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"Following on from May's "ECHOES Part 1 & 2" this is the second single of three to be released as an introduction to the next album project of Ulrich Troyer - TRANSIT TRIBE - to be released later this year.

This time it's one for the reggae fans and dubheads with contributions from Diggory Kenrick who has been busy over the last few years adding the distinctive sound of his flute to many new reggae productions. He is also an associate of the U.K. reggae label Pressure Sounds that specialises in reviving classic sounds from the roots and dancehall eras of the genre. Also joining the production is Takafumi Noda aka Mystica Tribe, a Japanese producer and musician who has specialised in a new form of dub techno and is known for adding the signature sound of his melodica to productions of dub friends from around the world.

The subject of travel, especially along modern, fast routes has long been subject to fascinate musicians, from the days of Kraftwerk's "Autobahn" and now the whole genre of dub techno seems to be one built for listening on long journeys. The Autostrada Del Brennero / Brennerautobahn is one of the most important motorways in Italy, as it connects the Po Valley with Austria through the Brenner Pass and features many modern bridges and overpasses that are ready built illustrations for the covers of dub techno albums! On this release this major European truck route is celebrated musically by Ulrich Troyer with inputs from Diggory and Taka to create two modern dub classics."

Steve Barker (DJ, Radio Presenter - On the Wire, BBC 1984 – 2023,

now Slack City Radio & reggae/dub columnist and contributor to The Wire)


Credits:

Diggory Kenrick: flute

Taka Noda: melodica

Didi Kern: drums

Ulrich Troyer: analog synthesizers, analog drum-machines, sampler, dub effects

A written by Diggory Kenrick & Ulrich Troyer

B written by Taka Noda & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except flute recorded by Diggory Kenrick at Holloway Studio, London / melodica recorded by Taka Noda at Mystica Sound Studio, Tokio

Mixed & arranged by Ulrich Troyer at 4Bit Bungalow, Vienna

Produced by Osman Murat Ertel & Ulrich Troyer

Mastering & Lacquer Cut by Kassian Troyer at Dubplates & Mastering, Berlin

Cover Drawing by Ulrich Troyer


Special thanks to Steve Barker, Osman Murat Ertel, Diggory Kenrick, Eva Kelety and Takafumi Noda

Kindly supported by the City of Vienna (MA7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), SKE-FONDS (AT) & Amt für Kultur, Bozen (IT)

Los Angeles-based video artist and producer Laskfar Vortok makes his first appearance in the EVAR catalogue with "Erbsat Esrhosc." An unusual title that reflects the artist's interest in the bizarre, whether he's making music or producing videos and visuals, "Erbsat Esrhosc" bristles with erratic patterns, anarchic atmospheres and glitchy soundscapes. The Mexican-born talent explores ideas based on the hypothetical concept of a planetwide city, otherwise known as an ecumenopolis, weaving such ideas against a cinematic backdrop, nodding to his long-running love for cinema. Across the five-track EP, he also draws inspiration from the heated and hectic energy of L.A, where he's resided most of his life.

Produced in memoriam of Michael Gregory Harrison, aka Bad Timing, and following a period of introspection and creative and personal challenges, Laskfar Vortok began work on "Erbsat Esrhosc" in 2018. The EP honours Michael's brilliance as an artist and a friend;the title being an anagram of a phrase that they shared between them.

"Eclipse" opens the EP on a haunting note. A spidery melody and chilling pads punctuate the witchy soundscape before syncopated sequences collide with snafued textures, signifying a sharp left turn into breakcore. With its nebulous atmosphere, this track offers the first glimpse into the concept of an ecumenopolis. On "Hyperdrive", frenetic percussion dominates while zappy noises and a doomsday melody slink in and out of earshot. Bursts of broken wub exacerbate the uneasy mood while cinematic, almost ethereal chords twinkle in the background.

"Base" offers a moment to recover one's brain cells after the nosedive into the near future. A lugging kickdrum and broken, woody percussions swirl around the troposphere while creepy pads convey a sinister aura. "Mutation" catapults us back into chaos with claustrophobic polyrhythmic structures, smatterings of kickdrums, and a sporadic mad-scientist-type synthline, adding a jittery layer. An unexpectedly orchestral outro completes the bizarre nature of the track.

Closing out on "Send Off", Laskfar Vortok blends freezing-cold chords with snaggy synth notes and a tangle of drum constellations tied up with a gossamer melody and splattered across an eerie terrain.

Using Bitwig Studio, orcλ, TidalCycles and Renoise as his modus operandi, Laskfar Vortok produces a trip that intrigues but disturbs, serving a shimmering yet terrifying squint into a technoid-led utopia. And we're only just getting started.

BSS is more than ever crystallising the distinctive palette that forms the microcosm of its sound, with an increasingly refined sound design.

‘Tofani’ holds many elements of his signature sound, creating a hypnotic realm with cosmic overtones. A refined electro fused with dreamy, melodic hints. A journey through cinematic adventures and experimental outbursts.

Step into the shadowy depths of minimal techno with the highly anticipated third release from altēr:altēr. Brought to you by Stekke, the visionary Brazilian duo and owners of Sketches, this installment also features the French maestro Lowris (Aethernum / Minibar) and the enigmatic Thome.

altēr:altēr 003 is a masterclass in dark minimalism, weaving intricate soundscapes that are both haunting and hypnotic. Each track is a testament to the art of simplicity, maintaining a steady groove while immersing the listener in a rich, textured sonic environment.

repress !

Re issue of 1996 classic house cut from Mood II Swing featuring John Ciafone.Containing 4 tracks including the absolutely essential B side 'Slippery Track'.

Taken from the original DATs this has been fully re mastered for 2014 and will sound better than anything on discogs. No digital release planned until summer.

Re issued in conjunction with Groove On Productions Inc / George Morel.

Introducing the brand new label from renowned party Full Scale ! We are thrilled to announce our debut release, 50 Kills EP from the immensely talented French producer Olivier Romero. Garnering recent acclaim and support from industry giants like Dyed Soundorom and Shonky, Olivier Romero is making waves with his innovative sound.

Our first release features the electrifying track "The Fantastic," which has already become a favorite in many of Raresh's sets, eliciting amazing crowd responses and setting dance floors ablaze. This track showcases Olivier's unique ability to blend compelling rhythms with infectious energy, making it an instant classic.

We are excited to include a special collaboration on this EP. We invited the esteemed Tripmastaz to remix Olivier's track "50 Kills." Known for his distinctive style and production prowess, Tripmastaz brings a fresh and exciting dimension to the release, ensuring that this EP is a must-have for any music lover.

2024 Repress

Mutual Rytm is back with more searing techno, this time in the form of a welcome return to wax from venerated Aussie mainstay Shane Yates, aka Alpharisc.

Melbourne's Alpharisc has been making music since 1993, initially with humble tools like the Commodore 64 and Amiga 500, before putting together and building a growing collection of hardware. He has always maintained a somewhat reclusive character since breaking through with the city's renowned Wetmusik party and label collective following the release of his first EP in 1999 and has always kept a nostalgic touch in his music alongside his signature Alpharisc sound. Following a string of digital EPs on the likes of Future Retro Music, this is his first vinyl 12" in two decades as he returns to Mutual Rytm following his appearance on the Federation Of Rytm II compilation, serving up his bustling 'Ram Face' EP.

The powerful 'Formation Filter' opens up with a powerful techno groove built from rock-solid kicks and rumbling bass that will rattle walls. Snares and synth rolls peel off the drums as they race onwards and grow ever wilder and more intense for maximum destruction. 'Circus Fear' is another stylish linear workout with lithe synth details and loopy drums peppered with coarse claps and hits to up the ante, while 'Hot Morning' brings even more fire with its big, churning percussive clatter and supersized hi-hats racing along over more bulky beats.

Things get more unhinged with the hard-edged 'Ram Face', which has pummelling drums and scraping hits forming a barrage of industrialised sound; a lead from a SID chip will bring a smile to those who are familiar with its sound playing a hypnotic lead over the top. The final track on wax, 'The Old One', builds up cosmic tension, haunting synth lines and howling solar winds into another peak time techno weapon. As always with the label, a digital bonus cut 'Hairyman' provides a special treat and delivers another frosty techno roller with pent-up energy and compelling drum programming.

2025 Repress

Raffaele Attanasio drops his first EP for two years as he heads to SHDW & Obscure Shape's Mutual Rytm for his 'Quasar' EP.

A product of Naples' rich techno history, Italian DJ, producer and musician Raffaele Attanasio is an artist who represents the city's iconic sound while drawing from influences across the Atlantic and the genre's home of Detroit. Garnering plaudits from artists including Jeff Mills, Len Faki and Ben Sims, while releasing on Mills' Axis alongside Non Series, Third Wave Black, and his own Letter From Jerusalem imprint, Attanasio's eclectic sound now delves into Italian techno of the early 2000s as he makes his label debut on Mutual Rytm - revealing his first EP in over two years and showcasing a new side to his sound with 'Quasar'.

Title track 'Quasar' brings a tunnelling groove beneath floating melodies and zipping synths, before A2 'Asterion' combines dubby stabs and punchy kicks effortlessly. On the flip, 'Blazar' is a squelchy acid-led trip guided by sharp metallic hats, with 'Axial Inclination' utilising jittering drums and slinking bass to keep the energy levels rolling.

'Clara' shapes up the physical package, a skipping, spirited and classy cut fusing hazy textures and crisp percussion, while digital exclusive 'SGR' sees things return to acid territories, with purchasers able to access a darker impactful take on techno.

2024 Repress

Lars Huismann is back on Mutual Rytm with the much-anticipated third volume of his 'Sounds From The Past' trilogy.

A core part of SHDW & Obscure Shape's ever more crucial Mutual Rytm imprint thanks to his timeless techno offerings as part of his ongoing 'Sounds From The Past' series, Berlin-based DJ/producer Lars Huismann's stock continues to rise release by release as a talent merging influences from the past with forward-thinking nuances of the future. Drawing on the early 2000 techno sound, he embellishes it with his own perspective, as evidenced by his earlier releases on the label. This latest six-track offering is another accomplished outing from this unique talent as he concludes the three-part series on the label in style.

The title track 'Sound From The Past III' opens up with a finely filtered chord groove that provides a smooth and hypnotising foundation. A subtle bassline, buoyant kick drums, and embedded vocal patterns harmonise with the synths, unveiling a smooth linear groove that soon sweeps you up.

'Fusion' brings more intensity with its barreling drum kicks, a dirty driving bassline, and melodies flashing by like headlights on an intergalactic motorway, with the overhanging pent-up energy inescapable. Next, 'Shimmer' rides on vast, heavy layered drums that are warm, and comforting as the track travels through a journey of diverse dub techno elements.

Like in 'Loucura', taken from 'Sounds From The Past II', Lars again showcases his strong influences from Brazilian and Latin music. On 'Estar Farto', the drums and bass are tightly interwoven, racing beneath bright and funky synth lines that bring ever-evolving shades of colour. A jazz drummer himself, the music transports into the groove via intelligent brass chord progressions and fine-tuned vocal and percussion elements.

It's straight dance floor business on the closing vinyl production 'Bittersweet', with its muted synth smears darting over more macho drum programming, while digital bonus 'Dusty Lick' is an unrelenting, jazzy, percussion-driven banger that hits hard and heavy in all the right places.

2024 Repress

After appearing on the label's recent 'Federation of Rytm II' release alongside some of the industry's most iconic artists, Steve Redhead is back on Mutual Rytm, taking over the label from SHDW & Obscure Shape with a 6-track solo EP delivering driving, furious and old-school influenced techno.

The eleventh installment of Mutual Rytm opens with the rolling grooves and choppy vocals of 'Blokhut', which flows smoothly into the highly effective drums and strings of 'Sea Choy', while 'Bruusk' closes the first side of the vinyl with a hypnotic, well-crafted 90s influenced techno anthem. On the flip side, the title track 'Eastbook Isle' is all about its rolling bassline, retro/electro influences and a mesmerizing melody, while on the B2 'Planet Phatt' closes the record perfectly with a classic old-school sounding cut, made to be the last track of the set or those early morning moments. Last but not least is the digital bonus track 'Monster Madness' and as the name implies it is the hardest of the bunch, with aggressive late night grooves wrapped in deep, repetitive and
evocative chords.

Undoubtedly one of his best works to date, the Belgian producer keeps up the good work with his second appearance on the label in the form of his Eastbook Isle EP.

2025 Repress

SHDW & Obscure Shape invite Invexis for his first 12" in almost 20 years as the German live act and producer returns to Mutual Rytm for his impactful EP, 'Odyssey'.

With an ethos of merging the past with the present and future, harnessing classic techno influences and shaping them into the sounds of tomorrow, SHDW & Obscure Shape's Mutual Rytm imprint has become an exciting home for rising talents of note and established artists to shine a spotlight on the genre. However, the next release on the label welcomes a long-awaited return from Georg Kohler, aka Invexis. Known for releases such as 'Kalibreur' on Salpeter Records and 'Chiffre' on Planet Rhythm Records, with further releases via Compound and Kazumi, the German talent crafted and shaped his own sound within the techno landscape in the early 2000s. Returning with his first EP release in close to two decades, late December welcomes a return to Mutual Rytm, following on from the inclusion of his track 'Elektronenwind' on the label's 'Federation Of Rytm I' release, as he delivers a selection of dynamic, melodic and driving techno offerings across 'Odyssey'.

'Silhouette' opens the package with authority as spirited drums and spiralling synths take hold of a twisting and turning lead effort, with 'Non Return To Zero' building a spiralling groove via frantic yet measured percussion, sweeping melodies and funky stabs. 'Red Storm' opens the B-side with a more up-front production combining harsher metallic tones with relentless drive and crashing hats, while 'Body Impulse' utilises dubby stabs and eerie atmospherics to balance light and dark. The title track 'Odyssey' closes the vinyl offering, with a euphoric and rapturous production harnessing resonant chords, looping drum grooves and elated leads to bring things to an impressive crescendo and deliver a record that will remain in the ears of listeners for a long time. As always with the label, digital purchasers are treated to an exclusive track as Kohler combines zig-zagging grooves, refined synths and off-kilter glitches and bleeps across digital exclusive 'Transition'.

2024 Repress

Berlin techno talent Regent is next up on Mutual Rytm as he returns with a compelling new five-track 12" titled 'Coral Knife', plus a digital bonus cut.

Regent emerged only in 2020, but has fired out quality tunes on Planet Rhythm Records, Arts Collective and Warg Records since then. His already extensive catalogue of standout releases combines tough and rapid grooves with cerebral qualities and a real depth of writing and sound design, resulting in timeless yet avant-garde material optimised for the dance floor. For that reason, he is one of the new forces emerging from the German capital and why his next EP, 'Coral Knife', sees him find a perfect home on SHDW's Mutual Rytm imprint as he returns with his first 12" on the label following his appearance on the 'Federation Of Rhythm II' compilation earlier this year.

The tight and funky 'Brickyard' opens with a high-speed groove and a taught synth riff darting about the mix to seductive effect, before 'Driftage' gets more raw with rickety percussion over bulky drums. The synths are dubby and liquid as they get smeared about the mix to bring dynamism to the groove. There is then darkness and heaviness to 'Nocta' with weighty kicks and alluring vocal sounds drifting through the late-night airwaves.
Title track 'Coral Knife' cannot fail to sweep dancers off their feet with its fizzing synths and smooth drum loops overlaid with icy hi-hats that get you into a meditative state, while 'Encoder' layers up bleeps and squeaks over a signature linear groove that is detailed with muffled vocals and distant cosmic stars.

As always with Mutual Rytm, the package rounded out with an impressive digital bonus in the form of 'Multiversa' - a driving and thunderous techno cut that closes the show emphatically.

"I am in shock of what you are saying and don’t you go anywhere else and spread such false information”

Inspired by the underground night life in Iran, where Salar Ansari’s journey as a selector started in the mid-2000s, each cut on 'Chi Gofti? Nagi Jayi!" touches on a specific mood & scenario.
"Dorehami Melo دورهمی ملو", referring to a mellow get together after the last rave being raided;

"Tu Jaddeh Savaarkaar تو جاده (سوارکار)" is the rush of driving through the mountains listening to driving beats, heading to a party on the outskirts of Tehran through mountains

"Raghs e Ghalamou رقص قلمو" touches on the artist's commitment to painting sonically to unify with his people through creativity and resonance

"Long before discovering house music as a teenager I was bred as a dancer, a slave to the rhythm, in my parents vibrant house parties of dancing the night away till you drop. This is my culture, to surrender, to give in, to react to the rhythm, every corner of it. PGS is family to me and I am so happy to have this music that is very dear to me, come out through this imprint. PGS is about community, Hamtramck is about community, Detroit is about community, Iran is about community, this music is about community." - Salar

Written, produced, recorded by Salar Ansari
Design by Salar Ansari & Ben Saginaw
Thanks for: Ahang Ahmadi, Sina Matinsefat

"Tu Jaddeh Savaarkaar تو جاده (سوارکار)" music video by Vinnie Massimino, shot by friends in Iran

[a] A1. Dorehami Melo [دورهمی ملو]
[b] B1. Tu Jaddeh (Savaarkaar) [تو جاده (سوارکار)]
[رقص قلمو]

Paolo Rocco delivers his ten-track debut album ‘Life In Pieces’ this April on FUSE.

Born Canadian of Italian descent, Montreal-based DJ and producer Paolo Rocco has emerged as one of the most consistent names within house music over the past decade, with a wealth of material via the likes of Hot Creations, PIV, Berg Audio, Constant Sound, Taverna Tracks, and Rutilance Records showcasing his own take on house, deep house, and minimal territories. Having closed 2020 with fresh music on his own RAWMoments imprint, late-April welcomes the arrival of his biggest project to date as he makes his label debut on London’s FUSE to deliver his eight-rack debut album, ‘Life In Pieces’.

A body of work rich in classy collaborations with artists such as Robert Owens, Alix Alvarez, Kiki & Mavi and slick solo production, ‘Life In Pieces’ delivers a blissful journey through Rocco’s rich sound palette, revealing the most in-depth project of his career while marking his long-awaited debut on FUSE in style.

Diagonal welcome the return of Iranian composer and sound artist, Ata Ebtekar (SOTE), for his first outing for the label since 2019's "Parallel Persia" and "Artificial Neutrality". His catalogue runs to 15 albums (both under the Sote moniker and as Ata Ebtekar), plus a clutch of 12"s, remixes and a number of other projects via Mute, Opal Tapes, Warp and more.

"Soundsystem Persepolis" is Ata's response to the iconic performance at Persepolis by Iannis Xenakis in 1971. It's a five track collection of a futurism, a pummelling, rhythmic and harmonically complex trench of computer music.

The four horsemen are the rhythm section of The 18th Parallel riding down the plains to the sound of an heavyweight stepper inspired by the late 70s playing of the Revolutionaries at Channel One. Slow, refined and powerful, the interaction of the drums, bass and organ leaves room to an otherworldly horns chant calling everyone to dance and sing along. Probably one of Fruits Records heaviest release ever!

The first 7“ of this series features Spanish based UK singer Benjammin known for his superb work with Roberto Sánchez. He chants down all ‘Warmongers’. His singing style reminiscent of BurningSpear’s greatest days sends shivers down your spine! Dub by Roberto Sánchez on the flip.

Contra009. Embark on an auditory voyage through the heart of Detroit's finest dusty crates with "The Vault Vol. 1," a compilation of beats and melodies meticulously crafted by esteemed producer Reggie Dokes.

Dokes unveils a treasure trove of his finest deep house creations, never before released on vinyl. Delve into the hypnotic rhythms, lush harmonies, and pulsating basslines that define Dokes' signature sound, as he seamlessly blends elements of house and soul to create an immersive sonic experience. With "The Vault Vol. 1," Reggie Dokes invites listeners to rediscover the essence of soulful electronic music.

This anthology also features two mesmerizing tracks from his acclaimed 'Napi Hedz' collaboration with Pirahnahead, adding an extra layer of depth and complexity to an already stellar collection.

DJ Support: Enzo Siragusa, Archie Hamilton, Fabe, Fleur Shore, Us Two & VITO (UK).

UK based rising star DXNBY debuts on TRMNL Records as they reveal their next eagerly awaited EP on the Birmingham based imprint, and one of Holland’s newest hottest exports Marsolo completes the package on remix duties.

One of the main artists at the forefront of Bandcamp’s thriving underground market alongside releases on East End Dub’s Belief, Max Dean’s neXup and Ben Rau’s META to name a few, DXNBY brings his in demand signature garage and underground house crossover sound to the label with two killer cuts. The label has already offered up a plethora of sounds across the underground electronic spectrum with releases from credible names including East End Dubs, Yaya, Djebali, Ray Mono and Samu.l

Title track ‘Ozone’ oozes everything that TRMNL as a brand and the second city champions - warping basslines laid down in a fast-moving fashion for those peak time moments. ‘No Return’ continues the mind-bending journey with cleverly manipulated vocals, skippy drums and hypnotic samples before dropping into another uniquely assembled heavy hitting bassline.

Dutchman Marsolo follows up from impressive EP’s on Prunk’s PIV and East End Dub’s Eastenderz by stepping up with his take on ‘Ozone’ - as the remix takes you into after hours territory with skippy drums and a cutting bassline that creates moments encapsulating the true essence of the underground

EVERLAND
...where music is timeless and tenaciously deep

DRIVETRAIN/Hyperlock
An energy eruption, spewing seismic levels of low frequency turbulence and sound manipulation.

BLAKTONY/Butt Naked
Layers of velvety pads sweep the soundscape of a charismatically deep, enchanted odyssey.

FUNTOM/Wisdom
A tribal tempo controls elegant chord progression with an intelligent succession of acid bleeps.

HUGHES GIBOULAY/Kickin That Feelin
Animated and brimming with character from a spirited vocal hook and a hypnotically commanding solo.

Luca Trentini's 3rd release on Blessyou, further exploring and perfecting his disco sample-based recipe to dancefloor enhancement. A well put together club oriented tool kit put forth by a seasoned DJ himself, Luca shares his club secret weapons with us once again. Coming on strong on the A side at 124 BPM with a driving momentum splashed with acid nuances - peak time main room Cocktail D'Amore material. "So High!" drops down to 120 BPM with a more playful use of his sample pallets.

Moving down to low 90s BPM on the B side with a downtempo chugger jungle flavoured cruise as he befriends a few animals with a lot to share, including what sounds like a Kookaburra and a few big cats. Something here for everyone.

Magic Combo is a vinyl-only label that specializes in limited edition edits of iconic original tracks, symbolizing the rich diversity of musical genres such as Afro, Funk, Jazz, Blues, R&B, and Classic House. This label is a melting pot of emotions, love, and musical improvisations, brought to you by a dynamic combination of emerging Italian and international musicians, DJs, and producers. Each release is a carefully curated selection that represents the soul of its genre, offering a unique listening experience that transcends the ordinary.

The Magic Combo label is not just about music; it’s about creating a connection between the listener and the sounds that have shaped generations. Our limited edition vinyl are a testament to the enduring power of music and the magic that happens when different cultures and sounds collide. It’s a celebration of the past, present, and future of music, encapsulating the essence of each genre while pushing the boundaries of what’s possible. Join us on a journey through sound with Magic Combo, where every record is a story, every beat a heartbeat, and every spin a new discovery. This is where the magic of vinyl comes alive, and where the love for music is immortalized in every groove.

Dustin Zahn & Z.I.P.P.O team up for a brand new EP entitled “Tools for Levitation.” Looking for a party record? Wrong EP. These tracks are designed to bend reality to your will. The record focuses on 4 esoteric Techno tracks with a strong emphasis on sound design, with each track being as heavy as they are mental.



Written during the depths of lock down, the finished results have a darker and more nihilistic approach than one would normally find on their solo productions. Since then, these tracks have been road tested over the years by our close friends and favorite DJs. Now, they’re finally available to the public

Ivan Iacobucci & Stella Fiore team up again and present their second discography project, a synthesis of their production research.

The duo picks up the rock rhythms of the track "Close di Door" from Perlon 136 and create a new Ep "Rock da Foz", the first record on their new independent label 'Klopfgeist'.

"Rock da Foz" is a bold declaration of mutual and all-encompassing love that comes to life through the two artists' passion for music.

Their common desire for a fresh and unexpected sound has produced an EP that encapsulates a great musical affinity, while being at the same time the result of their different individual paths. This chemistry is what they also create with each of their b2b DJ sets.

Polyrhythmic, innovative and varied, the courageous EP consists of three tracks. In the first track, 'Rock da Foz', we find distorted guitars that stand in contrast to the sweet and melancholic melodies of the last track "What is inside?". In the middle of the two, 'Brigitte' recalls the elegant Parisian ‘50s with its vocals, inviting you to dance with each repetition of ref. A small journey, leading the listener into a strongly evocative atmosphere, full of energetic, unexpected sounds.

GEMiNii Family is grooving and is very happy to welcome new internationals members like OHM HOURANI, Luc Ringeisen & GEMiNii LTD.

Ohm Hourani is a boundary-pushing artist known for weaving intricate sonic landscapes that defy genre conventions. With a background in both classical and electronic music, Hourani's soundscapes transport listeners to otherworldly realms where organic and synthetic elements intertwine harmoniously.

Luc Ringeisen, known for his groundbreaking contributions to the legendary Club der Visionär, skill-fully navigates the realms of electronic music with his innovative sounds. Immerse yourself in his latest work to witness the mesmerising fusion of beats and textures that characterise his distinctive sonic landscape.

GEMiNii LTD, also known as BioN and Berten De Beukelaer, along with Arisha, are visionary artists whose work transcends boundaries. Their creations, rooted in the depths of imagination, blend intricate patterns with vivid colors to evoke emotions and spark contemplation. They deliver a very sophisticated and ambient piece, intertwining analog pad voices and flute, taking us on a journey in celebration for music lovers.

VINYL ONLY. For this seventh edition, Giacomo Silvestri, labels owner, invite his talented friends ALEXIS CABRERA with his fantastic elegant remix, makes this vinyl perfect for a dancefloor situation. The style of this release looks back at previous projects and goes in a fresher and more renewed direction, remaining faithful to the quality of his underground house sound. This vinyl is recorded at 45rpm and 180 grams to give greater listening quality.

Don't let him escape

Fledgling label Shadow Pressings already made a mark with their debut release in March entitled the Chicago EP, garnering love from Hunee, Terry Farley and Luke Solomon to name a few.

Striking while the iron is hot, the label are serving up four more heavyweight club tracks which include acidic edits, crunchy deep house, 808 electro grooves and dusty breakbeats.

Lead track Find A Friend jacks up the perennial classic with 808 rims and toms and additional synths but keeps things loopy and rolling.

Holding One Shoe continues with the 808 theme whilst injecting a healthy dose of acid resulting in what sounds like a long lost Yazoo B side filtered through a lysergic lens.

Train Of Fools decontextualises a well known acapella making for a deep and techy basement jam which will keep the floor moving and the speaker pumping.

Closing out the EP we have More Music In The Night, which chops up some familiar samples and layers up an 808 electro groove and breakbeats for a fresh take on early 90’s house.

Jackpot Recordings is a fresh sub-label brought to you by London-based production duo Club of Jacks. Their debut release showcases solo sessions from one half of the COJ crew, Max One aka MX1, and stays true to their signature UK garage-influenced house sound. The EP commences with 'Down Like That,' which has lively beats, resonant analogue sub-bass, and velvety chords with classic r&b samples while 'Waiting On' has swung beats and chord stabs with more captivating vocals. Don't Give Up' then brings a little sun to the grooves with funky undertones and 'Work Me' closes the EP with a more moody late-night vibe.

From the golden period
of Unity Sound, previously ureleased 80s pre-digital bizniz

For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.

The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB

more info to: Shuudan koudou

'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022

Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking


On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.

Mannequin Records is proud to present the official reissue of Caroline K's outstanding 1987 album, "Now Wait For Last Year."



This haunting, wistful work of post-industrial synthesizer music sees the late Nocturnal Emissions co-founder only solo record, which has accrued a fervent cult following over the past 40 years, and copies of the original pressing are today extremely rare and sought-after.

The music on "Now Wait For Last Year" seems to exist firmly outside of it. Tags like industrial, minimal synth or proto-techno can't really do justice to the richly cinematic sound-world that Caroline K describes: from the sustained ambient tension of sidelong opener "The Happening World" to the future-primitive rhythms and stately piano flourishes "Animal Lattice", and the melancholic, deep-frozen synth sequences of "Cheart".



For fans of Throbbing Gristle, Chris Carter, Nocturnal Emissions and even early Detroit techno lovers should pay special attention to it.



All selections composed, arranged and played by Caroline K

Recorded and produced by Caroline K



Photograph by Jake Kirkwood

Original design by Nigel Ayers



The first five tracks of Now Wait For Last Year were originally released as a vinyl LP by Earthly Delights in 1987

Introducing the inaugural release from "Vorm", "Vorm Series: One," a compelling compilation showcasing five tracks from a lineup of esteemed and emerging producers. This release marks the beginning for the young record label "Vorm", setting a high standard with its diverse and dynamic sounds.

From the producer and "Newrhythmic Records" founder, "Joton", comes "Neon Dystopia." This opener track of the release plunges into a hard hitting soundscape, blending pulsating basslines with highly pitched atmo surfaces. "Mineral" by Kon Janson dives into a mineral-rich sonic experience, where intricate rhythms meet hypnotic textures. This subterranean grooves is exactly the addition that the A-side needs and rounds off the whole thing as powerfully as possible.

"Ricardo Garduno" delivers "They're Between Us." This starter track on the B-side is a dark, spacious force of cavernous beats and atmospheres, perfect for those moments of peak-time intensity. Founder "Maasym" presents "Raeder," a sophisticated blend of a industrial trippy synth line and highly dense effective elements.

The track evolves with mechanical precision, emphasizing and focusing on the minimalist effects, percussions and drums. Closing out the release is Berlin-based rising producer & live artist "Peryl" with "Melting Room." This track is a melting pot of raw-high energy and experimental tones, pushing boundaries with its innovative, detailed sound design.

Ten years after his first full-length effort ‘Man Is Deaf’ landed him firmly in the runnings for DJ Mag’s album of the year, prodigal son Michael Anthony Wright AKA Brassica returns to Civil Music with a deeply accomplished, painstakingly whittled LP of hydraulic electro slickness, rich synthscapes, and hooky, peak-time tearjerkers for the most discerning front-left lifers. ‘Tribeless Gathering’ is a barnstorming testament to Brassica’s stylistic and timbral deftness, touching down in the elusive epicentre of the club/home listening venn diagram with ease.

From the elastic, neon acid pointillism of opener ‘Hop Kweng’ to the mardy, miasmic plod of closing chugger ‘Changa Hill’, Brassica seamlessly segues between avenues of influence, his notoriously omnivorous musical knowledge roadmapping each turn. Raised on a diet of everything from early rave standards to metal, and schooled in avant garde sonics as a student of sound design at LCC, Brassica does a peerless job of sublimating his countless influences into a record of refined, heterogeneous, and most crucially, catchy, club moods.

Less spartan than his more recent oeuvre on Feel My Bicep, and less baroque than his technicolour experiments in postmodern synth pop with vocalist Stuart Warwick, Tribeless Gathering represents Brassica’s triumphant return to the main room, replete with rushy hooks primed for the planet’s finest soundsystems, and passages of heads-down tension bound to draw listeners right to the edge of their seats. Overall it is a concise and refined testament to Wright’s command of spectral sonics and effortless ability to pressurise a dancefloor. It is no surprise that he has also worked as a prolific mastering engineer, tuning music from a plethora of dance disciplines for maximum club impact. This work extends to his own projects (including this one), cementing them as rare expressions of complete artistry from studio to turntable.

As we delve deeper into the record, we are ushered through a series of accomplished and varied club moods, each channelling a unique cocktail of influences, but retaining a warm, ebullient analogue sensibility unique to Brassica’s work. This playful scope of influence calls to mind James T Cotton or Machinedrum’s experiments in dance music form, but Wright manages it all under one roof, wrangling everything from sashaying wub-laden two step to snarling Dillinja-esque FM damage into something inherently his.

Choice cut ‘Change Yourself’ layers an almost Cerrone-like piano refrain over radiant surges of saturated bass, dubby, strobing chords and a jagged, driving break, building to a jaw-clenching apex of dancefloor elation, while the rude, playful half-step of ‘Elevation’ breaks down the vintage speed garage formula into linear fragments, utilising a tight palette of resonant bass slugs, infectious synth leads and Papua New Guinea-style vocal strobes. The aptly named ‘Hold Tight’ fuses heart-in-mouth UK ‘ardkore pads with glissando acid disturbance and surgical snare fills in a formula which recalls the ethereal grit of Nubian Mindz’ 00s experiments in big-smoke break science, while the questing melodic arcs and arpeggiated squarewaves of ‘Pinball Marinara’ could easily have soundtracked an 80s sci-fi epic, beset with sparkling, bare-bones drum programming and hazy beds of sub sediment.

With ‘Tribeless Gathering’, Brassica both irreverently fuses and pays homage to the many unique and weird permutations of UK dance music. The short lived gathering of junglists, ravers and house hotsteppas of a similar name may have long since dissipated, along with the tribes themselves, but across these 11 tracks, he lays a blueprint for a new sound of togetherness.

DJ Support: Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche


Kicking things off on our next 4-track vinyl sampler series is Toolroom's very own Martin Ikin who returns to the label with ‘Make U Sweat’! He was the Best-selling Tech House artist on Beatport in 2020 and 2021 and has over 1m monthly listeners across streaming platforms. Recent studio collabs have included Noizu and Joshwa and tours have seen him travel far and wide to the US, Brazil, Bali, Ibiza, Italy, Croatia and of course, his hometown of London. This new record is the follow up to 'Oscill8' that dropped in March 2023 and sits in a similar lane, in that it's pure, unadulterated club weaponry! Next up is Italian house legend Flashmob with the frenetic, high-energy club vibe of new cut ‘My Body’. Flashmob's sound, production and go-for-broke DJ sets have changed with the game, embracing the vitality of new house music rather than hankering after sentimental sunsets. His ethic and aesthetic move relentlessly forward, using the old and new to craft unique sonic alchemy from big festivals like Tomorrowland to the intimacy of small clubs on the international circuit. ‘My Body’ is typical of Flashmob's current sound, combining solid drums and some insane synths and fx, alongside an earworm vocal sample that results in yet another memorable club cut from an established master. Canadian Tech House maestro Nathan Barato debuts on Toolroom kicking off the B-side to the vinyl alongside studio partner, Matheo Velez with 'Weapon'. A record that has already caught the attention of the underground elite with Michael Bibi premiering the track at his first appearance back at DC-10 in Ibiza last Summer. Both artists are enjoying great success across key labels such as Viva, Circus, Snatch and RAWthentic. This is an addictive, bumpy club track

that packs a huge punch on the dance floor and actually features Nathan's very own 'Move me… Rock me' vocals! Rounding things off is UK DJ/producer duo, Jenn Getz & Alfie who are residents at Dubai's #1 nightlife destination, Soho Garden, where they warm up for legends such as Sonny Fodera, MK, Claptone, Solardo & Fisher on a weekly basis. In their relatively short 3 year career they have already released on Solotoko, Abode and Toolroom Trax and now debut on Toolroom with 'Vibration'. Both girls are incredibly passionate about house music and are also big advocates for a life centered around well-being and meditation, and the idea of this record was to combine their 2 passions in life, so they proceeded to co-write these original lyrics to accompany the track, which in itself is very inspiring! This is a super cool club record that will excite fans and DJ's alike, welcome to the Toolroom Family, Jenn Getz & Alfie!

Countless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio

Warehouse Find!

Maceo Plex’s taste-making Ellum Audio serves up a sizzling EP from Madben, featuring a remix from men of the moment Brame & Hamo.

Frenchman Madben has a healthy reverence for Jeff Mills and Detroit techno that infuses all his work. He has been mentored by Laurent Garnier and released on a wealth of quality labels from Bedrock to Suara. A resident of the Rex Club in Paris where he puts on his MAAD parties, he is now a regular in the best clubs around Europe where he serves up his always profound sounds, something he does again here.

First up is the fantastic ‘Blooming’, with its old school rave styles and dusty breakbeats. Euphoric chords light up the whole thing and it’s a tune that is sure to get hands in the air. Brame & Hamo are Irish sensations who are based in Berlin and known for big tunes that range from house to techno to disco. After establishing their own label they step out with a remix that is superbly stripped back. On deep rolling drums, sleek synths unfold and take you on a cosmic adventure that is well paced and cinematic.

Madben’s ‘Enjoy Yourself' is well crafted techno with a sense of progression in the ever evolving lead synths. Rumbling drums provide the power below and filtered, whispered vocals are an intriguing detail up top. Last of all, ‘Haze’ is a prickly track with snappy mental drums, off kilter synths that twist and turn and a dark energy that is tinged with industrialism.

This is a fresh techno offering that comes with plenty of new ideas that are all
expertly executed.

NIX is back with 'My Friend Was Eaten by a Modular Rack', a fresh release from Ocirala. Hailed for his hugely popular release ‘I Want To Lick Your Brains’, Ocirala now returns with a four tracker that veers away from his earlier vocal-driven work while maintaining his naughty style.

'My Friend Was Eaten by a Modular Rack', a year in the making, captures a collection of those odd yet perfectly cohesive tracks. The A-side delivers high-energy, club-ready tunes, while the B-side, though perfect for after-hours, retains the power to electrify any big system setup, all confirming Ocirala's talent for impeccable sound design. Wild synths, haunting atmospheres, driving drums and twitchy kicks, there is something for everyone.