“Live In Liverpool” was recorded during the last night of the “New Adventures” tour at Grand Central Hall, Liverpool, UK, on October 18th, 2019. It features true P.P. Arnold classics, like “The First Cut Is The Deepest” and “Angel Of The Morning”, as well as special live versions of the songs from “The New Adventures of... P.P. Arnold”, such as “I Believe”, “Hold On To Your Dreams”, Paul Weller’s “Shoot The Dove”, the Northern Soul classic “You Got Me”, and Steve Cradock’s “Still Trying” and “Magic Hour”. This special live performance is a true testament to P.P. Arnold’s versatility as a vocalist and her charisma as a performer, and shows just how effortlessly her rich, soulful voice lends itself to various genres, from soul to rhythm and blues to rock and pop. “Live In Liverpool” will be released as a CD Digipak edition and 180g black double vinyl, packed in a high- quality gatefold jacket on October 18, 2024, via earMUSIC.
Cerca:soul magic
Tokyo's Ryota OPP, who has released for Meda Fury / R&S, Le Temps Perdu, is going to start his own label Encrypt Nude and release his own sounds.
He has a long experience as a buyer and curator of the 2nd hand record shop "Coconuts Disk Ekoda" in Tokyo.
From this experience, he represents the influences that come from his favourite non-dance music such as Santana, Jaco Pastorius, Herbie Hancock, and managed to implement the mood of jazz, minimal, experimental, ambient, world, psychedelic feeling into his deep house music productions, and his DJ style.
'Palace' on the A takes us to an ambient/electric deep house place, utilising ethnic oriental percussive sounds in combination with cosmic Detroit flavours
On the B-side, a magical, psychedelic sound with chord progressions influenced by Terry Riley or the minimal moments of Jaco Pastorius forms into a deep house progression, equally influenced by the raw machine soul of the motor city.
photography by Julie Sundberg
artwork by Ayako Goka
mastered by Isao Kumano (PHONON Studio)
Two seminal 12" mixes of a pair of enormous tracks from Surface. Housed in the super-rare and - until now - French-only picture sleeve of the eternal "Falling In Love", we've backed that classic with Be With's favourite deconstructed mix of the swirling electronic soul / synth-driven slow jam "Happy". These sought-after versions have never been paired on the same record before. This fresh Be With edition ensures these legendary tracks now sound, looks and feel as sensational as they deserve to. You know what to do...
American post-disco/R&B trio Surface were a New Jersey vocal group made up of Bernard Jackson, David Townsend and David Conley. The majesty of boogie ballad "Falling In Love" was their first single, released in 1983 on Salsoul Records. The mellow magic of this track is loved the world over; it's a feel-good smooth boogie jam that's forever coveted. The slick, crystal clear beat, the legendary minimoog bassline, the melody, Karen Copeland's superb vocal, the great flute solo (referenced on the cover) all of it is literally perfect and beautifully encapsulates that mid 80s international club vibe. This here is the original Shep Pettibone mix in its entirety - it's the only one you really need.
Flip for the legendary "Love Mix" of 1987 hit single “Happy". You all know the original. At least, you *should* all know it. But the "Love Mix" is a deconstructed, boldly produced mix which is the one the heads have turned to for so long. Yet, in our opinion, its hypnotic groove has flown under the radar for too many years. This killer remix begins with Jackson's spine-tingling isolated vocal, cleverly subverting expectations by actually delivering the first words of the original's second verse "You must be Heaven sent...Sent into my life...And I compliment you baby...Baby" before a heavy 808 drum kicks hard with echoey handclaps. It's super sparse and a dubbed out slow-mo boogie banger like no other. The synth bass, atmospheric synth pads and synthesized flute glide in and out with effortless style and the whole thing is a wonder to behold.
It's a slow jam, for sure, but crafted in the straight up funk tradition, using the digital tools of the day and this sparser than sparse version almost sounds like a precursor to UK Street Soul. A unique combination of undeniable funk, electro beats and an earnest, youthful tenor; it should be slamming out of every jeep forevermore.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year. Simply flawless.
This record is the first complete collaboration between Lefteris Volanis and Dimitris Pagidas who along with Vasilis Dokakis have formed the trio No Clear Mind over the past 15 years.
“Outside the long walls” is a musical creation whose canvas is filled primarily with a mix of electronic and guitar, organic synthesizer sound, saxophone, electric pianos bound together with drums and percussion, xylophone along with intervening soundscapes. There is a deeply melodic work with a strict sonic and timbre aesthetics that reference the new wave and post-punk outsiders, folk, progressive, space rock and world music for the past decade interspersed with tributes to the soundtracks of the 60s and 70s European cinema.
The band use both Greek and English lyrics interchangeably since the vocals are simply a means of achieving aural magic.
Recorded in Epidaurus between March 2020 until September 2023
Mastered by Richard König
Vinyl Master by Ekelon
Cover photo by Eftichia Vlachou
Artwork by Giorgos Maraziotis
Originally from Ireland, but now settled in the peaceful countryside of rural France, Kaz Hawkins is the epitome of musical mastery and versatility. With a soul as rich as the music that inspired her growing up in Belfast, Northern Ireland, and a voice that crosses genres with ease, Kaz stands out as a singer, songwriter and performer extraordinaire. Her musical odyssey began decades ago, shaped by a deep love of blues, soul, jazz and folk, which have become her artistic pillars.
Renowned for her spellbinding performances and heartfelt compositions, Kaz has charmed audiences the world over, weaving stories of resilience, love and the human experience through her melodies. A seasoned musician, Kaz's magnetic stage presence has graced countless venues, captivating audiences and leaving them eager for more. Her melodies transcend borders, resonating with diverse audiences and earning her a loyal fan base across continents. Beyond his musical talent, Kaz embodies authenticity, courageously sharing his past marked by domestic violence, depression, drugs and self-harm, inspiring others to find hope through his music and their own uniqueness.
In 2024 and 2025, Kaz is ready to captivate her audience once again with the release of two live albums, "Live in Brezoi (I)" and "Live in Brezoi (II)". These albums capture the raw energy and emotion of her performances, showcasing her unrivalled talent and the undeniable bond she shares with her audience. Another album, different from the blues, is also in the pipeline and is being
produced in Berlin for release in 2025. In addition, Kaz is embarking on exciting collaborations with other artists, infusing her soul essence into collaborative projects. The first is with French soul artist Thomas Kahn in a duet entitled "A Place Like Home", released on January 10, 2024. Other collaborations will be announced shortly.
As she moves forward, Kaz aims to amplify her presence on social networks, creating deeper bonds with her fans and forging a community united by the magic of her music. In a world where melodies paint emotions and lyrics engrave memories, Kaz Hawkins stands as a testament to the power of music, inviting you to embark on an unforgettable sonic journey.
The concept for and palette of Crystal Dorval aka White Poppy’s ‘Paradise Gardens’ trilogy first germinated in 2016 as a notion of “paradise music” combining new age, bedroom shoegaze, and bossa nova into “transcendental Tropicalia.” As she filled tapes of recordings exploring the idea, many of the songs gradually gravitated towards the hermetic dream pop her project is best known for, becoming the albums Paradise Gardens (2020) and Sound Of Blue (2023). Dorval describes these collections as a sort of “emotional purging or shadow work,” before arriving at “the state of inner paradise:” Ataraxia.
As the third, final, and most purist realisation of the original ‘Paradise Gardens’ vision, Ataraxia delivers. Nine instrumentals of nimble guitar, elevated bass, clean rhythm, and clear light, gliding like swans on a shimmering pond. There’s a sense throughout of playful tranquillity, of serenades at sunset, of kisses of blissful Muzak wafting along a boardwalk.
But behind the music is a patience, grace, and levity born of Dorval’s personal journey with spiritual healing that paralleled the trilogy. A process of transmuting pain into beauty, day by day, melody by melody, cleaving the darkness from the soul and re-entering one’s rightful home in the Garden.
We can't hide the fact that we're a Manchester label with some very strong feelings for the Red side of the city. Regardless of your tribal affiliation - whether you have one or not - Edric Connor's "Manchester United Calypso" is an undisputedly joyous, soulful classic. Like the bunch of bouncing Busby Babes the song sought to raise up, it's remarkable, stylish and profoundly memorable; and its magical legacy has only grown in the 70 years since it first surfaced.
A testament to its enduring brilliance, "Manchester United Calypso" is heard to this day on the terraces of Old Trafford and beyond. However, it's impossible to find a copy of the original 78rpm shellac release or, indeed, the 45rpm vinyl. So, we're delighted to reissue this unforgettable anthem - with Lord Kitchener's equally dazzling "Manchester Football Double" on the B-Side - and make it available on 7" vinyl to United fans of any vintage; as well as fans of vintage calypso fire! Featuring typically striking, specially commissioned artwork from the legendary Stan Chow, this record is a collectors item for the ages.
"Manchester,
Manchester United
A bunch of bouncing "Busby Babes",
They deserve to be knighted
If ever they're playing in your town,
You must get to that football ground
Take a lesson come to see,
Football taught by Matt Busby
Manchester,
Manchester United"
Whether you have United in your heart or not, "Manchester United Calypso" is a record that, like the best football teams in Old Trafford's history, swaggers with an addictive beauty that's impossible to ignore.
It's impossible to discuss the significance of the calypso without remembering what ultimately ripped through the heart of this most beloved youthful side.
Eight of the Babes who were celebrated in the Calypso tragically lost their lives on 6th February 1958 in the Munich air disaster.
Like the players and the club itself, the United calypso radiates a special type of magic and speaks to the spirit of United:
the demand to be fearless, unrelenting, creative and obliged to entertain the viewing public.
The Calypso was written by Eric Watterson and Ken Jones and sung by Edric Connor, who moved to England from Trinidad in 1944.
Connor is considered a pioneer, popularising calypso music, becoming the first black actor to perform with the Royal Shakespeare Company, setting up the Afro-Asian Caribbean Agency to represent Black and minority artists with his wife, Pearl and establishing a theatre workshop.
“I would think coming to this country right after the war, as Edric did, and getting into BBC radio, and moving among the people, he did a great deal of good for our own community,” Pearl once revealed.
He saw himself as a self-appointed ambassador for his country, Trinidad. We were very nationalistic back then. We believed we had a country worthy of recognition”.
The B-Side is another doozy.
Swoon along to Lord Kitchener's fantastically woozy "Manchester Football Double" - a fitting ode to the city where you'll "find football's headquarters".
Then and, after the 2024 FA Cup Final, now.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 7" well and truly soars.
The immaculate Record Industry pressing will ensure this sought-after gem finds a home in many more collections, from Manchester to Malta, Mumbai to Malaysia.
- 1: Greetings (Intro)
- 2: Here, Alive (Spirits High)
- 3: Alive And Free (Interlude)
- 4: Magic (Let Yourself Go)
- 5: Clear The Bench (Interlude)
- 6: Butter (Green Light)
- 7: Breathe (Interlude)
- 8: We Are The People (All Around The World)
- 9: Liberation And Love (Interlude)
- 10: Unguarded (Still)
- 11: Still (Love)
- 12: Breathe (Again) (Interlude)
- 13: Always Love (Always)
- 14: Dreaming Out Loud (Outro)
Mystic, member of the legendary rap collective Digital Underground, is releasing her 3rd album Dreaming In Cursive: The Girl Who Loved Sparklers on Vinyl. She is most known for her classic Cuts For Luck and Scars for Freedom which was released on vinyl last year. This new album find a return to her roots working with long time collaborator Walt Liquor to create the sonic landscape she's most known for. There was a crowd-sourcing campaign to create the visuals for this project that was successful and from it came three visuals that will be the foundation for a short film released this summer called A Black Love Trilogy. This project is the healing balm the world needs in these trying times.
GRAMMY-nominated rapper, singer, and Bay Area legend Mystic (affectionately known as the “DU Goddess of Digital Underground”) has returned to bless the world with a new album like only she can. "Dreaming In Cursive: The Girl Who Loved Sparklers" is Mystic’s first new release from her label, Beautifull Soundworks, and is produced by herself and Walt Liquor. With song and voice that resonates with the beauty of unadulterated womanhood, Mystic’s new album is what she coined, “Healed Black woman music.” As a seasoned veteran in the music business, Mystic reminds us of her ability to seamlessly weave together harmonies and vivid lyrics that invoke thoughts of love, community, and healing. Always on time with her offerings, this new project warms the soul as only Mystic can—a perfect reminder to long-time fans of their love for her and a welcoming invitation to music lovers around the world looking for high-quality, meaningful, and banging music at once.
Quote: “I am known for moving in between the intersections of trauma and healing--the beauty and the pain. My healing journey and life journey have brought me to a place where the art reflects my level of healing and the knowledge, wisdom, and joy I passionately pursue. My fans have healed and grown with me, and I look forward to the joy and conversations this album will encourage.”
Over a catalog of six albums, Native Harrow have produced a discography of “rich, engrossing records” and “instant classics” while single-mindedly following their own artistic code, acquiescing only to the exigence of the song: each song its own world with its own rules.
Formed a decade ago, Native Harrow spent their first five or six years crisscrossing the United States and Canada on numerous tours, averaging more than 150 concerts per year in 47 states and 4 provinces, on the back of two self-released albums, Ghost (2015) and Sorores (2017). In 2019, they released Happier Now, partnering with London alt-country stalwarts Loose Records. The record garnered glowing reviews, with Rough Trade selecting it for its album of the month, writing “Beautifully soaring... rolling grooves ground languid and dreamy clearwater shimmers of sound.” The critical acclaim and Americana chart success of the album prompted three back-to-back UK tours in 2019 and early 2020, ultimately leading to a three-year stint living and touring in the UK and Europe. In this time, Native Harrow released two more critically acclaimed records with Loose; Closeness (2020) and Old Kind of Magic (2022), playing for audiences ranging from rock clubs in Norway and Sweden to opera halls in Portugal, and every stop in-between, as well as performing at festivals such as BST Hyde Park (supporting the Eagles and Robert Plant & Alison Kraus), Greenman Festival, Black Deer Festival, The Great Escape, Celtic Connections, Moseley Folk Festival, SXSW, and many more.
Following the eruption of its title track, Side A of “Divided Kind” transitions nimbly through hazy tremolo-laden dusty canyons, past an intimate soulful love letter, and towards a moody anthem of devotion buoyed by propulsive grooves, before ultimately settling on a gentle bird’s-eye-view of love and transcendence. Side B opens with the debut single, “Goin’ Nowhere” a soul transmission over incendiary bass and undulating layers of guiro, congas, tambourines, shakers, and handclaps that sidesteps into moments of infinite dial-toned burnished, Rhodes-propelled soul-jazz and self-assured blues rock à gogo before ending in a spectral folk reading on celestial meditation.
“Divided Kind” was produced and recorded by the pair, in their home studio surrounded by the vintage acoustic and electric guitars, dusty semi-functional amplifiers, and out-of-date Rhodes, B3, piano, and assorted percussion they’ve grown accustomed to. Chicago-based Alex Hall was again drafted to add drums and to mix, and Philadelphia drummer and engineer Joshua Friedman mastered the record. London-based musician Joe Harvey-Whyte added the pedal steel to “Borrowing Time”, with all other voices and instruments being performed by Tuel and Harms.
- A1: Compared To What
- A2: Hey, That’s No Way To Say Goodbye
- A3: The First Time I Ever Saw Your Face
- A4: Will You Still Love Me Tomorrow
- A5: Where Is The Love – Roberta Flack & Donny Hathaway
- B1: Killing Me Softly With His Song
- B2: Feel Like Makin’ Love
- B3: The Closer I Get To You (With Donny Hathaway)
- B4: Back Together Again (With Donny Hathaway)
- B5: Making Love
Roberta Flack's "Now Playing" spans soulful and emotive tracks like "Compared To What" and heartfelt renditions such as "The First Time Ever I Saw Your Face."
Collaborations with artists like Donny Hathaway in songs like "Where Is The Love" highlight her ability to create magic through duets.
Iconic hits like "Killing Me Softly with His Song" and "Feel Like Makin' Love" resonate worldwide, showcasing Flack's enduring talent and musical legacy.
DDS presents the debut EP from unknown entity NZO, whomever she may be, dancing in the gaps between amapiano, Afrobeats, broken beat and R&B with a rare guile and flavour.
The 4th in the DDS 12” series, NZO helps stake the label’s 15th year of operations with a typically Janus-faced approach to classic >< contemporary club ruffage. Tune to tune, she decimates and distills familiar tropes in singular, whirring syncopations designed to prompt bodies to move in fresh new ways. It’s all primed for proper animist magick, bound to snag rhythm fiends with its shape-cutting manoeuvres.
Working deep in the hardcore ’nuum’s 30 odd year tradition of concrète sampler chicanery, the four tracks find fractured vocals and echoes of club classics revitalised and reset with advanced drum ingenuity. 160BPM opener ‘Concentrate’ appears like Hessle Audio’s Joe stripped for parts, whilst ‘Mallet’ swivels like SND remodelling Afrobeats’ palette of tuned percussions, next to what could almost be a lost Various Production edit in the sublime tension of syrupy R&B and frothing drums on ‘Come Alive’.
The EP ends with its standout, ‘Body & Soul’, an undulating ama simmer punctuated by dub chords like some lost Basic Channel production re-cast for the lovers.
LIMITED REPRESS ON 180g DOUBLE VINYL WITH DOWNLOAD CARD. This is the debut album from multi talented musician and producer Quantic. Having just turned 21 years old at the time of completion, this album was a positive indication of things to follow. Like the Bonobo album Animal Magic , this entire album was recorded in the writers bedroom - showing that DIY culture is strong and healthy in the UK and that good creative music can successfully be made and released to an appreciative audience without unnecessary hype. 'The 5th Exotic combines a variety of influences from jazz to soul to funk to hip hop. All the tracks have a strong musical element and a variety of tempos but each individual song has a connection which makes the album work as a whole. Like any good album this is one that grows on you with each listen. Richard Dorfmeister (Kruder & Dorfmeister) described The 5th Exotic as one of the best beats albums I have heard . Overall, The 5th Exotic is a truly accomplished debut album with a sound and style that is truly original.
Isik Kural returns with Moon in Gemini, a luminous scrapbook of slow-flowing narratives couched in intuitive and symbolic storytelling. Bending a playful take on environmental music to the folk song form, Isik's vocals coo atop pastoral field notes, airy chamber instrumentation and archival recordings culled from a curious musical life. A tender pastiche coalesces across the suite of Moon in Gemini's fourteen pieces, and Isik invites the listener to daydream as-deep-as-possible. "The songs on Moon in Gemini don't mind being slower or taking their time to reach the listener," says Isik, who wanted the title to speak to the album's dreamy, liminal nature. "I enjoyed how the phrase could be used to describe an object, a time or a place simultaneously," he explains. Similarly and subsequently, these songs contain a multiplicity of sonic artifacts, moments and spaces that span Isik's rich musical career to date. With the bulk of the album realized between Amasya, Turkey and Isik's current home in Glasgow, in both domestic and studio recording environments, additional tracks unearthed from his personal recording archive lend their lush patina. The record emerged as a fertile space to reimagine a handful of previously unreleased songs and unfinished ideas spanning the past fifteen years of his life and work, including streetside sounds documented while growing up in Turkey and recordings made while studying music engineering in Miami, Helsinki and Glasgow. Looking to the more recent past, Isik found himself wanting to build upon some of the methodologies and textures explored on his 2022 album in february, seeking a newly intimate, vocal-forward sound. He points to the track "film festival" from that album as a door through which to enter Moon in Gemini, where sample-based arrangements are presented in the context of asymmetrical "build ups and progressions" and ambience and vocals intertwine. Inspired in part by listening to iconic, if not sometimes misunderstood, singers such as Nina Simone, Aldous Harding and Ed Droste of Grizzly Bear, Isik aimed to carve out a new space for his voice on Moon in Gemini, experimenting with novel recording and mixing techniques. Captured at his aunt's farmhouse in Amasya during an extended three week recording session, we find Isik's vocal high in the mix, front-and-center and on newly expressive terms. As a songwriter, Isik is an intuitive and playful lyricist who allows his deep love of literature to flow through his off-kilter texts. Here, echoes of Silvina Ocampo's poem "Dialogues of the Silence" reverberate from the margins of "Most Beautiful Imaginary Dialogues". Likewise, Elliott Smith and Virgina Astley shapeshift through "Behind the Flowerpots," some lines of which were based on misheard lyrics from Smith's "Stickman" and Astley's "Some Small Hope." Attuned to the magic of happy coincidences, other unexpected "themes and connections between tracks flourished" during the recording process, resulting in some songs being more "thematically and lyrically connected to each other compared to previous records." The duos "Prelude" and "Interlude" as well as "Grown One Iota" and "After a Rain" explore connected stories, while "Almost a Ghost" and "Behind the Flowerpots" serendipitously emerged out of a conversation with Stephanie "Spefy" Roxanne Ward, whose balmy vocals heard highlighting in february return and call out to Isik's in sweet dialogue. Plumbing these new potentials of structure and songwriting, Isik also developed a taste for an expanded sonic palette, one enriched by the lulling undertones of live woodwinds and strings. The resulting collaborations with flutist Tenzin Stephen, harpist Kirstin McCarlie and clarinet player Giulia Tamborino envelop the record in an altogether "dreamier sound," swaying pastel and awash in lunar light. Moon in Gemini, brimming with natural imagery and lullaby-inflected tones, tunes into states of being where the wonder filled sound of everyday is heard and felt, perfectly imperfect in its poetry; where the invisible steps forward; where dauntless ghosts wait around every corner and play enriches the soul; where bird song fills sun-soaked afternoons and carries us on its wings into each enchanted evening. Isik Kural's Moon in Gemini will be released on vinyl, Japanese import CD, and digital editions on September 6, 2024. On behalf of Isik and RVNG, a portion of the proceeds from this release will benefit Mor Çaty Women's Shelter Foundation, whose social work at their solidarity centers and shelters supports women building lives unhindered by gender-based discrimination and male violence under free and equal conditions.
Acclaimed folk-blues singer/songwriter Luke Winslow-King has recently inked a significant deal with the iconic Bloodshot records, coinciding with the label’s 30th anniversary, and marking a revival in the institution’s trailblazer history of outlaw country, folk roots, and rock n roll. To celebrate this exciting collaboration, Luke Winslow-King is set to embark on a midwest tour with guitar maestro Roberto Luti of Tuscany May 17 - June 1 of 2024. Tuscan Slide Guitar Maestro Roberto Luti is a founding member of the Playing For Change band and has collaborated with legends such as Taj Mahal, Keb Mo, Keith Richards, Ringo Starr, Dr. John and numerous others, accumulating over 100 million plays on YouTube. His unorthodox, angular and evocative slide guitar style is based on Mississippi and Chicago blues and is infused by soul and African roots traditions. Fans can expect the sincere and heartfelt roots blues stylings King has become known for, showcased alongside his continual artistic reinvention.
Welcome to the fascinating musical universe of EXOTIC ROOSTERS! It emerges as a burst of freshness and originality, blending an eclectic variety of musical influences to create a truly unique and exciting auditory experience. Comprised of experienced and virtuosic musicians on their respective instruments, the group captivates audiences of all ages with its energy and unmistakable style. Exploring the intersection between tradition and modernity, EXOTIC ROOSTERS combines the rich soundscapes of marimba, vibraphone, double bass, percussion, and drums to create an expansive and nuanced musical landscape. From frenetic rhythms that invite dancing to captivating melodies that transport the listener on an emotional journey, each performance aims to be a celebration of cultural diversity and artistic expression.
In the relentless musical era of the late 90s, two passionate souls, Eugeni Camacho and Rafa Navarro, embarked on a unique sonic odyssey by blending the melodious marimba with the pulsating drums. Together, they successfully created STAMINA PERCUSSIO in their concerts. However, life composed its own score, separating Rafa, who was abducted by the Canary Islands, and Eugeni, who was drawn to vibrant New York. Upon their return, after years of musical exploration in different projects with the Oscars (Oscar Cuchillo and Oscar Rocher), their hearts aligned with a new melody. In the loom of destiny, they discovered the emerging talent of Bernat Cucarella. A prodigy with drumsticks and a 4.0 brain. By uniting Rafa's island experiences, Eugeni's resonant jazz from the Brooklyn alleys, and the rich musical diversity harvested in life's journeys by each of the members, they gave birth to a magical musical tale: EXOTIC ROOSTERS
Having established himself as one of the most energetic and exciting Jazz musicians within the already thriving worldwide scene, New Zealand born, London based Drummer & Producer Myele Manzanza has made a major impact upon the global music landscape.
A founding member of Electric Wire Hustle, Myele has released five solo albums, and racked up tours and collaborations with Jordan Rakei, Theo Parrish, Miguel Atwood-Ferguson, Recloose and Amp Fiddler amongst others . Myele has developed a strong live presence in his new London base; his quartet has shared stages with the likes of Hiatus Kaiyote, The Bad Plus, Alfa Mist, and drawing packed houses to top venues such as The Jazz Café and Ronnie Scott’s. Last year, the first two instalments of his 'Crisis & Opportunity’ record series saw him garner praise from Mary Anne Hobbs, Cerys Matthews, Jamie Cullum, Huey Morgan, The Guardian, Complex, Jazz FM, Lefto, Worldwide FM, Jazzwise and more.
Following the release of his last offering, a chance conversation between Myele and a young Barista at a local coffee shop occurred - their topic (centred around the trials and tribulations of following your musical passions) sent Myele down a spiralling path of internal reflection, spawning a new lease of creative energy and examination of new ways to approach his craft. The third addition to the heralded series, ‘Crisis & Opportunity Vol.3 - Unfold’ sees Myele change his approach from drummer / improviser, altering his sonic output to a more electronic dance music output, opting for a more producer / beatmaker focussed role. Sharing production duties with Lewis Moody (Zeitgeist Freedom Energy Exchange) and taking a more producer / beatmaker focussed role. His initial instinct was to create music that could be played in a club, but also incorporate elements music of the Jazz and technical musicianship he’s renown for.
Articulating his thoughts on the record’s genesis, Myele explains: ‘‘As the process developed, I was also drawing a lot of inspiration from vocal driven soul, RnB and songwriter-driven music to a point where I had lit a new creative fire. Reconsidering the direction of the album, I was left with the creative question “What broader ranges of emotion might my music be able to access, and what kinds of art could be made possible if I were to open up my music to hold space for singers and for stories?”
First single ‘Silencing The Sun’ features the vocal talents of fast-rising fellow Kiwi artist Wallace, whose spectral tones glide gracefully over the pulsating rhythm section and twinkling keys. On second single ’Therapy’ UK Soul royalty Omar weaves his trademark magic over a solid 4/4 beat, soulful key stabs and lush synths, bottling lightning into dancefloor alchemy. Final single ‘Unfold’ sees Rachel Fraser deliver a delicate and introspective vocal performance over stripped back instrumentation as cold, angular electronics juxtapose the warmth of piano keys and sweeping strings. With a wealth of additional incredible talent (such as China Moses and Rosie Frater Taylor) enlisted to further compliment the record’s grainy synth textures, emotive chord changes, driving low end sonics and expressive percussion, the scene is set for a beautiful, shifting and engaging listening experience.
There is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-eqsue cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity.
There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer / producers, yet at the same time this is a truly contemporary record that could have only been made now. The first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process.
We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies. Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way".
The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef’s world, with plenty more magic from these guys coming around the corner very soon.
Also available on Red Vinyl - Limited Edition of 200 Copies.
One of the prominent growing voices in Timmion Record's roster, singer Emilia Sisco blesses your turntable with another deep soul ballad. Joining hands with Cold Diamond & Mink, Emilia pours a generous helping of deep soul magic into "Let Me In", gliding over the southerntinged beat with melodic grace. It's almost impossible to remain ambivalent to Emilia's talent when the spine-tingling chorus with its clever twists rolls in. The bittersweet love song's timeless feel pours over the listener like the flooding Mississippi, anthemic but understated. Flipping the single, we get to revisit Emilia's previous single "Love Can Carry Me" but this time in instrumental mode, titled as "Way Past Midnight". It's not just a vocal strip down, but this time Cold Diamond & Mink has equipped the track with a jazzy Grant Green styled lead guitar. Tasty. You would have to be a cold-blooded robot not to feel something from this soulful double sider. Forget the dance floors and bedrooms for a minute, these songs are the best fertilizer for your personal mind garden.
Tokyo Riddim Band continue their journey striding across times and cultures, this time with their colourful keyboardist and frontwoman Mimi Kobayashi breathing new life into a song she originally penned in 1981. ‘Lazy Love’ first featured on Mimi’s highly sought after Coconuts High LP, which she recorded in LA recruiting top session players to play alongside her. It was also included in Time Capsule’s 2024 compilation of Japanese reggae - Tokyo Riddim 1976-1985.
This soulful pop tune turned deep dub cut retains the romantic charm of the original, whilst the tasteful performances of the Tokyo Riddim Band and Ras Tavaris combined with Prince Fatty’s studio magic give the song a newly found depth.
London based Tokyo Riddim Band is a unique fusion of cultures, bringing together the vibrant energy of three generations of Japanese female musicians with the eclectic sounds of London. Their dynamic performances blend reggae drums, funky bass lines, and the smooth City Pop guitar, all magically dubbed-out live on stage. This is not just music; it's a cultural phenomenon, offering a fresh and exciting take on the reggae scene.
One of the prominent growing voices in Timmion Record's roster, singer Emilia Sisco blesses your turntable with another deep soul ballad. Joining hands with Cold Diamond & Mink, Emilia pours a generous helping of deep soul magic into "Let Me In", gliding over the southerntinged beat with melodic grace. It's almost impossible to remain ambivalent to Emilia's talent when the spine-tingling chorus with its clever twists rolls in. The bittersweet love song's timeless feel pours over the listener like the flooding Mississippi, anthemic but understated. Flipping the single, we get to revisit Emilia's previous single "Love Can Carry Me" but this time in instrumental mode, titled as "Way Past Midnight". It's not just a vocal strip down, but this time Cold Diamond & Mink has equipped the track with a jazzy Grant Green styled lead guitar. Tasty. You would have to be a cold-blooded robot not to feel something from this soulful double sider. Forget the dance floors and bedrooms for a minute, these songs are the best fertilizer for your personal mind garden.




















