
James Adrian Brown is a British-born songwriter and former lead guitarist from the alternative rock band ‘Pulled Apart By Horses’. After studying art for six years in Leeds (UK), Brown set up his own independent record label in the city and would soon begin carving out a career as a professional musician. After achieving chart success, touring the world and releasing four critically acclaimed studio albums with PABH, James has begun paving a pathway into the world of instrumental electronic music and composing.
Brown's solo work is heavily electronica-based utilising analogue synths alongside tape machines, piano, strings and walls of ambient atmospherics. His work focuses on the analogue side of capturing and creating sound in the real world with physical hardware.
He’s received support from the likes of Gideon Coe at BBC 6music and also Chris Hawkins who championed him as creating ‘Massive electronic soundscapes in a Mogwai kind of world’. James was also featured on BBC Radio 3’s ‘Unclassified’ show by the show host Elizabeth Alker.
Taking inspiration from influences such as Boards Of Canada, Rival Consoles, Floating Points & Thom Yorke. Brown is discovering, advancing, and pushing his songwriting into new sonic domains.
“There is Space Under Your Seat” is a beautifully constructed piece of electronica which is inspired by a longing to create mental space and pause emotions when things become overwhelming. The title was penned after James found himself on a sold out air-flight with disgruntled passengers complaining of little to no space for their luggage.
James recorded the tracks at *ICP Studios in Belgium after crafting the demos in his own studio in the Yorkshire Dales where the compositions were tracked to his tape machines. It was decided by (Producer) James Mottershead they’d breathe new life and space into the tracks in a new environment/studio, which saw them head to Brussels to complete the recordings.
The 7” is released as a deluxe red vinyl single with numbered photo/inserts selected and created by James. The single is issued in a limited edition of 200 copies.
As we hit the 10th release on the day by day series, we have a special two part vinyl with our first one featuring four special tracks to spice up your record bag.
Starting off the release is MPEG's 'Datetime', a playful and uplifting tune that's sure to perk up any dance floor!
A2 gets a bit deeper and darker with Sasha Nevolin’s ‘Tears at Rave’. With acidic arpeggios breathing through your sound system, this is a perfect track to transition into your trancier moments!
On the B side, Seo John's 'Circuit of Light' takes listeners on a mid-tempo progressive journey that beautifully blends the elements of acid, techno, and trance. Be sure to fasten your seatbelts for this one!
To close out the release, Nvsession delivers an atmospheric journey filled with moody breaks and arpeggios! Perfect for your after-hours or home listening!
Forthcoming on Telephone Explosion. Bob Bell Necropolis. Canadian private press mega-rarity/ obscurity from the artistically schizophrenic Bob Bell.
Recorded in 1978, Bell splits the difference between his love of basement psych splatter/ pummel and squalling free jazz ramble, the former occupying side A with a stunning four part suite of wasted guitar scuzz and churning Krautrock-like drama with an akin to German Oak, Roland Kirk, Albert Ayler, DNA, Melt Banana (minus the vocals) and Guru Guru. The latter represents Bell as a saxophonist on side B, and the music itself translates into a 15-minute free-jazz exploration
Aptly named, Tranquilizer is a potent, six track EP from Brazilian producer Felix. As part of Piratao Records; a label that merges everything from baile funk, to electro and techno, Mutual Pleasure is a fitting home for the electric nature of Felix’s sound; something that is fully exercised in this EP.
Tranquilizer is a mind-expanding selection of dynamic tracks. Unrelenting, with a deeply contagious energy that acts as the engine to this project. It is entirely soaked with acid, and layered with a plethora of squelching basslines, manipulated Brazilian Vocals and trance-infused synths and melodies.
Felix coordinates a masterful blend of dark, gruelling tones, with funk-fuelled flavours of his native Brazil: an electrifying and devastating marriage that sets this Ep in motion. While tracks like Alpha Helix bring forward a more trance-ladened side to his sound, the devious breakbeat and infectious vocals of Ta Pegando Fogo bring a cutting edge to his undefinable sound.
Within this searing melting pot of genres and influences, Felix traverses from dark dubstep, to four-to-the-floor techno, and everywhere in between. It is a suitably devilish project, and a statement of his ever-evolving musical personality.
DONNA SUMMER gained prominence during the 1970s disco
era, propelled by her incessant and creative driving force
behind the genre’s global popularity, rightly earning the title
“Queen Of Disco” and becoming one of the most
successful recording artists of the entire decade, now
having sold more than 130 Million records worldwide
Donna’s ‘80s close-out album was 1989’s ‘ANOTHER PLACE AND TIME’, which paired her with multi-hit making,
multi-million-selling UK producers Stock Aitken Waterman. The album is widely regarded as the best album they
produced, and which was heavily featured in the recent two-part TV documentary Stock Aitken Waterman:
Legends of Pop.
• The album’s lead single ‘This Time I Know It’s For Real’ was an uplifting, club floorfiller and radio-friendly hit,
peaking at #3 in the UK (#7 on the US Billboard Hot 100), giving Donna her highest charting solo single for more
than a decade.
• Four further singles were released from the album including the two Top 20 hits, ‘I Don’t Wanna Get Hurt’ and
‘Love’s About To Change My Heart’, giving Donna back-to-back UK Top 10 hits for the first time since 1977, as
well as remixed versions of ‘When Love Takes Over You’ and ‘Breakaway’.
• This special Picture Disc edition has a zoetrope effect on Side 2 that incorporates elements from the ‘This Time I
Know It’s For Real’ promo video and which gives a continuous dancing effect. It is best experienced using a
smartphone running a third party stroboscope app.




















