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First ever official reissue of the 1992 digital heater ‘Slow Down’ by Villette Holmes. Produced by the late Cedrica Anthony Hamilton, better known as Soljie, this release captures a master at work.

A veteran engineer at the iconic Channel One Recording Studio, Soljie’s innovative approach at the mixing desk made him a giant of the reggae and dancehall scenes. He was the sonic architect behind many hits of the era, notably serving as the mixing engineer for Shabba Ranks’ seminal Grammy winning albums As Raw As Ever and Xtra Naked. In 1990, he launched his eponymous label, Soljie Records, which became a vehicle for his own distinct productions.

‘Slow Down’ is a quintessential Digi Dub production, balancing a heavy, driving rhythm with strong melodic hooks and a dreamy crossover feel that transcends the genre. Licensed from Soljie’s son, Chioke Hamilton, this reissue comprises the original version and Dub, alongside a previously unreleased Extended version.

Pressed on 140g vinyl and housed in a striking 3mm spine, full colour disco sleeve designed by Bradley Pinkerton.

Some 30 years after they first met in the DJ booth of Tokyo’s Spacelab Yellow nightclub, close friends François Kevorkian and Dimitri From Paris have finally joined forces in the studio. The result is The Nassau Excursion, a dazzlingly good three-track EP inspired by their joint love of disco and boogie-era dance records made at Island Records’ Compass Point Studio in the Bahamas.

Across three essential tracks, François and Dimitri explore and celebrate this distinctive Caribbean post-disco sound – one where weighty basslines and heavy drum machine beats rub shoulders with early ‘80s synths, dub-style production, heady hand percussion patterns and arrangements drenched in space echo and tape delay.

EP2 Limited 2 x 12" Vinyl & Digital Release The second digital and vinyl EP from Brian Jackson and Masters At Work’s highly anticipated ‘Now More Than Ever’ project is a masterclass in soulful innovation, musical legacy, and collaborative excellence. Carefully curated and expertly packaged for true fans, this release brings together extended versions and rare cuts that were simply too expansive, deep, and powerful to fit on the forthcoming triple LP — but far too important not to be heard. The double pack also includes the title track off the forthcoming album ‘Now More Than Ever’, a brand-new, never-before-heard track birthed organically during the energy and creative momentum of the recording sessions. It stands as a testament to the spontaneous brilliance of Jackson, MAW and their collaborators, capturing a moment of pure musical inspiration. The EP features seven tracks, including reimagined and extended versions of classics such as Kenlou Cult Classic ‘Moonshine’, Jackson and Heron’s ‘Lady Day and John Coltrane’, and ‘Home Is Where the Hatred Is’, plus a deep focus on ‘Racetrack in France’ — first recorded by Brian Jackson and Gil Scott-Heron in 1977 for their landmark Bridges album. Highlights include: The MAW (Masters at Work) Live Mix of ‘Moonshine’, featuring former Midnight Band/Amnesia Express multi-instrumentalist Carl Cornwell on saxophone. A sprawling 12" version of ‘Home Is Where the Hatred Is’ — a jazz-fuelled dancefloor reinterpretation blending political fire with sonic elegance. The 12” version of ‘Lady Day and John Coltrane’, featuring Rahsaan Patterson’s soulful vocal performance set against a lush, cinematic arrangement. A masterful reworking of ‘Racetrack in France’ featuring legends Josh Milan, J. Ivy, and Moodymann, each bringing their distinct voice and flavour to this seminal piece. The instrumental version is also included in this 2 x 12” EP. Whether you're a long-time devotee of Brian Jackson and Gil Scott-Heron’s influential catalogue, a DJ or collector chasing rare wax, or a new listener drawn to future-leaning soul and jazz, Now More Than Ever ‘EP Two’ is an essential release — a bridge between the past, present, and the music still to come.

Kim Rapatti (Mono Junk) is a long-running Finnish electronic music producer and the operator behind DUM Records. In the early 1990s, releasing across multiple aliases was a practical way to keep output organized and to present a broader label roster. Mars 31 Heaven was one of Rapatti's period-specific side names, used to separate a more inward strand of work from the main Mono Junk line.

Mono Junk presents Mars 31 Heaven: Collected Works '93–'95 is the first time these recordings have been compiled onto a single release. The tracks were previously scattered across various compilations, with "Little Elephant" later reappearing on a Mono Junk release. Audio was sourced from the original DAT tapes and remastered by Michael Diekmann. "Osaka House Remix" and "World of Isolation" originally appeared on the B-side of DUM Records' Blue File Compilation (1993). "Violins" and "Abyss" appear on vinyl for the first time after CD-only appearances ("Violins" on Dum Trax, 1995, and "Abyss" on Unitunes and Came From Outer Space I), and the original mix of "Osaka House" is previously unreleased. Housed in full-colour sleeves designed by Ed Cheverton.

Boogie Back Records proudly reissues BBR008 on 7-inch vinyl — a timeless slice of soulful innovation from Max Beesley, whose deep roots in the UK’s acid jazz and soul scene have influenced generations of musicians and listeners alike. A multi-instrumentalist, composer, and producer, Beesley has collaborated with some of the most iconic artists of our time — Stevie Wonder, Chaka Khan, Earth, Wind & Fire, James Brown, Incognito, Jamiroquai, and many more — contributing his signature touch on drums, percussion, keyboards, and vibraphone.

Originally released as part of Boogie Back’s 12” series, BBR008 captures Beesley’s unmistakable sound: rich harmonies, heavy grooves, and that soulful energy that bridges classic street soul and contemporary jazz-funk. This 7” reissue distills the essence of his acclaimed Boogie Back Records impacting era — a period defined by vibrant musicianship and cosmic jazz grooves ready for both the dancefloor and the deep listener. These two tracks showcase the full range of Beesley’s musical vision. “Night Daze” rides a hypnotic groove of cosmic Rhodes chords, tight percussion, and lush vibraphone lines, creating a cinematic, late-night atmosphere. On the flip, “Painful Truth” features the unmistakable voice of Omar, one of the UK’s most iconic soul vocalists — delivering a deep, heartfelt performance over Beesley’s rich, jazz-funk arrangements. This is another special and exclusive 45/7“ release via Soulkitchen Distribution…

Wah Wah 45s present a limited edition vinyl special from Afro-dub masters, Soothsayers. With a history that goes back three decades, having released two classic LPs (Tradition and We Are Many) and numerous EPs and remixes on the imprint, the band deliver two brand new and exclusive versions of one of the highlights of their new LP, entitled Fly Higher.

Love Will Find a Way features vocalists Maia Avery and Akin Soul, both former members of Youthsayers - a South London based music performance and education group, taught by Soothsayers band members. With new mixes by acclaimed Sao Paulo based producer Victor Rice, it's a stepping reggae vocal duo piece with a strong, universal message asserting that despite the current divisive political rhetoric and the championing of greed over human empathy by those in power, love will always be a more powerful force than hatred and division. Maia and Akin Soul's distinctive voices blend and weave beautifully over a hypnotic groove with a fresh and poignant emotional energy contributing to what should be a future steppers classic. These previously unreleased mixes are available in both vocal and dub versions on hand-stamped 7-inch vinyl and Bandcamp only. "We are so proud and happy to be able to feature Maia and Akin on this beautiful song. Both are former members of Youthsayers, the youth music education organisation set up by Soothsayers in 2016. Maia (from recent Wah Wah 45s signings Kotoa) and Akin are now great artists in their own right and it feels very satisfying to feature them on this new Soothsayers release." Robin Hopcraft (Soothsayers)

a A1: Love Will Find A Way (Light Still Shines Version) [feat. Maia Avery & Akin Soul]
[b] B1: Love Will Find A Way (Victor Rice Dub) [feat. Maia Avery & Akin Soul]

[a] A1 | Love Will Find A Way (Light Still Shines Version) [feat Maia Avery & Akin Soul]
[b] B1 | Love Will Find A Way (Victor Rice Dub) [feat Maia Avery & Akin Soul]

MonsieurWilly – “Stomp” (Nu-Disco Remake of The Brothers Johnson) – 7" Vinyl Single Get ready to move your feet: MonsieurWilly revitalizes the timeless funk anthem “Stomp” by The Brothers Johnson with an electrifying Nu-Disco makeover. Pressed on a high-quality 45 RPM 7" vinyl, this remake blends vintage groove with modern dancefloor energy, delivering an irresistible combination for DJs, collectors, and funk-disco lovers alike.

MonsieurWilly’s production pays homage to the original’s infectious basslines and uplifting spirit while injecting fresh synth textures, crisp beats, and a stylish contemporary polish. The result is a vibrant re-imagining that feels both nostalgic and brand new— perfect for setting the tone at any party or adding standout flair to your vinyl collection. This is another special and exclusive 45/7“ release via Soulkitchen Distribution…

A brash, unapologetic blend of electronic, dance, punk, industrial, and pop music, No Lube So Rude exists at the intersection of the personal and the political, where the body serves not only as a sexual and spiritual vessel, but also as the front line in a battle for basic human rights. Peaches’ lyrics are bawdy and explicit here, laced with biting sarcasm and clever wordplay, but they’re also surprisingly vulnerable, offering up a candid look in the mirror from a post-menopausal queer icon reckoning with a society that’s come to expect silence, if not outright erasure. The result is a deliberately provocative exploration of identity, sexuality, and bodily autonomy from a trailblazer, a singular work of emotional and sonic alchemy that balances the poetic and the profane in equal measure as it transforms all the friction and frustration of modern life into joy and transcendence.

Daniele Baldelli
"A pleasant surprise to find in this release various atmospheres and sounds that have always been part of my DJing. It even made me rediscover M’Bamina, whom I used to play back in 1974 at the Tabù Club in Cattolica.
There are afro vibes as well, with Black Line – Myele, which is featured on one of my Cosmic tapes, and Nowhere by the Stratosferic Band recalls a track I used to play at the Baia degli Angeli…
Excellent work!"

Voom Voom Music was an independent Italian record label based in Turin, founded and managed by record producer Ivo Lunardi (Turin, December 6, 1940 – December 9, 2010). A pivotal figure in the Piedmont music scene, Lunardi was active both as a DJ and as the owner of several disco clubs.

The label operated for several years in the latter half of the 1970s, releasing mainly productions connected to the Italian dance and pop scene.
Since 2016, the original master tapes from the Voom Voom Music catalog have been owned by Gianluca Pandullo (I-Robots), a close friend of Ivo and Luca Lunardi. Through his labels Opilec Music and Turin Dancefloor Express, Pandullo oversees their preservation and historical enhancement.

The artistic direction of Voom Voom Music was marked by a distinct sonic identity — eclectic yet visionary. The Turin-based label founded by Ivo Lunardi embraced a sound that blended disco, pop, and rock influences, interwoven with African American grooves in a pioneering, international perspective.

Voom Voom Music was among the first Italian labels to introduce this kind of musical language in the country. A prime example is the Italian edition of the debut album by B.T. Express, Do It ('Til You're Satisfied), released in LP, 8-Track Cartridge, cassette, and 7" single formats.
The label’s productions clearly reflected the influence of black and funk music, as evidenced by the references and inspirations running through its catalogue. The track “Lady Pick-Up”, for instance, includes direct nods to “Do It Good” by KC & The Sunshine Band and Manu Dibango’s iconic “Soul Makossa”, revealing a musically refined and contemporary sensibility.

Among the label’s most representative works is Splash (1977) by the Stratosferic Band, a project conceived by Luigi Venegoni — producer, songwriter, and guitarist of Arti e Mestieri. Venegoni’s artistic journey spanned from progressive rock to space and Italo disco. The album artwork was designed by Piero D’Amore (1944 - 2022), a charismatic and multifaceted figure of Turin’s art scene (one of his works was even acquired by the MoMA in New York).
The record includes a disco reinterpretation of Van Morrison’s classic “Gloria”, and “Splashdown”, a track fusing the disco-rock energy of Rockets and Space. In contrast, “Nowhere” revisits the 1975 single by Hokis Pokis, a soul/disco band from Nassau County (New York), transforming it into a vibrant disco-funk number.

Another significant expression of the label’s catalogue is the afro-rock sound of M’Bamina, an Italo-Congolese group whose rhythmic energy and dialogue between African percussion and Western funk evoke the style of international formations such as Osibisa — themselves linked to a rich artistic history in Italy.

We’re proud to present the latest offering from Promising/Youngster & UF0, on the sublime Deep Techno / IDM imprint out of the UK, Fourier Transform

A lush 4-tracker. Uf0 and Promising/Youngster are the answer to a desire for breakbeats and perfect melodies. Radio plays to come from Damo Bs’ Outer Limits, Marcelo Tavares’ Deep Space, Richard Sens’ DoYouRadio

Uf0 and Promising/Youngster are the answer to a desire for breakbeats and perfect melodies. This is Uf0s’ (Sergio Garcia) second release on the label and when asked who he would like to be paired with, he wasted no time in suggesting fellow electronic musician and Spanish resident – Promising/Youngster (Diego Cardierno). This EP begins with P/Y’s “Random Memories” as tried and tested live by him last year and its big sound simply fills floors and gets feet moving. The second track of his is with a more subtle approach to the dancefloor but the analogue arpeggios and breaks still rock. Uf0 and his opening track “Sashita” uses vocals sparsely to create atmosphere and an epic soundscape. Ending the ep “La Musica Non Riporta De Te” opens with his trademark lush pads which drop into breaks, more well-crafted gentle melodies and of course “Bass”.

Between them both they have appeared on an impressive roster of underground labels - Wave Modulation, Analogica Force, Further Electronix, Adepta Editions, Altered Sense, Withold, Gated. Limited to 200 copies on marbled Eco vinyl, with painted sleeve, a sticker and an insert “Fun in the Sun”, giving you some interesting activities and experiments you can do using the power of the sun. Radio plays to come from Damo Bs’ Outer Limits, Marcelo Tavares’ Deep Space, Richard Sens’ DoYouRadio.

Limited to 200 copies worldwide!

Dylan Thomas of Patchouli Brothers fame is back with a pair of disco belters for the fifth edition of Dancing In Space's edits series. The opener, 'Sinner Man', is a real floorfiller with strings that reach for the heavens and trill with self-satisfied joy, while belting vocals bring a raw edge and funky bass gets lips curled. On the flip is 'Street Player,' which has a more lithe and jazzy vibe. This one is driven by live drums and big horns with a hooky vocal and majestic solos all sounding brilliantly lush. Two absolute weapons.

Worldwide Connexion (JGRVWAX007) is the seventh vinyl release on Junked Groove, bringing together five artists from four countries on one deep house / house record.

Side A opens with BMB SpaceKid, delivering an explosive cut driven by swinging percussion, vocal chops, and a heavy low-end. His beat-making roots are front and center, resulting in an undeniable dancefloor mover. Next up, DFRA & Nick Weaver take things into a more hypnotic territory: jazzy, minimal, and smooth, with flowing harmonies and subtle synth movements that quietly reveal a solid classical foundation behind the music.

On Side B, Detroit’s own Javonntte offers a raw house anthem. Pure groove, timeless energy, and that unmistakable feeling of being locked inside the track from the very first synth line. Closing the record, Junky Palms brings a UK-rooted groove built around classic house chords, layered with psychedelic and slightly tense synths. Cold Manchester air and rave nostalgia drift through the mix.

One record, four countries, five perspectives, one groove.

Modeselektor kündigen mit "Classics Vol. 1" einen neuen Release samt begleitender Live-Konzert-Tour an.

Mit "Classics Vol. 1" (CV1) veröffentlichen Modeselektor eine besondere Edition, die wie ein musikalischer Lebenslauf funktioniert. CV steht nicht zufällig für Curriculum Vitae. Eigentlich wollten Szary und Gernot alte Tracks aus ihren ersten beiden Alben "Hello Mom!" und "Happy Birthday!" neu aufnehmen. Doch was als Rekonstruktion begann, verwandelte sich fast vollständig in etwas Neues. Eine frische Sammlung von Stücken, die den Geist ihrer frühen Releases atmet, ohne sie einfach zu kopieren. Das Duo blickt zurück und erschafft dabei Zukunft. Tracks wie "KILL BILL Vol.4", "Edgar" und andere Albentitel dienten als Ausgangsmaterial, wurden zig mal auseinander und wieder zusammengebaut, neu interpretiert und dann doch in den meisten Fällen nur als abstrakte Inspiration verwendet. Das Ergebnis ist eine Rückschau, die sich emanzipiert hat. Ein mutiges Experiment, ein gescheiterter Versuch im allerbesten Sinne.

"Classics Vol. 1" schlägt so eine unerwartete Brücke zwischen damals und morgen und fasst alles zusammen, was Modeselektor ausmacht: Neugier, Chaos, Humor und ein unerschütterliches Bedürfnis, immer wieder Neues aus der eigenen Geschichte herauszuarbeiten. Und was passt besser zu Rückbesinnung, neuem kreativen Schub und Energie: Eine Tour. Modeselektor gehen 2026 auf eine ausgedehnte Konzertreise und spielen auch mehrere Festivals weltweit.

LIVE FROM MT. FUJI is a stunning new vinyl from visionary drummer and producer Yussef Dayes, capturing live performances of pre-released and new material featuring Minami Kizuki, as well as Yussef's regular collaborators Venna, Rocco Paladino and Elijah Fox. The project offers a rare window into Yussef’s creative world; a meeting of cultures, rhythms, and spirit inspired by the landscapes of Japan.

For its inaugural vinyl release, Saudi-based imprint Gabu steps boldly into the analog era with The Night We Had, a landmark record from Jerome (of Foehn & Jerome) in collaboration with Sonya Zlo. Heralding the start of the label’s physical catalogue, this first pressing introduces Gabu’s deep, groove-led ethos through an evocative vision of deep that balances emotional depth with dancefloor intuition.

Named after the Arabic word for basement, Gabu represents a space where sound is felt as much as it is heard, intimate, grounded, and conceived from the roots upward. The Night We Had embodies this spirit in full, capturing the essence of late hours, close rooms, and music that thrives in the underground

Limitiertes blaues 12“ Vinyl mit Siebdruck auf B-Seite inklusive 12“ Stickerbogen.
Artwork von Christopher Ian Macfarlane

Flying Lotus, der Produzent – auch bekannt als Steve Ellison – veröffentlicht Anfang März seine neue ‘BIG MAMA’ EP auf Brainfeeder: dem Plattenlabel aus Los Angeles, das er vor fast zwei Jahrzehnten gegründet hat und das seitdem Alben von renommierten Künstlern wie Thundercat, Hiatus Kaiyote, Kamasi Washington und vielen anderen veröffentlicht hat.
BIG MAMA fängt Ellison in einem Moment spontaner, ungezügelter Dynamik ein. Die EP ist dicht gepackt mit unterschiedlichen Sounds, Rhythmen und Effekten und liefert, wie er es selbst beschreibt, „experimentelle, maximalistische, hyperschnelle, elektronische Energie“, wobei sieben dynamische Tracks zu einer einzigen durchgehenden Komposition zusammengefasst sind, in der jeder Takt einzigartig ist und es keine Loops gibt.

Die EP, die innerhalb von zwei Monaten fertiggestellt wurde, zeigt Ellison mit einem deutlich anderen Ansatz bei seiner Produktion. Anstatt sich hinzusetzen und an einzelnen Tracks zu arbeiten, stattete er sein Studio mit einer Vielzahl neuer Tricks und Spielzeuge aus, nutzte Software-Synthesizer, um FM-, Wavetable- und Granularsynthese zu erforschen, sowie Second-Hand Drum Machines und verbrachte den ersten Monat damit, ein Skizzenbuch mit einzelnen Sounds für die nächste Phase des Prozesses zu erstellen. Von dort aus begann er, die akribischen Details der BIG MAMA-Welt aufzubauen, wobei er täglich nur 10 bis 15 Sekunden Musik fertigstellte, bevor er die Fragmente zu ihrer endgültigen Form zusammenfügte: ein mehr als dreizehnminütiger Strom des Bewusstseins, der weder durch Tempo noch Stil eingeschränkt ist.

Hector Ram and Ricky Ramirez are starting to celebrate ten years of Short Attention Records and it's US house stalwart DJ Aakmael they've enlisted to pop the champagne cork and cut the cake. He's one of those artists who turns out plenty of music, much of it sounding within the same consistent deep house framework. But there's always a little something to his tunes that keeps you coming back for more - a perfectly chosen sample, a nagging bassline, a sense of melancholy that you cannot escape. All of that is true on his latest. 'Things Always Happen' has keys that convey beautiful pain, then 'If You Believe' is a deep house haze with smudgy samples and blues-y ache. 'Free' is more light with trilling jazz-funk keys and earthy guitar frets sprinkled into the mix. 'Stopmotion' shuts down with a signature Aakmael bump. Just timeless stuff.

Bristol's Pessimist returns to UVB-76 Music with four tracks, zero filler and no wasted space. He is one of drum & bass's most distinctive voices and shows why once more here. 'Pess One' opens with clinical precision - pin-sharp drums where every element earns its place 'Pony Boy Club' drives harder, laser bleeps piercing cavernous reverb and kicks that never quit. 'NRG-97' reaches back into a nostalgic palette with dread-filled bass and dark percussion. Closing track 'Under Surveillance' is the moodiest of the lot - a claustrophobic, paranoid and unsettling world of Terminator terror.

The Saint Wax label branches out with a new series of edits from founder Eduardo Barbi aka Gledd, who traverses funk, disco and soul across five irresistible cuts. 'Street Preacher' has a spoken word that reminds of early rap days paired with a rousing choral backing, then 'Stevie's Word' turns up the funk with a chunky bassline. 'Do It For Me' is another gospel-fuelled pumper with big stabs ramping up the intensity and then 'Under The Moonlight' is a classy disco stomper lead by florid and chunky funk in the drums. 'Your Love' is an excitable finish with big horns, bigger chords and even bigger vocals. It's big, basically.

Musical maverick Mark de Clive-Lowe returns to his roots with a new electro-acoustic record ‘Dreamweavers', displaying his talent as a pianist and composer in partnership with creative collaborators bass player Andrea Lombardini and drummer Tommaso Cappellato.
De Clive-Lowe’s stylistic signature is usually found in his role as conductor, producer and manipulator of sounds behind his highly customized, mind-boggling setup of intertwining synths, drum machines and live-remixing technology. With all but a grand piano and a few keyboards stripped away from him, and the production in Lombardini and Cappellato’s hands, ‘Dreamweavers’ is the first non-self-produced MdCL album in 25 years.