Solar Phenomena is a brand new label on an exciting astral crusade. The take-off pilot for our virgin mission is none other than decorated Polish producer Echoplex. One of the country s first breakthrough international techno artists, his body of work dates back almost 20 years While often taking us 20,000 light years forward. This is no exception.
The Solar Experience provides uplift. Like any deep dive into the cosmos, take off is gentle but picks up speed as more interlocking details weave like a blur of stars in your shuttle window. Expect turbulence as Anywhere jettisons the rocket and submits mercy to the acid asteroids with a broken beat jumping at every angular bump.
Hyperspeed prevails with the Detroitian-toned technoid stampede Your Place . Momentum sustained by an insistent sense of urgency as more elements hammer into the mix, it s complemented by an unforgettable remix from A Made Up Sound. His only remix of the year, it s a dense and wonderfully fuzzy weave of planet-bouncing rhythmic elements and alien textures that takes you well beyond the point of no return.
Elsewhere we glide deeper into the cosmos with shiny, gliding and ultimately hopeful The Sun Just Shines , we re sucked deep into hypnotic black holes on the warping bass and broken drums of Memorabilia before activating landing procedures on Match Made In Heaven . Soft chords acting as a parachute, the glistening arpeggio providing the deep oceanic landing spot, it s the ideal end to an accomplished debut celestial adventure. Who knows where Solar Phenomena will take us next
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- A1: The Magnificent Seven
- A2: Hitsville U.k
- A3: Junco Partner
- A4: Ivan Meets G.i. Joe
- A5: The Leader
- A6: Something About England
- B1: Rebel Waltz
- B2: Look Here
- B3: The Crooked Beat
- B4: Somebody Got Murdered
- B5: One More Time
- B6: One More Dub
- C1: Lightning Strikes (Not Once But Twice)
- C2: Up In Heaven (Not Only Here)
- C3: Corner Soul
- C4: Lets Go Crazy
- C5: If Music Could Talk
- C6: The Sound Of Sinners
- D1: Police On My Back
- D2: Midnight Log
- D3: The Equaliser
- D4: The Call Up
- D5: Washington Bullets
- D6: Broadway
- D7: Blowing In The Guns Of Brixton
- E1: Lose This Skin
- E2: Charlie Don't Surf
- E3: Mensforth Hill
- E4: Junkie Slip
- E5: Kingston Advice
- E6: The Street Parade
- F1: Version City
- F2: Living In Fame
- F3: Silicone On Sapphire
- F4: Version Pardner
- F5: Career Opportunities
- F6: Shepherds Delight
- A1: Rehash - Gratuitous Theft In The Rain
- A2: Rjd2 - Here's What's Left
- A3: Lootpack - Questions
- A4: Demis Roussos - O My Friends You've Been Untrue To Me
- B1: Stereolab - French Disko
- B2: The Butch Cassidy Sound System - Cissy Strutt
- B3: The Ethiopians - Free Man
- B4: Mary Love - I'm In Your Hands
- B5: Novi Singers - Cos Specjalnego
- B6: Gal Costa - Lost In The Paradise
- C1: Innerzone Orchestra - People Make The World Go Round (Kenny Dixon Jnr Remix)
- C2: Donovan - Get Thy Bearings
- C3: Múm - Green Grass Of Tunnel
- D1: Belle & Sebastian - Cassaco Marron
- D2: Space Jam - Let Your Conscience Be Your Guidance
- D3: Big Star - Watch The Sunrise
- D4: Johann Sebastian Bach - Suite No. 2 In B Minor, Badinerie
- D5: David Shrigley - When I Was A Little Girl
children are laughing and playing in the back, a baby screams happily: handsome field recordings welcome the listener to the final chapter of fred p's fp-oner trilogy for mule musiq.
the opening tune is called smiles, so children's laughter fit the mode. the idea is that smiles and cries are natural for children and as they grow to adulthood the reality becomes more, therefore the duality of life itself is obvious in the mood of the song.
the new york city native that is working on his very own music for almost 20 years explains about the beginning of his new album that features eleven tunes for deep meditative club use and beyond.
it brings the listener house music full of cosmic realities, odd jazzing moments, japanese spoken word pop, synth spheres for ambient use and an overall outer-national atmosphere, that handsomely dances between roughness and subtle tuned in deepness.
i chose to base this project on numbers in order to impart a bit of depth and substance. 5, 6 and 7 have a meaning in both the literal and esoteric sense. we as a species are a combination of matter and energy, so it is a matter of relating the two in harmony.
my experience as an artist expresses this. it's like a testimony to the human condition and how we relate to treat and mistreat one another. this view is the base of a philosophy that is close to me, be-cause art imitates life.
so rather than doing a project that highlights ego posture, my intent is more about what can i give to the listener. as a human being, as an artist, what can i share it's a part of a philosophical tug of war that goes a lot deeper than the expectation of what one might think a dance album or rather an elec-tronic music album should be.
it's food for thought, not candy and a soft drink, but real substance that stays with you.he reveals about the profundity of his trilogy. at large it is a journey inward, compelling, mesmerising and en-chanting.
for the final chapter fred p mostly produced in his studio in berlin on various synths and with a bunch of mysterious samples, all later organized and programmed in ableton. this project has a beginning mid-dle and end. the record 5 was intended to introduce a meditative energy within a rhythmic construct as the number 5 represents the dynamic and unpredictable.
the whole album carries the energy of that ilk. the album 6 is of an earthly and more harmonious dis-cord. i attempt to bring the inner conflict in the form of natural unnaturalness. the raw energy of the search in this project i think is self explanatory, which is the point i believe to show how flawed one can be but express very specific themes honestly.
finally, with 7 my goal is to merge the two into balance, as one focused state of mind as 7 is the thinker beyond understanding or beyond the illusion. this is my hope people take away from this: a feeling of growth, optimism and positive energy. we are dealing with vibrations every person resonates with, so the idea is where do you want to take that
what do you want to do with that as an artist you can do some good or some harm. for me i choose to give the best that i can and i hope that the people that participate get a sense of that.' true words by a kind and gentle soul that loves to speak in music.
they explain much and then leave things in the dark too, as he basically says: let the music play. so listen deeply, open your doors of perception, dance the atomic mess around, stay small, be true and don't forget: fp oner's music is a traveling zone with a universal meaning. it can mean many things to different people. but thus is the purpose of art.
After years of absence, Elypsia Records is finally back in full-effect and is proud to bring you this exceptional release by Detroit Housemaster: Rick Wade who is one of the most passionate producers we've had the chance to work with. TIMELESS EP is deep, soulful, melodic Detroit house for pure enjoyment.
- A1: The Loi-Toki-Tok Band - Ware Wa
- A2: Slim Ali & The Famous Hodi Boys - Watoto Nyara
- A3: Orchestre Baba National - Sweet Sweet Mbombo
- B1: Gatanga Boys Band - Wendo Ti Mbia
- B2: Hafusa Abasi & Slim Ali With The Yahoos Band - Sina Raha
- B3: Nashil Pichen & The Eagles Lupopo - Ng'ong'a Wa Mwanjalo
- B4: Nairobi Matata Jazz - Tamba Tamba
- C1: The Lulus Band - Ngwendeire Guita
- C2: Mbiri Young Stars - Ndiri Ndanogio Niwe
- C3: The Lulus Band - Nana
- C4: Afro 70 - Weekend
- D1: The Rift Valley Brothers - Mu-Africa
- D2: Do 7 Band - H.o. Ochiri
- D3: Afro 70 - Cha-Umheja
- D4: Peter Tsotsi Juma & The Eagles Lupopo - Kajo Golo-Weka
- E1: New Gatanga Sound - Thonia Ni Caki
- E2: Sophia Ben & The Eagles Lupopo - See Serere
- E3: Kalambya Boys - Kivelenge
- E4: The Loi-Toki-Tok Band - Leta Ngoma
- F1: Huruma Boys Band - Theresia
- F2: Orchestre Veve Star - Nitarudia
- F3: The Mombasa Vikings - Mama Matotoya
- G1: The Lulus Band - Mutumia Muriu
- H1: Ndalani 77 Brothers - Nzaumi
Selected East African Recordings From The 1970s & '80s !
- A1: Antonio Arena - Magic Door
- A2: Space Craft's Men - Crossing
- A3: Elageron - Week-End Playback
- A4: Alberto Baldan Bembo - Nitrogen
- A5: Fabio Fabor & Antonio Arena - Screw Driver
- A6: Domenico Di Vito - Spensieratamente
- B1: Albert Verrecchia - In The Space
- B2: Lamberto Macchi - Vision (Feat. Anthony Sidney)
- B3: Modern Sound Quartet - Sagittarius
- B4: Flip Flop Group - Music
- B5: King Zérand Orchestra - Blue Magnolia
- B6: The Astral Dimension - Stella Nova
With FBNM now celebrating their fifth year of operation, Lorenzo has marked the occasion by assembling his biggest project to date - an impeccably curated collection of obscure Italian production music circa 1974 - 1985. The project, nearly a year in the making, has been very close to Lorenzo's heart - beginning unexpectedly in the record fairs of Buenos Aires and leading him on several trips to Rome and Milan, tracking down the original musicians and licensors.
"In this compilation, I have tried to include some of the most interesting cuts I have collected over the years. Tracks like the entirely electronic "Nitrogen" from Alberto Baldan Bembo's "Sound Orchestra" LP on Star Track Records, featuring a wild evolving bassline leading us through frantic rhythmic experimentations. "In the Space", by French born composer Albert Verrecchia and taken from Italian poliziesco drama 'Il Tempo Degli Assasini' (Season for Assasins), tells the tale of wistful longing, played out with serenity on strings and keys, but unexpected interruption from its stop-start arrangement brings an unforeseen tension into the mix... And how could I not include the wonderfully charming "Screw Driver" by Fabio Fabor, from his collaborative album "Superman" with a young Antonio Arena. Featuring an orchestra of beautifully programmed ARP and Oberheim sonorities alongside the Commodore 64 programmed graphical artwork by Antonio Arena himself."
The music itself was partly sourced from Lorenzo's own collection, archived and then restored especially for this release. Where possible, tracks (such as "Vision", "Nitrogen" and "Blue Magnolia") have been lifted directly from the original master tapes kindly lent by the repertoire owners. Every track, however, has been carefully restored, remastered and cut for vinyl by the cautious hands of Andreas (LUPO) Lubich at Calyx Mastering, Berlin.
ZOMBI 3 - THE SOUNDTRACK Classic Edition & Special Edition - Available Now on We Release Whatever The Fuck We Want ! WRWTFWW Records is delighted to unleash the complete uncut soundtrack for Lucio Fulci & Bruno Mattei's cult zombie-ploitation gem Zombi 3 (aka Zombie Flesh Eaters 2 aka Sanguelia 2, 1988) available on 2 different collector's edition vinyls for the first time ever. The Classic Edition comes in red is dead colored vinyl with a red Japanese Sanguelia 2 VHS obi and has a helicopter pictured on the back cover. The Special Edition has the same songs as the Classic Edition PLUS bonus skits/interludes with DJ Blue Heart talking (taken from the movie) on the b-side and comes in green inferno colored vinyl with a green Japanese Sanguelia 2 VHS obi and DJ Blue Heart pictured on the back cover. Both versions are housed in heavy old style Stoughton casebound tip-on jackets - pick your poison - get infected! This future deluxe edition OOP classic is packed with menacing synths, ghoulish melodies, and contaminated anthems remastered directly from the rare original reels of maestro Stefano Mainetti which were found at an abandoned top secret research facility.
- A1: Seq 1
- A2: Seq 2
- A3: Seq 3
- A4: Seq 4
- A5: Seq 5
- A6: Seq 6
- A7: Seq 7
- A8: Seq 8
- B1: Dj Blue Heart - Intro
- B2: Tumble Down
- B3: Dj Blue Heart - Hole In The Ozone (Skit)
- B4: Nature
- B5: Ecological Bullshit (Skit)
- B6: Dj Blue Heart - Dig It (Skit)
- B7: The Sound Of Fear
- B8: Dj Blue Heart - Important Announcement (Skit)
- B9: Slow Think
- B10: Dj Blue Heart - Serious Business (Skit)
- B11: Tumble Down (Instrumental)
- B12: Dj Blue Heart - The Nightmare Is Over... (Skit)
- B13: Slow Think (Instrumental)
- B14: Dj Blue Heart - Immortal Vibes (Skit)
- B15: The Sound Of Fear (Instrumental) H
2022 Repress
Strictly Limited to 500 Unique Units, No repress, - This is The 'Special edition' with different B Side (as opposed to WRWTFWW011(RED) and comes in Colored Green vinyl 12, housed in heavy cardboard old Stoughton tip-on jacket & VHS Obi. File under: Soundtrack, Haunting Synth, Decadent FM Rock & Erotic Funk.
Life and Death welcomes Italian synth wizard Lucy, for the label's inaugural release of 2017. Luca Mortellaro's cavernous techno offering comes equipped with a DJ Sotofett version and a rendition by Planetary Assault Systems, further cementing the diversity of the label's scope. DJ Sotofett recalls fine nineties loop techno while Luke Slater once again confirms his pioneer status.
ustice are a French electronic music duo consisting of Gaspard Augé and Xavier de Rosnay. The band's debut album † was released in June 2007 to critical acclaim. The album was later nominated for a Grammy Award for Best Electronic/Dance Album and came in at number 15 on Pitchfork's Top 50 Albums of 2007 and number 18 on Blender's "25 Best Albums of 2007" list.The band's remix of the MGMT song "Electric Feel" won the Grammy Award for Best Remixed Recording in 2009.
The band released its second album "Audio, Video, Disco" in 2011.
Repress
Solid red 12 vinyl comes accompanied with a limited edition double sided 'Redders' Ep poster (insert). Vinyl purchase includes EP instrumentals as a digital download (Critical Store exclusive)
A man who guested on many a Critical release finally brings his very own EP with the hugeproduction backing of Gorgon Sound, Sam Binga, Hyroglifics and Moresounds. An onslaught of halftime bassline, dancehall and electronic twists in one EP ready to floor the room!
Fourth release from Parisian label Unlearn. After celebrating European talents with previous V/A : Four Shades, Aurèle & Caseer are back on US soil with Chicagoan artist G. Marcell. The title track hails towards the housier side of things. Vocals sung by the artist, moody melody and A-1 production skills make '@ Noon' a serious summer groover. The Rayne Dub Mix stands on the more melancholico-techno side of things with cleaver drum programing, proper bassline action and straightforward dance-floor material. The flipside shows a more experimental side of things with Sound Thought, an acidic trip full of haunting strings and cowbell awkwardness; and Groov Spin, a dazzling tune halfway between celestial unpredictability and Caribbean bliss.
- A1: Willie Williams - Armageddon Time
- A2: Toots & The Maytals - Night And Day
- A3: The Marvels - Rocksteady
- A4: The Upsetters - Popcorn
- A5: Bunny Clarke - Be Thankful
- B1: Tommy Mccook - Green Mango
- B2: Brentford All-Stars - Greedy G
- B3: Lennie Hibbert - Real Hot
- B4: Horace Andy - My Soul
- B5: Johnny Osbourne - We Need Love
- C1: Bunny Brown - I Love The Way You Love
- C2: Jackie Mittoo - Stereo Freeze
- C3: Phyllis Dillon - Woman Of The Ghetto
- C4: Cedric Brooks - Give Rasta Glory
- C5: Alton Ellis - Son Of Man
- D1: Sound Dimension - Granny Scratch Scratch
- D2: Lloyd Robinson - Cuss Cuss
- D3: Sound Dimension - Drum Song
- D4: Ken Boothe - Is It Because I'm Black
This is the new digitally remastered 2015 expanded edition of Soul Jazz Records' biggest ever selling release, 100% Dynamite! Ska, Soul, Rocksteady and Funk in Jamaica.
Since the album's original release nearly twenty years ago, 100% Dynamite has become a cornerstone of reggae: eighteen killer tracks that show the influence that American Jazz, Funk and Soul music had on Jamaican Reggae.
The proximity of the West Indies to the USA meant that many Jamaican musicians were influenced by American styles of music whilst at the same time defining new styles of their own such as Ska, Rocksteady and Dub.
100% Dynamite features some serious Jamaican funk by Jackie Mittoo, The Upsetters and Toots & The Maytals, the cream of Jamaica's jazz musicians such as Tommy McCook, Cedric Brooks and Lennie Hibbert. Also included here are heavyweight Reggae versions to Soul classics by Marlena Shaw's 'Woman of the Ghetto', Aretha Franklin's 'Rocksteady', Syl Johnson's 'Is It Because I'm Black', William DeVaughan's seminal 'Be Thankful' and more.
100% Dynamite also features revolutionary tunes such as Johnny Osbourne's 'We Need Love', Sound Dimension's 'Drum Song' and Lloyd Robinson's 'Cuss Cuss', songs that helped define a unique sound for Jamaican music in the sixties and seventies. These influences went both ways - check Brentford All Stars massive 'Greedy G', the basis for Boogie Down Productions' 'Jack of Spades', or Willie Williams' 'Armageddon Time', later covered by The Clash.
This new expanded edition features seminal tracks from the greatest Jamaican producers - Clement Dodd, Lee Perry, Winston Riley (Techniques) and many more.
The album is available as CD, heavyweight double vinyl (+download), plus digital.




















