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Led Zeppelin - Physical Graffiti 50th Anniversary Deluxe Edition (3x12")

2025 marks the 50th anniversary of Led Zeppelin’s iconic sixth album, and their first double LP, Physical Graffiti.

To celebrate this landmark, Led Zeppelin will release an updated 50th Anniversary edition of 2015’s Physical Graffiti Deluxe Edition 3LP vinyl set, on 180g black vinyl, still featuring the Companion Audio disc, and now including a new bonus replica Physical Graffiti promotional poster (sized 443mm x 610mm).

Released on February 24, 1975 in the US (and four days later in the UK), Physical Graffiti immediately achieved platinum sales status and has recently been certified 17x platinum in the United States.

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63,82 €
REDNILO - REDNILO

Rednilo

REDNILO

12inchIRM2534
Irma Records
17.09.2025

RedNilo is an Italian-Moroccan duo composed of Reda Zine and Danilo Mineo, two musicians based in Bologna linked by a deep passion
for world music, particularly African music. Their ongoing and tireless musical exploration has led them to collaborate for over a decade
on numerous artistic and recording projects. Their new album, eponymously titled RedNilo, features six tracks characterized by a sound
reminiscent of Gnawa, Hassani, Tuareg, and experimental rock. The psychedelic, raspy riffs of the electric guitar, the repetitive rhythms
of the percussion, and the rhythmic-melodic lines of the guembri represent and evoke their journey. The resulting sound material is the
culmination of their journey and their encounters with masters, artists, griots, artisans, and instrument makers in the Draa Valley in
southeastern Morocco, bringing together the two musicians' urban and experimental backgrounds and souls. The album's artwork was
designed by Moroccan artist Aali Wica, initiator and mentor of their spiritual and artistic journey to the southern African continent,
across the long black snake.
Réda Zine, a musician and documentary filmmaker born in 1977 in Casablanca, launched his musical career in the 1990s, contributing
to L'Boulevard, Africa's largest independent festival. Raised in the Casablanca medina, he was introduced to Gnawa music by various
Maallems. After studying at the Paris 3 Sorbonne University, he founded Café Mira, a project that has performed at several international
events.
From 2011 to 2014, Zine was artistic director for Creative Commons (Middle East and North Africa), where he won the #CC10 Korea
award in 2012 with the project "It will be Wonderful," which brought together musicians from over 12 countries. He has also been
involved in exhibitions on music and censorship, participating in events in major cities such as Paris, Buenos Aires, and Seoul. In Italy,
he continued his musical research with the Hardonik project and was part of the Afrobeat group Voodoo Sound Club, recording the
album Mamy Wata. Zine collaborates with artists such as Seun Kuti and has initiated educational activities related to Gnawa music,
contributing to initiatives such as the African Symphony Laboratory for improvisers. He is the co-founder of Fawda, a Gnawa-based
project, and is part of the Gnawa Rumi collective, which explores the music of the Moroccan diaspora in Italy. He directed the documentary "The Long Road to the Hall of Fame" about Public Enemy, which won an award at the Pan African Film Festival in 2015.
Danilo Mineo graduated as a national educator from the AMMnationalscholl music academy in Milan, with a thesis entitled "Afro-Cuban
Music and the Rhythm Section." Over the years, he has attended workshops and masterclasses with international artists and masters
of percussion and drums, including Horacio El Negro Hernandez, Airto Moreira, Trilok Gurtu, Luis Agudo, Arto Tuncboyaciyan, Dudu
Tucci, Dom Famularo, Karl Potter, Rodney Barreto, and Eno Zangoun, exploring the rhythmic language of various musical genres and
styles.
In addition to publishing several educational manuals for percussionists, music critics consider him a versatile percussionist, active in
various musical productions and recordings: Mop Mop, Fawda, Guglielmo Pagnozzi "Voodoo Sound Club," Fabrizio Puglisi "Guantanamo," Panaemiliana, The Mixtapers, and many others, with whom he has performed at numerous national and international music festivals (in Europe and Africa). As a percussionist and side man he has recorded numerous albums and collaborated with Italian and
international artists including: Giancarlo Schiaffini, Gianluca Petrella, Roy Paci, Roberto Freak Antoni, Famoudou Konate, Melaku Belay, Baba Sissoko, Kalifa Kone, Jamal Ouassini, Deda, Dj Lugi, Bioshi.

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21,64 €
Dan Piu, Rinaldo Makaj, Electric City, Gela, Mathi, Gianluca Pellerano - 303rd Dimensions

432HERTZ BERLIN Returns With a Fierce Second Vinyl: “303rd Dimensions”

After the hypnotic depths of its debut release, 432HERTZ BERLIN surges back with a blistering six-track compilation crafted for the more daring corners of the dancefloor.
“303rd Dimensions” is a raw and relentless journey through acid-laced techno and electro, where analog grit meets mind-expanding energy.

The label continues to push boundaries, cementing its place in Berlin’s underground with a second release that’s as functional as it is uncompromising.

Side A: Acid Pressure and Dancefloor Dynamics

• A1: Cognitive Dissonance – Dan Piu
An acid-drenched techno voyage from Dan Piu, where 90s-inspired psycho vocals intertwine with layered pads and driving TB-303 lines. Tension builds, reality blurs.

• A2: Reverse – Rinaldo Makaj
Rinaldo Makaj delivers a raw analog workout with “Reverse”: pounding drums, sizzling acid riffs, and sensual vocal snippets collide in a late-night warehouse ritual.

• A3: TAR 1000 – Electric City
A full-throttle electro weapon — massive analog sound design, laser-sharp grooves, and pure machine funk engineered for peak-time destruction.


Side B: Acid Tension and Mind Games

• B1: Drop The Bass – Gela
Obscure, elegant, and acid-infused — Gela crafts a stripped-back electro trip that hypnotizes dancers with subtle menace and percussive clarity.

• B2: Pressure – Mathii
Mystical vocals echo through a lattice of electro arpeggios, as Mathii channels tension and atmosphere into a slow-burning, magnetic groove.

• B3: Functionality – Gianluca Pellerano
A masterclass in minimal effectiveness — Gianluca Pellerano’s contribution is pure dancefloor utility, built with MPS precision, rhythmic control, and vocal finesse.

A Testament to Underground Electronic Music

Curated by Rinaldo Makaj, 432HERTZ BERLIN's second vinyl release is a powerful testament to the boundless creativity and diversity of underground electronic music.

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11,72 €
Life Moves Pretty Fast - The John Hughes Mixtapes (6x12")
 
43
auch erhältlich

2LP Edition[87,35 €]


Demon Music group in conjunction with the Hughes family are proud to present the first official compilation of music
from the movies of legendary filmmaker John Hughes, covering the classic eighties period 1983 – 1989.
For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have
created a lasting cultural impact still felt and referenced across TV, film and music. As well as the characters and
stories created in these iconic movies, what made John Hughes’ movies different from the rest was the symbiotic
relationship between scene and music. Whether Cameron Frye staring at the painting in Ferris Bueller’s Day Off set to
The Dream Academy’s “Please, Please, Please Let Me Get What I Want (Instrumental)”, Duckie and Andie from Pretty
In Pink at prom set to Orchestral Manoeuvres In The Dark’s “If You Leave”, or even Neal and Del’s classic “Those aren’t
pillows” scene from Planes, Trains and Automobiles set to Emmylou Harris’ “Back In Baby’s Arms”.
“Music was a huge part of filmmaking for him, it was a thing he seemed to like the most.” Matthew Broderick
Curated by John Hughes’ music supervisor Tarquin Gotch, this 6LP vinyl boxset includes 73 tracks from the movies
National Lampoon’s Vacation, Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Ferris Bueller’s Day
Off, Some Kind Of Wonderful, Planes, Trains And Automobiles, She’s Having A Baby, The Great Outdoors and Uncle
Buck.
“Back when we were working on these movie soundtracks, the best way to send music around the world was the
cassette, by Fedex. We sent John cassettes of newly released music, of demos, of just finished mixes (and in return he
would send VHS videos of the scenes that needed music).” Tarquin Gotch
The films of John Hughes spawned many classic tracks, some licensed for the films, some commission specifically, and
many going on to become huge international hits from acts such as Simple Minds, Kate Bush, Furniture, Yello, and
The Psychedelic Furs.
“It serves as a reminder not just to the musicians he championed in the 1980s, but to how intensely his search for
music expanded beyond this era. Until his final days, he was still collecting outrageous amounts of music from around
the world, galaxies removed from the New Romantic and new wave sounds that, to many, still define him.” James
Hughes
Also includes an extensive 24-page booklet including memories from Matthew Broderick, James Hughes, Tarquin
Gotch, Ron Payne, plus track-by-track sleeve notes.
“John said he only made movies so he could choose what music to put in them, so as his success at the Box Office
grew, and thus his power with the studios, the number of tracks in his films, by up and coming UK bands, steadily
grew.” Tarquin Gotch


Billy Idol - "Catch My Fall" (From The 1987 Movie 'Some Kind Of Wonderful')
The Association - "Cherish" (From The 1986 Movie 'Pretty In Pink')
Penguin Cafe Orchestra - "Music For A Found Harmonium" (From The 1988 Movie 'She's Having A Baby')
Zapp - "Radio People" (From The 1986 Movie 'Ferris Bueller's Day Off')
Blue Room - "Cry Like This" (From The 1987 Movie 'Some Kind Of Wonderful')
Ray Charles - "Mess Around" (From The 1987 Movie 'Planes, Trains & Automobiles')
Joe Turner - "Lipstick, Powder & Paint" (From The 1989 Movie 'Uncle Buck')
Darlene Love - " (Today I Met) The Boy I'm Gonna Marry" (From The 1984 Movie 'Sixteen Candles')
Marvin Gaye - "How Sweet It Is (To Be Loved By You)" (From The 1988 Movie 'She's Having A Baby')
Perry Como/Mitchell Ayres & His Orchestra/The Ray Charles Singers - "Juke Box Baby" (From The 1989 Movie 'Uncle Buck')
The Chordettes - "Mr Sandman" (From The 1989 Movie 'Uncle Buck')
Ray Anthony & His Orchestra - "The Peter Gunn Theme" (From The 1984 Movie 'Sixteen Candles')
Lindsey Buckingham - "Holiday Road" (From The 1983 Movie 'National Lampoon's Vacation')
Emmylou Harris - "Back In Baby's Arms" (From The 1987 Movie 'Planes, Trains & Automobiles')
Hugh Harris - "Rhythm Of Life" (From The 1989 Movie 'Uncle Buck')
Spandau Ballet - "True" (From The 1984 Movie 'Sixteen Candles')
Propaganda - "Abuse" (From The 1987 Movie 'Some Kind Of Wonderful')
The Dream Academy - "The Edge Of Forever" (From The 1986 Movie 'Ferris Bueller's Day Off')
Yello - "Lost Again" (From The 1987 Movie 'Planes, Trains & Automobiles')
Bryan Ferry - "Crazy Love" (From The 1988 Movie 'She's Having A Baby')
The Rave-Ups - "Positively Lost Me" (From The 1986 Movie 'Pretty In Pink')
Los Lobos - "Don't Worry Baby" (From The 1985 Movie 'Weird Science')
Steve Earle - "Continental Trailways Blues" (From The 1987 Movie 'Planes, Trains & Automobiles')
The Revillos - "Rev Up" (From The 1984 Movie 'Sixteen Candles')
Boston - "More Than A Feeling" (From The 1988 Movie 'She's Having A Baby')
Balaam & The Angel - "I'll Show You Something Special" (From The 1987 Movie 'Planes, Trains & Automobiles')
The Rave-Ups - "Rave Up/Shut Up" (From The 1986 Movie 'Pretty In Pink')
Pop Will Eat Itself - "Beaver Patrol" (From The 1988 Movie 'The Great Outdoors')
The Vapors - "Turning Japanese" (From The 1984 Movie 'Sixteen Candles')
Silicon Teens - "Red River Rock" (From The 1987 Movie 'Planes, Trains & Automobiles')
out

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79,79 €
Lostsoundbytes - Eyes of Madness

Conjured up on his arsenal of machines, French artist Lostsoundbytes provides six tracks of heavy, dubbed out rhythms combined with swirling textures and blood-curdling soundscapes. Also featured is a stellar remix by Warzou, preserving the track's dubby atmosphere whilst cranking it up to a more club-friendly pace. Limited to 100 copies.

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14,24 €
Dylan Fogarty & Cult - absys techno

We are excited to unveil our debut vinyl release, marking a milestone in our journey. This exclusive record features cutting-edge techno tracks crafted by two Irish artists-Dylan and Luc-who have been regular visitors in our Dublin-based studio.
With six tracks pressed in limited quantities, this release is a must-have for all local and worldwide collectors and enthusiasts alike.

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Last In: vor 3 Monaten
13,24 €
Various - Disco Reggae Vol. 6

Various

Disco Reggae Vol. 6

12inchSTIX064LP
STIX
18.07.2025

Stix Records, a sub-label of Favorite Recordings, is back with "Disco Reggae Vol. 6", continuing the much-loved series that kicked off over a decade ago.

Born in Jamaica, Reggae has always shared deep roots with Soul, Funk, R&B, and Pop from the US, and the island’s musicians have long mastered the art of reimagining iconic songs through their unique lens. With the Disco Reggae series, Stix Records proudly continues that tradition, serving up fresh reggae reinterpretations of timeless classics across various genres.
This sixth edition expands the selection with tributes to legendary artists like Roy Ayers, Patrice Rushen, Cymande, The Isley Brothers, Ramsey Lewis and Earth, Wind & Fire, to name just a few.

All covers on this volume were carefully curated by Charles Maurice, ensuring a cohesive and inspired selection throughout.
At the controls, it’s the same crew of friends as usual ; Taggy Matcher, Soul Sugar aka Booker Gee, and Mato, and this time, Mystic Jungle joins the gang with a killer Roy Ayers cover.

Get ready for a feel-good ride, perfect for dancing under the stars, cruising with the windows down, or just vibing with friends.

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20,38 €
Vito Fattore, Ortella, V.I.C.A.R.I., N. Brusegan, P. Prince - BLBX06

Black Box Records is back.
The label's sixth release is a five-track vinyl VA, a real coup de theatre. They've called upon a strong selection of artists behind the EP's artistic direction, including Ortella , V.I.C.A.R.I. , Nicola Brusegan & Phill Prince with a super Remix by Chklte and the label's founder, Vito Fattore.

Black Box Records has proven once again that they are a company that produces classy, ​​mature and dancefloor-ready house tracks, with many more to come this year.

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11,72 €
Life Moves Pretty Fast - The John Hughes Mixtapes (6x12")
 
43
auch erhältlich

6LP Edition[79,79 €]


Demon Music group in conjunction with the Hughes family are proud to present the first official compilation of music
from the movies of legendary filmmaker John Hughes, covering the classic eighties period 1983 – 1989.
For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have
created a lasting cultural impact still felt and referenced across TV, film and music. As well as the characters and
stories created in these iconic movies, what made John Hughes’ movies different from the rest was the symbiotic
relationship between scene and music. Whether Cameron Frye staring at the painting in Ferris Bueller’s Day Off set to
The Dream Academy’s “Please, Please, Please Let Me Get What I Want (Instrumental)”, Duckie and Andie from Pretty
In Pink at prom set to Orchestral Manoeuvres In The Dark’s “If You Leave”, or even Neal and Del’s classic “Those aren’t
pillows” scene from Planes, Trains and Automobiles set to Emmylou Harris’ “Back In Baby’s Arms”.
“Music was a huge part of filmmaking for him, it was a thing he seemed to like the most.” Matthew Broderick
Curated by John Hughes’ music supervisor Tarquin Gotch, this 6LP vinyl boxset includes 73 tracks from the movies
National Lampoon’s Vacation, Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Ferris Bueller’s Day
Off, Some Kind Of Wonderful, Planes, Trains And Automobiles, She’s Having A Baby, The Great Outdoors and Uncle
Buck.
“Back when we were working on these movie soundtracks, the best way to send music around the world was the
cassette, by Fedex. We sent John cassettes of newly released music, of demos, of just finished mixes (and in return he
would send VHS videos of the scenes that needed music).” Tarquin Gotch
The films of John Hughes spawned many classic tracks, some licensed for the films, some commission specifically, and
many going on to become huge international hits from acts such as Simple Minds, Kate Bush, Furniture, Yello, and
The Psychedelic Furs.
“It serves as a reminder not just to the musicians he championed in the 1980s, but to how intensely his search for
music expanded beyond this era. Until his final days, he was still collecting outrageous amounts of music from around
the world, galaxies removed from the New Romantic and new wave sounds that, to many, still define him.” James
Hughes
Also includes an extensive 24-page booklet including memories from Matthew Broderick, James Hughes, Tarquin
Gotch, Ron Payne, plus track-by-track sleeve notes.
“John said he only made movies so he could choose what music to put in them, so as his success at the Box Office
grew, and thus his power with the studios, the number of tracks in his films, by up and coming UK bands, steadily
grew.” Tarquin Gotch

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87,35 €
Jeff Swiff featuring MPLSHOUSE - Six Won Two EP

Minneapolis producer Jeff Swiff—the man behind the Twin Cities’ long running House Proud series—comes to Real Feel with three tracks of proper midwest deep. Byron the Aquarius provides the finishing touch with his remix of Feel for Yuh.

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16,39 €
Fedo - Cosmobell EP

Fedo

Cosmobell EP

exclLILAS006
Lilas Records
10.07.2025

LILAS06 — FEDO
For its sixth chapter, Lilas Records shines the spotlight on a rising voice in the Eastern European minimal movement: FEDO.

Hailing from Ukraine and of Greek descent, FEDO is more than a producer — he’s an architect of acoustic space. With a seasoned background as a DJ and sound designer, he bypasses genre boundaries, carving out his own distinct path between deep minimalism and textural innovation.

On LILAS06, he delivers four original tracks that encapsulate his sonic philosophy:

Precision without coldness, groove without compromise.

Feather-light percussion meets rolling basslines, wrapped in immersive atmospheres and delicate spatial play.

Here, minimalism is no longer austere — it becomes expressive, hypnotic, and profoundly human.

Limited to an exclusive run of 200 copies, this release has already garnered fervent support from a distinguished roster of industry heavyweights including Raresh, Reiss, Ramona Yacef, NTFO, Enzo Siragusa, Silat Beksi, and more.

LILAS06 isn’t just another record — it stands poised to leave an indelible mark on the global underground music scene.

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11,72 €
Various - Various Moods Vol. 4

Mood Child Presents ‘Various Moods Vol. 4’: Six Multi-Mood Tracks from Nick Curly, Joey Daniel, Wilder (ITA), and more

Mood Child, the forward-thinking label helmed by Sirus Hood and Manda Moor, proudly unveils Various Moods Vol. 4, a striking album of six genre-blending tracks that each bring a unique sonic perspective. Set for release on both vinyl and digital formats, this carefully curated collection showcases the label’s signature commitment to innovation, groove, and dancefloor energy.

Side A leans into classy, funky house vibes, while Side B ventures into wilder, tech-driven territory, offering a versatile listening experience for both crate diggers and peak-time DJs.

The compilation marks the return of German house icon Nick Curly, Italian heavy-hitters Wilder (ITA) and Mattia Scolaro, and rising Brazilian talents Las Heras and ROKKE, who teamed up with RAMOOX for a potent collaboration. Mood Child is also thrilled to welcome Dutch maestro Joey Daniel to the label for the first time.

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Last In: vor 15 Monaten
13,40 €
FEX - Subways Of Your Mind (TMMS Version)

Imagine having a song go viral for 17 years - without even knowing it. That's exactly what happened to the German 1980s band FEX. And this isn't just any song - it's The Most Mysterious Song on the Internet, a track that puzzled music detectives for decades before finally being identified in November 2024. Now, it has been officially released - twice.

The Story in Brief:
Sometime around 1984, a song was broadcasted on NDR Radio. The name of the song was Subways Of Your Mind - only found out 40 years later in November 2024. Back then, a listener recorded the NDR show on cassette, a common practice at the time. Decades later, the tape resurfaced, but while most songs from the recording were identified, one remained an enigma. On March 18, 2007, the track was uploaded to the internet in an attempt to uncover its origins. Due to its now-iconic opening lyric, it was tentatively titled Like The Wind. Over time, the mystery deepened, and the song was given a nickname: The Most Mysterious Song - or simply TMMS.

Starting in 2019, a dedicated Reddit group, TheMysteriousSong, now boasting over 63,000 members, took up the search. They meticulously documented every lead, hoping to solve the riddle of the song's origins. Then, in 2024, the breakthrough: Reddit user marjin1412 reached out to musician Michael Hädrich after discovering a reference to his band FEX in an old newspaper article. Hädrich, FEX's keyboardist, provided a recording from an old demo cassette which included an alternative version of the song. On November 4, 2024, the mystery was officially solved: FEX was the band, Subways Of Your Mind was the title.

What Happened Next:
Since then, FEX has released two singles - both featuring Subways Of Your Mind - through the Berlin-based independent label The Outer Edge. First, the demo cassette version was pressed onto vinyl, as the original NDR radio recording remained lost (see EDGE-028). The Remastered Demo Mix single instantly topped Bandcamp's global charts, holding the #1 spot for several days. By then, it was clear: this was more than just an internet curiosity. A real fanbase had formed. Enthusiastic comments on the sales page ranged from "best post-punk song to ever exist" to "FEX themselves (are) perhaps the most underrated musicians of all time."

But the story didn't end there. A higher-quality version of the NDR radio recording was rediscovered in late december, remastered, and now sent for a second vinyl pressing: the TMMS Version. This new vinyl 7" is backed with Talking Hands another great and unissued song that was found on the demo cassette.

Fame Comes with a Price
Suddenly, time isn't standing still for FEX. The band had to come to terms with the fact that they had become Lostwave super stars. A FEX fan club quickly formed on Reddit, fan-hosted FEX parties are popping up, and the internet is demanding more - an album, merchandise, live performances. But how does a band prepare for a comeback after a 40-year hiatus?

For now, FEX is carefully considering their next steps. Their demo cassette contains six songs - and a few other recordings have resurfaced which probably could be restored and compiled. But foremost, a brand new re-recording of Subways Of Your Mind is in progress.

One thing is certain: The Most Mysterious Song will continue its unstoppable journey around the world. Don't miss this (second) chance to own a piece of music history!

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16,85 €
JE MOVEMENT - MA DEA LUV

JE MOVEMENT

MA DEA LUV

12inchAFS057
Afrosynth
27.06.2025

J.E. Movement's groundbreaking ‘Ma Dea Luv’,

Toward the end of the 1980s South Africa's recording industry was booming. Searching for a sound that could cross over to all in the country's segregated society while also eyeing international success, a new duo emerged that quickly rendered its 'bubblegum' predecessors obsolete. Drawing on international trends and crafting lyrics for local ears, J.E. MOVEMENT — a duo made up of James Nyingwa and Elliot Faku — exploded onto the local scene with their debut album, 'Ma Dea Luv'. The future had arrived.

A talented bassist and composer, Nyingwa was at the time employed as an in-house producer at TRS Studios in Plein Street in downtown Johannesburg, run by two Greek immigrants, George Vardas and Chris Ghelakis. Together they formed a close bond as friends and musical partners at what would become CSR Records, recording original hits with acts like the NEW AGE KIDS and SIDNEY, while also cashing in on cover versions as BLACK BOX.

The six tracks on J.E. Movement’s 1988 debut give firm nods to UK Street Soul, New Jack Swing and Stock Aitken Waterman's 'Hit Factory' sound and infuse them with an African rhythmic flair and homegrown lyrical sentiment. Though not expressly political, the title track was received by many as a play on words referencing then-jailed and banned Nelson Mandela (coming after the similarly styled 'I'm Winning My Dear Love' by Yvonne Chaka Chaka in 1986 and 'We Miss You Manelow' by Chicco in 1987), giving it an added potency for those in the know. 'Jack I'm Sorry' was an underground hit in the townships, while 'Marco', 'Friends', 'Funkytown' and the eponymous closer are similarly bass and drum-driven, with hiphop-styled vocals.

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13,66 €
WIKSTROM & LEWEN - TIME TO MAKE A CHANGE

It’s been a journey, but thanks to the guys at Universal Music we are very grateful and privileged to bring you this fine piece of modern soul music on vinyl.

Both tracks, on the 7-inch, are taken from the MP3 only 2020 album “Vintage R&B”.
It’s an Anglo-Swedish affair, delivered to you by Swedish songwriters, composers and musicians, Henrik Wikstrom and Anders Lewen, together with UK producer Andrew Stannard.

Side A “Time to Make A Change”, features in Episode One of the 2023 BBC documentary “Fight the Power – How Hip Hop Changed the World”. A track to surely get the dancefloor moving.
After some deliberation of which track to include as a Side B, it was decided as a “Thank you” gesture to invite Universal Music to pick the song of their choice from the MP3 album. “Good, Good Feeling” was the proposal, a song title that is reflected in the composition.

The top side, with its driving beat and the strong vocal ability of Liverpudlian Tommy Blaize, is reminiscent of a Motown track at the peak of its popularity. After listening to the lyrics, it is understandable why this track was used in a “Civil rights” segment within a documentary. A timeless message that can be applied to many social and personal life situations. Listen to the tight musical arrangement. These guys know what they are doing. A track that will surely even get my ageing hips loosened up for the dancefloor. Don’t be tricked by the “paused” ending, a wonderful touch!

The title of the flip side, “Good, good feeling” is exactly that……… A “good feeling” song. Here, the tempo is lowered slightly and the sixties vibe here also leads to a more mainstream direction compared to the A side. Those floaty soulful tones from the UK’s Louise Marshall are very pleasant to the ears, lifting your spirits on any day of the week. Like the A side, get your earlobes in to that musical arrangement. There was no holding back with the broadness of musical instruments in the studio and I especially like the sound of the flute happily skipping throughout. Overall, an enjoyable easy listen.

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17,61 €
Los Microwave - What's That Got To Do (With Loving You)  LP 2x12 "

HYPERSPACE COMMUNICATIONS is releases a new remix package of the original Los Microwaves first LP: What's That Got To Do (With Loving You) is a two disc release in Lime and Clear colored vinyl; remixed by Kit Watson from the original analog 24 channel multi-track tape.Disc One is an EP containing six songs from the original Life After Breakfast LP (Poshboy Records) that have been remixed for the dance floor and pressed at a popping 45 rpm. There are 3 songs on each side including the title track, Time To Get Up, TV in my Eye and more.Disc Two is a full length LP at 33 rpm featuring the previous tracks plus four more mixed as instrumentals for film and TV synch use.These can also be used for custom length live cross mixes.This limited edition comes in a gate fold sleeve that pays homage to the Poshboy generic disco sleeve and original LP cover, and also features photos by Fred Kaplan.








h C2 Time To Get Up Instrumental
i C3 T.V. In My Eye Instrumental
j C4 Home Alone Instrumental
k C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]








[h] C2 Time To Get Up [Instrumental]
[i] C3 T.V. In My Eye [Instrumental]
[j] C4 Home Alone [Instrumental]
[k] C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]








[h] C2 Time To Get Up [Instrumental]
[i] C3 T.V. In My Eye [Instrumental]
[j] C4 Home Alone [Instrumental]
[k] C5 Reckless Dialog [Instrumental]
[l] D1 La Voix Humaine [Instrumental]
[m] D2 Is The Life After Breakfast [Instrumental]
[n] D3 You Bet [Instrumental]
[o] D4 Forever [Instrumental]
[Instrumental]

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26,47 €
FRAGEDIS - NATURE CAUSING CHAOS EP

FRAGEDIS

NATURE CAUSING CHAOS EP

12inchFERMAV004
Ferma
18.06.2025

For our next physical release, FERMA proudly welcomes Fragedis. A driving force in the local underground for over two decades, Fragedis is renowned for his eclectic, genre-blending, DJ sets and productions. Staying loyal to the craft and deeply committed to the culture, he is also co-hosting Healthy Summer in Crete, one of Greece’s most revered festivals for authentic rave culture.

This release features six tracks that perfectly encapsulate FERMA’s sound identity and forward-thinking vision. The A-side opens with “Teras”, an atmospheric piece with immersive vocals that lay the foundation for the journey ahead. “Thrust Reverse” cranks up the intensity with industrial-driven arpeggios, primed to ignite the dancefloor. Closing out the first side is a stripped-down reprise of “Teras”, reimagined by a legendary artist who has shaped the Athenian industrial sound – true name strictly confidential.

Flipping to the B-side, “Live in Lies” drifts into deeper territory, weaving atmospheric pads and trancey synth sequences for introspective, eyes-down moments. Bringing it all home, “Fasaries” delivers an electro spinoff that rounds out the release’s sonic character and journey.

We are beyond excited to share this release with you – play it loud, folks!

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13,40 €
Various - Summer Selections Five

Since launching in 2019, NuNorthern Soul’s Summer Selections series has become something of a must-check release for those seeking the sun-soaked pulse of the White Isle of Ibiza. It not only acts as a sampler for forthcoming digital-only EPs due for release over the summer season, but also a showcase for both established artists and label newcomers.

2025’s ‘selections’, the fifth in total, marks the popular series’ return after a three-year hiatus. Once again, it boasts six tracks, each taken from a forthcoming NuNorthern Soul EP, and touches on a variety of Ibiza-ready styles and sounds.

Up first are Manchester twosome Nightdubbing, who’s eponymous ‘Nightdubbing’ – first featured on their self-released 2023 debut album – is remixed by Archeo Recordings label boss Manu Archeo. He opts to brilliant blend slow motion electronic grooves and deep, warming bass with waves of ambient textures, eyes-closed melodic motifs and attractive lead lines.

George Koutalieries steps up next with the languid shuffle of ‘Seasons’, where imaginative vocalisation arrangements, mazy synth bass, calming acoustic guitars and cosmic electronics create a yearning afternoon delight, before label newcomer James E Burton combines pleasingly live-sounding drums and bass with picturesque electronics and the dreamiest of chords.

Next up is a teaser of what’s to come from recent signings Visions of Light, a fresh collaboration between Free Booter Lounge label founder Simon Sheldon and two of his artists, Muzka and Dan Dub Lounge. ‘The Mandela Vortex’ is a lightly dub-flecked Balearic shuffler rich in infectious hand percussion, meandering guitar solos, heady aural textures and echoing melodic motifs.

To draw the expansive collection to a close, we’re treated to two more yearning, picturesque and atmospheric treats. The first comes from another label debutant, Seafront International and Strictly Dub Records founder Saimon under the Roots Artefact alias. Deep, toasty and smothered in vintage effects, ‘The Big Calm Dubwise’ is a picture-perfect Balearic dub classic in the making.

Rounding things off is former Les Yeux Orange Contributor – and rising star of the French Balearic movement – Jilo, who gently takes us by the hand and leads us towards the dancefloor. Underpinned by a heavily electronic, nu-disco adjacent groove, ‘Shadow’s Tango’ is smile-inducing aural joy writ large – all huggable chords, Italo-house pianos, chugging bass and the most kaleidoscopic of chords. It provides a wonderfully uplifting conclusion to another fine collection of ‘Summer Selections’.

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15,92 €
In Trance 95 - The Move

In Trance 95

The Move

12inchMW083
Minimal Wave
16.06.2025

The always excellent Minimal Wave presents a rare EP from Greek electronic pioneers In Trance 95 here. Alex Machairas and Nik Veliotis formed the duo in 1988 and very much helped define Greece's early electronic scene with their minimal synth and EBM-inspired sound, all of it usually marked by analogue warmth, hypnotic melodies and a futuristic sensibility. This release captures their innovative spirit and cult legacy across six unreleased tracks recorded between the late 80s and early 90s in Athens. It sounds magnificent and is a long-overdue glimpse into their visionary archive for new fans, or a fine reminder of their roots for those who have always been tuned in.

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26,01 €
Jason van Wyk - Inherent LP

Jason Van Wyk

Inherent LP

12inchMD333LP
n5MD
16.06.2025

South African composer and producer Jason van Wyk is continuously honing his craft, with each consecutive release feeling like a clear evolution of its predecessor. Through his albums and soundtrack commissions, van Wyk’s technique at perfectly balancing melody and atmosphere is now more apparent than ever.
Inherent, his sixth aptly named album, finds van Wyk distilling his sound to where each note seems to have implicit cinematic intent, revealing intricate new details with every listen. Inherent features large swaths of warm, wispy ambient, ghostly piano and widescreen drone. Yet, at the very moment when all seems to apex, van Wyk presses on by mining his past endeavors in club music, neo-classical and scoring work to create something else entirely.
Distorted guitars, percolating synth arpeggios and poignant beat design propel the contemplative ambient sections into the light, bringing van Wyk’s sound into previously unexplored territory.

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21,81 €
AMORA LAMOR - VARIOUS TRACKS EP

Amora Lamor

VARIOUS TRACKS EP

12inchDTAG004
Discotag
30.05.2025

Amora Lamor is a project by Lithuanian producers Brokenchord and Munpauzn. Their debut release is a fun and ironic take on current electronic music trends. From disco to lo-fi breaks, from banging club sound to cinematic synthwave, this EP is an experiment of six fuzzed-up cuts delivered using synthesizers, guitars and drum machines.

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12,40 €
Rob J Madin - MONSTRO

Miles Away Records are proud to introduce a brand-new, never before released piece of music.

In September 2024, Rob J Madin reached out to us with a collection of instrumental covers he had created. Immediately drawn in, we loved both the musical approach to these covers and the fact he tastefully selected these tracks to cover. Following up, we asked Rob, an accomplished musician, if he had any original compositions in a similar style.

The result is "MONSTRO", six instrumental slabs of jazz-funk heat! Produced primarily in Rob's attic studio in Sheffield. Rob showcases his talents on guitar, bass, keys, and percussion, with each track built around iconic drum samples. Listeners can expect spacey synths, silky electric pianos, and irresistible hooks. Think BADBADNOTGOOD meets Mildlife with a side plate of Herbie Hancock.

From the kick-your-door-down energy of "Callisto Disco" to the slow-burning allure of "Heartbreaker" and optimistic sunny day feel of "Cherryade" to the fully grown earworm synth lines of "Bouquet Garni". In addition to four original songs, the collection features two cover versions from that initial SoundCloud link: Michael Miglio's "Never Gonna Let You Go" and Rupa's "Ayee Morshume Be-Reham Duniya." Both are rare early-80s gems, wonderfully reimagined by Rob.

"MONSTRO" will be officially released on May 16th, 2025 on digital and physical formats. The 12" EP comes with printed inner sleeves and is pressed at 45rpm for maximum audio depth.

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18,45 €
Various - Night City Life II (Compiled by ILAN PDAHTZUR) 2x12"

Much has changed for Ilan Pdahtzur since the release of his Night City Life compilation six years ago. Back then, he was a little-known record collector who shared obscure, synth-heavy music that “captured the night-time glow” of the city he calls home, London, via a dedicated Instagram page. Fast forward to 2025 and Ilan is now a respected member of the international digger-selector community, having delivered must-check mixes for the likes of Bordello A Parigi, Bayete, Hunee’s Lifetones and Sound Metaphors.

It seems a fitting time, then, for Spacetalk to unleash Night City Life II, a second deep dive into Ilan’s distinctive, neon-lit sound world – a place where European synth-pop rarities, Italo-dance treats, dancefloor-focused post-boogie instrumentals soundtrack strolls around shuttered skyscrapers, dockside housing estates and wharf-side warehouse conversions.

In the six years that have passed since the release of Night City Life, Ilan has uncovered many more rarities, private-press gems and slept-on treats, with 14 of these featuring on the dusty-fingered crate-digger’s sublime sequel. As with its predecessor, much effort has been made to track down the artists behind the synth-heavy songs on show, with the vinyl edition featuring extended liner notes where some tell the story of their track in detail. Musically, there’s much to set the pulse racing within Ilan’s superb selections, from the slow-motion shuffle of Playground’s self-released 1984 B-side ‘Rainy Day Woman’ and the brilliance of Shamor’s 1985 South African synth-pop special ‘Close To You (Bwela Pafupi)’, to Sharon & Tracy’s ‘The Sheik’ – a belly-dancing inspired slab of TB-303 bass-driven house – and the kaleidoscopic, piano-rich 1992 Euro-house brilliance of ‘Come Into My Life’ by Jennifer.

Dive deeper into the collection and more under-appreciated musical masterpieces make their presence felt. There’s Sicilian musician Claudio D’Ignoti’s lesser-known boogie-era single ‘Anche Per Noi’, where rubbery bass guitar, Nile Rodgers style disco guitar licks and spacey synths dominate the sound space, Lena’s fashion circuit-inspired, early Pet Shop Boys-esque ‘Embrasse-Moi (Strumentale)’ – one that members of Milan’s Paninaro movement would surely have enjoyed – and a sublime, spaced-out and effects laden dancefloor dub of ‘Rescue Me (Imagination)’ by Jimmy D, a genuinely sought-after jam originally released on a now impossible-to-find seven-inch single. Offering another genuinely distinctive, carefully curated collection of lesser-known musical treats, Night City Life II is another essential, immersive and synthesizer-powered journey through Ilan’s unique sonic world.

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31,05 €
CESARE MURACA - CALABRIAN FLOW EP

The Comfort’s sixth release comes from the Italian producer Cesare Muraca, aptly titled Calabrian Flow.

Spanning four tracks, the record maintains a fundamental structure and attitude towards the dancefloor: dynamic, immersive, and universally compelling. But as always, the devil is in the details. From the A-side to the B-side, these tracks traverse moods and emotional nuance with elegance, unfolding like a well-told story.

The title track, Calabrian Flow, is a hypnotic interplay of bleeps and enchanting melodies, walking the fine line between dramatic ambiguity and raw force. Cosmic Odyssey, on the other hand, carries a sense of urgency, shrouded in shadowy gloom yet punctuated by flickers of light—a delicate interplay of tension and fleeting luminescence.

On the B-side, the record embraces pure release. The cathartic and expressive energy of Dynamic Dance offers both freedom and propulsion, while Working balances maximalism on a blade’s edge. Cesare utilizes choral chants that reverse and morph, synthesizers that pulse like distant signals, vortex-like low-ends, and an extremely tight rhythm. The result stuns and pulls—lingering long after the kick fades out.

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13,40 €
Deluxe - Ca Fait Plaisir LP

Thirteen years, four months and twenty-seven days after the shock wave caused by their first EP "Polishing Peanuts", the irreducible moustachus of Deluxe return with their seventh album: "It’s a pleasure", to be released on April 25, 2025. Like the band that never stops evolving, this record is a real emotional and musical kaleidoscope, oscillating between overflowing energy and melancholic introspection.

This album is distinguished by a vertiginous stylistic richness: a classical fugue for saxophone sneaks into the heart of a whirlwind of pop-rocky-pop songs, while varied inspirations like the Brazilian variety (with Luizga on " Windows Open "), nostalgic punk (" Where the f*ck is Jason? " featuring Mr. J Medeiros) or reggae hip-hop (" Caliente " featuring Twan Tee) shake up the codes. True to themselves, the six Southerners ...

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18,45 €
LUC-HUBERT SEJOR - MIZIK FILAMONIK: SPIRITUAL SOUND

180 G. BLACK VINYL WITH LINER NOTES IN CREOLE, FRENCH, ENGLISH

Originally released in 1979, "Spiritual Sound" lives up to its name, a soaring, triumphant album, six tracks of spirit magic from Guadeloupe.

Telluric, intense, terribly alive, the gwoka drums of Guadeloupe carry the identity of a painful and fervent island. Marked forever by the crime of slavery, Guadeloupe's créolité cherishes the ka drums and their natural environment: the low-pitched boula drum with male goatskin, the high-pitched soloist makè drum with female goatskin, the chacha, ti bwa, triangle, calabash and other percussion instruments that surround them, and the voices - the fiery, proud, timbred, urgent voices of the gwoka.



This album is also a legend for its voices: in his then dazzling youth, singer Lukuber Séjor was one of the first gwoka artists to largely feminize the chorus of répondè, who converse with his text delivered in a straight and powerful voice.

And everything here sets new standards. In 1979, Mizik Filamonik - Spiritual Sound proclaimed a spiritual patriotism of ferocious intensity. The album by Lukuber Séjor - whose spelling alone is a battle - sets out to give Guadeloupe the intangible weapons of self-respect and self-knowledge, through a singular practice of traditional music.

The genesis of gwoka music is less straightforward than one might imagine... The drums performed the servile task of accompanying the work of slaves in the fields and during the “corvées” imposed by the administration, before being freely practiced by the common people after the abolition of 1848. At the heart of the conviviality of the Guadeloupeans furthest from the cities - geographically and socially - the gwoka drums come out for carnival, funeral wakes and neighborhood celebrations, but also during strikes, fits of anger and armed vigils of the riots and revolts that have punctuated the island's history. For generations, governors of the colony and then the prefects of the overseas department of Guadeloupe have been viewing the gwoka as a potential for turbulence and a threat to public order.

But as the Beatlesmania, “chanson engagée” and rock revolutions unfolded in Europe, young people turned to the drums of mizik a vié nèg (“bad negro music”, in Creole), which Guadeloupeans had learned to despise by following the “assimilation” process advocated by the school system and most of the political class. At the end of the sixties, in a Guadeloupe mourning the deadly repression of the May 1967 social movement, they played traditional music, refusing to wrap it up in tourist prettiness and madras folk costumes. Instinctively, they played a rough and contemporary gwoka, led by the incendiary Guy Konkèt. This was the era of decisive 45 rpm records such as Robert Loyson's Kann a la richès, which brought to light the fieriest words of union rallies.

At his home in Sainte-Anne, Lukuber Séjor played with flautist Olivier Vamur and his brother Claude Vamur, who cobbled together a drum kit from tin crockery and became, a few years later, the most influential drummer in Kassav'.

These were the years of the Bumidom program, when young Guadeloupeans were encouraged to emigrate to mainland France. At the age of twenty, Lukuber Séjor embarked on the liner Irpinia, disembarking at Le Havre and taking the train to the Gare Saint-Lazare - the route taken by thousands of young West Indians who went on to study or looked for work, all the while trying to maintain a link with their homeland. In this case, it's at the Antony university residence, where Lukuber played the drum and participated in a thousand gwoka updates and aggiornamentos, while exile reinforced the need for a spiritual link with the native land.

In 1978, Guy Konkèt played at the Salle Wagram, a historic event for West Indian music. After serving as répondè - i.e. backing vocalist - on one of his home-recorded albums, Lukuber joined his live band. Little by little, he became one of the key artists on a circuit parallel to French show business. At a student party in Caen, he met a young woman from Martinique who, at the time, was more motivated by her ambitions as a visual artist than by her vocation as a musician. Her name was Jocelyne Béroard and, a few years before she plunged into the Kassav' adventure and became the greatest West Indian singer of her generation, she designed the cover of Lukuber Séjor's LP.

This ambition was obvious and imposed its will. A more or less regular band was formed, with Roger Raspail, Rudy Mompière and Éric Danquin on ka drums, Claude Vamur on ti bwa, Olivier Vamur and Françoise Lancréot on flutes and Annick Noël on keyboards. Lukuber Séjor is set on wanting to extend the gwoka palette to other instruments, as the jazz-rock revolution opens a thousand new doors. Annick Noël will play a wide range of timbres and textures on electric piano and synthesizer. Another novelty: the répondè are two men and two women, Roger Raspail, Olivier Vamur, Françoise Lancréot and Maryann Mathéus ...

Mizik Filamonik - Spiritual Sound is a self-production in which the singer and leader sank all his savings, allowing him no more than a single day in the studio. The first side is more of a musical manifesto, with the first two tracks, Éritage and Penn é plézi, being instrumentals. The third, Son, forcefully celebrates the need for Guadeloupeans to connect with the gwoka. In fact, Jocelyne Béroard's cover shows a tambouyé in the shadow of a cloudy sky, against which a radiant sun is rising and whose light will soon flood the entire landscape. The silhouette and face of this man strongly evoke the immense Vélo, master of the ka, rejected at the time on the fringes of society.

The second side of the LP is surprising. Formally, three tracks are explicitly linked like the three parts of a triptych. Primyé voyaj evokes the appalling tribulation of Africans deported as slaves to Guadeloupe; dézyèm voyaj speaks of the Bumidom program and the economic, political and social forces driving young Guadeloupeans towards the mirage of prosperity in France; twazyèm voyaj closes the cycle with the emigrants' return from Europe after years away from their island...

This gwoka, obsessed with the need to save Guadeloupe spiritually, appeals far beyond the politicized audience. Mizik Filamonik - Spiritual Sound instantly became a classic, although Lukuber Séjor never really made a career for himself as a musician.

After all, the album was released in 1980, with no promotional resources in France or Guadeloupe - and therefore no concerts. The thirty-two-year-old author, composer and performer made his own third trip back to Guadeloupe. He set up a small woodworking business, which he lost in Hurricane Hugo in 1989. His other activity, teaching in a medical-educational institute, became the core of his professional life. He continued to be an active campaigner - a campaigner for the Creole language, a campaigner for the reawakening of identity, a campaigner for special education, a campaigner for a thousand causes that he ignited with his generous and perceptive enthusiasm, such as the defense of breadfruit fries...

The echoes of his 1979 album have not died down. Of course, the use of Penn é plézi as the theme tune for Radio Guadeloupe's funeral notices from 1980 to 1992 kept him in the collective memory, but he continues to sing and compose sporadically, as with his all-female

vocal group Vwapoulouéka... Still convinced that music is a means of liberating the spirit, he continues the journey of a young man eager to deploy the power of Creole music and language.

Bertrand Dicale

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19,75 €
SLV - Symmetry of Chaos

Life In Patterns returns with Symmetry of Chaos, a six-track EP by SLV. This EP embodies the Paris based label's signature aesthetic-where dub-chord depth, organic textures, and high-impact rhythms converge into a hypnotic, immersive club experience.
SLV crafts a sonic narrative that balances atmospheric tension with raw, driving energy. Deep, resonant chords intertwine with pulsating low-end grooves, while intricate percussions and evolving textures create a sense of controlled chaos on the dancefloor. Designed for both peak-time intensity and deeper explorations, Symmetry of Chaos is a bold statement in contemporary techno.

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11,72 €
Diplomats Of Soul - Soul Spaces

Diplomats Of Soul

Soul Spaces

12inchEXDOSLP1
Expansion
09.04.2025

Limited to 1000, individually numbered copies. Eight tracks for the first time on LP vinyl from The Diplomats Of Soul featuring an all star cast of UK singers and musicians produced by Bluey from Incognito. Vocalists are Natalie Duncan, Vanessa Haynes, Imaani, Valentina Silwimba, Cherri V and the late Noel McKoy on an array of recordings from 2006 to 2024. The songs range from covers of rare groove, two step and soul classics to one original. Six songs original mixes, plus remixes by Atjazz and Yam Who?

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27,69 €
Sonic Wave Collective - Where the light breaks

2026 Repress After the memorable performance at Mostra festival, the electronic music group Sonic Wave Collective aka SWC, formed by the producers Absis, Cyklos and Spear, release their first vinyl record for Arketip Discs. SWC introduce a new avant-garde voice to the underground scene, weaving a mesmeric narrative that combines textures of introspective and refined techno with a very personal style.

This debut features six cuts that reveal the trio's diversity of influences and sonic sophistication.

Forest on Stasys is a renowned Argentinian artist who not only runs Aura Sonora, and is Co-Founder of Danza Nativa, but has released music on Claudio PRC's 012, Harmony Rec, and Fur:ther Sessions amongst others.

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12,56 €
Selofan - Partners In Hell

BLACK/RED VINYL

A match made in heaven and hell, since forming in the cradle of Europe Athens, back in 2012, dark synth duo Selofan have paved their own perditious way, reinventing the modern Darkwave scene throughout the continent and worldwide with their prolific creativity and work ethic over the past decade. Through varied experimental synth-scapes conjured with keen ears for sound design, production, and theatrical aesthetics, Selofan rest not on the laurels of just creating highly danceable coldwave infused music, but with together with Joanna Pavlidou's haunting vocals, and Dimitris Pavlidis' throbbing bass guitar, and modular synth compositions, the pair conjure whole other worlds and narratives throughout each album and music video they create. Thus far the Selofan have released 5 studio albums, issued through their own legendary label they curate themselves: Fabrika Records. Through their Fabrika family, Selofan have championed such acts as Lebanon Hanover, and She Past Away, aiding these bands in becoming two of the most popular Darkwave acts worldwide. Drab Majesty even cameoed in a She Past Away video while being hosted by Selofan during one of the band's frequent stays in Athens, and Kaelan Mikla, a handpicked favorite of The Cure, were first championed by Selofan, through the release of the Icelandic Trio's self-titled debut in 2016. In the Spring of 2020, Selofan released the video for the hopelessly plaintive "There Must Be Somebody", the first single from their forthcoming sixth studio album Partners In Hell, the follow-up to 2018's widely popular Vitrioli LP. "There Must be Somebody" is a discordant composition, mimicking the startled song of birds after a disturbance in a wooded enclave on a mountainside, while a magick ritual unfolds. The album itself opens with "Grey Gardens", a menagerie of morose melodies setting a sombre tone for the rest of a bleak record whose sound design and dreamscapes evoke the best sounds of British and German post-punk of the 80s. "Almost Nothing" is a brooding bell-driven track with a dark and pirouetting melody that is the perfect soundtrack to a figurine twirling in a music box. The German language "Nichts" means No, and this song is both sinister and cinematic with sighing keys, shuddering drum machines, and German lyrics sung with sorrowful conviction. "Zusamen", is a word often asked if you are together, or separate, is a dark ballad whose shadowy keys weave a nightmarish delirium, evoking the soundscapes of a lullaby sung in a haunted dollhouse. "4am" is a restless rhythm, whose soft percussive melody tosses and turns alongside subtle bass and string accents overlaid with despondent vocals. "Happy Consumers" sounds like the swirling of a finger drawn upon the edge of crystalline glass, with vocals and drum machines coming emanating from an adjacent room with echoing acoustics, collectively evoking the sound like lingers when the somnambulist wakes from his dream. "Absolutely Absent" hums onward like a phantom train ride that is a one-way ticket to madness, and with the next track "Metalic Isolation" the locomotive beats gather more steam, propelled forward with anachronistic melody. The album closes with "Auf Dein Haut", which translates as on your skin, and the song is both tactile and tenebrous with sensuously dark synth textures amidst howling German vocals that take flight like witches during a sabbat. Partner's In Hell was mixed and produced by Serafim Tsotsonis, and mastered by Doruk Ozturkcan. Genre: Alternative / Post-Punk / Cold Wave

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31,72 €
Edictum - A Cosmic Scale

The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.

Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.

"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.

"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.

"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.

The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.

"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.

Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.

Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.

Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.

„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.

The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.

Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller

celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.

They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.

His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.

With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.

Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.

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15,34 €
Nick Viola - A Ghost In Your World LP

This album represents a significant evolution in the musical journey of Nick Viola, transitioning from the powernoise and heavy industrial sounds of his previous project, Fractured Transmission, into a techno-framed landscape. Spanning seven tracks, including remixes, the album features recurring sounds sourced from machinery, field recordings, and personal travels. These elements create an uneasy atmosphere oscillating between slight discomfort and absolute dread, offering a dystopian sonic experience fitting for the times we unfortunately live in.

The opening track, ‘A Ghost in Your World,’ sets an intense tone with distorted atmospheres and ‘It’s Still Real’ follows with a relentless pulse and swirling mechanical sounds, seamlessly flowing into Kenny Campbell’s remix of ‘A Ghost In Your World’, providing a cathartic release for the A side.

‘Drop Out,’ guides listeners on a psychedelic journey into the B side of the record, while ‘Negative Nancy’ ramps up the energy with an aggressive industrial techno assault offering an antagonistic jab at the current trend within the genre. Substencia’s remix of “Drop Out” delves deeper into psychedelia, offering an immersive trance-like experience relieving the tension of “Negative Nancy”.

The digital-only bonus track, ‘Tensor,’ maintains the album’s heavy industrial techno feel of a well-oiled machine, ready to pummel any underground sound system.

About Artist:
Nick Viola is a versatile electronic music producer known for his distinctive blend of industrial and techno music, drawing inspiration from a wide range of influences spanning from the gritty sounds of powernoise to the pulsating energy of techno.

Born and raised in Los Angeles, Nick began his musical journey immersed in the industrial club scene, where he cut his teeth performing at the legendary Los Angeles industrial club Das Bunker. Here, he honed his craft and developed a deep appreciation for the raw, aggressive textures of industrial music. As the driving force behind the project Fractured Transmission, he made a name for himself with his uncompromising approach to power and rhythmic noise, earning recognition for his intense live performances and relentless sonic assaults.

However, Nick was always drawn to the rhythms and sounds of techno, and in a bold move, he embarked on a new chapter in his musical career, transitioning from the abrasive sounds and rhythms of powernoise to recontextualizing those sounds into a more techno landscape. With this album, “A Ghost In your World”, he showcases his evolution as an artist, seamlessly blending the industrial aesthetics of his past with the pulsating energy and frame of techno.

Spanning six tracks, “A Ghost In Your World” is a sonic journey through dark, dystopian landscapes and pulsating dance floors, where distorted atmospheres and mechanical rhythms collide to create a mesmerizing and immersive experience. From the haunting textures of “A Ghost in Your World” to the relentless energy of “Negative Nancy,” each track offers a unique glimpse into Nick’s sonic universe, inviting listeners to explore new depths with each listen.

Written + Produced by: Nick Viola

Mastered by: Tim Vitek

Artwork: Permian Designs

Design by: Elaine Stam

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19,75 €
Deeleegenz - Color Residues

Deeleegenz

Color Residues

12inchHMM-A-01
Housmose
07.03.2025

Last summer, after six months of diving into his vault and crafting new sounds, 15 tracks found their home on Deeleegenz's final playlist for this double vinyl album titled ‘Color Residues’.
Sozyone joined this journey by creating the stunning artwork. His distinctive bird designs now grace both the album cover and the labels of all four vinyl sides.
Limited pressing of 200 copies.

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31,64 €
Ivan Conti - Poison Fruit LP

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guardua group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom).

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

United by a love for the music of Mamão and Azymuth, the CD and digital edition also feature the previously released remixes and dubs from some of today’s most forward-thinking producers with a penchant for percussion, including IG Culture, the 22a crew, Max Graef and Glenn Astro.

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23,11 €
Go Nuclear Featuring Detroit’s Filthiest - Booty Trance EP

The sixth release on Fear No System: our first vinyl release by New Zealand-based musician, synth warper, and drum creator Go Nuclear, delivering an EP filled with nasty booty beats, featuring renowned producer and beat creator Detroit's Filthiest (AKA DJ Nasty).


The four-track EP includes remixes from Raw Takes, the creator of the NO SERVICE label, straight from LA; acid master Wheez-ie; and DJ/Producer Aura T-09, co-owner of Evar Records.



Artwork: Bazukka & Mariam Kantaria
Mastering: Incision Mastering

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11,72 €
REFRACTED - IN VEIL EP

REFRACTED

IN VEIL EP

12inchTITR003
Titrate
27.02.2025

Refracted's "In Veil" materialises as the third emission in the Titrate series. A gradual unfolding across six passages, each step a study in the dissolution of boundaries.

Here, time becomes elastic - synthetic textures breathe alongside captured moments of reality, neither demanding prominence nor seeking refuge in the background. Percussion appears as memory rather than rhythm, while drones hover like fog over unknown lands.

Cut to 180g vinyl and embraced by 350gsm reverse board, "In Veil" doesn't announce its presence but rather seeps into awareness.

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22,27 €
Various - GUNAGUNA LP

Various

GUNAGUNA LP

12inchABADI-1
Abadi Records
25.02.2025

Get ready for a fresh approach into Indonesia's mysticism through GUNAGUNA by Abadi Records. This EP is strongly built on world music rhythms and obscure samples. Enchanting and atmospheric melodies that have 80’s horror movie feel blend with 90’s electronica and vintage Indonesian musical instruments/chants/spokenwords. Each track is designed to deliver a touch of house and is executed in a progressive style.
As a debut, Abadi Records presents LMS, Munir, Haydr, Satta Fire, Herta, and Aldous for the first series of GUNAGUNA. The record is made via a collaboration with La Munai Records; containing six original tracks which aim to set mood in the club and bring vibes to the digger's living room.

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19,29 €
Biffy Clyro - Opposite / Victory Over The Sun LP

To celebrate the 10th anniversary of Biffy Cyro’s sixth studio album ‘Opposites’, the band are releasing the four EPs from the era ‘Black Chandelier/Biblical’ and ‘Opposite/Victory Over The Sun’ on vinyl for the very first time. These LPs will also be the first 12” to be pressed on sustainable ‘BioVinyl’ material globally by WMG. BioVinyl is an innovative product using bio-based PVC in the production process, without losing any of the acoustic quality of a conventional vinyl record. This release features the singles ‘Opposite’ and ‘Victory Over The Sun’.

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15,34 €
Sonic Youth - Goodbye 20th Century LP 2x12"

"Goodbye 20th Century", a double album originally released in 1999, features versions of pieces by avant-garde composers such as John Cage, Yoko Ono, Steve Reich and Christian Wolff played by Sonic Youth and various collaborators such as Christian Marclay, William Winant, Wharton Tiers and Takehisa Kosugi.

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28,15 €
Setenta - Apollo Solar Drive LP

10, 9, 8, 7, 6… the countdown to blastoff has started! Paris-based band Setenta is preparing for their upcoming 20th anniversary by releasing their sixth album, Apollo Solar Drive. The record is poised to be their best yet and is the culmination of an odyssey of artistic discovery. Setenta has been constantly striving for illumination through the years, yet also exploring the dark side of the human condition along the way. As the band describes it, this record is an Afro-Latin retro-futurist tribute to the sun. If their previous album, Materia Negra, launched the Setenta space shuttle crew into the void of “dark” matter and black holes, they now change course and valiantly approach the sun at full warp speed, taking us from darkness into the light. Miraculously, Setenta manage to bring some of the rhythmic and harmonic material they’ve explored on Earth with them, yet boldly dare to go where no one has gone before, challenging themselves to take their music, and their audience, to uncharted dimensions and new realms of existence.

In keeping with the themes of Materia Negra, FIP (Radio France) selection in 2020, Setenta’s sixth mission to explore “the great beyond” of “inner space” is aptly titled Apollo Solar Drive, emphasizing the band’s turning to the life-giving light of the sun for inspiration while playfully echoing the title of Eddie Palmieri’s Latin funk and social commentary masterpiece, Harlem River Drive. The overall vibe is warm and positive, propelled by the dual energy thrusters of funky, fierce beats and deceptively complex arrangements, yet going down smooth in the best sense of the word, like your favorite tropical cocktail or classic jazz dance fusion record of the 1970s. Of course this delicious treat is served with a special Setenta flavor all its own.

This time around, Apollo Solar Drive celebrates the trajectory of the band’s unique interstellar journey by deploying a resolutely jazzy, “funkadelic” angle to their beloved Afro-Latin music. Setenta’s band members tell their truths as a collective, with an emphasis on instrumental sections, focusing on the interweaving of multiple keyboards and guitars, while condensing the vocals to group choruses, as opposed to the solo voices of the past. The overall approach is more futuristic in its conception and realization, from the arrangements to the sonic engineering, although the rhythmic base still remains rooted in Afro-Cuban traditions as well as those of other Caribbean nations.

Pablo E. Yglesias (DJ Bongohead) of Peace & Rhythm (USA)

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