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Party girl grows from a a collaboration between 2 artists coming from different fields in music. NicoNote brought her Voice and  Indie-Soul Stylings to Limo's Club Production Sound. The release is completed with hot remixes by Dapayk, Guido Nemola and Dachshund. This simply but very Cute and intense Spleen made Party girl be here!  Enjoy !

For its fourth release Back To The Future nudge even closer to the Chicago sound. Melodic and jazzy with tonnes of jack, the 4 tracks
available on this bumper package meet Chi town on their own terms.

Merc Music proudly presents new Artist "Edward", a new light emerging from the Black Country underground.
Having passed Mark E a CD full of left field house music Maxa & Naxa finally make their way onto vinyl with Merc.
Here lies deep distorted driving 4/4 beats and looped disco monotony, following in the vein of previous Merc releases this pushes the sound even further. You don't need us to tell this is the real deal folks - one of the best 12's we've heard all year !As with previous MERC releases - this is limited to initial pressing only - Get with it

Influenced and inspired by new electro minimal tendances and artists such as Audion, Stephan Bodzin or Extrawelt, SkryptömRecords, second Electric Rescue label born in 2006, reminds AFU ltd, Boys Noize, as Spectral Sound or Cocoon. A fresh and avant gardist techno music

'End Of Times' on the A side is a dark futuristic beast of a roller sure to get your blood pumping on and off the dancefloor. On the flip 'Hondonadas' features a more experimental approach maintaining the right balance between dark and light with lush pads and breaks washing in and out of the soundscape. A must for the more concerning drum and bass heads out there.

Joining the Klectik family are two of Argentina's finest young producers, Juan Franco Di Lorenzo and Gonzalo Urtizberea.

Dilo and Gurtz are respected around the world for pushing the distinct sound of South American techno-music, that is cerebral and experimental, sexy and organic - all at onceSupport from Elon, Jorge Savoreti, Mazi, Taimur, Andrew Grant, Bryan Zentz, Dan Berkson, James What, Stefny, Brothers Vibe, Bloody Mary, Mirco Violi, Kate Simko, Chris Fortier, Paco Osuna, Danny Teneglia, Kane Roth, and Lady D.

Strago & Krone have gradually been carving out the Mutacube sound over these past few years. Cursed is a prime example of their particular brand of stripped-down futuristic funk: moody yet dancefloor orientated. Crank it up! Anemona, with its minimal groove, is the deeper cut on this 12" Brimming with intricate percussion and a hefty low end, it effortlessly wins you over.

Pure electronic beauty from Chicago based producer m50 aka Area. We are really feel that stuff and gladly share it with you.

Early support by: JOSEPH CAPRIATI, LUKE SLATER, VIRGIL ENZINGER, BAS MOOY, SUBMERGE, ERIC SNEO, CARI LEKEBUSCH, ROBERT NATUS, LARS KLEIN, PFIRTER, TECHNASIA, RUYJI TAKEUSCHI, TOM HADES, A.MOCHI, ODESSA SOUNDFREAKS, ARCANE, FLOTEK, DJ BALTHAZAR, DJ MIKA, MP LEARY, BOBBY DOWELL, DR.HOFFMANN, MATT K and many more!!!

A Killer 10inch 2-tracker of deep and raw house from Anton Zap

Here's Sunlightsquare's 10th Anniversary special red edition of "I Believe In Miracles" 7inch vinyl record. This is a repress from the same metalwork as the original 2010 release.

One of the most played tracks in latin music circles worldwide for the past decade, this salsa cover of Jackson Sisters' 1973 hit was produced by British-Italian pianist and producer Claudio Passavanti. The recording features a 25 piece band recorded live in Cuba, at Instituto Cubano de Radio y Televisión in Havana.

The original 45 has become very rare amongst vinyl collectors, being valued between 50 and 200 USD on Discogs at the time of writing. This special edition looks and sounds 100% as the original (pressed by the same plant using the same stamper) except... it's in bright red vinyl!

you secretly believe that all of the best dance music has an undercurrent of melancholy then you are in for a treat. 0.5, the debut EP from the Fascination Movement, doesn't skimp on either the dancefloor rhythms or the windswept yes-we-remember-New Pop romanticism. The Fascination Movement is looking forwards, not backwards: just because this is music that adapts the same vocabulary created by bands like New Order or early Orchestral Manoeuvres in the Dark doesn't change the fact that from the first arpeggios of "Just Pretend" you feel the shock of the new. Of course, you may be too busy humming along to the choruses to notice how slyly the band makes a classic sound fresh again...

New out for the Label Mixworks "Dance Tactics" making it's mark on the world A collaboration of artist comes together to unleash there theory of global sound.

The release captures strong elements And a deep dub-tec structure.

Number 6 for Splitsound records with the first ep of the new talent "Konstress". Three tracks for a journey into the dark sounds and techno of "Konstress" with excellent sound, simple but effective...A real bomb for the dance floors !!!!

Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz's leading figure Jorge López Ruiz, the project Viejas Raíces marked López Ruiz's departure from the traditional forms of jazz. The trio that recorded this album, consisting of López Ruiz joined by his life-long friend drummer Pocho Lapouble and gifted Chilean pianist Matías Pizarro, created a thrilling blend of jazz and Uruguayan candombe, surrounded by an undeniable cinematic feel spurred by López Ruiz's long experience in the soundtrack field. When read as one element, the cleverly chosen combination of group name and album title (in English: 'Old Roots of the Colonies of the River Plate') readily hints at the kind of sounds the listener will be challenged with when diving into this LP.

Recorded in 1976 in the wake of the "Proceso de Reorganización Nacional", the bloodiest period of dictatorship in Argentina, the album was initially frowned upon by critics and public alike, both still firmly rooted in jazz traditionalism and obviously not ready for the new ideas that musicians like López Ruiz were experimenting with. Despite being a commercial flop upon its release, the album has been enjoying a growing reputation over the last two decades, acclaimed by jazz enthusiasts who value it from a different historical perspective and embrace its experimentation during this revolutionary period of change.

Forty-five years after its release, the album receives the Altercat treatment with a much deserved deluxe reissue, with sound direct from the master tapes and an accompanying 12-page booklet with previously unpublished pictures and bilingual liner notes telling everything you ever wanted to know about the album and those who made it possible.